[Leconte, Pierre]. - Poulaille, HenryAntiquariat.de
1619 resultados
1944ref. 52719Paris, Les Éditions Nationales, 1944. 4°. Mit 16 pochoirkolor. lithogr. Tafeln, 2 (1 kolor.) zusätzlichen Folgen der 16 Lithographien, 6 weiteren, nicht verwendeten Lithographien u. einer sign. mont. Orig.-Federzeichnung von Pierre Leconte. 356 S., 1 Bl. - Angeb. - Fargue, Léon-Paul. Présentation de 1900. (= La vie en France au début du XXe siècle). Ebda., 1944. Mit 12 Illustrationen von Dignimont. 20 nn. Bll. (die beiden ersten weiß), Rotbrauner HMaroquin-Bd. d. Zt. a. 4 Bünden m. etw. Rückenverg., goldgepr. Rückentitel u. den eingeb. OUmschlägen.
ref. 200917794Paris, Delaunay, libr, de son altesse royale madame La Duchesse d'Orléans Palais Ro, 1825 ; in-12, 489-571 pp., cartonnage de l'éditeur. Les 2 volumes. Deuxième edition - 1 carte déplaintes 2 plans dépliants, 1 fac-similé dépliant bon état demi-toile noir bon état.
1823ref. PHO-2030Paris, Persan, 1823. in 8, demi-veau rouge, dos lisse orné. Ouvrage illustré de 2 cartes dépliantes et de 4 planches lithographiées en couleurs., quelques rousseurs, coins usagés, coupes frottées, étiquette de la librairie Maisonneuve.
ref. 2293Nous proposons :- Robert Vivier. Délivrez nous du mal. Antoine le guérisseur. Grasset, 1956. Broché, 374 pp. Bel exemplaire. - Pierre Debouxhtay. Antoine le guérisseur et l'Antoinisme. D'après des documents inédits, illustré de huit gravures. Liège, Fernand Gothier, 1934. Broché, 321 pp. Des annotations au crayon sinon bon exemplaire.- L'Antoinisme ou la religion bizarre d'un faux prophète. Louvain, Éditions Rex, 1931. Plaquette agrafée de 64 pp. Bon exemplaire. - Antoine de Jemeppe et l'Antoinisme. Liège, Imprimerie Vaillant-Carmanne, 1918. Plaquette agrafée de 50 pp. Bon exemplaire. - Dernier compte rendu de la Grande Opération pour les Vivants et les Morts qui s'effectuait tous les ans, le jour de la Toussaint, à l'occasion de l'inauguration de L'École Morale située à roux (Hainaut-Belgique). Sans nom d'éditeur, 1915. Plaquette agrafée de 30 pp. Bon exemplaire. - Compte-Rendu de la Réunion du jour de la Toussaint, Jour de la grande opération pour les Vivants et les Morts. Sans lieu, sans nom d'éditeur, sans date. Avec une photographie de la maison du Père Dor. - Discours prononcé le Jour de la Toussaint à l'École Morale à Roux. 1913. Plaquette légèrement abîmée, état moyen. - L'Unitif. Bulletin du Culte Antoiniste Numéro 2. Série A. Fac-similé. - Une carte postale de 1917 représentant le Père Dor à l'occasion du procès qui lui fut attenté pour exercice illégal de la médecine. - Une carte postale représentant le temple de Jemappe.
ref. 12357A Lyon, De l'Imprimerie de Michel Goy, & aux despens de l'Aumosne Generale -1662 - / A Lyon, De l'Imprimerie de Jean Ayme' Ollier, & aux despens de l'Aumosne Generale - 1677 - Deux livres reliés en un volume petit In-4° ( 170 x 230mm ) 4f 156-4 p puis 22 1f, 8 pages , puis 4 feuillets ( paginé de 27 à 33) agréables lettrines et bandeaux, reliure plein veau, armoiries royales anciennement dorées au centre des plats estampés aux armes de Jean-Pierre Marie Ruolz Seigneur des trois fourneaux ( conseiller au siège présidial de Lyon en 1726 et mort en 1726 ) et encadrés de doubles filets dorés, dos à 4 nerfs richement orné de motifs répétés, tranches dorées, les deux coins supérieurs sont émoussés et la tranche de titre présente une gerce à la charnière sur cinq centimètres On notera également que lor des têtes et des motifs sont passés, moins sur le second plat Les coiffes sont intègres et lensemble offre une apparence solide et saine.Rousseurs sans gravité .
2009ref. x-1412935598Sage Pubns Ltd 2009. Hardcover. New. 614 pages. 10.00x7.25x1.50 inches. Sage Pubns Ltd hardcover
ref. DADAX1138775649Routledge 2019-06-25. 1. hardcover. New. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
ref. 26736866-nnew. unknown
ref. 22173London. 1897. 4pp 12mo. On four loose leaves. In fair condition lightly aged and worn with minor traces of grey paper mount along edges on blank reverses. The poem is titled 'The Dream of Fine Editors after the dinner to J. N. Dunn. April 23rd. 1897'. At the time of the dinner the Scottish journalist James Nicol Dunn 1856-1919 was on the verge of being appointed editor of the Morning Post a position he would hold from May 1897 to January 1905. There is no record of the poem having been published and it is likely to have been written for after-dinner recitation only. It is 72 lines long arranged in 18 quatrains. It begins: 'I dreamed I walked the Street of Bouverie Where are pale lamps that mock the sable night “The Halfpenny John” Bradbury et cie And also “Black & White”' Walking I heard a voice behind me say: “Not vainly are my Hours and minutes spent. I have a scheme – a cert. - can't fail – to pay Three hundred pounds per cent.”' The voice is that of the first of the five editors to appear to Pain in the poem Charles Norris Williamson 1859-1920 editor of 'Black and White': 'fair frock-coated tall Sanguine erratic with enquiring eye … 'Twas he the earliest figure of our past Who sowed the seed whereof we reap the flow'r'. Williamson departs 'With pince-nez gleaming like an angel's smile Went C. N. Williamson' to be replaced by the editor of 'Chapman's Magazine of Fiction': 'O Oswald Crawfurd 1834-1909 courtly consular With Fleet Street's maidens circling raind abait'. The third editor is an unnamed 'snappy man … And short and sharp barked out his little day; In all the converse of the C. M. G. Save that he didn't stay.' The fourth editor – 'who stammered stared with a lack-lustre eye' – is also unnamed. He is a disreputable editor: 'Took his own stories took his sister's too Likewise his cousin's and his aunt's as well. Sometimes we print them still – we're forced to do - But “Hell!” we murmur “Hell!”' The final editor is Dunn himself: 'The one that bragged the least and did the most Yet left a weekly illustrated place To take a morning post. And as I spoke with him the dream went by Through garden windows came the dawning sun And I was Barry Pain and knew that I Had dined with J. N. Dunn'. The poem ends with Pain asking pardon for drinking from 'a strictly “private” bottle': 'Contrition's tear-drop on my eye-lid starts - Partially drunk but like the curate's egg “Quite excellent – in parts”'. See Pain's entry in the Oxford DNB. [London. 1897.] unknown
2023ref. x-1032498579Routledge 2023. Hardcover. New. 472 pages. 9.00x6.00x1.22 inches. Routledge hardcover
2005ref. SONG0470012951Wiley 2005-05-20. 6. hardcover. Used: Good. 7.58x1.51x9.82. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
2014ref. x-0415822556Routledge 2014. Hardcover. New. 363 pages. 9.25x6.25x1.00 inches. Routledge hardcover
2000ref. x-0415198895Routledge 2000. Hardcover. New. 1st edition. 345 pages. 9.25x6.00x1.00 inches. Routledge hardcover
2008ref. x-0415405505Routledge 2008. Hardcover. New. 1st edition. 256 pages. 9.50x6.25x0.75 inches. Routledge hardcover
2023ref. x-1032309849CRC Pr I Llc 2023. Hardcover. New. 264 pages. 9.19x6.13x0.82 inches. CRC Pr I Llc hardcover
2022ref. x-1032051833Routledge 2022. Hardcover. New. 280 pages. 9.25x6.25x1.00 inches. Routledge hardcover
2024ref. x-0367023040Routledge 2024. Hardcover. New. 216 pages. 9.69x6.88x9.61 inches. Routledge hardcover
2019ref. x-0367323184Taylor & Francis 2019. Hardcover. New. 212 pages. 9.41x6.02x0.63 inches. Taylor & Francis hardcover
2025ref. x-103299830XRoutledge 2025. Hardcover. New. 178 pages. 9.18x6.12x9.21 inches. Routledge hardcover
ref. 6372676John Wiley & Sons . Papeback. New. pp. 576 John Wiley & Sons unknown
1905ref. 20072London: T. Fisher Unwin 1905. First edition. Endpapers tanned foxing to page edges and first few and last few leaves. Cloth rubbed some soiling to rear cover and some discoloration spots to spine a very good copy. 20072. Octavo pp. 1-8 1 2-206 207: printer 208: blank 4 page publisher's catalog inserted at rear original light blue cloth front and spine stamped in yellow purple and black rear stamped in black. A series of connected stories Dix helps those in need and also provides spiritual consul he hears information which helps him in his endeavors as a thief. "A series of adventures suggestive of Raffles but done in with greater literary art and an ironic turn of mind." - Barzun & Taylor A Catalogue of Crime 1989 4014. Laid in to this copy is a signed note from Pain declining a dinner invitation. Reference: Hubin p. 624. T. Fisher Unwin unknown
1960ref. 139504Universal City CA: Universal Pictures 1960. Vintage oversize double weight still photograph from the 1960 film depicting stars Doris Day and Rex Harrison relaxing on a restaurant set between takes. Based on the play "Matilda Shouted Fire" by Janet Green. Nominated for an Academy Award. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation on the verso in his hand. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 14 x 11 inches. Near Fine. Universal Pictures unknown
1960ref. 139504Universal City CA: Universal Pictures 1960. Vintage oversize double weight still photograph from the 1960 film depicting stars Doris Day and Rex Harrison relaxing on a restaurant set between takes. Based on the play "Matilda Shouted Fire" by Janet Green. Nominated for an Academy Award. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation on the verso in his hand. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 14 x 11 inches. Near Fine. Universal Pictures unknown books
1978ref. 204578Toronto: Van Nostrand Reinhold Company 1978. Hardcover. Fine/Fine. 9 1/2 x 12 1/2. Limited Edition. This book is number 345/400. Bound by hand using Canadian cowhide with an Oasis finish. The endpapers specially prepared by the silkscreen method and show a motif derived from traditional nineteenth century designs. SIGNED by author. Beautifully illustrated. 548 pages in excellent condition. Previous owner has used his book stamp on the title page. Comes in an illustrated slipcase which is also in fine condition. A beautiful book. FINE/FINE Van Nostrand Reinhold Company hardcover
ref. 44799188-nnew. unknown
