13.983 risultati
1938rif. 163880N.p.: N.p. 1938. James Hilton's typescript draft screenplay for the 1939 film an adaptation of his own 1937 novel the only such adaptation he ever completed. With the author's profuse manuscript ink annotations as well as many pages executed entirely in manuscript ink throughout. Included is a privately commissioned essay by Hilton scholar Kurt Kausler detailing both the history of Hilton's work on the film an analysis and a breakdown of the manuscript. Almost certainly Hilton's first corrected manuscript screenplay for the film. After Jack Warner raised concerns about the script being too long screenwriter Milton Krims was employed to clean up and shorten it-though in the end Hilton received sole credit as screenwriter. A man hires an Austrian governess and both are suspected of murder when his wife is discovered to be dead. 123 leaves a gathering demonstrating the author's method his attention to detail and his extreme frugality with the use of paper the last most likely due to wartime shortages. The script consists of a ribbon copy typescript leaves on both onionskin and paper stock with manuscript emendations on virtually every page in many cases both recto and verso with some leaves executed on the versos of unrelated previous work by Hilton b leaves consisting entirely of text executed in manuscript ink c hand-cut partial leaves and d a handful of later Xerographically duplicated facsimiles of Hilton's original annotated typescript leaves. Included is a very detailed analysis of the manuscript as well as the events surrounding its creation along with a detailed breakdown of the manuscript elements. Hilton's manuscript leaves Very Good to Fine quite supple and well preserved. Housed in a modern white three-ring binder. Leaves individually held in modern mylar page protectors. N.p. unknown books
rif. 92429aafBernae (Berne), Societatis Typographicae, 1795, in-folio, XXXVIII (preface) + 68 p. (botan. descr. of the plates), with large vignette on title, engraved by Balthasar Anton Dunker, and 52 mostly full-page plants on 48 (13 folding) plates, after C.J. Rollin, engraved by Georg Daniel Heumann, Johann Stoercklin, Seligmann, as well as Christian Friedrich and Johann Christian Gottfried Fritzsch, h.-leather binding, spine with orange titlepiece, boards with marbled paper.
rif. 99186aafSt. Gallen, Werner Hausknecht / Zürich, Orell, Füssli et Comp., o.J., (1871-1877?), in-8vo, 486 handkolorierte lithogr. Pflanzentafeln + 477 Textblätter, Private grüne HLdr.-Bde. mit goldgepr. Rückentitel, -G. Hempel Buchbinder, Zürich- / Broschüre.
1883rif. 35676Kjøbenhavn, Carl Lunds Bogtrykkeri, 1883. Folio. 39x27 cm. Contemp. hcalf. Richly gilt back and gilt borders on covers. Light wear to corners and a few scratches to binding. Titlepage. 5,(1) pp. (Index , Corrections and Addenda). With 171(of 175 ) Flora Danica-plates of Scandinavian trees and bushes. All plates engraved and in fine handcolouring, plates in near mint condition.
1883rif. 35676Kjøbenhavn Carl Lunds Bogtrykkeri 1883. Folio. 39x27 cm. Contemp. hcalf. Richly gilt back and gilt borders on covers. Light wear to corners and a few scratches to binding. Titlepage. 51 pp. Index Corrections and Addenda. With 171of 175 Flora Danica-plates of Scandinavian trees and bushes. All plates engraved and in fine handcolouring plates in near mint condition. Scarce re-issue of Flora Danica in exquisite handcolouring restricted to its trees and bushes. In this work the last editor of Flora Danica Joh. Lange selected all the original copper-plates which depicted trees and bushes from the whole work - in fact 9 of the earliest plates were damaged by fire and as such not useable for a print to be taken - and made this re-issue done with the original copper-plates as a separate issue of Flora Danica. Under his auspices all the prints were carefully hand-coloured with greatest care and often surpassing the original colouring. The paper used for the re-issue is of the same quality used for the last volumes of the original issue of Flora Danica of which the last volume vol. 17 came out the same year as this extract 1883. - Carl Christensen II p.257 No 119 - Nissen BBI: 1133 - Not in BMC NH. unknown
1771rif. 17903Wien, Kraus, 1764 - 1771. 4 in 1 Bd. 6 Bll., 48 S., 3 Bll., 32 S., 3 Bll., 22 S., 3 Bll., 14 S. 100 teils gefalt. Kupfertafeln. 4°. HLdr. des 20. Jahrhunderts mit Rückentitel (etw. bestoßen, restauriert). [5 Warenabbildungen]
1918rif. 316669London: Macmillan 1918. hardcover. fine. Rackham Arthur. Illustrated by Rackham with 16 color plates each with lettered tissue guard; 41 black & white drawings in the text. 2 limitation ix 1 blank 341pp. Thick 4to elegantly rebound in full burgundy morocco with ornate floral gilt tooling on the covers and spine; inner dentelles and marbled doublures and endpapers; uncut edges t.e.g. London: Macmillan & Co. 1918. A fine copy of one of the more obscure Rackham titles in a beautiful binding. Edition de Luxe. Number 400 of 500 copies signed by Rackham on the limitation page. Latimore & Haskell 48; Riall 132. Macmillan unknown
1918rif. 316669London: Macmillan 1918. hardcover. fine. Rackham Arthur. Illustrated by Rackham with 16 color plates each with lettered tissue guard; 41 black & white drawings in the text. 2 limitation ix 1 blank 341pp. Thick 4to elegantly rebound in full burgundy morocco with ornate floral gilt tooling on the covers and spine; inner dentelles and marbled doublures and endpapers; uncut edges t.e.g. London: Macmillan & Co. 1918. A fine copy of one of the more obscure Rackham titles in a beautiful binding. Edition de Luxe. Number 400 of 500 copies signed by Rackham on the limitation page. Latimore & Haskell 48; Riall 132. Macmillan unknown books
1866rif. LBW-8672New York, Currier & Ives, [1866]. 515 x 715 mm ; sur papier fort.
1898rif. 46402690Paris, Librairie Centrale des Beaux-Arts, s.d. [1898] ; album in folio , Sous chemise de percaline rouge fermée par trois attaches. PREMIER TIRAGE des 48 planches en couleurs réunies sous leur portefeuille d’éditeur portant en lettres dorées sur le premier plat « La Plante 48 planches ». Rarissime publication Art Nouveau de planches d’inspiration florale publiées sous les auspices du peintre suisse Eugène Grasset (1841-1917). Cette publication fait suite à un premier ouvrage du même titre paru en 1896 et comportant 72 planches. Toutes les planches sont nouvelles. Le principe en est le même: tous les modèles de décoration ou de mobilier sont appuyées d’une planche de botanique dessinée d’après nature avec la plus rigoureuse exactitude. Chacun pouvant, en comparant l’étude et l’interprétation, tenter de créer son propre modèle. Pour Grasset, considéré comme un des pionniers du décor Art Nouveau, « l’art décoratif loin de chercher le trompe-l’œil doit interpréter la nature pour en faire un ornement. Cette interprétation varie suivant les ressources offertes par la matière employée. » (Paul Berthon). Sont ainsi interprétés vigne, navet, butome, gui, soleil, sorbier, ricin, persil, ronce, céleri, pommier, groseiller, poireau, chèvrefeuille, bryone et vigne vierge. La majorité des planches sont signées par Maurice Pillard Verneuil (19). Les autres sont l’œuvre de J. Milesi, E. Hervegh, Georges Bourgeot (peintre verrier et céramiste élève de Grasset), Anna Martin, Marcelle Gaudin, Ch. Dozoul et Gorain. Quelques rousseurs pâles, petites décolorations sur la chemise. Bel exemplaire.
1918rif. 12330London: Macmillan & Co 1918. Book. Illus. by Arthur Rackham. Very Good. Full Vellum. Signed by Artist. Limited Edition. Quarto. One of 500 copies numbered and signed by Rackham. This being No. 386. Full vellum with gilt decoration to the front board and spine. Top edge gilt fore and tail edges untrimmed. Illustrated throughout in black and white and with 16 full-colour plates mounted on cream-coloured card stock all with printed tissue guards. Some dust soiling lower outer corner slightly bumped otherwise a beautiful clean copy of a very desirable book. Macmillan & Co Hardcover
1840rif. 44426Paris ; Londres, H.-L. Delloye, éditeur ; W. Jeffs, libraire, 1840. In-8 de LI-(3)-412 pp., demi-toile verte, dos lisse orné de filets à froid, couverture jaune imprimée conservée (relié vers 1870).
rif. 006479Paris C. L. F. Panckoucke 0 6 volumes in-8 Demi-veau tabac Edition originale
1600rif. 24182Venetiis, Apud Ioannem Baptistam Bertonum 1600 In-8 plein vélin crème, dos lisse, caisson et titre doré, armoiries à froid sur les plats, titre gravé, 1 ff. manus. de table interfolié, 1 ff. blanc, 69 ff. 70 avec le titre ; 2 ff. blanc, titre gravé, 4 ff. n. ch., 32 ff. ch 4 à 36. Illustrations dans le texte à pleine page, Bandeaux, lettrines et culs-de-lampe. Humidité anguaire au titre affectant principalement le début du premier livre, puis s’atténuant onglet de restauration au titre gravé, quelques brunissures éparses. Bon exemplaire.
1913rif. 241781913 4 Aquarelle signée du cachet d'atelier en bas à droite, 1913, 50 X 35 cm., encadrée.
2010rif. C129672Macmillan Art Publishing. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and French. 248 pp. ; 176 color illustrations. -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; English and French Edition; This large and sumptuously illustrated monograph presents the spectacular painting of a master colourist - Yannima Pikarli Tommy Watson. A Pitjantjatjana elder who maintains his home and studio in Alice Springs he still travels extensively across his 'Country' to fulfil traditional obligations. Watsons 'Dreamtime' stories inherited from his family relate to sites and geographical features within his 'Country'; all his paintings are of these designated places. While no two paintings are alike the characteristics of each place can be recognised. Watson is now regarded as a major figure within the contemporary Indigenous art movement and his work is known overseas by virtue of his designs for ceiling panels in France's Musee du quai Branly. An exhibition of his extraordinary abstract paintings will soon be held in Paris and for this reason the book contains a French translation of the text. . 2010. 1921394439 . Macmillan Art Publishing hardcover
1738rif. 17291Amsterdam, Henricum Boussière, 1738 ; in-4, veau marbré, dos à nerfs décoré et doré, pièce de titre grenat, roulette sur les coupes, tranches rouges (reliure de l'époque); VIII, 268pp. [i.e. 278], y compris les titres des dix parties avec vignette gravée sur cuivre répétée, (1) f. d'Index et (10) ff. de dédicaces à des personnalités différentes ; 100 planches hors-texte gravées sur cuivre.
1809rif. 45865ABParis, Chez l'Auteur 1808-1809. 3 Bde. 4°. Mit 402 Farbstichen. Leder. Rückenschilder, vergold. Rückentitel u. Rückenvergold. Leather. Label, gilt title and images on spine. Ber. u. best., Rü. fachmännisch restauriert. Minimal gebr. bzw. stockfl., frisches Ex. Rubbed and bumped, professionnally repaired back. Very slightly browned and foxed respectively.
1828rif. 12529Budapest, Landerer, 1828. 2 Bll., 84 S., 6 Bll. 41 lithograph. Tafeln und 1 lithograph. gefalt. Plan. Fol. HLdr. der Zeit mit Rückentitel (fleckig, leicht berieben und bestoßen).
1830rif. 568801830 Paris, Imprimerie de C. L. F. Panckoucke, 1830-32, 6 volumes grand in 8° reliés plein veau marron, dos lisses ornés d'un décor rocaille, plats estampés à froid ; taches et rousseurs, essentiellement sur les serpentes ; des frottis, dos légèrement éclaircis avec les ors fanés ; mors du plat inférieur du tome premier largement fendu.
1999rif. SBBI-mon0000030509Mantra Lingua 1999. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Mantra Lingua paperback
1779rif. 21298Neuchâtel, Samuel Fauche, 1779-1783 ; 18 tomes in-8, veau raciné, dos lisse décoré de palette, roulette, filets, fleurons, titre et tomaison dorés, roulette sur les coupes, tranches marbrées en couleurs (reliure de l’époque) ; édition illustrée de 56 planches dépliantes et deux tableaux dépliants hors-texte. Comprend: 1. Traité d’insectologie. 2. Observations diverses sur les insectes. 3. Mémoires d’histoire naturelle. 4. Recherches sur l’usage des feuilles. 5 et 6. Considérations sur les abeilles. etc. 7-8-9. Contemplation de la nature. 10. Ecrits d’histoire naturelle : cinq mémoires sur les abeilles. 11. Ecrits et lettres d’histoire naturelle. 12. Lettres sur divers sujets d’histoire naturelle. 13 et 14. Essai analytique sur les facultés de l’âme. 15 et 16. Palingénésie philosophique. 17. Essai de psychologie. 18. Ecrits divers.
1946rif. 560415Napoli / Roma: Gaspare Casella Editore / De Luigi Editore 1946. Softcover. Very Good. Nos. 1-18 in 15 issues i.e. three double issues. Slim octavos. Text in Italian. Printed wrappers paper still supple. Owner's signature of author and critic Michele Cantarella a leading anti-fascist Italian expatriate on the cover of one issue and three issues with a bit of pencilled marginal bracketing by him. Modest toning wear and soil a few tiny tears at the spine ends the first five issues with the pages somewhat toned and occasional very light foxing mostly confined to the first and last leaves a nice very good or better run of this somewhat delicate Italian literary magazine that featured two publishers and three editors during this time period. Of particular note is the inclusion of "Angoscia" "Anguish" later known as "Anguish in the Barracks" in issue 16 a very early possibly the earliest published story by Italo Calvino predating his first book by two years. The final issue prints a "Referendum" of four questions for poets about their work and claim that they have already received responses from Eugenio Montale Cesare Pavesi Corrado Alvaro and others and will begin publishing their responses in the next issue but the magazine ceased publication with No. 17/18. A well-preserved set of a cheaply wartime- printed magazine. Gaspare Casella Editore / De Luigi Editore unknown
1946rif. 560415Napoli / Roma: Gaspare Casella Editore / De Luigi Editore 1946. Softcover. Very Good. Nos. 1-18 in 15 issues i.e. three double issues. Slim octavos. Text in Italian. Printed wrappers paper still supple. Owner's signature of author and critic Michele Cantarella a leading anti-fascist Italian expatriate on the cover of one issue and three issues with a bit of pencilled marginal bracketing by him. Modest toning wear and soil a few tiny tears at the spine ends the first five issues with the pages somewhat toned and occasional very light foxing mostly confined to the first and last leaves a nice very good or better run of this somewhat delicate Italian literary magazine that featured two publishers and three editors during this time period. Of particular note is the inclusion of "Angoscia" "Anguish" later known as "Anguish in the Barracks" in issue 16 a very early possibly the earliest published story by Italo Calvino predating his first book by two years. The final issue prints a "Referendum" of four questions for poets about their work and claim that they have already received responses from Eugenio Montale Cesare Pavesi Corrado Alvaro and others and will begin publishing their responses in the next issue but the magazine ceased publication with No. 17/18. A well-preserved set of a cheaply wartime- printed magazine. Gaspare Casella Editore / De Luigi Editore unknown books
1868rif. 2210931868. 1 vols. 12mo. Disbound. Wear. 1 vols. 12mo. unknown