21 921 résultats
1974réf. 11332New York: M. Knoedler & Co. Inc 1974. Softcover. VG some wear and soiling to covers but clean interior. Oblong white and blue/green stapled wraps with white lettering. 32 pp. 14 color 33 bw plates. Catalogue of an exhibition held May 3 to June 9 1974. Lengthy essay by Deedee Wigmore and Nicholas Fox Weber with lovely plates throughout. Includes a list of 49 additional works in the exhibition that are not discussed in the catalogue text. M. Knoedler & Co., Inc paperback books
1923réf. 159253New York: The Macaulay Company 1923. Original American Edition. Hardcover. NF contents; VG covers; Good DJ with some fading to spine a bump to upper outer front corner and small tears to head/tail of spine. Moss green cloth/boards; black lettering. Moss green dj with black lettering including an excerpt from the dedication to H.G. Wells. All edges painted green. 308 pages with no illustrations. A scarce copy of the American English edition of Renard's early sci-fi novel originally published in France as Le Docteur Lerne. "The publication of Renard’s first sf novel in 1908 Le Docteur Lerne Doctor Lerne gained him rave reviews and launched him into the limelight of Parisian literary circles. Although strongly derivative of Wells’ The Island of Dr Moreau 1896—an influence openly acknowledged by Renard in his dedication—Le Docteur Lerne extrapolates the notion of biological engineering much further than Wells all the way into the fantastic. After years of experimentation in grafting animal parts to plants and vice-versa producing at times some quite amazing results Dr. Lerne begins interchanging brains between animals between humans and even between animals and humans. As a result of these experiments he ultimately learns how to project his own mind and spirit into other animate and not-so-animate objects like people trees and even an automobile. The narrative itself is recounted in the first person by Dr. Lerne’s visiting nephew Nicolas: he gradually in detective-like fashion uncovers the truth of his uncle’s experiments and his reactions to them range from morbid curiosity to outright horror. Part of the originality of the tale however is not in the sometimes outlandish plot sequences but in the manner in which they are told. The originality of this novel is two-fold: in its sf eroticism and in how it portrays the mind-body split through narrative point of view. One example: Nicolas is forced to have his brain exchanged with that of a bull. Following the surgery the young man must now struggle to acclimate himself to the alien: not only to his new bovine body and instincts but also to seeing his old self as the "other"—especially when the latter makes overtly sexual advances toward "his" mistress. Another example: later in the text after receiving his own brain back again the narrator is in the throes of a steamy sexual interlude with his aforementioned mistress when he suddenly feels the presence of another person’s identity intruding into his mind and taking over his body: it is Dr. Lerne who gazing through a peephole nearby decides to become a more-than-first-hand observer to the proceedings. Such risqué subject matter and offbeat points of view in Le Docteur Lerne—continually oscillating as it does between the vicarious and voyeuristic—make it a quite original sf text and one that foreshadows other erotic science-fiction works by writers like Philip José Farmer Robert Silverberg and Kate Wilhelm published over a half century later. Of course if one were to judge Renard’s Le Docteur Lerne from its only-available English translation New Bodies for Old one would never have the opportunity to read such passages. They are not there. In fact this translation seems to aptly exemplify the marketplace strategy known as "bait-and-switch." On its intentionally provocative dust jacket after the title "Maurice Renard’s Startling Novel New Bodies for Old or The Strange Experiments of Dr. Lerne" the publisher chooses to quote the most enticingly suggestive portions of the author’s dedication to Wells: "When Fortune.allowed me to discover the subject of this allegorical novel I felt bound not to set it aside because of a few audacities which a faithful rendering involved. Far from desiring to arouse.instinct in my reader and amuse him with scandalous descriptions my work is addressed to the philosopher." But when one then reads the actual narrative one discovers that all such "audacities" and "scandalous descriptions"—i.e. all passages of sexuality like those I have discussed—have been thoroughly and meticulously excised. Despite its cover’s subtle promises of titillation the content of Renard’s book has been truncated so as not to offend its anglophone audience’s supposed sense of moral propriety." - by Arthur B. Evans. The Macaulay Company hardcover books
1998réf. 156929New York NY: Harry N. Abrams Inc 1998. Hardcover. New. BASEMENT. Maroon cloth gold & red & black illus. dust jacket 168 pp. 85 color plates & 10 BW illus. Considers well the life and work of American abstract expressionist Cleve Gray 1918-2004. "In works now in major public and private collections across the United Staes he has repeatedly demonstrated his commitment to a highly disciplined yet passionate art that continues to express a celebration of the human spirit." dj Includes chronology collections history and selected bibliography. Harry N. Abrams, Inc hardcover books
1981réf. 34225Buffalo NY: Albright-Knox Art Gallery 1981. Softcover. VG-. Some wear and soiling to covers. Blue and white illustrated wraps. 88 pp. Numerous bw plates. Exhibition held at Albright-Knox Gallery in Buffalo NY September-November 1981 and two other locations. Organized by Douglas Schultz essay by Howard Fox. Albright-Knox Art Gallery paperback books
1993réf. 120608New Haven Connecticut: Yale University Art Gallery 1993. Softcover. VG- A few ink markings and stamps to front cover and title page. Beige wraps; Spiralbound; 105 pp.; 105 gatefolds; 105 duotone plates and figures. A exhibition of works by artists who have graduated from or studied at Yale in collections of Yale alumni/ae; Includes works by Thomas Bang Jennifer Bartlett Jonathan Borofsky Chuck Close Steve Currie Rackstraw Downes Audrey Flack Nancy Graves Eva Hesse Brice Marden Claes Oldenburg and many more. Yale University Art Gallery paperback books
1977réf. 15354London England: Hazlitt Gooden & Fox 1977. Softcover. VG rubbing to lower cover edge & upper corner. tight binding. tan illustrated glued wraps. 21 pgs. 1 color 14 bw plates. A nice copy. This is the first exhibition for this 18th century German artist who specialized in botanical drawings but was a soldier by profession. Contains an introduction a list of 68 drawings of trees bushes and plants found near Baden-Baden and the nice full-page plates. Exhibition held Mar. 10 to Apr. 6 1977. Hazlitt, Gooden & Fox paperback books
1998réf. 153544New York NY: Harry N. Abrams Inc 1998. Hardcover. VG- Pages are beginning to tan lightly; this copy is WARMLY INSCRIBED BY AUTHOR to American artist Will Barnet and his wife Elena on tp. Maroon cloth gold & red & black illus. dust jacket 168 pp. 85 color plates & 10 BW illus. Considers well the life and work of American abstract expressionist Cleve Gray 1918-2004. "In works now in major public and private collections across the United Staes he has repeatedly demonstrated his commitment to a highly disciplined yet passionate art that continues to express a celebration of the human spirit." dj Includes chronology collections history and selected bibliography. Harry N. Abrams, Inc hardcover books
1983réf. 149735Tokyo: Seibu Museum of Art 1983. Softcover. VG SIGNED BY AUTHOR on an opening page. Blue & color illus. wraps unpaginated 36 color plates 35 BW plates. Text is in Japanese and English. Issued in conjunction with a 1983-1984 exhibition of 19th-century American patchwork quilts from the Pilgrim / Roy collection. Begins with color illustrations of 36 quilts; then is followed by a partially annotated catalgoue of the same. Includes close-ups of quiltmakers' signatures where found. Seibu Museum of Art paperback books
2013réf. 147907Paris: Chantal Kiener 2013. Softcover. New. Color-illus. card wraps with white lettering. 63 pp. with color and bw plates throughout. Gallery business card affixed to inside of front cover and 2-page price list laid in. Text in French. Paintings and drawings offered in this autumn 2013 catalogue by Paris dealer Chantal Kiener. Most works are from the 19th to mid-20th centuries. Included are 3 works for the opera Parsifal by Lefler and Urban. A beautiful catalogue. Chantal Kiener paperback books
1993réf. 12347Middleburg Va: F. Turner Reuter Jr. / Red Fox Fine Art 1993. Softcover. G Label & few marks from previous gallery owner; average edge wear. Color wraps. 48 pp. 29 color plates. Extensively annotated and illustrated catalogue of 29 works with provenance literature exhibitions and lengthy essays. Includes a brief foreword by Alexander Mackay-Smith a brief essay "English Sporting and Animal Painters: The 18th and 19th Century" bibliography and alphabetical index to the 22 artists. Contains excellent large colorful illustrations. F. Turner Reuter, Jr. / Red Fox Fine Art paperback books
2013réf. 140852New York: Pace Gallery 2013. Hardcover. VG. Printed cardboards 87 pages : color illustrations. Issued in conjunction with several 2013 exhibitions of unique map-based art created by American artist Maya Lin b. 1959. With essays by Robert Storr and William Fox. Visually and ideally stimulating. Pace Gallery hardcover books
1983réf. 141472Providence Rhode Island: Museum of Art Rhode Island School of Design 1983. Softcover. VG- May have slight tanning to page edges corners may be slightly bumped. White & illus. stapled wraps 32 pp. BW illus. Issued in conjunction with a 1983 exhibition showcasing selections from this collection. Includes descriptions and illustrations of 28 of the paintings and sculptures here. Museum of Art, Rhode Island School of Design paperback books
1979réf. 142402New York New York: A. M. Adler Fine Arts Inc 1979. Softcover. VG- Ex-gallery lib. small label at front cover pencil markings to title page. Blue wraps; Unpaginated 16 pp.; 1 color 7 bw plates. Accompanied an exhibition held in 1979 and 1980. Includes an excerpt from a conversation between Nicholas Fox Weber and the artist's daughter Marochka Chatfield-Taylor. Scarce. A. M. Adler Fine Arts, Inc paperback books
2012réf. 129852Atlanta Georgia: Possible Futures Inc 2012. Softcover. As New. Black/blue/gray illustrated wraps with french folds. ix 260 pp. Profusely illustrated mostly in color. Text in English Portuguese and Chinese. "Noplaceness is a collection of attempts to understand what contemporary art made in Atlanta means in a globalized world. The works presented here may not offer answers but together they ask one of the questions most urgent in our time: Where is our common ground when the space we occupy doesn't add up to a place we can define." - back cover. From the preface: This volume launches a biennial critical series that explores work by Atlanta artists who are engaged in the global contemporary art dialogue. Possible Futures, Inc paperback books
1989réf. 130760Doornspijk Netherlands: Davaco 1989. Hardcover. VG/VG. Light corner bumping. Gift inscription from author. Quarto. Hardcover. Reddish brown cloth boards color-ilustrated dust jacket. 144 pp. plus additional 18 color plates and 159 b/w illustrations. In English. Judith Leyster's compelling œuvre covers a wide range of interests: genre still-life and portrait paintings; botanical drawings in watercolor and silverpoint; and at least one etching. Although she is perhaps best known as a follower of Frans Hals her innovative small nocturnal paintings are perhaps her most significant contribution to Dutch art. This the first book on Leyster includes a complete catalogue raisonné a list of relevant documents and a household inventory. - book jacket. Davaco hardcover books
1972réf. 128844New York: Harry N. Abrams Inc 1972. Hardbound. VG some small markings on DJ. Burgundy velveteen cloth boards with color pictorial DJ 343pp 191 illustrations with 70 in color. Photographs by H. Landshoff. In his free-flowing informal introductory essay Carl Fox ranges over the history and meaning of dolls around the world and examines the collector's mania as well. His commentaries to the individual plates are sometimes whimsical sometimes factual; often a particular doll will bring to mind a passage from a novel or a poem or newspaper article. Thus he captures the spirit of his subject provides a wealth of historical and technical information and gives the reader a revealing glimpse into the workings of one collector's mind. A carefully selected bibliography is also provided. Harry N. Abrams, Inc hardcover books
1970réf. 129119Pottsville PA: Privately published 1970. Softcover. VG Some light discoloration at edges of wraps. White ill. wraps. Unpaginated approx. 40 pp. 16 color plates. Brief history of the origins and development of Gaudy Dutch pottery. Highlights prominent patterns like butterfly carnation dahlia double rose dove grape leaf oyster primrose single rose strawflower sunflower urn war bonnet zinnia and no name. Each pattern includes lengthy descriptions and at least one illustration. Privately published paperback books
2010réf. 125427Venice California: L. A. Louver 2010. Hardcover. VG New in shrinkwrap. BW pictorial boards; 158 pp.; Profusely illustrated in bw and color. Accompanied a gallery exhibition at L.A. Louver; Includes an essay by Howard N. Fox as well as a chronology by William Brice and Bonnie Earls-Solari. L. A. Louver hardcover books
1988réf. 126152Rome Italy: Cleto Polcina Arte Moderna 1988. Softcover. VG- light foxing to upper block edges. Illustrated wraps; Unpaginated approx. 40 pp.; 12 color plates; Numerous bw figures. Accompanied a gallery exhibition; Includes an essay by Howard Fox provided in both English and Italian; All other text Italian. Cleto Polcina Arte Moderna paperback books
2010réf. 126458Venice California: L. A. Louver 2010. Hardcover. VG bump to lower corners otherwise crisp and bright. BW pictorial boards; 158 pp.; Profusely illustrated in bw and color. Accompanied a gallery exhibition at L.A. Louver; Includes an essay by Howard N. Fox as well as a chronology by William Brice and Bonnie Earls-Solari. L. A. Louver hardcover books
1974réf. 117955Scarsdale New York: Bradbury Press 1974. Fifth printing. Hardcover. VG DJ. worn at extremities. Eros Keith. Beige cloth over boards; Red illus. dj.; 176 pp.; Numerous halftone illustrations. Inscribed and signed by the author; Newberry Medal sticker on front of dj. Bradbury Press hardcover books
1987réf. 117956New York New York: Orchard Books 1987. Hardcover. Good DJ. worn at extremities with significant wear and tear around top; Some staining to cloth. Brown paper over boards; Beige cloth at spine; Color illus. dj.; 149 pp.; No illustrations. Inscribed and signed by the author. Orchard Books hardcover books
1969réf. 117954Englewood Cliffs New Jersey: Bradbury Press 1969. First. Hardcover. VG DJ. worn at extremities. Saul Lambert. Orange illus. cloth over boards; Color illus. dj.; 131 pp.; Numerous halftone illustrations. Inscribed and signed by the author. Bradbury Press hardcover books
1992réf. 118477New York New York: Alfred A. Knopf 1992. Hardcover. VG Some scratches to mylar covering. Black paper over boards; Black cloth at spine; Orange pictorial dj.; Clear mylar covering. Follows the lives of five men--Lincoln Kirstein Edward M.M. Warburg Agnes Mongan James Thrall Soby and A. Everett Austin Jr.--who helped introduce to America the art of Lachaise Calder Picasso and other contemporary artists. "Interweaves the lives and activities of these individuals with the culture they were so fundamental in promoting." back cover of pb. Alfred A. Knopf hardcover books
1999réf. 14312Los Angeles CA: Los Angeles County Museum of Art 1999. Softcover. VG. Color wraps. 260 pp. Numerous color and bw plates. Essays by Howard N. Fox Waiting in the Wings: Desire and Destiny in the Art of Eleanor Antin; A Dialogue with Eleanor Antin and Lisa E. Bloom Rewriting the Script: Eleanor Antin's Feminist Art checklist of the exhibition exhibition performance and film and video histories and many illustrations. Published to accompany the exhibition held in Los Angeles CA: Los Angeles County Museum of Art May 23 to Aug. 23 1999. Los Angeles County Museum of Art paperback books