9682 risultati
1809rif. 3188London:: George Shaw and E. Nodder 1809. First edition. Fine condition with original bright hand-coloring. . A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. George Shaw and E. Nodder, unknown
1809rif. 3187London:: George Shaw and E. Nodder 1809. First edition. Fine condition with original bright hand-coloring. . A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. George Shaw and E. Nodder, unknown
1809rif. 3191London:: George Shaw and E. Nodder 1809. First edition. Fine condition with original bright hand-coloring. . A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. George Shaw and E. Nodder, unknown
1880rif. 4968London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4962London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4964London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4954London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4956London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4955London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4957London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4961London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4979London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4969London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4958London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4960London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1880rif. 4967London:: Cassell Petter Galpin & Co. 1880. First edition. Fine. A Fine original Chromolithograph. Octavo 10.75 x 8.75 inches. Matted in archival board sized to 14 x 16 inches suitable for framing. In the fine tradition of classic animal portraiture this formal portrait of one of Great Britain's prized canine breeds is set in its traditional British Scottish or Welsh landscape or interior. Finely produced by Vincent Brooks Day & Son Lithographers to the Queen in London c. 1880. Matted in Rag Board Cassell, Petter, Galpin & Co., unknown
1890rif. 32902Partridge 1890. First Edition. Hardcover Embossed Cloth. Very Good Condition/No Dust Jacket. Size: Quarto. 112 pages. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. Endpapers browned text block clean. Edges foxed and browned. The publication date given above is an estimate only there being no date given in the book. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Antiquarian & Rare; Animals & Birds. All our pictures shown here are of the actual item not stock photos. Inventory No: 32902. . Partridge hardcover
1986rif. 038021Melbourne: Hill House 1986. HEAVY pp536-672 index references col plates col photographs. Cloth boards in jacket. Minor toning to top edge minor rippling. The last of three volumes covering the butterflies of the Oriental region. This volume covers Riodinidae & Lycaenidae. of Asia. First Edition. Hard Cover. Very Good/Very Good. Folio. Hill House Hardcover
1999rif. 27079London: W B Saunders. Very Good. 1999. First Edition. Hardcover. 0702023922 . With photographic illustrations in colour and black & white small patch of laminate on front cover removed light bumping of corners otherwise a very good copy. ; 250 x 195mm; x 278 pages . W B Saunders hardcover
1967rif. AUB-1274Editions Félix Touron 1967. Exemplaire relié, reliure pleine toile ornée d'éd., fort in-4 (32 cm x 25), 608 pages sur beau papier cartonné avec préface, illustrations, liste des professions, systématique, index, tables, sources + planches en couleurs.
1884rif. 96740Paris, Asselin et Houzeau 1884 Fort in-8 23,5 x 15 cm. Cartonnage éditeur pleine percaline brique, XX-1067 pp., 293 figures, 33 planches, table des matières, catalogue éditeur, 23 pp. in fine. Bon exemplaire.
1860rif. 49863Derivaux, Libraire-éditeur 1860 In-4, cartonnage bleu clair illustré de l’éditeur, 329 pp., 33 planches en couleurs rehaussées à la main, texte sur deux colonnes. Plats frottés, coiffes et coins usés, dos sali avec manque de 5 cm. en tête, intérieur frais. Ouvrage assez rare.
1946rif. 29848HBDJ 1ST EDITION STATED 2ND PRINTING APRIL 1946 ON COPYRIGHT PG SAME YEAR & MONTH AS 1ST/1ST EDITION VG /VG BACK OF DJ LISTS ADVNTURES OF HUCKLEBERRY FINN THRU KING GOLDEN RIVeR. Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. VG hardback copy in dustwrapper BACK DJ LITE WEAR RUB TINY CHIPS SOILING TO VERSO OF DJ Illustrated pink green & Beige cover with black cloth spine of horses & Birds with gold gilt Much Loved Classic WAS THOROUGHBRED Horse who Began His Career in Gentleman's Stable. He was Ruined when His Knees were Broken By a Drunken Groom. & After That His Life was Succession OF MISFORTUNES Until 1 Day When a Wonderful Stroke of Luck Brought Him the Happiness & Contentment for which He had Always Longed. RAINBOW CLASSICS # R-2 WORLD PUBLISHING CLEVELAND hardcover
rif. DADAX1637991606New unknown
rif. CZC-9011description populaire des races humaines et du règne animal, édition française revue par Z. Gerbe Complet en 2 volumes grand in-4, 20x29, reliés demi cuir, tranches de têtes dorées, 790 et 905 pages. Très nombreuses figures en noir dans le texte et hors texte. L'ouvrage fait encore référence chez les naturalistes par son caractère encyclopédique et humaniste. Brehm à fait un ouvrage de vulgarisation, il a notamment simplifié la classification pour que le néophyte trouve facilement ce qu'il cherche. Fort de son expérience en Afrique il agrémente certains articles de notion de chasse, beaux exemplaires de ce joli livre témoin d'une époque ou la diversité animal étonnait encore la plupart. Paris, Baillière & Fils, vers 1880