15.053 risultati
1970rif. 052817Istanbul: Üç Hürel Moda Cd. 245 Kadiköy - Istanbul - Tel. 375100. ca. 1970s 1970. No Binding. Very Good. Original b/w advertisement of Turkish Rock Band Üç Hürel signed and inscribed by Feridun Hürel as 'Atilla'ya sevgiler'. Oblong: 11x165 cm. In Turkish. Photograph on the advertisement shows three members and brothers of Üç Hürel. Üç Hürel was a Turkish rock band formed in 1970 by brothers Onur Haldun and Feridun Hürel. Considered as among Turkey's most popular Anatolian rock bands the band performed folk-driven pop and rock music and occasionally also paraphrased classic folk songs with considerable ingenuity. Their lyrics generally featured themes such as peace and freedom. Hürel brothers were born in Trabzon and later moved to Istanbul due to family business. In 1966 the brothers formed their first band Yankilar which was later renamed to Istanbul Dörtlüsü. The band performed in small music halls and tried to synthesize Turkish music and traditional rock formats. After forming a number of other bands including Trio Istanbul Oguzlar and Biraderler Feridun became a member of the Selcuk Alagöz Orchestra. Haldun and Onur later joined him to gain experience and earn money for new equipment. In 1970 they left the orchestra to form 3 Hur-El. Following the release of their debut single in 1970 "Ve Ölum/Seytan Bunun Neresinde" the band released two LPs and more than ten singles in six years. In 1977 Haldun and Feridun left the band for mandatory military service. Coping with the loss of their mother to a traffic accident the brothers quit music. Feridun moved to England but returned without any significant accomplishments subsequently returning and specializing in advertising. Onur took a job as an instructor and Haldun started a ceramics and textiles business. 3 Hür-El reunited in 1996 releasing two records in 1996 and 1999 respectively. The band's 1970 song "Ve Ölüm" was featured in the 2013 Serge Bozon film Tip Top. Source: Wikipedia. Üç Hürel, Moda Cd. 245 Kadiköy - Istanbul - Tel. 375100., [ca. 1970s] unknown
1971rif. 43806Hull: Hull University 1971. First Edition. Very good. Original poster for an Afro Rock event at Hull University featuring one of the most important bands of the movement Assagai. Afro Rock which had its strongest incarnation in the UK in the late sixties and early seventies combined Western rock instrumentation with African and Afro-Cuban rhythms and percussion. Assagai featured emegrees from both South Africa and Nigeria as well a Ghana; the lineup included drummer Louis Moholo trumpeter/flautist Mongezi Feza alto saxophonist Dudu Pukwana tenor saxophonist Bizo Mngqikana guitarist/bassist Fred Coker their chief songwriter and Terri Quaye - the first professional female congaist in the UK. Assagai issued just two highly-reguarded albums both in 1971 on Vertigo Records one of the few if not the only all-black band signed to that legendary rock label and this poster dates from that peak. While they broke up shortly after this gig the members went on to long careers in various other jazz and prog groups. A striking poster from this significant but poorly documented group. Poster silk-screened in blue gold and red. Mild wear creasing. Some rubbing. Else bright and sound. Very good. Hull University unknown
1971rif. 43806Hull: Hull University 1971. First Edition. Very good. Original poster for an Afro Rock event at Hull University featuring one of the most important bands of the movement Assagai. Afro Rock which had its strongest incarnation in the UK in the late sixties and early seventies combined Western rock instrumentation with African and Afro-Cuban rhythms and percussion. Assagai featured emegrees from both South Africa and Nigeria as well a Ghana; the lineup included drummer Louis Moholo trumpeter/flautist Mongezi Feza alto saxophonist Dudu Pukwana tenor saxophonist Bizo Mngqikana guitarist/bassist Fred Coker their chief songwriter and Terri Quaye - the first professional female congaist in the UK. Assagai issued just two highly-reguarded albums both in 1971 on Vertigo Records one of the few if not the only all-black band signed to that legendary rock label and this poster dates from that peak. While they broke up shortly after this gig the members went on to long careers in various other jazz and prog groups. A striking poster from this significant but poorly documented group. Poster silk-screened in blue gold and red. Mild wear creasing. Some rubbing. Else bright and sound. Very good. Hull University unknown
1974rif. 42452Flint: Brass Ring/WABX 1974. Fine. SUPPORT SUBURBAN ROCK AND ROLL!" The Dolls were presumably on tour to promote their recently released second album TOO MUCH TOO SOON while Kiss's self-titled debut album had been released only several months prior. An early record of KISS's career and their meteoric rise to fame alongside the Dolls who were one of their major precursors in glam rock. Broadside 17" by 11" approx. Purple sheet printed offset recto only in dark blue. Fine. Clean and vivid. Brass Ring/WABX unknown
1974rif. 42452Flint: Brass Ring/WABX 1974. Fine. SUPPORT SUBURBAN ROCK AND ROLL!" The Dolls were presumably on tour to promote their recently released second album TOO MUCH TOO SOON while Kiss's self-titled debut album had been released only several months prior. An early record of KISS's career and their meteoric rise to fame alongside the Dolls who were one of their major precursors in glam rock. Broadside 17" by 11" approx. Purple sheet printed offset recto only in dark blue. Fine. Clean and vivid. Brass Ring/WABX unknown
1952rif. 164769Universal City: Universal Pictures 1952. Vintage publicity photograph of actor Rock Hudson. Newspaper clippings and date stamps on the verso. Hudson signed a long-term contract with Universal-International in 1949. He received his first film credit with the studio the same year in William Castle's "Undertow" but would not be promoted to leading man status until 1952 when he would appear opposite Yvonne De Carlo in "Scarlet Angel." 8 x 10 inches. Very Good with emulsion moderately cracked. Universal Pictures unknown
1970Very Good Turkish Original b/w advertisement of Turkish Rock Band Üç Hürel, signed and inscribed by Feridun Hürel as 'Atilla'ya sevgiler'. Oblong: 11x16,5 cm. In Turkish. Photograph on the advertisement shows three members and brothers of Üç Hürel. Üç Hürel was a Turkish rock band, formed in 1970 by brothers Onur, Haldun and Feridun Hürel. Considered as among Turkey's most popular Anatolian rock bands, the band performed folk-driven pop and rock music and occasionally also paraphrased classic folk songs with considerable ingenuity. Their lyrics generally featured themes such as peace and freedom. Hürel brothers were born in Trabzon and later moved to Istanbul due to family business. In 1966, the brothers formed their first band, Yankilar, which was later renamed to Istanbul Dörtlüsü. The band performed in small music halls and tried to synthesize Turkish music and traditional rock formats. After forming a number of other bands, including Trio Istanbul, Oguzlar, and Biraderler, Feridun became a member of the Selcuk Alagöz Orchestra. Haldun and Onur later joined him to gain experience and earn money for new equipment. In 1970, they left the orchestra to form 3 Hur-El. Following the release of their debut single in 1970, "Ve Ölum/Seytan Bunun Neresinde," the band released two LPs and more than ten singles in six years. In 1977, Haldun and Feridun left the band for mandatory military service. Coping with the loss of their mother to a traffic accident, the brothers quit music. Feridun moved to England but returned without any significant accomplishments, subsequently returning and specializing in advertising. Onur took a job as an instructor and Haldun started a ceramics and textiles business. 3 Hür-El reunited in 1996, releasing two records in 1996 and 1999, respectively. The band's 1970 song, "Ve Ölüm", was featured in the 2013 Serge Bozon film, Tip Top. (Source: Wikipedia).
1971rif. 43806Hull: Hull University 1971. First Edition. Very good. Original poster for an Afro Rock event at Hull University featuring one of the most important bands of the movement Assagai. Afro Rock which had its strongest incarnation in the UK in the late sixties and early seventies combined Western rock instrumentation with African and Afro-Cuban rhythms and percussion. Assagai featured emegrees from both South Africa and Nigeria as well a Ghana; the lineup included drummer Louis Moholo trumpeter/flautist Mongezi Feza alto saxophonist Dudu Pukwana tenor saxophonist Bizo Mngqikana guitarist/bassist Fred Coker their chief songwriter and Terri Quaye - the first professional female congaist in the UK. Assagai issued just two highly-reguarded albums both in 1971 on Vertigo Records one of the few if not the only all-black band signed to that legendary rock label and this poster dates from that peak. While they broke up shortly after this gig the members went on to long careers in various other jazz and prog groups. A striking poster from this significant but poorly documented group. Poster silk-screened in blue gold and red. Mild wear creasing. Some rubbing. Else bright and sound. Very good. Hull University unknown books
1971rif. 43806Hull: Hull University 1971. First Edition. Very good. Original poster for an Afro Rock event at Hull University featuring one of the most important bands of the movement Assagai. Afro Rock which had its strongest incarnation in the UK in the late sixties and early seventies combined Western rock instrumentation with African and Afro-Cuban rhythms and percussion. Assagai featured emegrees from both South Africa and Nigeria as well a Ghana; the lineup included drummer Louis Moholo trumpeter/flautist Mongezi Feza alto saxophonist Dudu Pukwana tenor saxophonist Bizo Mngqikana guitarist/bassist Fred Coker their chief songwriter and Terri Quaye - the first professional female congaist in the UK. Assagai issued just two highly-reguarded albums both in 1971 on Vertigo Records one of the few if not the only all-black band signed to that legendary rock label and this poster dates from that peak. While they broke up shortly after this gig the members went on to long careers in various other jazz and prog groups. A striking poster from this significant but poorly documented group. Poster silk-screened in blue gold and red. Mild wear creasing. Some rubbing. Else bright and sound. Very good. Hull University unknown books
1974rif. 42452Flint: Brass Ring/WABX 1974. Fine. SUPPORT SUBURBAN ROCK AND ROLL!" The Dolls were presumably on tour to promote their recently released second album TOO MUCH TOO SOON while Kiss's self-titled debut album had been released only several months prior. An early record of KISS's career and their meteoric rise to fame alongside the Dolls who were one of their major precursors in glam rock. Broadside 17" by 11" approx. Purple sheet printed offset recto only in dark blue. Fine. Clean and vivid. Brass Ring/WABX unknown books
1974rif. 42452Flint: Brass Ring/WABX 1974. Fine. SUPPORT SUBURBAN ROCK AND ROLL!" The Dolls were presumably on tour to promote their recently released second album TOO MUCH TOO SOON while Kiss's self-titled debut album had been released only several months prior. An early record of KISS's career and their meteoric rise to fame alongside the Dolls who were one of their major precursors in glam rock. Broadside 17" by 11" approx. Purple sheet printed offset recto only in dark blue. Fine. Clean and vivid. Brass Ring/WABX unknown books
1952rif. 164769Universal City: Universal Pictures 1952. Vintage publicity photograph of actor Rock Hudson. Newspaper clippings and date stamps on the verso. Hudson signed a long-term contract with Universal-International in 1949. He received his first film credit with the studio the same year in William Castle's "Undertow" but would not be promoted to leading man status until 1952 when he would appear opposite Yvonne De Carlo in "Scarlet Angel." 8 x 10 inches. Very Good with emulsion moderately cracked. Universal Pictures unknown books
2001rif. 25477EDetroit MI: Lava / Atlantic 2001. Original script for a music video for the Kid Rock song Forever from his album Cocky directed by Wayne Isham. Includes personnel and crew information calendar treatment lyrics location and post-production details. Bradbound in plastic binder. Fine condition. Cocky was recorded in 1999-2001 and released on November 20 2001. Entertainment Weekly writer Rob Brunner described Cocky as a concept album stating “Boastful and defensive confrontational and thin-skinned loud rude and proud of it Kid Rock is a composite of blatantly unpleasant stereotypes sure to scare the neighbors: strutting ghetto pimp Skynyrd-loving redneck heavy metal burnout.” Wayne Isham is an American film and music video director who has worked with such celebrated artists as Bon Jovi Michael Jackson Janet Jackson Motley Crue Metallica Kelly Clarkson Britney Spears Shania Twain Pink Floyd Sheryl Crow Madonna and Adam Lambert. Lava / Atlantic unknown
1978rif. 15940ENew York: two pages 8 1/2” x 11” October 23 1978. Original typed contract signed in ink by actor Eugene H. Roche. The contract is for the actor’s “loanout of services” to Aaron Spelling Productions Inc. for an unspecified project. With punch holes else fine. Eugene Roche 1928 - 2004 had a long and successful acting career in both motion pictures and television. Some of his most recent and memorable work was in television including roles on 7th Heaven The Division The Guardian and Star Trek: Voyager but for many of us he is best known for his portrayal of the character Edgar Derby in the George Roy Hill classic 1972 film of Kurt Vonnegut’s novel Slaughterhouse Five. two pages, 8 1/2” x 11” unknown
1986rif. 15939ELos Angeles: one page double-sided 8 1/2” x 11” August 11 1986. Original typed contract signed in ink by actor Eugene H. Roche. The contract is for the actor’s “loanout of services” for an unspecified project. Fine. Eugene Roche 1928 - 2004 had a long and successful acting career in both motion pictures and television. Some of his most recent and memorable work was in television including roles on 7th Heaven The Division The Guardian and Star Trek: Voyager but for many of us he is best known for his portrayal of the character Edgar Derby in the George Roy Hill classic 1972 film of Kurt Vonnegut’s novel Slaughterhouse Five. one page, double-sided, 8 1/2” x 11” unknown
2018rif. DBS-9781632425614Foster Academic 2018. 1ST. Hardcover. New. Foster Academic hardcover
2018rif. AME_9781632425614Foster Academics 2018. 1ST. Hardcover. New/New. Foster Academics hardcover
2018rif. DBS-9781632425614Foster Academic 2018. 1ST. Hardcover. New. Foster Academic hardcover
2018rif. x-1632425610Foster Academics 2018. Hardcover. New. lam edition. 218 pages. 11.50x8.75x0.75 inches. Foster Academics hardcover
2019rif. 2-6139683556Novas Edições Acadêmicas 2019. Paperback. New. 8.70x6.06x0.35 inches. Novas Edições Acadêmicas paperback
1891rif. 5892Madrid: Tomás Minuesa 1891. Second edition. Softcover Tapa blanda. 180x115mm. 7x4½". Madrid Tomás Minuesa 1891. 2 volúmenes. En 8º 180 x 115mm. -I: xvi-223 pp. -II: 220 pp. Rústica deteriorada. Segunda edición. La primera edición se publica en Lima en 1681 y es rarísima y del mayor aprecio. Esta segunda edición también es de aprecio se publicó dentro de la Colección de libros raros y curiosos que tratan de América. "El Tratado único y singular del origen de los indios occidentales del Pirú México Santa Fe y Chile de Diego Andrés Rocha es junto con la obra de Fray Gregorio García uno de los compendios más completos del siglo XVII acerca de la cuestión más candente y polémica entonces como ahora la de conocer de dónde y cómo vinieron a poblarse las Indias antes de que llegasen a descubrirlas los españoles a partir de 1492. En ese sentido puede decirse que Diego Andrés Rocha fue un ingenuo erudito que acumuló los saberes de un sinnúmero de otros autores como Vespucio Anglería Fernández de Oviedo Betanzos López de Gómara Cieza Zárate Las Casas Ercilla Cabello de Balboa Acosta Dávila Vargas Machuca Herrera Torquemada Calancha y sobre todo Gregorio García a quien sigue muy de cerca. Como dice Sánchez Alonso Diego Andrés Rocha «pone al servicio de su hallazgo por el que muestra una ingenua satisfacción la erudición que tiene a su alcance exponiendo primero las opiniones distintas que había y después todos los textos y componentes de la suya». La mayor parte de libro de Diego Andrés Rocha está dedicado a presentar y defender dos tesis muy diferentes entre sí: la de que los indígenas americanos descendían de los españoles y la que señala a las diez tribus perdidas de Israel como las que dieron origen a la población del Nuevo mundo. La primera de esta tesis -tan singular por otra parte- sólo se explica si tenemos en cuenta la necesidad de hallar títulos suficientes que justificasen la posesión de aquellas tierras por parte de los españoles. Ante el Papa y ante el mundo de la época era necesario hallar «justos títulos» para tal hecho. Esta peregrina teoría vendría así a apoyar la tesis hispanista" Sinopsis a la edición de 2010. Tomás Minuesa paperback
rif. 9788573911732-11-65996Editora Ufsm. New. Editora Ufsm unknown
1860rif. ABC_48873Bahia 1860. 8vo in 4s ca. 21.5 x 14 cm. Typographia de Camillo de Lellis Masson & C. Later half brown sheepskin spine with 2 red morocco title labels lettered in gold blue marbled paper sides brown and purple patterned endpapers. VIII 53 1 blank pp. Rare second edition of a pamphlet by the Brazilian lawyer and politician José Joaquim Landulfo da Rocha Medrado 1831-1860 published under his initials L. M. = Landulfo Medrado. According to the authors preface the first edition was not distributed to the public. In 1882 a third edition was published Bahia Imprensa Economica and in 1923 a fourth edition appeared Bahia Imprensa Oficial do Estado.In this pamphlet titled The courtiers and the Emperor's journey. Political essay on the situation Medrado offered a pointed critique of the Brazilian monarchy's tendency to adopt European courtly customs. He argued that these customs were ill-suited to Brazil's unique position as an American nation. Medrado believed that Brazil required a more democratic and parliamentary form of governance one that moved away from the concentration of power in the hands of the Emperor. Instead he advocated for a system where elected representatives would have a more prominent role in shaping the nation's future.This pamphlet reflects the broader political tensions of the time with liberals like Medrado pushing for reforms that would align Brazil's governance with its distinct identity rather than imitating European aristocratic traditions. In 1860 the Brazilian magazine Monarchia - Democracia issued a critique of the pamphlet arguing that the pamphlet's anonymous author avoids responsibility for promoting dangerous ideas that could destabilize Brazil. It defends the nation's democratic and monarchical institutions warning that the pamphlet's divisive ideas threaten Brazil's unity and future.With the large book plate of the Brazilian journalist Elysio de Carvalho 1880-1925 mounted on the front pastedown with a blue stamp in the bottom margin of the book plate "Y 4 120". Spine rubbed and slightly scratched the corners and edges of the boards show slight signs of wear the upper outer corner of the half title-page torn off and restored with paper slightly browned throughout with occasional foxing mainly in the first and last few leaves. Otherwise in good condition. AMERICAS HISTORY LAW PHILOSOPHY & POLITICS Brazil Broadsides Ephemera & Pamphlets Law & Politics South America hardcover
rif. 2403DG072Por. Da Academia das Scuências. Colecção «Historia». Edição do Autor. Lisboa. 1928. 5 Volumes de 185x12 cm. Com 318 págs. Fascículos soltos com formato de brochura acondicionados em pasta de encadernação do editor. Ilustrados em extratexto a cores sobre papel couché. Exemplar com rasgo na charneira da pasta de encadernação e ligeiras manchas de oxidação nas folhas. Data consultada na Porbase. Contém os seguintes fascículos: 2.º Fascículo: Desvario de Rainha. Capa Ilustrada por Alberto de Sousa. 3.º Fascículo: Flôr de Altura. Capa Alberto de Sousa. 4.º Fascículo: A Amada do Camareiro.Capa Ilustrada por D. Raquel Garmeiro Ottollini. 5.º Fascículo: O Drama de Vila Viçosa. Capa Ilustrada por Alberto de Sousa. 6.º Fascículo: Relicário de Paixão. Capa Ilustrada por D. Raquel Gameiro Ottolini. SACO DG074-72 hardcover
rif. 2402JS070Por. da Academia das Sciências. Capa ilustrada por D. Raquel Gameiro Ottolini e Alberto de Sousa. 2.º Volume. Colecção «História». Edição do autor. Lisboa. S.d. De 19x12 cm. Com 384 págs. com 34 por fascículo. Encadernação do editor inteira em tela com gravações a ouro na lombada e nas pastas. Exemplar preserva as capas de brochura originais de cada um dos fascículos com leves danos de desgaste na encadernação particularmente visíveis nas charneiras das pastas e na lombada. O 2.º volume de «Os Grandes Amores de Portugal» é composto por 6 fascículos a saber: 1.º - SENHORA DE BEM FAZER; 2.º - SÓROR MARIANA; 3.º - SOMBRA DE REI; 4.º - MADRE PAULA; 5.º - DONA FLOR DA MURTA; 6.º - O BICHINHO DE CONTA. SACO JS653-3 hardcover