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2016ril. Nel 1970 Giorgio Gaber abbandona il mercato discografico e la televisione per dedicarsi al teatro: è l'anno de Il Signor G. È l'inizio di una fase totalmente nuova, in cui il cantautore milanese sceglie di confrontarsi attraverso i suoi spettacoli con il pubblico - costituito in gran parte dai giovani protagonisti del Sessantotto - sulla possibilità effettivamente di cambiare il mondo. "La magnifica illusione" è la storia di Giorgio Gaber, ovvero di un ragazzo che voleva fare il rock and roll, che ha contribuito "all'invenzione" della canzone d'autore ed è andato ben al di là dell'etichetta di "cantautore", fino a diventare un intellettuale e un divulgatore provocatorio e mai scontato. Difficile, oggi, pensare che un cantante possa aver fatto tutto questo. Difficile pensare che c'è stata un'epoca in questo Paese, non tanti anni fa, in cui tante e tanti credevano che la rivoluzione fosse dietro l'angolo.
réf. 2756081027.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 8483653680.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. BN324680Editions du Mot Passant. Softcover. La Messagère du Printemps La Messagère du Printemps Nathalie Roche Editions du Mot Passant paperback
2022réf. I-289-581Editions du Mot Passant 2022. Paperback. Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Editions du Mot Passant paperback
réf. LDM0019027We ship worldwide. 100% guarentee. BRAND NEW unknown
réf. BN635611La mia primissima storia del Natale - Ayliffe Alex La mia primissima storia del Natale - Ayliffe Alex Lois Rock unknown
1924réf. 2729Paris: Imprimerie Croutzet et Depost 1924. First edition. Original wrappers. Very Good. FIRST EDITION of Roche's surreal dadaist roman à clef exposing the misogynistic world of the French avant-garde. With annotations likely in Roche's hand. Like too many women artists of the early twentieth century French writer and artist Juliette Roche 1884 - 1980 has been long overshadowed by her male contemporaries. Roche came of age amidst leading artistic and literary salons of early 20th century Paris. She studied at Académie Ranson then considered the absolute best art school in Paris and was an early adopter of Cubism. However she is most closely associated with Dadaism. Despite Dada being a movement of absolute rebellion it harbored the normalized misogyny of the early twentieth century. Roche's most explicit critique of this discrepancy of rebellion vs repression can be found in La Minéralisation de Dudley Craving Mac Adam her groundbreaking novella. Part satire and part Dada nonsense the thinly veiled roman à clef is a prime example of the daring poetic style that Roche developed while living in New York during World War I. Having watched artistic vanguards come and go in Paris' salons and exhibitions Roche observed the New York City hijinks of Francis Picabia French 1879 - 1953 and Marcel Duchamp 1887 - 1968 with a level of detachment that alluded their American peers. She had close access to Picabia perhaps too close: in 1917 he and his wife Gabrielle Buffet-Picabia moved into an apartment directly beneath one Roche shared with her husband Albert Gleizes a French artist and philosopher who helped popularize Cubism on the Upper West Side. While Roche admired Picabia's iconoclasm she was disturbed by the misogyny she saw in works like his manometres where woman as 'la machine' was at best a manipulable object at worst the butt of a private joke. If taking Roche's ambivalence towards and her neighborly proximity to Picabia into consideration the novella could be inspired in part by an age-old story: pure contempt of one's neighbor. The novella is an indirect indictment of certain illicit behaviors Roche found annoying and dangerous. She synthesizes her fellow expatriates' personalities and physical traits to create the decadent Mac'Adam and the men he encounters on the day of his demise. Picabia becomes Mac'Adam. Swiss writer and boxer Arthur Craven 1887 - 1918 lends his name to the protagonist while becoming Lloyd Willow. Juliette Roche herself appears as Juliette Granite a play on words since roche means rock in French. Roche spins the narrative in poetic and surreal fragments at turns absurd and others told in a stream-of-consciousness style. La Minéralisation moves beyond conventional storytelling to allow readers into the minds of her characters through rich interior monologues revealing in each case her estimation of the particular model's idiosyncrasies. Roche seemed to find the antics of the all-male world of the Dadaists to be too limited and they're wickedly satirized among these pages. Written in ink on the first page is "Publié dans 'La Vie des Lettres' en 1921 / New York 1918" and there are a few words written on page 20 in the same hand. It appears to be Roche's handwriting from the few samples we've seen but we can't guarantee it. Paris: Imprimerie Croutzet et Depost 1924. Thin octavo 33pp terminal blank original printed wrappers stapled as issued; custom box. Small tear and split at top of spine; a near-fine extremely well-preserved copy. EXCEEDINGLY RARE: We can find records of no other copies that have been on the market. References: Burke Carolyn "Recollecting Dada: Juliette Roche." Women in Dada: Essays on Sex Gender and Identity edited by Naomi Sawelson-Gorse MIT Press 1998 557. Imprimerie Croutzet et Depost unknown books
1924réf. 2729Paris: Imprimerie Croutzet et Depost 1924. First edition. Original wrappers. Very Good. FIRST EDITION of Roche's surreal dadaist roman à clef exposing the misogynistic world of the French avant-garde. With annotations likely in Roche's hand. Like too many women artists of the early twentieth century French writer and artist Juliette Roche 1884 - 1980 has been long overshadowed by her male contemporaries. Roche came of age amidst leading artistic and literary salons of early 20th century Paris. She studied at Académie Ranson then considered the absolute best art school in Paris and was an early adopter of Cubism. However she is most closely associated with Dadaism. Despite Dada being a movement of absolute rebellion it harbored the normalized misogyny of the early twentieth century. Roche's most explicit critique of this discrepancy of rebellion vs repression can be found in La Minéralisation de Dudley Craving Mac Adam her groundbreaking novella. Part satire and part Dada nonsense the thinly veiled roman à clef is a prime example of the daring poetic style that Roche developed while living in New York during World War I. Having watched artistic vanguards come and go in Paris' salons and exhibitions Roche observed the New York City hijinks of Francis Picabia French 1879 - 1953 and Marcel Duchamp 1887 - 1968 with a level of detachment that alluded their American peers. She had close access to Picabia perhaps too close: in 1917 he and his wife Gabrielle Buffet-Picabia moved into an apartment directly beneath one Roche shared with her husband Albert Gleizes a French artist and philosopher who helped popularize Cubism on the Upper West Side. While Roche admired Picabia's iconoclasm she was disturbed by the misogyny she saw in works like his manometres where woman as 'la machine' was at best a manipulable object at worst the butt of a private joke. If taking Roche's ambivalence towards and her neighborly proximity to Picabia into consideration the novella could be inspired in part by an age-old story: pure contempt of one's neighbor. The novella is an indirect indictment of certain illicit behaviors Roche found annoying and dangerous. She synthesizes her fellow expatriates' personalities and physical traits to create the decadent Mac'Adam and the men he encounters on the day of his demise. Picabia becomes Mac'Adam. Swiss writer and boxer Arthur Craven 1887 - 1918 lends his name to the protagonist while becoming Lloyd Willow. Juliette Roche herself appears as Juliette Granite a play on words since roche means rock in French. Roche spins the narrative in poetic and surreal fragments at turns absurd and others told in a stream-of-consciousness style. La Minéralisation moves beyond conventional storytelling to allow readers into the minds of her characters through rich interior monologues revealing in each case her estimation of the particular model's idiosyncrasies. Roche seemed to find the antics of the all-male world of the Dadaists to be too limited and they're wickedly satirized among these pages. Written in ink on the first page is "Publié dans 'La Vie des Lettres' en 1921 / New York 1918" and there are a few words written on page 20 in the same hand. It appears to be Roche's handwriting from the few samples we've seen but we can't guarantee it. Paris: Imprimerie Croutzet et Depost 1924. Thin octavo 33pp terminal blank original printed wrappers stapled as issued; custom box. Small tear and split at top of spine; a near-fine extremely well-preserved copy. EXCEEDINGLY RARE: We can find records of no other copies that have been on the market. References: Burke Carolyn "Recollecting Dada: Juliette Roche." Women in Dada: Essays on Sex Gender and Identity edited by Naomi Sawelson-Gorse MIT Press 1998 557. Imprimerie Croutzet et Depost unknown
2019réf. 2-6200041733Editorial Académica Española 2019. Paperback. New. 72 pages. Spanish language. 8.66x5.91x0.17 inches. Editorial Académica Española paperback
réf. M04D-04442Suma. Used - Very Good. Very Good condition. Spanish edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name short gifter’s inscription or light stamp. Suma unknown
réf. Q-9870405592Suma. Paperback. New. New. In shrink wrap. Looks like an interesting title! Suma paperback
2018brossura La vertiginosa ascesa dei Beatles, da Liverpool, nord periferico di un paese ormai alla fine dell'Impero, agli Stati Uniti, nuova potenza egemone globale, al mondo, fra musica, cultura e società. Una storia che forgiò la grammatica emotiva con la quale una generazione di teenager lanciò la sfida di nuove forme del vivere e dello stare insieme. Una storia di rapporti culturali, di produzione e consumo di musica, di concerti, incisioni e strepiti di ragazze e ragazzi attraverso l'Atlantico, sullo sfondo della guerra fredda e del Vietnam, delle agitazioni razziali e giovanili. La storia di come quattro talentuosi fan del rock'n'roll divennero musicisti e poi star, conquistarono l'autonomia autoriale che rivoluzionò il modo di fare musica incrociando e influenzando le speranze, le inquietudini, i furori di un'età in fermento. In un difficile equilibrio fra successo e ricerca di sé, convergenze e tensioni di pubblico e privato, seduzioni dell'establishment, ribellismo giovanile, aspirazioni artistiche e alla celebrità.
réf. 2756050253.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2010réf. G2755001119I3N00EXCELSIS 2010. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. EXCELSIS hardcover
réf. 620225985X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011ill., br. Analizzando la discografìa di oltre quaranta gruppi e cantanti, il saggio di Gargano e lannetti si propone di studiare i rapporti che intercorrono, lungo il decennio 1965-1975, tra il sound della Nazione Hippie e l'Oriente. I_a sezione "Gli innocenti all'estero" illustra i debiti che la musica inglese ha nei confronti di quella indiana. A partire dai Beatles, e in particolare da George Harrison, tale ascendente si esercita muovendosi in tutte le direzioni: il folk la psichedelia il progressive; il rock; il pop; il jazz. "Gli agnelli d'America" ci mostra come la musica a stelle e strisce, segnata dalla guerra in Vietnam e dai violenti scontri razziali, non si sottragga alla moda dell'orientalismo e, grazie a innumerevoli mediazioni culturali (Thoreau, Kerouac, Ginsberg, Pirsig), riservi grande spazio all'orient blues della Butterfìeld Blues Band; al raga rock dei Byrds; al magic train di Crosby, Stills & Nash; all'amore, alla devozione e all'abbandono di Santana. "Indiani d'Italia" descrive come il caldo Vento dell'Est soffi anche sul Bel Paese, spazzando via le nuvole di Canzonissima e di Sanremo in virtù della world music degli Aktuala e dei N.A.D.M.A., dello space rock dei Brainticket, dell'omaggio ad Alien Ginsberg dei Living Music, dell'attaccamento a Krishna di Claudio Rocchi e della voce-strumento di Alan Sorrenti.
réf. Juanpebooks073888WE ship worldwide. Brand new 100%guarentee unknown
réf. 2020962748.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 6204154508.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2 volumes in-16, 237-230 pages, abdt ill.h..t. n../coul., index, broche, couverture illustree Bel ensemble. [MB] T. I : Structure, mouvements, évolution - T. II : Atmosphère, place dans l'univers.
1935réf. 4000525841935. 1935. Andrée Roche: La plasticité des protéides et la spécificité. / Hermann&Cie 1935 . bon état Très bon état unknown
réf. 2020233568.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004réf. 102096Barron's Educational Series July 2004. Trade Paperback. Used - Very Good. Barron's Educational Series paperback
réf. 3847368478.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
