Rocha, James,Biblio.com
réf. 35899075like new. unknown
2013réf. x-9401741603Springer Verlag 2013. Paperback. New. 592 pages. 11.02x8.35x1.18 inches. Springer Verlag paperback
réf. Bloomsbury-9780313328428Greenwood. Hardback. New. 232 pages Greenwood hardcover
réf. Bloomsbury-9780313328428Greenwood. Hardback. New. 232 pages Greenwood hardcover
réf. Bloomsbury-9781350425590Bloomsbury Academic. Hardback. New. 304 pages Bloomsbury Academic hardcover
réf. Bloomsbury-9781350425590Bloomsbury Academic. Hardback. New. 304 pages Bloomsbury Academic hardcover
réf. 35871907-nnew. unknown
réf. CBS 9780521782456US Edition. New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
1964réf. 140685Cannes France: N.p. 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival the seventeenth one to be held that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film the name used until 1974 when it returned to its former title. French and English language. Films represented in the collection include George Roy Hill's "The World of Henry Orient" Gianfranco Mingozzi's "I mali mestieri" 1963 documentary of the city of Palermo Gyula Macskassy and Gyorgy Varnai's "1 2 3." Hungarian short film on mathematics Nobuko Shibuya's Grand Prix award winning "The Price of Victory" Japanese volleyball documentary Glauber Rocha's "Black God White Devil" a Brazilian Western. Also included is a credit sheet detailing a special showing of "Naissance du Cinema" a documentary about Louis Lumiere held in the Grand Hall at the festival presented on the centennial of Lumiere's birth. Programs and credit sheets housed in a "Henry Orient" promotional folder. Near Fine overall. N.p. unknown
réf. Cambridge-9781108840484Cambridge University Press. HARDBACK. New. LAW UK constitutional and administrati Cambridge University Press hardcover
réf. Cambridge-9781108840484Cambridge University Press. HARDBACK. New. LAW UK constitutional and administrati Cambridge University Press hardcover
1957réf. 138455Universal City CA: Universal Pictures 1957. Revised First Draft script for the 1958 film. Brief notation in manuscript pencil on the front wrapper verso. Based on the novel and written for the screen by Ernest K. Gann about a disgraced former Navy captain Hudson piloting a disparate group of passengers through a storm on a rundown schooner. Green titled wrappers dated June 13 1957 noted as REVISED FIRST DRAFT SCREENPLAY. Title page present undated noted as Revised First Draft Screenplay with a credit for screenwriter-novelist Gann. 156 leaves with last page of text numbered 151. Multilith duplication with blue revision pages throughout dated 7/11/57. Pages and wrapper Near Fine bound with three gold brads. Universal Pictures unknown
réf. PD58Gelatin silver print ca. 18x235 cm 7 ¼ x 9 ¼ in. Mounted on the original photographer’s card with blind stamped address and signature “La Roche” on the lower margin. Signed and titled in negative. Mount with minor chipping on the extremities otherwise a very good photo. “A prolific landscape photographer he reputedly made over 100 round trips to Alaska. His only trip into the Yukon interior was in the late summer and fall 1897. Views from his summer 1897 journey were copyrighted that year and published in an 1898 souvenir album one of the earliest printed works to depict the harrowing trip faced by the gold-hungry hordes” “Camera Workers…” online vol. 1. “Frank La Roche was born in Philadelphia where he learned the trade of photography. He arrived in Seattle just after the great fire of June 1889 to find the city in ashes but soon opened a gallery in the Kilgen block on 2nd Avenue. His studio in addition to high-class portrait photography specialized in scenic and industrial views of western Washington state. He produced extensive views of the Seattle waterfront streets and buildings early Everett land speculation ships logging activities and American Indians. In addition he traveled in California the western United States and along the line of the Canadian Pacific Railway taking scenic views which he produced for sale to travelers. He also made numerous trips to southeastern Alaska and the Yukon Territory photographing among others scenes during the Klondike gold rush ca. 1897-1899. These included views of his experiences traveling from Dyea Alaska over the Chilkoot Pass into British Columbia to reach the gold fields. He sold mounted prints of his travels but preferred to reach a larger audience through his six-part album entitled Enroute to the Klondike” Frank La Roche photograph collection/ University of Washington Libraries online. unknown
1987réf. 501734New York: Pantheon Books 1987. Softcover. Near Fine. Uncorrected proof. Quarto. 300pp. Illustrated in the text. Spiral bound printed yellow wrappers. Some slight soiling on the wrappers else near fine. Rare in this format. Pantheon Books unknown
1974réf. 137057N.p.: Sandy Howard Production 1974. Two Draft scripts for the 1976 film. One script a Final Draft belonging to an auditioning actor Jenny Sullivan with her name in manuscript ink on the front wrapper; the other script is bound in red faux leather with gilt tiles a color photograph of a human fetus bound in and both scripts bear letters from a professor at the University of California describing the possible methods and techniques detailed in the screenplay and their applicability to contemporary 1974 ethical and legal conditions. Brief annotations on laid-in slips in manuscript ink throughout the first script. Laid in is a signed letter from director Nelson to Jenny informing her that she is a finalist for the role of Victoria ultimatly the role went to Barbara Carrera. An exploitation film owing much to "Bride of Frankenstein" as well as the technological advances with DNA in the 1970s. Dr. Paul Holliston Hudson is a scientist who discovers a method to accelerate the birth cycle to just a few days. The maturation process has detrimental side effects and the mature adult a woman shows homicidal tendencies. Set in Los Angeles. First script: Light blue titled wrappers undated. Title page present undated noted as FINAL DRAFT with credits for screenwriters Thomas and Doohan. 122 leaves with last page of text numbered 119. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two silver brads. Second script: Red faux leather titled wrappers. Title page present undated with credits for screenwriters Thomas and Doohan. 140 leaves with last page of text numbered 136. Mechanical duplication with a color photograph Near Fine overall bound internally with three gold brads. Muir 1970s. Sandy Howard Production unknown
réf. 16-3840Circa 1970s. Etching on thick paper with wide margins. 31 x 21 cm. image size. One of 60 signed numbered and titled impressions.Provenance Suzy Locke. Circa 1970s unknown
1954réf. ABE-1746200157219The Harvill Press 1954. London: The Harvill Press 1954. 8vo 228 p. original blue cloth with spine stamped in gilt. First edition of this satirical novel by the Bloomsbury Group associate and life long partner of Duncan Grant who provided the head piece decorations throughout. Book slightly cocked; some creasing internally cloth lightly scuffed and mottled; light spotting to top page ends; else a VG copy in a VG only jacket with moderate foxing and spotting to both panels and to spine with foxing to jacket verso but with price of 10s 6d net intact. Scarce. 1st Edition. Hardcover. Very Good/Dust Jacket Included. The Harvill Press Hardcover
1964réf. 140685Cannes France: N.p. 1964. Original souvenir programs and film credits material showcasing some of the films from the 1964 Cannes Film Festival. It was this festival the seventeenth one to be held that the award name was changed from the Palme d'Or to the Grand Prix du Festival International du Film the name used until 1974 when it returned to its former title. French and English language. Films represented in the collection include George Roy Hill's "The World of Henry Orient" Gianfranco Mingozzi's "I mali mestieri" 1963 documentary of the city of Palermo Gyula Macskassy and Gyorgy Varnai's "1 2 3." Hungarian short film on mathematics Nobuko Shibuya's Grand Prix award winning "The Price of Victory" Japanese volleyball documentary Glauber Rocha's "Black God White Devil" a Brazilian Western. Also included is a credit sheet detailing a special showing of "Naissance du Cinema" a documentary about Louis Lumiere held in the Grand Hall at the festival presented on the centennial of Lumiere's birth. Programs and credit sheets housed in a "Henry Orient" promotional folder. Near Fine overall. N.p. unknown books
1957réf. 138455Universal City CA: Universal Pictures 1957. Revised First Draft script for the 1958 film. Brief notation in manuscript pencil on the front wrapper verso. Based on the novel and written for the screen by Ernest K. Gann about a disgraced former Navy captain Hudson piloting a disparate group of passengers through a storm on a rundown schooner. Green titled wrappers dated June 13 1957 noted as REVISED FIRST DRAFT SCREENPLAY. Title page present undated noted as Revised First Draft Screenplay with a credit for screenwriter-novelist Gann. 156 leaves with last page of text numbered 151. Multilith duplication with blue revision pages throughout dated 7/11/57. Pages and wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
1987réf. 501734New York: Pantheon Books 1987. Softcover. Near Fine. Uncorrected proof. Quarto. 300pp. Illustrated in the text. Spiral bound printed yellow wrappers. Some slight soiling on the wrappers else near fine. Rare in this format. Pantheon Books unknown books
1974réf. 137057N.p.: Sandy Howard Production 1974. Two Draft scripts for the 1976 film. One script a Final Draft belonging to an auditioning actor Jenny Sullivan with her name in manuscript ink on the front wrapper; the other script is bound in red faux leather with gilt tiles a color photograph of a human fetus bound in and both scripts bear letters from a professor at the University of California describing the possible methods and techniques detailed in the screenplay and their applicability to contemporary 1974 ethical and legal conditions. Brief annotations on laid-in slips in manuscript ink throughout the first script. Laid in is a signed letter from director Nelson to Jenny informing her that she is a finalist for the role of Victoria ultimatly the role went to Barbara Carrera. An exploitation film owing much to "Bride of Frankenstein" as well as the technological advances with DNA in the 1970s. Dr. Paul Holliston Hudson is a scientist who discovers a method to accelerate the birth cycle to just a few days. The maturation process has detrimental side effects and the mature adult a woman shows homicidal tendencies. Set in Los Angeles. First script: Light blue titled wrappers undated. Title page present undated noted as FINAL DRAFT with credits for screenwriters Thomas and Doohan. 122 leaves with last page of text numbered 119. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two silver brads. Second script: Red faux leather titled wrappers. Title page present undated with credits for screenwriters Thomas and Doohan. 140 leaves with last page of text numbered 136. Mechanical duplication with a color photograph Near Fine overall bound internally with three gold brads. Muir 1970s. Sandy Howard Production unknown books
réf. 19898084like new. unknown
