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réf. 9145Chelsea MI: Ann Arbor Press 1998. First edition. A near fine copy. Pp. xxiii 357 numerous text-figures. Publishers printed pictorial laminated boards lg 8vo. This book develops a more ecological approach to food production. This volume is from the research collection of herpetologist Lauren E. Brown with his signature on the front endpaper. Chelsea, MI: Ann Arbor Press, 1998. First edition. hardcover
réf. 8348Londini London: S. Smith & B. Walford Societatis Regiae Typographorum 1696. First edition. One small worm hole in the outer margins of the last section of pages some age toning to the last blank page; a clean copy in very good condition in a period leather binding. Pp. xiv 1-48. Recent brown morocco leather in period style lettered in gilt on the upper cover 12mo 7.5 x 4.75 inches; 187 x 118 mm. This work is divided into five parts: I. De Methodi Origine & Progressu; II. De Notis Generum characteristicis; III. De Methodo sua in Specie; IV: De Notis quas reprobat & rejiciendas censet D. Tournefort; V. De Methodo Tournefortiana. According to Geoffrey Keynes in The Bibliography of John Ray p. 129: this work is a "continuation of the discussion began in the preface to the Stirpium Europaerum Sylloge 1694 and in the appendix to the second edition of the Synopsis Methodica Stirpium Britannicarum 1696. It was largely an answer to the criticism of Tournefort who received a copy in June 1697 and published a reply De Optime methodo instituenda in re herbaria in the same year." Geoffrey Keynes states that this work in uncommon; he was only able to record eight copies two of which are in the British Museum. No ownership marks and few signs of use. On the verso of page 48 the last page there is some Latin text written in an old hand at the top of the page. Londini (London): S. Smith & B. Walford, Societatis Regiae Typographorum, 1696. First edition. hardcover
réf. 8123New York: New York Botanical Gardens 1900. First edition. Light edge wear to the front wrapper some loss to blue wrapper at the top edge of the spine; a tight and clean copy in very good condition. Pp. xi 492 folding map at rear. Publisher's original printed blue front wrapper rear wrapper is missing lg 8vo. Memoirs of the New York Botanical Garden volume 1. An important early flora of Montana and northern Wyoming. This is the scarce first edition. Many text pages are uncut and unopened. No ownership marks. New York: New York Botanical Gardens, 1900. First edition. unknown
réf. 7938Vlaeberg South Africa: Fernwood Press 2001. Limited edition. A fine new copy. Pp. 1 limitation 5 6-216; color frontispiece of Cyrtanthus flammosus 131 color plates of fine botanical art. One half dark green textured morocco leather spine with five raised bands lettered in gilt in one compartment and with a gilt leave in another over gray cloth boards with central gilt flower endpapers with central embossed leaf design in gray cloth-covered slipcase bordered in dark green morocco at the head and foot of the slipcase 4to 300 x 230mm. The limitations page reads: Collectors' Edition. A special edition limited to 100 copies. This volume is number 1 presented to Fernwood Press Pty Ltd signed by the author Marion Arnold. She comments: 'Remarkable images of plants created by the most talented of botanical artists are housed in store rooms of botanical institutes and museums. Yet the oil paintings etchings and watercolors of 'fine' artists - depicting the same plants - are located in art galleries. Why are plant portraits classified differently and kept apart Is plant imagery to do with science or with art Do the two 'kinds' of art ever meet This unique and ground-breaking book metaphorically 'peels back the petals' to explore southern African plant portraiture and discovers the meanings ascribed to the genres of 'botanical art' and 'flower painting'. Well known for their botanical and art history contributions authors Marion Arnold Peter Goldblatt John Manning John Rourke and Dee Snijman examine plant portraiture in southern Africa over several centuries. They provide engrossing and sometimes unique revelations on a broad spectrum of issues including species 'discovery' insect pollination biological classification specimen collection plant naming portraiture and the manner and style of artistic representation. The texts are liberally illustrated by works of some of the countless travelers botanists an artists who have so passionately and meticulously recorded South Africa's rich floral heritage.' Vlaeberg, South Africa: Fernwood Press, 2001. Limited edition. hardcover
réf. 7939Vlaeberg South Africa: Fernwood Press 1992. Limited edition. A fine new copy. Pp. 1 limitation 8 9-272; 750 color photographs of species of Erica and its habitats some are full page plates double-page color map of the major distribution area of Ericas in South Africa single page color map of the highest concentration of Ericas in the south-western Cape Province full page color drawing of the anatomical parts of Erica. One half black morocco leather spine is lettered in gilt with the title and author set off by gilt panel lines base of spine is illustrated with a gilt leaf over turquoise-blue cloth boards illustrated with central gilt Erica plant endpapers with central embossed leaf design in a turquoise-blue cloth-covered slipcase with a color photo of Erica flower inset into the front slipcase cover 4to 305 x 235mm. This fine binding is by Sangorski and Sutcliffe and Zaehnsdorf of London. The limitations page reads: Collectors' Edition. A special edition limited to 100 copies. This volume is number 1 presented to Fernwood Press Pty Ltd signed by the authors Dolf Schumann and Gerhard Kirsten. 'By far the largest of the genera in the South African flora is Erica: with 657 species to its credit. This fact is all the more remarkable when one considers its distribution. People from Europe need no introduction to their heaths which can splash the countryside with pink. Apart from the true heather Calluna the genus Erica contributes only 21 species to the heath flora of Europe. The bulk of the species of Erica are confined to the southern tip of Africa in a concentration that is not equaled by any other plant group in the world. The array of colors and forms of ericas here in the southern Cape province is both remarkable and overwhelming. In the pages of this volume is a photographic record of more than 450 species of one genus a remarkable feat for a flower book. This is the first time that so many species of Erica have been illustrated in a single work' modified from the foreword p. 9. Vlaeberg, South Africa: Fernwood Press, 1992. Limited edition. hardcover
réf. 8023London Frederick Warne 1899. New edition revised. A bright and clean copy in near fine condition. Pp. xiv 1 1-269; xii 1-279; xi 1-258; xi 1-213 with 319 fine colored plates after paintings by Anne Pratt. Original one-half black morocco leather over dark green leather-covered boards spine with five raised bands each decorated with small gilt horizontal lines and sent off by double gilt panel lines red morocco title label in one compartment lettered in gilt volume numbered stamped in gilt in one other compartment and with gilt floral design vignette in the remaining four other compartments all page edges are spectacled in red lg 8vo. According to Edward Step who revised the volume: "All the coloured plates have been specially compared for this edition with the carefully hand-coloured originals; and the colour printing has been thereby improved." Indeed the colored plates are bright with crisp edges to the flowers and leaves and with vivid coloration. This copy is also beautifully bound. No ownership marks and few signs of use. London, Frederick Warne, 1899. New edition (revised). hardcover
