QUILLINAN (L. de, chevalier)Livre Rare Book
3.385 Ergebnisse
Best.-Nr. 17226Paris, Librairie de Firmin Didot, frères, 1854. In-8, 578 pp., 7 pl., chagrin vert d'A. Despierres, rel. de l'empereur, double filet à froid et filet doré en encadrement sur les plats, dédicace dorée au premier plat, dos à nerfs orné de caissons à froid et de filets dorés, doublure et garde de soie moirée blanche, tranches dorées (petits manques et frottements, soie tachée, rousseurs).
Best.-Nr. 118823A Paris, Chez Jean Mariette, 1713, 2 parties reliées en 1 volume in-4 de 185x245 mm environ, portrait frontispice, titre-frontispice gravé, (3) ff. (titre, avis au lecteur), paginé 513 (au lieu de 512 pages), (5) ff. (table) - page de titre de la seconde partie, 376 pages, 6ff. (table des matières générales). Complet du portrait, du titre frontispice gravé, des deux planches (dont une dépliante) et des nombreuses figures in-texte. Plein cuir brun moucheté d'époque, dos à nerfs portant titres dorés sur pièce de titre en maroquin havane, orné de caissons à motifs dorés, roulette dorée sur les coupes, tranches mouchetées rouges, gardes blanches. Coiffe de tête arasée, quelques taches sombres et épidermures sur le cuir, garde volante en partie découpée, ex libris au tampon rouge (François Viallet) sur deux feuillets, quelques rousseurs et discrètes traces de mouillures sinon bon état général.
2000Best.-Nr. 203966New York: Simon & Schuster 2000. First edition and first printing. Hardcover. 192 pages. Copy 780 from a limited edition of 1500 copies. Published in conjunction a traveling exhibition. Edited by Christopher Cardozo. Features a foreword by N. Scott Momaday along with essays by Cardozo and Joseph D. Horse Capture and an afterword by Anne Makepeace. Includes numerous images by Curtis. A fine copy in cloth binding with sepia toned image inset into the front board in a fine matching cloth slipcase. No dust jacket as issued. Signed by Cardozo on the limitation page. A very attractive book. Please note that this is a heavy and oversized book and will require extra shipping. Simon & Schuster unknown
2000Best.-Nr. 203966New York: Simon & Schuster 2000. First edition and first printing. Hardcover. 192 pages. Copy 780 from a limited edition of 1500 copies. Published in conjunction a traveling exhibition. Edited by Christopher Cardozo. Features a foreword by N. Scott Momaday along with essays by Cardozo and Joseph D. Horse Capture and an afterword by Anne Makepeace. Includes numerous images by Curtis. A fine copy in cloth binding with sepia toned image inset into the front board in a fine matching cloth slipcase. No dust jacket as issued. Signed by Cardozo on the limitation page. A very attractive book. Please note that this is a heavy and oversized book and will require extra shipping. Simon & Schuster unknown books
1850Best.-Nr. 99561850. Horse and carriage ambrotype circa 1850-1859 documents mid-19th century American civilian transportation and rural social life during the decade immediately preceding and encompassing the early Civil War period. The image holds research value for the study of early photographic practice particularly outdoor ambrotype production as well as material culture relating to horse-drawn mobility family presentation and dress in pre-industrial and wartime America. Ambrotypes were typically produced in controlled studio environments due to technical limitations; the presence of an outdoor composition situates this image within a less common subset of early American photography. Quarter plate ambrotype photograph showing a family seated within a horse-drawn carriage accompanied by two large horses with an adult man standing at the front holding the animals. The man wears a broad-brimmed hat consistent with mid-19th century rural or frontier attire. The group is positioned outdoors likely on unpaved ground with no visible studio backdrop emphasizing natural light exposure. The composition centers the carriage and team with human figures arranged to present both transport and family unit simultaneously. The photograph is housed in its original leather presentation case with red velvet interior lining and a decorative copper mat framing the image. The ambrotype process a glass-based photographic technique introduced in the early 1850s produces a unique non-reproducible positive image distinguishing it from later paper-based photographic formats such as cartes de visite. Ambrotypes emerged during a transitional period in photographic history bridging earlier daguerreotype practices and the rise of reproducible paper photography. By the late 1850s and into the Civil War era photographic documentation expanded alongside technological shifts yet outdoor images remained comparatively uncommon due to exposure constraints and equipment limitations. This image contributes to the visual record of civilian life during a period often dominated by military imagery offering insight into transportation clothing and social presentation outside formal studio settings. Light wear to case exterior minor rubbing at edges; interior velvet intact with moderate compression; glass plate and mat remain well-preserved with clear image visibility. Overall very good condition. unknown
1850Best.-Nr. 99561850. Horse and carriage ambrotype circa 1850-1859 documents mid-19th century American civilian transportation and rural social life during the decade immediately preceding and encompassing the early Civil War period. The image holds research value for the study of early photographic practice particularly outdoor ambrotype production as well as material culture relating to horse-drawn mobility family presentation and dress in pre-industrial and wartime America. Ambrotypes were typically produced in controlled studio environments due to technical limitations; the presence of an outdoor composition situates this image within a less common subset of early American photography. Quarter plate ambrotype photograph showing a family seated within a horse-drawn carriage accompanied by two large horses with an adult man standing at the front holding the animals. The man wears a broad-brimmed hat consistent with mid-19th century rural or frontier attire. The group is positioned outdoors likely on unpaved ground with no visible studio backdrop emphasizing natural light exposure. The composition centers the carriage and team with human figures arranged to present both transport and family unit simultaneously. The photograph is housed in its original leather presentation case with red velvet interior lining and a decorative copper mat framing the image. The ambrotype process a glass-based photographic technique introduced in the early 1850s produces a unique non-reproducible positive image distinguishing it from later paper-based photographic formats such as cartes de visite. Ambrotypes emerged during a transitional period in photographic history bridging earlier daguerreotype practices and the rise of reproducible paper photography. By the late 1850s and into the Civil War era photographic documentation expanded alongside technological shifts yet outdoor images remained comparatively uncommon due to exposure constraints and equipment limitations. This image contributes to the visual record of civilian life during a period often dominated by military imagery offering insight into transportation clothing and social presentation outside formal studio settings. Light wear to case exterior minor rubbing at edges; interior velvet intact with moderate compression; glass plate and mat remain well-preserved with clear image visibility. Overall very good condition. unknown books
1979Best.-Nr. 283479Glenbow-Alberta Institute and Blood Tribal Council 1979. Hardcover. Very Good. 8vo in red cloth titles in gilt. Corners and spine ends of the binding lighty pushed but not rubbed. The dustjacket has the lightest touch of rubbing at the corners and the base of the spine one very small chip at the top of the spine light shallow crease at the top of the rear panel a light crease and a very small chip at the bottom of the front panel very light rubbing at the foredge and scattered around the front panel modestly affecting the title. Glenbow-Alberta Institute and Blood Tribal Council hardcover
19498vo., later impression, handsomely bound in red full morocco, sides with gilt frame border, back with raised bands, second and fourth compartments ruled and lettered in gilt, all other compartments tooled in gilt, hand-made endpapers, a most attractive copy ideal as a gift or for presentation. SIGNED BY THE AUTHOR ON TITLE. Arguably the most ingenious POW escape of WWII, it became a legend among servicemen long before its publication here in 1949. Two officers made home runs via a tunnel dug in the open air beneath a wooden vaulting horse. The scene was Stalag Luft III (site of the 'Great Escape' later in the war) and the story one of the true classics of WWII. Endlessly reprinted, it has now achieved the status of popular folklore. It was filmed by Jack Lee in 1950 starring Leo Genn, David Tomlinson and Bryan Forbes. Published in the same year as the first edition. Astonishingly, not recorded by Enser.
1969Book is in excellent condition in heavy weave tan HB covers, gilt over red at spine. Binding is solid and square, covers have sharp corners with a very light bump to lower front, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears, price clipped, now wrapped in clear protective cover. 322 pages on high quality heavy white paper, reprinted form 1903. Rare by this publisher. Full page Author illustration opposite title page, Illustrated by one hundred and forty engravings, in which are represented most of the popular diversions; selected from ancient paintings. "This book is a key source for information on leisure time activities in 'Olde England,' including sports, hunting, games, dancing, gymnastics, music, festivals including Christmas and May Day and customs such as Mumming, The Boy Bishop, and The Lord of Misrule, Horse Racing, Slinging of Stones, Hand Ball, Archery, Dancing, Tumbling, Balancing, Jugglers, Juggling, Bowling, Tennis, Bat and ball, Jousts, Tricks Taught to Horeses, Animals Imitated, Quintain, Tilting, Kayles, Cards, Chess,. It answers questions such as "How do you score a joust?," "When did feral wolves become extinct in Britain?," and "How much do you pay the piper?" And what is Shakespeare talking about when he mentions Shove-Groat or Nine Men's Morris? (The modern equivalents are shuffleboard and tic-tac-toe). Included are numerous quotes from original documents and dozens of plates based on period illustrations. Strutt also documents the constant conflict between popular culture and the religious and secular powers."
1807Best.-Nr. 064-L1807. Federlithographie 1807. 28,5:44,6 cm. Literatur: Man, Anfänge der Künstlerlithographie in England, Anonym 10; Desjardijn Kat. 3 und Abb. S. 55.- Mit der Adresse Vollweiler Imprint III.
2024Best.-Nr. __1071923609Cq Pr 2024. Hardcover. New. 800 pages. 10.25x7.50x1.75 inches. Cq Pr hardcover
Eighth edition, 8vo (205 x 120 mm), xvi, 197, [1]pp., frontispiece silhouette portrait of Astley and 9 engraved plates, in an elegant twentieth century half green morocco binding by Sangorski and Sutcliffe, spine lightly faded, spine lettered in gilt direct, t.e.g. Philip Astley (1742-1814), equestrian performer and circus proprietor. As well as being considered the creator of the modern circus (Astley's Amphitheatre), Astley also had a very successful career in the Army. At the age of 17 he enrolled in the 15th Light Dragons, a cavalry regiment newly formed by Colonel Granville Elliott. A gifted equestrian, he was put in charge of breaking new horses for his regiment. In 1761, Astley and his regiment embarked for the Continent to fight alongside King Frederick II of Prussia in the Seven Years' War, he returned to England in 1766 with the rank of Sergeant Major and obtained his discharge on June 21st of that year. When the war between the United Kingdom and revolutionary France broke out in 1793, Astley, who was then 51, re-enlisted in the 15th Light Dragons, "acting as a horse-master, celebrity morale-booster and war correspondent in one."
1978Best.-Nr. 2091502133524411Rippushobo 1978. Soft Cover. Fine. Number of books: 1 Rippushobo paperback
Best.-Nr. Z1-T-040-00203Rarebooksclub.com. Used - Like New. Used - Like New. Book is new and unread but may have minor shelf wear. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Rarebooksclub.com unknown
Best.-Nr. 41200Moutier, A l'Enseigne du Moustier, 1947. Pt. in-4°, 62p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
1890Best.-Nr. 58349New York:: C. M. Moseman & Brother no date 1890s. Fifth edition. publisher's purple gilt-lettered cloth. Large corner blank of one preliminary leaf torn away; old retailer's stamp the same NYC address of Mosemans' warehouse as given on the title page in the corner of numerous pages; light use to cloth; tight and sound. Folio. Spectacularly illustrated throughout including color lithographs. C. M. Moseman & Brother, hardcover
1907Best.-Nr. 10701Paris, Dunod et Pinat, 1907 ; in-8, broché ; (4), 305, (3) pp., grande planche dépliante (profils en long des 3 projets), figures et 11 planches hors-texte dont 2 plans et 9 photographies, couverture brique imprimée.
Best.-Nr. 0335-Co.J. Kaltnadel, um 1922, auf chamoisfarbenem Kupferdruckpapier, signiert. 33,5:34 cm. Brillanter, tiefschwarzer Abdruck mit vollem Rand, links unten als ?Modell ? Probedruck? bezeichnet. Selten!
1927Best.-Nr. 235651927 Huile sur panneau signée et datée en bas à gauche, 1927, 25.8 x 39.5 cm., cadre doré.
1746Best.-Nr. 279481746 Paris NYON 1746.Fort in-4,26 x 20 cm. ,Reliure posterieure milieu XIXe, demi maroquin rouge,dos à nerfs, pièce de titre de veau havane, tranches rouges marbrées, (38)-640 pp.,sans le portrait gravé en frontispice, 49 planches gravées, bandeaux et lettrines, index. Page de titre en rouge et noir. Deuxième édition de ce célèbre traité d'hippologie dédié au comte de Maurepas. Le traité se décompose en 6 parties (construction du cheval, haras, écuyer et harnais, maladies, chirurgie, maréchal ferrant) et comprend 29 belles planches gravées dépliantes (numérotation dans le désordre mais suivant le texte ),figures d'anatomie, d'instruments et d'outils utilisés par le palefrenier, le maréchal-ferrant ou le chirurgien, d'animaux nuisibles, de harnais, mors, selles, etc.- manque la planche 16 et le dernier feuillet de la table. La 7e partie constitue un traité de pharmacie à usage vétérinaire illustré de 20 planches de botanique décrivant 87 plantes. (Ménnessier de La Lance I, 526). -ex libris DUCHESNE DE LA SICOTIÈRE Pierre François Léon. BON ETAT sans rousseurs.
1930Best.-Nr. 213941930 1 Aquarelle, signée en bas à droite, (1930), 33 x 51 cm., encadrée.
1893Best.-Nr. VBA-473Pairault & Cie Libraires-Éditeurs, Paris 1893 (aux frais de l'auteur). Relié pleine percaline illustrée de l'éditeur. Première page de la couverture de la version brochée conservée. 25,5 x 17 x 2,5 cm. 159 pages + 20 planches hors texte. Illustrations en noir dans le texte. Poids : 825 g. Signature sur la page de faux titre du comte C. de Maigret (?)
1720Best.-Nr. 752A PARIS. CHEZ PIERRE SIMON, IMPRIMEUR DU CLERGE DE FRANCE & DU PARLEMENT. 1720. IN-12 (10 X 16,5 X 2,5 CENTIMETRES ENVIRON) DE 242 + 8 ET (1) PAGES, RELIURE D'EPOQUE PLEIN VEAU MARBRE, DOS A CINQ NERFS ORNE DE CAISSONS A FLEURONS DORES, TRACES DE DENTELLE DOREE SUR COUPES, TRANCHES MOUCHETEES ROUGES, VIGNETTE DOREE POSTERIEURE SUE LE PLAT SUPERIEUR DE LA FAMILLE LEMONNIER DE LORIERE. EDITION ORIGINALE RARE. «CE PETIT OUVRAGE DONNE QUELQUES APERCUS HISTORIQUES ET QUELQUES DETAILS SUR LES MANOEUVRES. IL EST, EN OUTRE, REMPLI DE RENSEIGNEMENTS PRECIS ET INTERESSANTS SUR LE SERVICE DE LA CAVALERIE EN TEMPS DE PAIX ET EN CAMPAGNE. A LA FIN SE TROUVENT 8 PAGES DE MUSIQUE GRAVEE, POUR LES DIFFERENTES SONNERIES DE TROMPETTE DU SERVICE INTERIEUR, PLUS LA MARCHE ET LA CHARGE». (MENNESSIER DE LA LANCE. II. 79). CES 8 PAGES IN-FINE PORTENT UN TITRE PARTICULIER : «LE BOUTE-SELLE ET AUTRES AIRS DE TROMPETTES DE LA CAVALERIE DE FRANCE». AVEC UNE ETIQUETTE EX-LIBRIS GRAVEE AU DOS DU FEUILLET DE TITRE. ANCIEN CACHET ILLISIBLE SUR LE FEUILLET DE DEDICACE. QUELQUES DEFAUTS EXTERIEURS, SINON BON EXEMPLAIRE.
1720Best.-Nr. 2601A PARIS. CHEZ LOUIS-DENIS DELATOUR, IMPRIMEUR DE LA COUR DES AYDES. 1720. IN-12 (10,2 X 17 X 2,5 CENTIMETRES ENVIRON) DE 242 + 8 ET (1) PAGES, RELIURE D'EPOQUE PLEIN VEAU MARBRE, DOS A CINQ NERFS ORNE DE CAISSONS A FLEURONS DORES, DENTELLE DOREE SUR COUPES, TRANCHES ROUGES. EDITION ORIGINALE RARE. "CE PETIT OUVRAGE DONNE QUELQUES APERCUS HISTORIQUES ET QUELQUES DETAILS SUR LES MANOEUVRES. IL EST, EN OUTRE, REMPLI DE RENSEIGNEMENTS PRECIS ET INTERESSANTS SUR LE SERVICE DE LA CAVALERIE EN TEMPS DE PAIX ET EN CAMPAGNE. A LA FIN SE TROUVENT 8 PAGES DE MUSIQUE GRAVEE, POUR LES DIFFERENTES SONNERIES DE TROMPETTE DU SERVICE INTERIEUR, PLUS LA MARCHE ET LA CHARGE". (MENNESSIER DE LA LANCE. II. 79). CES 8 PAGES IN-FINE PORTENT UN TITRE PARTICULIER : "LE BOUTE-SELLE ET AUTRES AIRS DE TROMPETTES DE LA CAVALERIE DE FRANCE". AVEC UNE ETIQUETTE EX-LIBRIS D'EPOQUE : "J'APPARTIENS A M. SILVAIN BOISSIER, CHEVALIER DE ST-LOUIS". TRES BEL EXEMPLAIRE.
1895Best.-Nr. 0029961895 Saumur, Librairie Militaire S. Milon, 1895-96. Deux tomes reliés en un fort volume in-8 (170 X 250 mm) percaline rouge, premier plat et dos orné d'encadrement à froid de style "nouille", auteur et titre en noir sur le premier plat et au dos (reliure de l'éditeur) ; 419 & 406 pages.
