1 844 résultats
in-8°, 79 pages impr. en 2 coul., dessins in-t., index, broche, couverture illustree plast. Bel exemplaire. [DV-3]
1988réf. RO20277124SAVOIR LIRE / BELIN HACHETTE HATIER MAGNARD NATHAN. 1988. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 PAGES - Nombreuses illustrations couleur et noir/blanc, dans le texte. . . . Classification Dewey : 2-Le livre
réf. 6692broché - 15,5x24 - 238 pp - 1973 - Hotel du VIDAME , Chalons-sur-Marne - mémoires de la société d'agriculture, commerce, sciences et arts du département de la MARNE - tome LXXXVIII - Avec illustrations hors texte.
1947réf. RO40014223Dumas. 1947. In-12. Broch. Bon tat, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 189 pages. Jaquette trs abime.. Avec Jaquette. . . Classification Dewey : 840-Littratures des langues romanes. Littrature franaise
réf. 500362110Dominique Guéniot Sans date. Un VERGER EN LORRAINE est un ouvrage de l'écrivain et peintre Yvon Lallemand publié en 1984 par les éditions Dominique Guéniot. Le livre préfacé par Jean Robinet explore probablement la thématique des vergers en Lorraine mêlant descriptions littéraires et sensibilité artistique de l'auteur
1977pp. xxii, 153 + Plus Color Portrait Frontis and full page color drawings by Lajos Szalay. Text drawings. Designed by Bert Clarke of the Garamond Press. Type set in English Monotype Garamond. Moire silk pastedowns and endpapers. Ribbon bookmark. All edges gold. Original Easton Press bookplate, not filled in. Sm. 4to. Original full embossed leather binding, elaborately decorated in gold. Raised bands on spine. Hardbound. Collector's Edition of the 100 Greatest Books ever written. A lovely copy, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW33
réf. 6242792Cambridge University Press CUP . Hardback. New. pp. 319 Cambridge University Press CUP hardcover
2007réf. x-0521033543Cambridge Univ Pr 2007. Paperback. New. 323 pages. 8.90x5.98x0.87 inches. Cambridge Univ Pr paperback
1839réf. 106426Slim 8vo. London: J.W. Parker 1839. Slim 8vo 18 1pp. With a plate at the front. In brown papers wrappers. Extracted from a volume of pamphlets at some time. § First edition of this scarce little paper on early mathematics by the infamous Halliwell-Phillipps whose entire life was dogged by financial problems and accusations some apparently fairly well based of theft and fraud. His life was well chronicled by Arthur Freeman and Janet Ing Freeman.From DNB: “Phillipps James Orchard Halliwell- 1820–1889 antiquary and literary scholar was born on 21 June 1820 at 94 Sloane Street Chelsea the sixth of the seven children of Thomas Halliwell 1777–1849 a prosperous linen draper from Chorley Lancashire and his wife Charlotte Ann 1789–1849 daughter of Esau Marsh of London. He took the additional surname Phillipps in 1872 following the death of his father-in-law Sir Thomas Phillipps.” J.W. Parker unknown books
1839réf. 1064261839. London: J.W. Parker 1839. Slim 8vo 18 pp. Disbound and now stitched in plain brown paper wrappers titled by hand. Faint stain to final page; very good. § First edition of this scarce little paper on early mathematics by the infamous Halliwell-Phillipps whose entire life was dogged by financial problems and accusations some apparently fairly well based of theft and fraud. His life was well chronicled by Arthur Freeman and Janet Ing Freeman. From DNB: "Phillipps James Orchard Halliwell- 1820-1889 antiquary and literary scholar was born on 21 June 1820 at 94 Sloane Street Chelsea the sixth of the seven children of Thomas Halliwell 1777-1849 a prosperous linen draper from Chorley Lancashire and his wife Charlotte Ann 1789-1849 daughter of Esau Marsh of London. He took the additional surname Phillipps in 1872 following the death of his father-in-law Sir Thomas Phillipps.". unknown
1951réf. RO50035830ENOCH & CIE. 1951. In-8. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Déchirures. 2 pages de partitions, premier plat illustré d'une photographie de Mouloudj, .accrocs dans les pliures. . . . Classification Dewey : 780.26-Partitions
réf. 3659041874.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1796réf. 65977New York: D.F. Launy 1796. Attractive Allegorical Engraving Depicting Democracy's Victory over Monarchism An attractive and elaborate allegorical engraving celebrating American independence drawn by French-American artist John-Francis Renault and engraved by Peter Verger both known almost exclusively for the present print. The print first published in 1796 and then again with the addition of extensive descriptive text in 1798 uses Classical iconography to illustrate America's victory with the gods led by Minerva with the American eagle on her aegis paying honor to American heroes and laying waste to the concepts and persons of monarchy. As a French veteran of the American Revolution and transatlantic witness to the French Revolution it is perhaps unsurprising that Renault would choose such subject matter for this dramatic piece. Reilly describes the print and its features in detail: "An allegory of liberty flourishing and monarchy and tyranny in decline. In a wooded grove Minerva with a shield bearing the arms of the United States and a flag emblazoned with stars pours libations on an altar fire. Beside her are three female figures. The first Plenty holds a torch to a pile of titles of nobility crowns scepters and other attributes of monarchy. Justice holds a sword and scales and Peace an olive branch. Behind them is a small pyramid on a pedestal inscribed with the names: Hancock Warren Sullivan Putnam Scamel Barber Green Laurens Wooster Mercer and Poor. Two urns on the monument are labeled "B. Franklin" and "Montgomery." To the right is a column surmounted by a seated nude Liberty figure holding a wreath. Below it stands a cherub with a scroll with the words 'Allons enfans de la Patrie.' an open book labeled 'The Rights of Man' a staff and liberty cap and a flag. Behind is a mountainous landscape and town. In the lower right foreground stands another group including a king about to stab himself several other monarchs cringing and a standing woman. In the lower left stand an aged classical priest and a writhing mutilated hydra appear. "Stauffer describes an impression the 1798 edition with re-engraved title and imprint accompanied by the following text: 'By a Column raised to Liberty is a Monument sacred to the memory of the American Heroes fallen in defence of their Country. While Liberty is Crowning them America uder sic the figure of Minerva sacrifices to their Manes and a Priest of that Deity sings their glorious actions. The Hydra of Despotism mortally wounded by those great men expires in frightful convulsions. Peace and Justice hand in hand join with America in her homage to Liberty. Plenty reclining on her emblematical Horn reposes on American ground. The Genius of Liberty points out the declaration of Independence and a Book of the American Constitution. From the dreadful Sight a group of Kings turn away with horror and dismay.'" Not much is known about Renault or Verger beyond their production of this print. Describing the former as an "Allegorical & historical painter" Falk writes that "Renault claimed to have been at the Battle of Yorktown in 1781 as assistant secretary to Count de Grasse and Engineer to the French Army. His 'Triumph of Liberty' was advertised in NYC in 1795 by D.F. Launy and again in 1797 by Renault and Verger. In 1819 he published an engraving of the British officers surrendering their arms to Washington at Yorktown describing himself as a U.S. Citizen." Falk has little to add respecting Verger except that "He was associated with John Francis Renault in the publication of the latter's 'Triumph of Liberty' print" and that he was "Active in NYC from 1795-97; Paris in 1806." OCLC locates copies of the first edition of this print at the Society of the Cincinnati American Antiquarian Society and Massachusetts Historical Society. We locate further copies at the Library of Congress and Yale Art Gallery. A rare and dramatic allegorical print published on the twentieth anniversary of the Declaration of Independence. Light tanning and soiling some pale dampstains to lower margin just into lower part of image. Very good. REILLY 1796-1. STAUFFER 3344. FOWBLE 322. FALK WHO WAS WHO IN AMERICAN ART pp.2742 3403. OCLC 768299108. unknown
réf. 10943 ème Edition. revue , corrigée et augmentée . à Paris , chez Le Prieur. 1759 avec privilège du roi. Un volume in 8. Pleine basane époque ; dos lisse orné ; pièce de titre maroquin rouge ; titre doré ; tranches rouges .xvj + 198 pp + 1 ff. privilège. usure du temps . coiffes absentes . intérieur propre.
réf. 1367contenant une nouvelle manière de les tailler, et une méthode particulière de guérir les maladies qui attaquent les arbres fruitiers et forestiers, avec XIII planches. P. Bossange, 1803. Fort in-8 (21/13cm), XXX-384 pages. Broché, sous couverture factice.
réf. 39547Paris, Gaston Doin, 1925. 16 x 24, 202 pp., 10 figures, broché, bon état (dos légèrement abîmé).
1953réf. 20005Suisse, Lausanne / Editions La Guilde du Livre 1953. In-4 broché de 82 pages au format 22 x 28 cm. Complet la belle jaquette illustrée en violet, avec petits frottis et microscopiques déchirures au bas du premier plat. Dos carré, avec infimes frottis en haut et en bas. Intérieur frais. Textes de chansons par Jacques Prévert, accompagnés de musiques par Christiane Verger et de dessins en noir par Loris. Tirage en héliogravure. Un des 5300 exemplaires numérotés hors commerce, réservés aux membres de la Guilde ( n° 1991 ). Edition originale en superbe état général. Livre protégé par son papier cristal d'origine.
réf. lc_22256La guilde du livre, 1953
1953réf. 028824Lausanne Clairefontaine 1953 in-4, broché, couverture illustrée rempliée, 80 pp. (couverture légèrement salie en bordure). 4 illustrations à pleine page par Loris. Édition originale de ces chansons mises en musique par Christiane Verger avec le fac-similé de toutes les partitions. Tirage limité. Bel exemplaire.
réf. 48279Lausanne : La Guilde du Livre, 1953. Un volume 28,5x22cm broché sous couverture illustrée et rempliée, 81 pages des textes de Prévert, suivies des partitions par Christiane Verger, avec 6 dessins hors texte de Fabien Loris. Joint une partition en feuilles de 4 pages de Fabien Loris et Christiane Verger (1950). Très bon état.
réf. 10802Lausanne. Editions Clairefontaine. 1953. In-4° broché. Couverture rempliée, illustrée. 81 pages. E.O. Tirage numéroté hors commerce.
1953réf. 4614Lausanne, la Guilde du livre, 1953. In-4 broché, couverture illustrée. Quelques petits frottements à la couverture.
1842réf. 072897London England: John Russel Smith. Hardback. Previous owners name to inside cover. Browning to end inside covers. Marks to end inside covers. Waterstain mark to edge of first few pages. Marks to cloth. Worn title to spine. Green cloth with black lettering. We carry a wide selection of titles in The Arts Theology History Politics Social and Physical Sciences. academic and scholarly books and Modern First Editions etc.Now first published from am unique manuscript of the fifteenth century preserved in The Chetham Library at Manchester. 120 pp. Hand cut pages. . Fair. Cloth. First Thus. 1842. John Russel Smith
1842réf. 314841London: John Russell Smith 1842. Hardcover. Good. First edition published from a manuscript of the fifteenth century preserved in The Chetham Library at Manchester. Dark cloth with paper label on spine. Good only with owner's bookplate on front pastedown stamp on front fly verso pages foxed corners bumped paper label chipped spine head torn. John Russell Smith hardcover
1842réf. 98747London J. R. Smith 1842. First Edition. Hardback. Near fine copy in the original paper-labelled cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 120 pages; Description: xii 120 p. 20 cm. Subjects: Metrical Romance. Fifteenth Century English Literature. Genre: Poetry. London, J. R. Smith hardcover