Pere Cantarero VergerBiblio.com
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rif. ria9786206695929_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Organisatorisches Verhalten ist ein Studienbereich der die Interaktion zwischen Individuen Gruppen Strukturen und organisatorischen Variablen untersucht um die besten Strategien zur Entwicklung menschlicher Aktivitäten am Arbeitspla paperback
2023rif. 1702511Classiques Garnier 2023. hardcover. New. 6x0x8. Classiques Garnier hardcover
rif. *X049801.- Barcelona . 1956. Herder. 4º menor. 3 tomos. 2679. Tela editorial. Sellos anterior poseedor. Muy buen estado. . . Religión Católica hardcover
rif. 10228VERGER. N° 5. (Sans date [1948]). Michel Manoll (" Le Souvenir de Max Jacob au Bouquet de Montmartre "), Lucien Becker (" Georges Grosz ", avec un hors-texte), Albrecht Haushofer (" Sonnets de la prison de Moabit "), " Jean-Paul Sartre à Berlin ", compte-rendu d'un débat public autour des Mouches, Ernst Wiechert, etc. Bon état.
1938rif. RO40162088APMEP. 1938. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Plaquette de 24 pages. Etiquette de code sur le 1er plat. Tampons et annotation de bibliothèque sur le 1er plat et en page de garde.. . . . Classification Dewey : 845-Discours
rif. BN106788SUP. Softcover. Universités en Europe 1450 1814 Universités en Europe 1450 1814 SUP paperback
1999rif. R240104608PRESSES UNIVERSITAIRES DE BORDEAUX. 1999. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 280 pages - un tampon sur la page de titre - étiquette collée sur la coiffe en pied et sur le 2ème plat .. . . . Classification Dewey : 370-Education
rif. SLIVCN-9782130621294PUF
rif. 151445Bussum, Fibula-Van Dishoeck, 1978.
rif. SLIVCN-9782376110996OUI DIRE EDITIONS
rif. R240142556MAISON ALFRED MAME ET FILS. NON DATE. In-8. Cartonnage d'éditeurs. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur acceptable. 95 pages - une illustration en noir et blanc en frontispice - quelques illustrations en noir et blanc dans le texte - cartonnage monochrome.. . . . Classification Dewey : 904-Recueils de récits d'événements
2010rif. BN512042Presses Universitaires de France - PUF 2010. 2010. Softcover. Un Moyen Âge pour aujourd'hui - Pouvoir d'État opinion publique justice. Mélanges offerts à Claude Gauvard Un Moyen Âge pour aujourd'hui - Pouvoir d'État opinion publique justice. Mélanges offerts à Claude Gauvard Collectif Olivier Guyotjeannin Régine Le Jan Christophe Picard Laurent Feller Jacques Verger Michel Parisse Olivier Matteoni Nicolas Offenstadt et Julie Claustre Presses Universitaires de France - PUF paperback
in-8°, 79 pages impr. en 2 coul., dessins in-t., index, broche, couverture illustree plast. Bel exemplaire. [DV-3]
1988rif. RO20277124SAVOIR LIRE / BELIN HACHETTE HATIER MAGNARD NATHAN. 1988. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 PAGES - Nombreuses illustrations couleur et noir/blanc, dans le texte. . . . Classification Dewey : 2-Le livre
rif. 6692broché - 15,5x24 - 238 pp - 1973 - Hotel du VIDAME , Chalons-sur-Marne - mémoires de la société d'agriculture, commerce, sciences et arts du département de la MARNE - tome LXXXVIII - Avec illustrations hors texte.
1947rif. RO40014223Dumas. 1947. In-12. Broch. Bon tat, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 189 pages. Jaquette trs abime.. Avec Jaquette. . . Classification Dewey : 840-Littratures des langues romanes. Littrature franaise
rif. 500362110Dominique Guéniot Sans date. Un VERGER EN LORRAINE est un ouvrage de l'écrivain et peintre Yvon Lallemand publié en 1984 par les éditions Dominique Guéniot. Le livre préfacé par Jean Robinet explore probablement la thématique des vergers en Lorraine mêlant descriptions littéraires et sensibilité artistique de l'auteur
1977pp. xxii, 153 + Plus Color Portrait Frontis and full page color drawings by Lajos Szalay. Text drawings. Designed by Bert Clarke of the Garamond Press. Type set in English Monotype Garamond. Moire silk pastedowns and endpapers. Ribbon bookmark. All edges gold. Original Easton Press bookplate, not filled in. Sm. 4to. Original full embossed leather binding, elaborately decorated in gold. Raised bands on spine. Hardbound. Collector's Edition of the 100 Greatest Books ever written. A lovely copy, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW33
rif. 6242792Cambridge University Press CUP . Hardback. New. pp. 319 Cambridge University Press CUP hardcover
2007rif. x-0521033543Cambridge Univ Pr 2007. Paperback. New. 323 pages. 8.90x5.98x0.87 inches. Cambridge Univ Pr paperback
1839rif. 1064261839. London: J.W. Parker 1839. Slim 8vo 18 pp. Disbound and now stitched in plain brown paper wrappers titled by hand. Faint stain to final page; very good. § First edition of this scarce little paper on early mathematics by the infamous Halliwell-Phillipps whose entire life was dogged by financial problems and accusations some apparently fairly well based of theft and fraud. His life was well chronicled by Arthur Freeman and Janet Ing Freeman. From DNB: "Phillipps James Orchard Halliwell- 1820-1889 antiquary and literary scholar was born on 21 June 1820 at 94 Sloane Street Chelsea the sixth of the seven children of Thomas Halliwell 1777-1849 a prosperous linen draper from Chorley Lancashire and his wife Charlotte Ann 1789-1849 daughter of Esau Marsh of London. He took the additional surname Phillipps in 1872 following the death of his father-in-law Sir Thomas Phillipps.". unknown books
1839rif. 1064261839. London: J.W. Parker 1839. Slim 8vo 18 pp. Disbound and now stitched in plain brown paper wrappers titled by hand. Faint stain to final page; very good. § First edition of this scarce little paper on early mathematics by the infamous Halliwell-Phillipps whose entire life was dogged by financial problems and accusations some apparently fairly well based of theft and fraud. His life was well chronicled by Arthur Freeman and Janet Ing Freeman. From DNB: "Phillipps James Orchard Halliwell- 1820-1889 antiquary and literary scholar was born on 21 June 1820 at 94 Sloane Street Chelsea the sixth of the seven children of Thomas Halliwell 1777-1849 a prosperous linen draper from Chorley Lancashire and his wife Charlotte Ann 1789-1849 daughter of Esau Marsh of London. He took the additional surname Phillipps in 1872 following the death of his father-in-law Sir Thomas Phillipps.". unknown
1951rif. RO50035830ENOCH & CIE. 1951. In-8. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Déchirures. 2 pages de partitions, premier plat illustré d'une photographie de Mouloudj, .accrocs dans les pliures. . . . Classification Dewey : 780.26-Partitions
1796rif. 65977New York: D.F. Launy 1796. Attractive Allegorical Engraving Depicting Democracy's Victory over Monarchism An attractive and elaborate allegorical engraving celebrating American independence drawn by French-American artist John-Francis Renault and engraved by Peter Verger both known almost exclusively for the present print. The print first published in 1796 and then again with the addition of extensive descriptive text in 1798 uses Classical iconography to illustrate America's victory with the gods led by Minerva with the American eagle on her aegis paying honor to American heroes and laying waste to the concepts and persons of monarchy. As a French veteran of the American Revolution and transatlantic witness to the French Revolution it is perhaps unsurprising that Renault would choose such subject matter for this dramatic piece. Reilly describes the print and its features in detail: "An allegory of liberty flourishing and monarchy and tyranny in decline. In a wooded grove Minerva with a shield bearing the arms of the United States and a flag emblazoned with stars pours libations on an altar fire. Beside her are three female figures. The first Plenty holds a torch to a pile of titles of nobility crowns scepters and other attributes of monarchy. Justice holds a sword and scales and Peace an olive branch. Behind them is a small pyramid on a pedestal inscribed with the names: Hancock Warren Sullivan Putnam Scamel Barber Green Laurens Wooster Mercer and Poor. Two urns on the monument are labeled "B. Franklin" and "Montgomery." To the right is a column surmounted by a seated nude Liberty figure holding a wreath. Below it stands a cherub with a scroll with the words 'Allons enfans de la Patrie.' an open book labeled 'The Rights of Man' a staff and liberty cap and a flag. Behind is a mountainous landscape and town. In the lower right foreground stands another group including a king about to stab himself several other monarchs cringing and a standing woman. In the lower left stand an aged classical priest and a writhing mutilated hydra appear. "Stauffer describes an impression the 1798 edition with re-engraved title and imprint accompanied by the following text: 'By a Column raised to Liberty is a Monument sacred to the memory of the American Heroes fallen in defence of their Country. While Liberty is Crowning them America uder sic the figure of Minerva sacrifices to their Manes and a Priest of that Deity sings their glorious actions. The Hydra of Despotism mortally wounded by those great men expires in frightful convulsions. Peace and Justice hand in hand join with America in her homage to Liberty. Plenty reclining on her emblematical Horn reposes on American ground. The Genius of Liberty points out the declaration of Independence and a Book of the American Constitution. From the dreadful Sight a group of Kings turn away with horror and dismay.'" Not much is known about Renault or Verger beyond their production of this print. Describing the former as an "Allegorical & historical painter" Falk writes that "Renault claimed to have been at the Battle of Yorktown in 1781 as assistant secretary to Count de Grasse and Engineer to the French Army. His 'Triumph of Liberty' was advertised in NYC in 1795 by D.F. Launy and again in 1797 by Renault and Verger. In 1819 he published an engraving of the British officers surrendering their arms to Washington at Yorktown describing himself as a U.S. Citizen." Falk has little to add respecting Verger except that "He was associated with John Francis Renault in the publication of the latter's 'Triumph of Liberty' print" and that he was "Active in NYC from 1795-97; Paris in 1806." OCLC locates copies of the first edition of this print at the Society of the Cincinnati American Antiquarian Society and Massachusetts Historical Society. We locate further copies at the Library of Congress and Yale Art Gallery. A rare and dramatic allegorical print published on the twentieth anniversary of the Declaration of Independence. Light tanning and soiling some pale dampstains to lower margin just into lower part of image. Very good. REILLY 1796-1. STAUFFER 3344. FOWBLE 322. FALK WHO WAS WHO IN AMERICAN ART pp.2742 3403. OCLC 768299108. unknown books
1796rif. 65977New York: D.F. Launy 1796. Attractive Allegorical Engraving Depicting Democracy's Victory over Monarchism An attractive and elaborate allegorical engraving celebrating American independence drawn by French-American artist John-Francis Renault and engraved by Peter Verger both known almost exclusively for the present print. The print first published in 1796 and then again with the addition of extensive descriptive text in 1798 uses Classical iconography to illustrate America's victory with the gods led by Minerva with the American eagle on her aegis paying honor to American heroes and laying waste to the concepts and persons of monarchy. As a French veteran of the American Revolution and transatlantic witness to the French Revolution it is perhaps unsurprising that Renault would choose such subject matter for this dramatic piece. Reilly describes the print and its features in detail: "An allegory of liberty flourishing and monarchy and tyranny in decline. In a wooded grove Minerva with a shield bearing the arms of the United States and a flag emblazoned with stars pours libations on an altar fire. Beside her are three female figures. The first Plenty holds a torch to a pile of titles of nobility crowns scepters and other attributes of monarchy. Justice holds a sword and scales and Peace an olive branch. Behind them is a small pyramid on a pedestal inscribed with the names: Hancock Warren Sullivan Putnam Scamel Barber Green Laurens Wooster Mercer and Poor. Two urns on the monument are labeled "B. Franklin" and "Montgomery." To the right is a column surmounted by a seated nude Liberty figure holding a wreath. Below it stands a cherub with a scroll with the words 'Allons enfans de la Patrie.' an open book labeled 'The Rights of Man' a staff and liberty cap and a flag. Behind is a mountainous landscape and town. In the lower right foreground stands another group including a king about to stab himself several other monarchs cringing and a standing woman. In the lower left stand an aged classical priest and a writhing mutilated hydra appear. "Stauffer describes an impression the 1798 edition with re-engraved title and imprint accompanied by the following text: 'By a Column raised to Liberty is a Monument sacred to the memory of the American Heroes fallen in defence of their Country. While Liberty is Crowning them America uder sic the figure of Minerva sacrifices to their Manes and a Priest of that Deity sings their glorious actions. The Hydra of Despotism mortally wounded by those great men expires in frightful convulsions. Peace and Justice hand in hand join with America in her homage to Liberty. Plenty reclining on her emblematical Horn reposes on American ground. The Genius of Liberty points out the declaration of Independence and a Book of the American Constitution. From the dreadful Sight a group of Kings turn away with horror and dismay.'" Not much is known about Renault or Verger beyond their production of this print. Describing the former as an "Allegorical & historical painter" Falk writes that "Renault claimed to have been at the Battle of Yorktown in 1781 as assistant secretary to Count de Grasse and Engineer to the French Army. His 'Triumph of Liberty' was advertised in NYC in 1795 by D.F. Launy and again in 1797 by Renault and Verger. In 1819 he published an engraving of the British officers surrendering their arms to Washington at Yorktown describing himself as a U.S. Citizen." Falk has little to add respecting Verger except that "He was associated with John Francis Renault in the publication of the latter's 'Triumph of Liberty' print" and that he was "Active in NYC from 1795-97; Paris in 1806." OCLC locates copies of the first edition of this print at the Society of the Cincinnati American Antiquarian Society and Massachusetts Historical Society. We locate further copies at the Library of Congress and Yale Art Gallery. A rare and dramatic allegorical print published on the twentieth anniversary of the Declaration of Independence. Light tanning and soiling some pale dampstains to lower margin just into lower part of image. Very good. REILLY 1796-1. STAUFFER 3344. FOWBLE 322. FALK WHO WAS WHO IN AMERICAN ART pp.2742 3403. OCLC 768299108. unknown
