1971réf. 25492Zurich, éditions Silva, 1971. In-4, cartonnage décorée sous jaquette couleurs. Toute petite déchirure sans perte au bord supérieur de la jaquette, pour le reste en belle condition.
1948réf. 24448Zurich, Papyria, 1948. In-4 broché, couverture illustrée. En belle condition. Illustré en couleurs et en deux tons par Moritz Kennel.
1950réf. 8934Zurich, Orell Füssli, 1950. In-4, cartonnage couleurs, dos de toile muet. Bords un peu frottés, quelques infimes défauts dans le corps du livre.
réf. 97408Zurich, Orell Füssli 1950, 270x195mm, 32pages, reliure demi-toile. Bon état.
1972réf. 12380Zürich, Atlantis, 1972. In-4, cartonnage couleurs (petit accroc en queue, coins un peu tassés- bref: exemplaire légèrement défraîchi).
2005réf. 208826Washington DC: National Gallery of Art 2005. Softcover. VG. A matte softcover book with white text on a red spine and a black-and-white pictorial front cover. xiv 302 pages; profusely illustrated in black-and-white. "Andre Kertesz 1894-1985 is one of the most important photographers of the twentieth century. In a career that spanned more than seventy years he made some of the most deceptively simple yet compelling photographs ever created. He sought to capture the poetry of modern urban life revealing its quiet incidents and odd occasional comic even bizarre juxtapositions. This book chronicles his art from his first works taken in his native Hungary just shortly before World War I to his highly celebrated photographs of Paris in the 1920s and 1930s and his studies of New York from the late 1930s to the early 1980s. Greenough and her colleagues have examined the extensive archive of diaries letters date books clippings and other memorabilia preserved by the artist himself. In their essays and an illustrated chronology they provide new insights into the development of Kertesz's life and art and its significance for twentieth-century photography. This book includes more than 250 reproductions and numerous excerpts from the photographer's previously unpublished correspondence and diaries." National Gallery of Art paperback books
1954réf. 7331Amsterdam, Mulder & Zn. [ca. 1954]. 4°quer, nicht paginiert (14 Seiten). farbig illustriert von Moritz Kennel. Illustrierter Orig.Pappband.
1960réf. RO60066438Golden Press. 1960. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos frotté, Pliures. Plaquette de 22 pages illustrée de nombreux dessins en couleur.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1971réf. RO40085370Delagrave. 1971. In-8. Relié. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur bon état. 341 pages. Illustré de nombreux schémas et photos en noir et blanc.. . . . Classification Dewey : 658-Gestion des entreprises privées et publiques
1913réf. EL280391913 pp. 233-397, 4 col. plates (XIII-XVI), roy. 4to, paperbound. Library stamp. Front cover chipped. Unopened copy. Last part of this three-part work.
1946réf. 25110Zurich, éditions Payria, 1946. In-8, cartonnage couleurs, dos de toile muet. Quelques frottements en bords. 6 illustrations à pleine page par Moritz Kennel.
réf. 91721Zurich, Libraire-Editeur Papyria S.A. 1946, 215x260mm, reliure d'éditeur. Cartonnage illustré, dos toilé. Très bel exemplaire.
réf. 120089Zürich, Papyria 1946, 215x260mm, cartonnage illustré de l’éditeur,dos toilé, format oblong. Bel exemplaire.
2003réf. 8025Washington DC: National Gallery of Art 2003. Paperback. Very good. Paperback. 11" X 9 1/4". xi 334pp. Mild wear to pictorial paper wraps with light rubbing to covers and bump to head of spine. Dust-spotting to top edge of text block. Pages are clean and unmarked. Binding is sound. This book is heavy and oversized and will require additional postal charges to ship internationally. Please contact us today for an international shipping quote. ABOUT THIS BOOK: One of America's most innovative artists Romare Bearden 1911-1988 made colorful and passionate images that reflected his life in a time of creative ferment. His influences ranged from the old masters to African art as well as the world around him: popular religion and ritual jazz clubs and brothels the history and literature of his time and the places he lived the rural South Pittsburgh and Harlem the Caribbean island of St. Martin. The resulting images are fresh and evocative filled with quirky details and rhythmic forms. This authoritative and beautiful book which accompanies a major retrospective opening at the National Gallery of Art in Washington D.C. provides a provocative and absorbing look at a beloved artist. The Art of Romare Bearden showcases compelling examples of his pioneering work: complex collages and photostats; watercolors gouaches and oils; little-known landscapes; his only known sculpture; costume designs; and book illustrations. 11" X 9 1/4". xi 334pp. Mild wear to pictorial paper wraps with light rubbing to covers and bump to head of spine. Dust-spotting to top edge of text block. Pages are clean and unmarked. Binding is sound. This book is heavy and oversized and will require additional postal charges to ship internationally. Please contact us today for an international shipping quote. ABOUT THIS BOOK: One of America's most innovative artists Romare Bearden 1911-1988 made colorful and passionate images that reflected his life in a time of creative ferment. His influences ranged from the old masters to African art as well as the world around him: popular religion and ritual jazz clubs and brothels the history and literature of his time and the places he lived the rural South Pittsburgh and Harlem the Caribbean island of St. Martin. The resulting images are fresh and evocative filled with quirky details and rhythmic forms. This authoritative and beautiful book which accompanies a major retrospective opening at the National Gallery of Art in Washington D.C. provides a provocative and absorbing look at a beloved artist. The Art of Romare Bearden showcases compelling examples of his pioneering work: complex collages and photostats; watercolors gouaches and oils; little-known landscapes; his only known sculpture; costume designs; and book illustrations. National Gallery of Art paperback books
1921réf. 015941Electric Park Kansas City MO: Kansas City Kennel Club 1921. Front cover with several hand-written notes. New stapled binding with archival tape re-inforcement. Title-page fore-edge trimmed without loss of any wording. Listing of entries by class and exhibitors. Quite a well-preserved and scarce catalogue. See photos. First Edition. Printed Wrappers. Moderate Wear/No Dust Jacket. 8 1/4" x 5 1/2". Kansas City Kennel Club Paperback books
réf. 15596Shenzhen, 2010 166 p., photographies N/B, relié. 21,5 x 25
réf. R320174264Lito. non daté. In-8. Broché. Etat d'usage, Couv. convenable, Agrafes rouillées, Papier jauni. 12 pages agrafées - quelques illustrations en couleurs hors texte.. . . . Classification Dewey : 398.2-Conte populaire
2008réf. 335559Washington: National Gallery of Art 2008. First. paperback. near fine. 179 color illustrations. ix 206 pages. 4to pictorial wrappers. Washington: National Gallery of Art 2008. First edition. A near fine copy. National Gallery of Art unknown books
2008réf. 203951Washington DC /Houston: National Gallery of Art / Museum of Fine Arts 2008. Hardbound. VG/VG as new. Grey cloth boards with gray lettering on spine color illustrated dust jacket ix 207 pp. profusely illustrated with 179 color and countless bw plates. Published to accompany an exhibition held at the National Gallery in Washington DC. The Forest of Fontainebleau located about 50 miles southeast of Paris held a singular place in 19th-century art. Variously called "savage" "wild" "romantic" and "beautiful" by visitors Fontainebleau's topography was viewed in many ways that reflected the sensibilities of the time. This is the first English-language publication to examine the significance of the region to the plein-air tradition in France. The book highlights four pivotal figures in the evolution of landscape painting: Jean-Baptiste-Camille Corot The;odore Rousseau Jean-François Millet and Claude Monet. It integrates into this history the photographers who worked at Fontainebleau including Eugène Cuvelier and Gustave Le Gray and explores the role the forest played in the development of early photography. It also considers the reception of paintings of Fontainebleau at the Salons and the influence of Fontainebleau on the advent of Impressionism. Contents as follows: Lenders to the Exhibition -- Map of Fontainebleau -- Landscapes Legends Souvenirs Fantasies: The Forest of Fontainebleau in the Nineteenth Century / Kimberly Jones -- Plates -- Discovery -- Topography -- Trees -- Rocks -- Village Life -- Nature and Observation -- Mystery of the Forest: Paintings of Fontainebleau at the Salon / Simon Kelly -- Infinite Museum: Photography in the Forest of Fontainebleau / Sarah Kennel -- Impressionists at Fontainebleau / Helga Aurisch. National Gallery of Art / Museum of Fine Arts hardcover books
1959réf. 17615Vevey, Nestlé Peter Cailler Kohler (NPCK), 1959. In-4, cartonnage couleurs. Coins très frottés. Bien complet de toutes les (ravissantes) vignettes couleurs contrecollées, que l'on doit à Moritz Kennel, accompagnées de dessins in-texte en noir (dont deux avec début de coloriage au crayon hélas). En l'état.
réf. 49320Paris, Masson ohne Jahr, 250x165mm, 33Seiten, broschiert.
réf. 18776Zurich, Editions Papyria, 1946. In-4° à l'italienne, non paginé. Cartonnage illustré d'éditeur, dos toilé.
réf. 18777Zurich, Editions Papyria, 1946. In-4° à l'italienne, non paginé. Cartonnage illustré d'éditeur, dos toilé.
réf. 96617Zürich, Lehrmittelverlag des Kantons Zürich 1969, 215x150mm, 253Seiten, Verlegereinband. Name des Bestizers, sonst schönes Exemplar.
1903pp. xxi, 424, (7)[Advertisements] + Plus frontis. Large 8vo. Original full blue cloth binding, extremities and spine worn. Scarce. PETS/2
