GARDENS, MINIATUREBiblio.com
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1796Best.-Nr. 108121796. Approx. 40 brush & ink drawings in black & white. Scroll 180 x 1440 mm. central core roller. At end in rough trans.: “Many generations of SÅami bonsan 100 rules & styles. Extremely secret. All the information passed down by mouth is listed here. Handle this information with great care and keep it close. Given by Ishioka Seisaku 石岡正朔 in September 1796 to ZuihÅken no Yahiroko 瑞芳軒之八尋å.” Bonsan miniature mountain gardens is a sub-category of bonkei 盆景 tray-garden landscapes. Created to fit into small containers good bonsan convey the texture color and form of natural mountainous scenery. These small tray or pot landscapes have their origins in 10th-century China. The text in our scroll is a distillation of the teachings of SÅami ShinsÅ 相阿彌真相 1472-1525 painter art critic and artistic adviser to the Ashikaga shoguns in Kyoto master of the tea and incense ceremonies and landscape gardener. He established rules for and a school SÅami ryu of garden design and flower arrangement as well as the rules and styles for bonsan. “As a landscape gardener he designed two of the most celebrated Zen temple gardens in Japan: the RyÅan Temple garden in Kyoto an outstanding example of kare sansui a dry landscape technique in which combinations of stones and sand are used to suggest mountains and water; and the Daisei-in garden a miniature reproduction of a natural landscape also in the kare sansui style. It is believed that he also planned the garden of the famed Silver Pavilion Ginkaku Temple in Kyoto the villa built by his major patron Ashikaga Yoshimasa.”–Encycl. Brit. online. The author begins by extolling the pleasures of bonsan and offers advice on how to observe and enjoy them. He continues with descriptions of the materials used miniature trees sand rocks etc. seasonal variations the kinds of trays square rectangular circular and colors red white blue yellow brown and black and advice on where how and when to display them. The text also discusses the styles created over the centuries and famous sites that could be replicated on the trays. All of this is finely illustrated in a series of about 40 fine black & white brush drawings illustrating the many varieties of bonsan design. Ishioka was a resident of Kyoto and gave instruction on creating miniature gardens. He left another manuscript on miniature gardening see WorldCat 1451711637. In fine condition. Some worming mostly marginal. Preserved in a modern wooden box. unknown
1796Best.-Nr. 108121796. Approx. 40 brush & ink drawings in black & white. Scroll 180 x 1440 mm. central core roller. At end in rough trans.: “Many generations of SÅami bonsan 100 rules & styles. Extremely secret. All the information passed down by mouth is listed here. Handle this information with great care and keep it close. Given by Ishioka Seisaku 石岡正朔 in September 1796 to ZuihÅken no Yahiroko 瑞芳軒之八尋å.” Bonsan miniature mountain gardens is a sub-category of bonkei 盆景 tray-garden landscapes. Created to fit into small containers good bonsan convey the texture color and form of natural mountainous scenery. These small tray or pot landscapes have their origins in 10th-century China. The text in our scroll is a distillation of the teachings of SÅami ShinsÅ 相阿彌真相 1472-1525 painter art critic and artistic adviser to the Ashikaga shoguns in Kyoto master of the tea and incense ceremonies and landscape gardener. He established rules for and a school SÅami ryu of garden design and flower arrangement as well as the rules and styles for bonsan. “As a landscape gardener he designed two of the most celebrated Zen temple gardens in Japan: the RyÅan Temple garden in Kyoto an outstanding example of kare sansui a dry landscape technique in which combinations of stones and sand are used to suggest mountains and water; and the Daisei-in garden a miniature reproduction of a natural landscape also in the kare sansui style. It is believed that he also planned the garden of the famed Silver Pavilion Ginkaku Temple in Kyoto the villa built by his major patron Ashikaga Yoshimasa.”–Encycl. Brit. online. The author begins by extolling the pleasures of bonsan and offers advice on how to observe and enjoy them. He continues with descriptions of the materials used miniature trees sand rocks etc. seasonal variations the kinds of trays square rectangular circular and colors red white blue yellow brown and black and advice on where how and when to display them. The text also discusses the styles created over the centuries and famous sites that could be replicated on the trays. All of this is finely illustrated in a series of about 40 fine black & white brush drawings illustrating the many varieties of bonsan design. Ishioka was a resident of Kyoto and gave instruction on creating miniature gardens. He left another manuscript on miniature gardening see WorldCat 1451711637. In fine condition. Some worming mostly marginal. Preserved in a modern wooden box. unknown books
Best.-Nr. 245255Beloeil, De l'Imprimerie de Charles de ----, 1781, in-8, (6)-150 pp., texte dans un encadrement gravé, demi-basane fauve,dos lisse, filets dorés, pièce de titre de maroquin rouge (reliure de l'époque). Dos refait.
1737Best.-Nr. 16756Paris, Charles-Antoine Jombert, 1737-1738. 2 volumes in-4° de [10]-XVI-198-[2]; VI-[1]-180 pages plein veau havane moucheté de noir, dos à nerfs aux filets estampés à froid, pièce de titre et de tomaison en maroquin rouge, superlibris "Le Duc de Nivernois" frappé aux plats, double filet doré aux coupes, roulette dorée aux chasses, tranches rouges.
1658In -4°, due parti in un volume, antiporta figurata incisa, due tavole incise a piena pagina di cui una con ritratto dell’autore. Testo corredato da centinaia di vignette, testatine, iniziali e finalini istoriati calcografici; diverse illustrazioni incise (I) legato con “Poesie liriche toscane”, inc. di Giovanni Battista Bonacina, Etienne Picart su disegni di Gregorio Tomasini; legatura in piena pergamena coeva semirigida, fioriture e lievi macchie di umidità e bruniture su alcune carte (in particolare pp. 89-92), segni di restauro su alcune carte. Molto raro, questo libro è uno degli esempi più impressionanti della produzione barocca italiana: sconosciuto ai compilatori della Bibliografia Romana: Boffito nomina il primo frontespizio inciso come registrato da Le Blanc, ma aggiunge che per loro un esemplare sarebbe stato introvabile. Prima edizione delle due opere, rilegate assieme e pubblicate postume, probabilmente è un omaggio a Cesarini stampato in tiratura limitata. L’autore è un cugino di Federico Cesi, studioso di legge e filosofia e appassionato di astronomia e matematica. Amico di Galileo e membro dell’Accademia dei Lincei, sollecitò Galileo a scrivere Il Sggiatore. I versi qui contenuti sono dedicati ciascuno a personaggi illustri dell’epoca (molti di loro membri dell’Accademia). Rossetti 1824 Very rare, this is one of the most impressive examples of Italian baroque book production: It was not known to the compilers of the Bibliografia Romana: Boffito mentions the first engraved title page as registered by Le Blanc, but it adds “We couldn’t find the edition”. First edition of the two works, issued together and posthumously published, with a life of the author included. This was probably a memorial to Cesarini published in a small number of copies. The author was a cousin of Count Federico Cesi and, after studies in law and philosophy, developed a passionate interest in mathematics and astronomy. He was friend of Galileo and Ciampoli and a member of the Accademia dei Lincei. He went on to urge Galileo to write Il Saggiatore. The verses here contained, latin and italian, are each dedicated to a notable contemporary (many of these were members of the Accademia).
1989Best.-Nr. L557Bibliothèque des Arts Décoratifs, 1989, 170 p.
