9988 resultados
1945ref. 23855PARIS MARCUS 1945 1 lllustré par Félix LORIOUX. Paris, Marcus, 1945, in-8 carré, cartonnage illustré en couleurs.
1804ref. 256046Deterville crapelet (imp.) 1804 in8. 1804. Relié. avec des figures tirées des trois règnes de la nature abondante iconographie en noir et blanc 18 tomes numérotés de 1 à 23 dont 5 tomes manquants: 4-5-11-14-16
1960ref. 185061960. Rio de Janeiro Biblioteca Nacional Ministerio da Educaçao e Ciltura 1960 fac-similé de l'édition originale de 1831 tiré à 3000 ex. num. - Cartonné en feuilles sous emboitage 34 5 cm x 43 5 cm 34+ 49 pages+ 23 planches couleur - Texte en français de Th. Descourtilz traduction en brésilien de Carlos Drummond de Andrade étude critique de Olivéro M. de O. Pinto - Très bon état
2003ref. 119559Paris Galilée 2003 1 vol. broché in-8 carré, broché, couverture à rabats, non coupé, 80 pp. Édition originale. Un des 100 exemplaires de luxe numérotés, les seuls comportant une gravure originale de Valerio Adami numérotée et signée par l'artiste. En parfait état.
2003ref. 119559Paris Galilée 2003 1 vol. broché in-8 carré, broché, couverture à rabats, non coupé, 80 pp. Édition originale. Un des 100 exemplaires de luxe numérotés, les seuls comportant une gravure originale de Valerio Adami numérotée et signée par l'artiste. En parfait état.
ref. 221505Liège, Imprimeries Bénard et centrale réunies, s.d. (1954) in-8, 232 pp., avec de nombreuses illustrations en noir dans le texte, broché.
1820ref. 1241730Berlin, Christiani, 1820. 14 S., 1 Bl., 308 S. Ppbd d. Zeit (Einbd etwas fleckig u. beschabt, Signatur auf Innendeckel, Stempel recto/verso Titel u. auf hinterem Vorsatz, leicht gebräunt u. vereinzelt gering braunfleckig).
1866ref. 2093London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2099London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2101London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2105London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2095London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2097London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2100London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2098London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2094London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2102London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2092London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2096London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1866ref. 2104London:: Dean and Son 1866. First edition. Fine. A fine and rare original hand-colored lithograph. Octavo 8.5 x 7 inches. Finely matted in double ivory rag matting with gilt French line decoration. In the classic tradition of an illuminated manuscript this charming print was executed by an unidentified gentlewoman; an artist and naturalist simply known as "A Lady" whom by the unfortunate plight of a physical malformation became an outcast to Victorian high society. Seeking solace she traveled to the far reaches of Ceylon and Corfu where she developed her inherent gifts here represented with her insightful depiction of the native flora and fauna of the Far East. Brightly colored butterflies insects or birds intermingle with rich blossoms or native grasses or perch on finely detailed branches of fruit and berries all surrounding the fine poetic expression of this keen nineteenth century naturalist. Matted in Rag Board Dean and Son , unknown
1880ref. 28764New York: E.P. Dutton & Company 1880. Hardcover book. Fine condition. A children's book describing the animal kingdom in a gorgeous red gilt and black decorative binding with the gilt animals on the covers including a kangaroo bird of paradise dragonfly penguin and armadillo. The kangaroo story is entitled "A Baby That Lives in a Bag" p21. Other stories about the echidna black swan cockatoo lyrebird & platypus. Long sections on beetles and other insects undersea creatures. Handsome gift book. Copyright 1879. 8vo 1-7 8-357pp XIpp Index at back. OCLC: 25660855. Both copies cited on Trove are electronic resources only. E.P. Dutton & Company hardcover
1939ref. 012790New York: Charles Scribners Sons 1939. Green hardcover cloth binding clean and tight spine cocked. Bit of White chalk-like mark on front cover blue ink mark bottom righthand corner. Shelfwear top and bottom of spine bumped corners. Bookplate fep. Yellowing pages some foxing but overall clean interior. 261 pages. Many b/w sketches throughout by noted artist Paul Brown. Scarce book about a dog part Irish Terrier in the text but all Irish Terrier in Brown's drawings who worked his way into the affection of an army company during World War I. No dogs are supposed to be on the transport but Mike manages to be on it when it reaches France. Both author and illustrator were with the AEF. This is a moving and humorous story of a dog at war who becomes the soldiers' friend and comrade. Size: 8vo - over 7¾" - 9¾" tall. Illus. by Brown Paul. 1st. Hardcover. Good/No Jacket. Charles Scribners Sons Hardcover
1743ref. 7017London:: The College of Physicians 1743-51. First edition. Fine . Pl 206 The Sea-tortoise. Original hand-colored copperplate engraving. Quarto 9 x 12 inches. Includes text. George Edwards London 1694-1773 was a Fellow of the Royal Society and Fellow of the Society of Antiquaries in London who rejected his early formal training and potential career in business to pursue his passion in natural history. His dedication and talent as a draftsman and naturalist was evident thus gaining the attention of Sir Hans Sloane President of the College of Physicians and the Royal Society. Sir Hans offered Edwards the post of Librarian of the Royal College of Physicians in London and enlisted him to draw the natural curiosities of Sloane's private museum. This connection became the inspiration for Edward's masterful achievements; A Natural History of Uncommon Birds Published between 1743 and 1751 and the subsequent work; Gleanings of Natural History which was produced between 1758 and 1764. These two works illustrated and documented many previously unrecorded specimens of birds reptiles and insects held in England's private collections up to the mid eighteenth century. A monumental achievement Edwards documented- in English and French- painted engraved and hand-colored every one of the fine compositions in this Pre-Linnaean natural history opus. Although not a field naturalist Edwards placed many of his birds and animals in landscaped settings which was unusual for the time. In other compositions birds are elegantly perched on stylized branches in a classic Georgian format more decorative than realistic charming nonetheless. A gracious and humble man Edwards established firm and respected alliances with naturalist pioneers Carl Linnaeus 1707-78 Mark Catesby 1683-1749 from whom he learned the art of engraving and subsequently aided Catesby in the revision of his publication; The Natural History of Carolina Florida and the Bahama Islands London c.1754 as well as William Bartram from whom he acquired several species of Pennsylvanian birds included in his volumes. As Edwards' work predates the completion of the Linnaean classification system Linnaeus was to borrow the English names of many of Edwards species for his renowned work on classification and nomenclature. Ref: Buchanan Jackson Fine Bird Books. Matted in Rag Board The College of Physicians, unknown
1743ref. 7015London:: The College of Physicians 1743-51. First edition. Fine . Pl 207 Double-headed Snake & The Black Butterflies. Original hand-colored copperplate engraving. Quarto 9 x 12 inches. Includes text. George Edwards London 1694-1773 was a Fellow of the Royal Society and Fellow of the Society of Antiquaries in London who rejected his early formal training and potential career in business to pursue his passion in natural history. His dedication and talent as a draftsman and naturalist was evident thus gaining the attention of Sir Hans Sloane President of the College of Physicians and the Royal Society. Sir Hans offered Edwards the post of Librarian of the Royal College of Physicians in London and enlisted him to draw the natural curiosities of Sloane's private museum. This connection became the inspiration for Edward's masterful achievements; A Natural History of Uncommon Birds Published between 1743 and 1751 and the subsequent work; Gleanings of Natural History which was produced between 1758 and 1764. These two works illustrated and documented many previously unrecorded specimens of birds reptiles and insects held in England's private collections up to the mid eighteenth century. A monumental achievement Edwards documented- in English and French- painted engraved and hand-colored every one of the fine compositions in this Pre-Linnaean natural history opus. Although not a field naturalist Edwards placed many of his birds and animals in landscaped settings which was unusual for the time. In other compositions birds are elegantly perched on stylized branches in a classic Georgian format more decorative than realistic charming nonetheless. A gracious and humble man Edwards established firm and respected alliances with naturalist pioneers Carl Linnaeus 1707-78 Mark Catesby 1683-1749 from whom he learned the art of engraving and subsequently aided Catesby in the revision of his publication; The Natural History of Carolina Florida and the Bahama Islands London c.1754 as well as William Bartram from whom he acquired several species of Pennsylvanian birds included in his volumes. As Edwards' work predates the completion of the Linnaean classification system Linnaeus was to borrow the English names of many of Edwards species for his renowned work on classification and nomenclature. Ref: Buchanan Jackson Fine Bird Books. Matted in Rag Board The College of Physicians, unknown
1743ref. 7013London:: The College of Physicians 1743-51. First edition. Fine . A fine original hand-colored copperplate engraving. Quarto 9 x 12 inches. Includes text. George Edwards London 1694-1773 was a Fellow of the Royal Society and Fellow of the Society of Antiquaries in London who rejected his early formal training and potential career in business to pursue his passion in natural history. His dedication and talent as a draftsman and naturalist was evident thus gaining the attention of Sir Hans Sloane President of the College of Physicians and the Royal Society. Sir Hans offered Edwards the post of Librarian of the Royal College of Physicians in London and enlisted him to draw the natural curiosities of Sloane's private museum. This connection became the inspiration for Edward's masterful achievements; A Natural History of Uncommon Birds Published between 1743 and 1751 and the subsequent work; Gleanings of Natural History which was produced between 1758 and 1764. These two works illustrated and documented many previously unrecorded specimens of birds reptiles and insects held in England's private collections up to the mid eighteenth century. A monumental achievement Edwards documented- in English and French- painted engraved and hand-colored every one of the fine compositions in this Pre-Linnaean natural history opus. Although not a field naturalist Edwards placed many of his birds and animals in landscaped settings which was unusual for the time. In other compositions birds are elegantly perched on stylized branches in a classic Georgian format more decorative than realistic charming nonetheless. A gracious and humble man Edwards established firm and respected alliances with naturalist pioneers Carl Linnaeus 1707-78 Mark Catesby 1683-1749 from whom he learned the art of engraving and subsequently aided Catesby in the revision of his publication; The Natural History of Carolina Florida and the Bahama Islands London c.1754 as well as William Bartram from whom he acquired several species of Pennsylvanian birds included in his volumes. As Edwards' work predates the completion of the Linnaean classification system Linnaeus was to borrow the English names of many of Edwards species for his renowned work on classification and nomenclature. Ref: Buchanan Jackson Fine Bird Books. Matted in Rag Board The College of Physicians, unknown