réf. 3760Paris, Nouvelle Librairie Nationale, 1926, 336 pp. in-8, br.
réf. NB2524Locomotive Spain COFFRET 3 CD PLUS LIVRET LOCOMOTIVE RECORDS 2007 Photos sur demande.
réf. 16948Evolution de la vie à sa surface. Son passé, son présent, son avenir. P. Reinwald, 1893. 2 volumes in-8. Demi basane, dos lisses ornés de filets. Reliure d'époque.
2016New English Paperback. Pbo. 4to. (31 x 24 cm). In English and Turkish. 112 p., b/w and color ills. Murat Akagündüz. VErtigi. [Exhibition catalogue]. Edited by Süreyyya Evren, Ilkay Baliç. Murat Akagündüz's exhibition Vertigo brings together 13 paintings from the "Kaf" series. In this new series the artist depicts some of world's highest mountain peaks as seen on Google Earth. How is the act of painting transformed once we rely upon the mediation of digital data to depict an actual physical landscape? The exhibition thus refers to the ontological consequences of such digital mediation in our relationship to the Earth and its implications in terms of vision and image production. While the series, named after the Kaf Mountain, emphasises a mythological narrative, each painting in the "Kaf" series takes its title from the latitude and longitude values defining the position of the images on Google Earth. Akagündüz offers us views over the peaks of the Alpide Belt, spreading across three continents, and provides us with the coordinates of the Kaf Mountains at the same time. In juxtaposing mathematical exactitude with the perceptually challenging monochromatic use of the colour white, Akagündüz's intention is to explore the minimal conditions of visual representation. The "Kaf" series, in its search for a language using different shades of white, winnows down the minimal conditions of pictorial representation to a bare-bones relationship between light and shade and approaches the threshold of visual perception. In the "Kaf" paintings, the line of the horizon is either invisible or it escapes the eye by merging with the upper corner of the canvas. Adopting a satellite view of the Earth the paintings represent a vertical, groundless perspective. As the horizon is nowhere to be found, our sense of being grounded in space is unsettled and a sense of vertigo sets in. This vertigo effect is also echoed in the spatial construction of the exhibition through a subtle intervention on the walls delineating the first floor of Arter. The "Kaf" paintings bring the process of emergence of image to the eye and to memory, between appearance and disappearance, through reverberations in time. At first sight, these appear to be abstract fragments that are difficult to read in terms of their relationships of scale to the reality they were cut off from. The even distribution of light on the entire surface and its movements through various shades of white, by evading the eye, catch and hold the gaze. The stains, which slip away and alter the moment we think we have caught an image, are contiguous with the void and create a silent space of tension. Vertigo denotes the dizziness and loss of balance felt when a subject or the objects surrounding them appear to be moving in space. As reflected through Murat Akagündüz' "Kaf" series, vertigo is a relational phenomenon, it points both to a spatial disorientation on psychological and physiological levels, and to an uncertainty regarding subject-object relationships as perceived within space. By opening up a space for silent contemplation, the paintings invite the viewer to sense the new possibilities found in this loss of ground and thus produce a new perception of the world.
1950réf. CSP-1859Imprimerie Bernard Borcard, 1950, in-8, 186 pages, avec 10 illustrations hors-texte et dédicacé par l'auteur à M. Michel Jaccard, Directeur de la Nouvelle-Revue de Lausanne. non coupé, en magnifique état
réf. 23858Paris, Larousse sans date, vers 1900, 320x240mm, IV - 329pages, reliure d'éditeur. Bel exemplaire.
1926Oversized hardcover, quarter bound in buckrman with gilt printing to the cloth sides. Includes 42 pages of colour-coded rainfall maps of the British Isles covering the years 1868-1923. Boards are lightly worn at corners and marked on front near lower edge. Penned annoations from previous owner's to FEP, no other extra markings. Endpapers and page block lightly foxed and lightly tanned. Spine is tight and the illustrations are all bright and clear. AD Used
réf. 24430Livre en parfait état, il serait comme neuf si le coin coin supérieur et inférieur droit de la couverture recto ne laissaient de très petits points blancs.
20014to., First Edition, text in Italian, with numerous fine full-page coloured photographs throughout, neat inscription on front free endpaper; blue cloth, upper board with coloured illustration (repeated from text) and lettered in gilt, gilt back, a near fine copy in unclipped dustwrapper. Superb and lavish photography.
1974réf. 117563Compagnie française des pétroles 1974 In-4 en feuillets libres sous chemise cartonnée. 33 cm sur 25. Etui et chemise avec déchirures marginales, sans gravité. Intérieur très frais. Bon état d’occasion.
1963réf. 97874Paris, Essor, coll. « Notre Terroir » 1963 In-8 23 x 14,5 cm. Broché, couverture ivoire, titre en rouge sur le premier plat, 493 pp., bibliographie, carte des régions de l’Orne, tableaux généalogiques, table des matières. Pliures sur le dos, intérieur frais.
1990réf. 26000Imprimerie des Arts et Manufactures 1990 Sedonde édition. In-4, pleine toile brune, sous jaquette illustrée, 21 pp. + 80 planches en couleurs. jaquette fanée
2003réf. 108357Bayard Editions, coll. « Bayard Compact » 2003 2 volumes. In-8 broché sous coffret.. 19 cm sur 12,5. 1050- 2085 pages. Cartes et plans dans chaque volume. Etui légèrement fendu.Bon état d’occasion.
1993réf. 70758Editions du Centre Pompidou 1993 In-4 broché. 224 pages. Couverture décolorée par le soleil. bon état d’occasion.
1977cm. 17,5 x 25, 224 pp. Testi medievali di interesse dantesco 484 gr. 224 p.
1837avant-propos, instruction 1 13.4x8.3 cm., pagg. XII,348, legatura coeva alla rustica, onzi?me edition, in francese
1864réf. 12968Librairie de L. Hachette et Cie 1864 580 pages IN4. 1864. reliure editeur. 580 pages. Cet ouvrage de Louis Figuier publié par Hachette et Cie décrit la Terre et les mers sous leurs aspects physiques. Il s'agit d'une œuvre de vulgarisation scientifique du XIXe siècle richement illustrée de gravures et de cartes qui fait suite à 'La Terre avant le déluge'
réf. 561829P., Librairie classique Eugène Belin frères, 1884. Petit in-8, pleine percaline rouge de l'époque, ornée à froid, fer doré au premier plat aux armes de la Ville de Paris "Prix Municipal", VIII-656 pp., 37 vignettes et 35 cartes dont 9 en couleurs h.-t., une dépliante. Index.
1899In 4° grande (33x25 cm); (4), 267, (1) pp. Legatura editoriale in piena tela rossa con fregi e vignetta impressa a secco in oro e nero al piatto anteriore e al dorso (difetto alla cerniera anteriore rinforzata con colla e leggermente lenta).Tagli in oro. Antica dedica manoscritta alla prima carta bianca. Prima edizione di questo celebre viaggio fotografico a Gerusalemme e nella Palestina di fine ottocento. L'opera è arricchita da centinaia di foto, molte delle quali anche a piena pagina. L'opera racconta con testo e immagini un viaggio attraverso: Jaffa, Jerusalem, la Voie Douloureuse et le Saint-Sepulcre, Le Mont Sion et le Moriah, la Giudea, Bethleem et le Jourdain (Bethanie, Jericho, Mar Morto), Hebron e Ain-Karim, la Samarie (El Bireh, Nazareth, Silo, Bethulie, Sunam, Naim), e la Galilee (Le Cison, Carmel, Thabor, Damasco, Cana ecc.). A parte il difetto alle cerniere (che si presento leggermente lento anche a pagina 16, l'opera si presenta in buone condizioni di conservazione.
réf. 561401P., Guilmoto, 1913. Fort in-8, broché, [4]ff.-370 pp.-[3]ff., 31 ill. et cartes en couleurs hors texte, bibliographie.
1911réf. 501971Sumtus fecit libraria geographica Diterici Reimer ( Ernesti Vohsen ) Berolini 1912, d.i. Dietrich Reimer (vormals Ernst Vohsen) in Berlin 1911. Landkarte mit der Blattgröße 51 x 65 cm. Grenzkoloriertes Originalblatt im Maßstab 1: 35 000 000, Kartengröße 43x56 cm zzgl. Über- und Unterschrift. Darstellung in gerundeter Form-unten die Legenden. Rückseitig oben rechts mit gedrucktem Kartentitel und der Blattnummer und mittig gestempelt mit "Seminare f. Staatenkunde u. hist. Geographie-Universität Berlin" der Humboldt-Universität und "Ausgesondert". Die Karte an den Ecken und Rändern mit minimalen Faltstellenden und kleinen Einrissen, rechtsseitig eine längs-Faltstelle, komplett lateinisch beschriftet, ohne den erläuternden Text in deutsch. Sauberes und wohlerhaltenes Exemplar.
1984Hardcover in good condition. Ex-academic library, with shelfmark on jacket's spine, stamps on page block, marks on pastedowns (with plate on front pastedown), and library sheet on FEP. Jacket is worn at edges, corners and spine ends, with lesser corresponding wear to hardcover beneath. Taped repair on rear lower corner of jacket. Pages are sound and all text is clear. TS Ex-Library
1953réf. 4161953 broché (paperback) grand in-octavo, dos et couverture marrons imprimés (spine and cover printed), sans illustration (no illustration), 340 pages, 1953 à Paris Editions de la Revue "Vivre en Harmonie",
1879réf. 66481879 cartonnage romantique in-octavo, dos et plats décorés or - rouge et noir orné au centre du premier plat d'une chromolithographie représentant des enfants jouant au bilboquet, léger manque à la coiffe inférieure, orné d'un portrait de Parmentier en frontispice, 141pages, 1879 Tours Alfred Mame et Fils Editeur,
1855réf. 40001855 plaquette in-octavo, dos et couverture bleus, long papier, mouillures, de la page 587 à la page 697, Novembre 1855 Paris Imprimerie et Librairie Administrative de Paul Dupont,
