‎Manuscrit‎

‎INDESTEGE, Luc;‎

‎MIDDELNEDERLANDSE GEESTELIJKE GEDICHTEN, LIEDEREN, RIJMSPREUKEN EN EXEMPELEN,‎

‎Gent , Erasmus, z.d. Originele uitgeversomslag, papieromslag, 140 x 225mm., 111pp.‎

‎Uitgegeven naar een pas ontdekt handschrift van het einde der 15de eeuw, afkomstig uit het Windesheimer klooster " Ter Noot Gods ", te Tongeren. Koninklijke Vlaamse Academie voor Taal- en Letterkunde Reeks III - Nr. 33. In goede staat.‎

Referentie van de boekhandelaar : 24730

‎Watteeuw L. , Van der Stock J.‎

‎Anjou Bible. A Royal Manuscript Revealed, Naples 1340‎

‎BE, Peeters- Musee, 2010 Bound, hardcover, with dusjacket, Pages: XII-335 p. fine illustrated in colorplates. ISBN 9789042924451.‎

‎The Anjou Bible, now kept in the Theology Faculty's Maurits Sabbe Library of the University of Leuven (Belgium) is a superbly illuminated manuscript created at the Royal Court of Naples in the turbulent fourteenth century. At this time much of Central and Southern Europe was governed by the successful dynasty of Anjou, which continued to expand its territories and encouraged artists and writers like Giotto, Simone Martini, Boccaccio and Petrarch. In 1328, after the death of her father, Joanna of Anjou became the official heir to the prosperous Kingdom of Naples and Sicily. Several years later her grandfather, Robert I, gave Joanna and her young fiance Andrew of Hungary a precious gift, which became known as the Anjou Bible, a manuscript that is priceless from a historical and art-historical point of view. In addition to Bible texts and splendid miniatures, it contains a wealth of historical information about the house of Anjou and the book's origins. One of the artists responsible for the magnificent painting was Cristophorus Orimina, the leading illuminator in Naples, who signed the work. The Anjou Bible has now been carefully conserved and studied: the research findings are brought together in this book. Essays by some of the most noted experts in the field describe how the arts were promoted at the court of Robert I of Anjou and also shed light on the Bible's genesis and on all the research methods and results. This book is richly illustrated and contains all the illuminated folios of the Anjou Bible.‎

Referentie van de boekhandelaar : 25797

‎WILLAERT, Frank ( olv. );‎

‎HET GRUUTHUSE-HANDSCHRIFT IN WOORD EN KLANK. NIEUWE INZICHTEN, NIEUWE VRAGEN,‎

‎Gent, Koninklijke Academie voor Nederlandse Taal- en Letterkunde, 2010 Geillustreerde kartonomslag in kleur,160 x 240mm., 228pp., 31 afbeeldingen in kleur en z/w. ISBN 9789072474834.‎

‎KANTL-colloquium 30 november. 2007 is geredigeerd en ingeleid door Frank Willaert en bevat studies van Herman Brinkman, Ad Leerintveld en Henk Porck, Renee Gabriel en Johan Oosterman, Karl Kugle, Ike de Loos, Joris Reynaert en Noel Geirnaert. Nieuw boek.‎

Referentie van de boekhandelaar : 26879

‎N/A.‎

‎GENT, 1000 JAAR KUNST EN CULTUUR. GAND, 1000 ANS D'ART ET DE CULTURE. GENT, 1000 JAHRE KUNST UND KULTUR. GHENT, 1000 YEARS OF ART AND CULTURE. bijlage van DEEL II. PARTIE II. PART II. TEILE II.‎

‎Gent, Bijlokemuseum, 1975 Geniet, originele papieren uitgeversomslag in z/w, 17.5xx23 cm., 26 pp.‎

‎BIJLAGE van de drie delen betreffende Tentoonstelling Gent Bijlokemuseum 21 juni - 31 augustus 1975. Tekst Nederlands/Francais/Deutsch/English. Lijst van de tentoongestelde kunstwerken. Liste des objets d'art exposes. Verzeichnis der ausgestellten Kunstwerke. List of the works of art on display. Boekdrukkunst - Imprimerie - Printing - Buchdruckerkunst. Boekbanden - Reliures - Bindings - Bucheinbande. Borduurkunst - Broderie - Embroidery - Sickerei. Edelsmeedkunst - Orfevrerie - Gold and Silverwork - Edelschmiedekunst. Miniatuurkunst - Manuscrits enlumines - Illuminated manuscripts - Miniaturkunst.‎

Referentie van de boekhandelaar : 27250

‎J. Gippert (ed.);‎

‎Caucasian Albanian Palimpsests of Mount Sinai. Volume III: The Armenian Layer,‎

‎Turnhout, Brepols, 2011 Hardback, 229 p., 305 x 440 mm. ISBN 9782503538969.‎

‎SIBE 2 comprises the editio princeps of the (so-called) Caucasian Albanian palimpsests found in St. Catherine?s Monastery on Mt. Sinai, which have been deciphered, translated and edited by Jost Gippert, Wolfgang Schulze, Zaza Aleksidze, and Jean-Pierre Mahe in an international project supported by the Volkswagen Foundation. The two volumes (in 4? format) include a historical introduction, a thorough description of the manuscript remains, a detailed account of the grammar of the (hitherto practically unknown) Caucasian ?Albanian? language and its script (including remarks on inscriptions, language history, etc.), an editio minor of the texts (Gospel of John and Lectionary passages from Matthew, Mark, Luke, Acts of Apostles, Pauline Epistles, Catholic Letters, and Old Testament fragments) for quick reference, word indices and concordances (Caucasian Albanian ? Old Armenian/Old Georgian/Greek/ English/Udi), and, within the editio princeps, photographs of the individual parchment sheets, a diplomatic rendering of the text in the original script, a Romanized transliteration, and parallel texts in Armenian, Georgian, Greek, Russian, Syriac, English, and Udi. Monumenta Palaeographica Medii Aevi : Series Ibero-Caucasica (SIBE 2/3). New.‎

Referentie van de boekhandelaar : 30977

‎H. Wijsman (ed.)‎

‎Books in Transition at the Time of Philip the Fair,Manuscripts and Printed Books in the Late Fifteenth and Early Sixteenth Century Low Countries.‎

‎, Brepols, 2010 softcover, VI 319 p., 74 b/w ill., 156 x 234 mm,Languages: English, French. ISBN 9782503529844.‎

‎In 2006, 500 years after his death, the Royal Library of Belgium organised an exhibition revealing treasures from the era of Philip the Fair (1478-1506), last duke of Burgundy. This volume reunites most of the papers delivered at a conference held during the exhibition, increased with four new chapters. Ten specialists from Belgium, the Netherlands and the United States discuss the book market and its place in society in this transitional period when manuscripts and printed books were produced and used next to one another. The contributions are organised in pairs around five topics, whereby in each case one author treats manuscripts and the other printed books: Philip the Fair and his books, art in books, music in books, politics in books, the book market. Contributions by: Renaud Adam, Jean-Marie Cauchies, Marieke van Delft, Lieve De Kesel, Samuel Mareel, Zoe Saunders, Susie Speakman Sutch, Herman Pleij, Rob Wegman, and Hanno Wijsman.‎

Referentie van de boekhandelaar : 31279

‎R. M. Thomson;‎

‎Catalogue of Medieval Manuscripts of Latin Commentaries on Aristotle in British Libraries I: Oxford,‎

‎Turnhout, Brepols, 2011 Hardback, 446 p., 1 colour ill., 152 x 229 mm. ISBN 9782503542324.‎

‎This is the first of a projected series of four volumes describing manuscripts and fragments in British libraries containing commentaries on the Latin Aristotle. This volume covers the Bodleian Library and the college libraries of the University of Oxford. It lists 397 items, including portfolios of fragments from more than one original book, dating from the late twelfth century until c. 1500. While many of these manuscripts have come to Oxford from elsewhere in Europe, some as recently as the twentieth century, the majority were made locally and used in the medieval University. Many of them, such as the important Canonici collection in the Bodleian Library, have not been adequately described before, while most of the anonymous commentaries have not been listed at all. Four indexes are provided to facilitate searching the main text.‎

Referentie van de boekhandelaar : 32411

‎F. La Brasca (ed.);‎

‎Bibliotheque de Petrarque,‎

‎Turnhout, Brepols, 2011 Paperback, 348 pages ., 17 b/w ill., 156 x 234 mm. FINE COPY ISBN 9782503516523.‎

‎La bibliotheque de Petrarque ne se reduit pas aux manuscrits - pourtant nombreux - qui ont appartenu au grand poete et humaniste toscan du XIVe siecle. Idealement, elle englobe tous les auteurs qu'il a lus et medites - qu'il se reclame ouvertement d'eux ou qu'il passe leur nom sous silence - et s'etend meme aux ecrivains et aux artistes qui, aux siecles suivants, l'ont lu et se sont inspires de lui. C'est a cette bibliotheque ideale de Petrarque que le present receuil est consacre. Il rassemble dix-sept etudes portant sur quelques-uns des grands auteurs qui la constituent, depuis Horace, Tite-Live, Pomponius Mela, saint Jerome, Claudien ou Macrobe jusqu'a Machiavel ou Maerten van Heemskerck en passant par saint Bernard, Jean de Salisbury, Guillaume de Lorris ou Dante. Ces etudes ont ete ecrites par les chercheurs de nationalites diverses - jeunes ou confirmes - qui se sont reunis du 27 au 29 novembre 2003 a Tours, au Centre d'Etudes Superieures de la Renaissance, pour celebrer le septieme centenaire de la naissance de Petrarque (1304). Le Centre d'Etudes Superieures de la Renaissance a en effet pour vocation d'etudier une Renaissance qui va << de Petrarque a Descartes>>. Il se devait donc de prendre toute sa part dans les diverses manifestations internationales qui ont marque cet anniversaire. Languages: French, Italian. Nouveau livre.‎

Referentie van de boekhandelaar : 32422

‎R. Babcock, L. Fagin Davis, P. Rusche;‎

‎Catalogue of Medieval and Renaissance Manuscripts in the Beinecke Rare Book and Manuscript Library, Yale University, Volume IV. MSS 481-485,‎

‎Turnhout, Brepols, 2004 Hardback, XXVIII+616 p., 281 b/w ill., 150 x 230 mm. ISBN 9782503514406.‎

‎Volume IV is devoted to the items in the Beinecke's general collection with the shelf numbers 481, 482, 483, 484, and 485, each a discrete collection of manuscript fragments. The text consists of 285 entries -- describing single leaves, groups of leaves, or pieces of leaves -- of medieval and Renaissance manuscripts written between the seventh and sixteenth centuries in Western Europe. They are, for the most part, the battered remnants of otherwise lost books from the Middle Ages. Almost all of the fragments included in this catalogue are in Latin, although there are a few items in Middle High German and in Hebrew. The two larger groups of fragments described here (MS 481 and MS 482) were assembled originally as a palaeographical collection documenting a wide range of Latin bookscripts used during the Middle Ages and Renaissance. Included are specimens in Uncial, Visigothic, Merovingian, Beneventan, and humanist scripts, as well as numerous examples of Caroline minuscule and Gothic book hands,with a particular richness in eleventh- and twelfth-century manuscripts from Southern Germany. The fragments described in the catalogue are almost all derived from books. There are manuscripts of biblical texts (with and without glosses), classical and patristic authors, exegetical treatises, sermons, liturgical works, monastic rules, medieval encyclopedias, legal works, scholastic treatises, schoolbooks, grammatical works, medieval chronicles, calendars, and medieval poetry. Classical authors are represented by manuscripts of Vergil and Cicero; the Greek fathers by Basil and Origen (in Latin translation); the Latin fathers by Augustine, Jerome, and Gregory. Medieval writers include Isidore, Bede, Paul the Deacon, Notker Balbulus, Bern of Reichenau, and Thomas Aquinas; and on the secular side, Boethius, Priscian, Wirnt von Gravenburg, Eberhard of Bethune, and Ludolphus de Luco. There are numerous liturgical manuscripts, many of them with early examples of musical notation, including a substantial portion of an eleventh-century breviary; sequentiaries with works by Notker Balbulus and Gottschalk; and seventeen leaves of a twelfth-century antiphonary from Lambach that shed new light on the performance there of a Magi play. Manuscripts written in Italy, Spain, France, England, Germany, Switzerland, Austria, and the Low Countries are represented. A few items can be attributed to specific writing centres, including scriptoria in Luxeuil, Reims, Tours, Fresing, Fulda, Schaffhausen, Lambach, Kremsmunster, and Melk. New.‎

Referentie van de boekhandelaar : 33658

‎G. H. Brown, L. E. Voigts (eds.);‎

‎Study of Medieval Manuscripts of England. Festschrift in Honor of Richard W. Pfaff,‎

‎Turnhout, Brepols, 2011 Hardback, IX+438 p., 23 b/w ill., 175 x 255 mm. ISBN 9780866984324.‎

‎The Study of Medieval Manuscripts of England: Festschrift in Honor of Richard Pfaff, edited by George Hardin Brown and Linda Ehrsam Voigts, consists of sixteen important studies, all dealing with manuscripts produced in medieval England. The first group reflects the meticulous analysis of liturgical manuscripts that characterize the honorand's career. These treat both early and late medieval liturgical concerns and include liturgy for Gilbertine lay brothers, a lost treatise by Amalarius, the re-working of an Anglo-Saxon Gospel book; the music for the Vigil of St. Thomas Becket; and the continuity of Processions from Old Sarum to Salisbury Cathedral. Two studies examine the liturgies having to do with saints in Sarum missals and breviaries. The second, historical, section of this volume includes three studies on Anglo-Saxon manuscripts. Six other analyses concern the high and later Middle Ages: an illuminated crusade manuscript; codicological evidence for revising the traditional dates associated with Gilbertus Anglicus's life and writing; evidence for Bishop William Reed's collection and donation of books to Oxford colleges in the later fourteenth century; anomalous writings in a sermon codex; the records of the private incomes of monks at Westminster Abbey; and a catalogue and analysis of medieval manuscripts containing moral philosophy. New.‎

Referentie van de boekhandelaar : 33681

‎R. Gryson;‎

‎palimpsestes ariens latins de Bobbio. Contribution a la methodologie de l'etude des palimpsestes,‎

‎Turnhout, Brepols, 1983 Hardback, 128 p., 305 x 390 mm. ISBN 17560020100.‎

‎Nouveau.‎

Referentie van de boekhandelaar : 33717

‎B. Brinkmann;‎

‎Flamische Buchmalerei am Ende des Burgunderreichs. Der Meister des Dresdener Gebetbuchs und die Miniaturisten seiner Zeit, 2 volumes‎

‎Turnhout, Brepols, 1998 Hardback, 760 pages., incl. 63 colour + 474 bl/w ill., 210 x 297 mm. in 2 volumes ISBN 9782503505657.‎

‎The present publication offers the first comprehensive survey of manuscript illumination in Flanders during a period of rapid and exciting transition: the reign of Charles the Bold and the time following his death until c.1530. This is the area of the so-called Ghent-Bruges School when illuminators set out to develop a completely new aesthetic approach to the painted page. The author traces the origins of this development and demonstrates how it is rooted in historical and economical changes of the period. He does so by investigating in detail the careers of half a dozen illuminators, the most prolific figure among them the Master of the Dresden Prayerbook. Being long since recognized as one of the inventors of genre painting on the basis of his remarkable sense for psychological observation, the present study identifies him as a great landscape painter, too. In more than ten years of research the author has been able to enlarge the corpus of works attributable to the Dresden Master from 20 to 61. Among the newly discovered items are more than a dozen dated or datable works, which for the first time allow to establish a sound chronology of his oeuvre. Thus, in addition to reconstructing the biographies of several major artists and presenting ideas about the market for and the production of manuscripts in Flanders, the study will make a hitherto largely unknown body of material available to scholars, art lovers and all those interested in the history of Flanders in the 15th and 16th century. Ein Gebetbuch, das sich heute in Dresden befindet, hat dem vielleicht bemerkenswertesten flamischen Buchmaler des spaten Mittelalters seinen kunsthistorischen Notnamen gegeben. Als einfuhlsamer Psychologe besticht dieser Kunstler ebenso wie als temperamentvoller Erzuhler, er gestaltet stimmungsvolle Landschaften ebenso geschickt wie lebendige Genreszenen und ist nicht zuletzt ein begnadeter Kolorist. Von den Zeitgenossen, die oft nur Vorlagen reproduzieren, hebt ihn seine besondere Gabe ab, neue Bilderfindungen zu schaffen. Deshalb bevorzugten ihn seine Auftraggeber besonders dann, wenn es galt, Szenen aus der Antike oder der zeitgenussischen Geschichte, entlegene Episoden des Alten Testaments oder eine Dichtung der Christine de Pizan zu illustrieren. Dem Kunsthistoriker Bode Brinkmann ist es in jahrelanger Arbeit gelungen, diesem huchst produktiven Anonymus ?ber 60 Werke zuzuweisen, darunter nicht nur illuminierte Handschriften, sondern auch Kupferstiche und kolorierte Federzeichnungen in Fr?drucken. In seinem nun vorliegenden Buch ludt der Autor den Leser dazu ein, mit ihm die Fahrte des unbekannten Meisters zu verfolgen. Die Reise Beginnt gegen 1450 mit der Lehrzeit in Utrecht und fuhrt uber Gesellenjahre und das erste eigene Atelier in Brugge sowie einen maglichen Abstecher nach Gent schlieBlich uber Tournai bis nach Amiens. Nach einigen Jahren in der Hauptstadt der Pikardie ist der Dresdener Meister dann wieder nach Brugge zuruckgekehrt, wo er bis gegen 1520 noch mehrere Jahrzehnte lang fruchtbar gewirkt hat. Schritt furr Schritt wird die Rekonstruktion einer Kunstlerbiographie. Viele seiner Werke hat der Dresdenerer Gebetbuchmeister ganz alleine geschaffen; in manchen jedoch arbeitet er mit anderen Kunstlern seiner Zeit zusammen: mit beruhmten Tafelmalern wie Gerard David und Simon Marmion, aber auch mit eine Reihe von Kleinmeistern, die hier zum ersten Mal benannt und charakterisiert werden. Infolgedessen geht die vorliegen. Languages: German.‎

Referentie van de boekhandelaar : 33720

‎K. H. Broekhuijsen;‎

‎Masters of the Dark Eyes. Late Medieval Manuscript Painting in Holland,‎

‎Turnhout, Brepols, 2009 Hardback, VIII+472 p., 141 b/w ill. + 40 colour ill. + + ills., 190 x 250 mm. ISBN 9782503515106.‎

‎This study deals with the work of the most prolific Dutch book illuminators, the so-called Masters of the Dark Eyes, named after the most conspicuous aspect of their style: the dark, heavily accentuated shadows round the eyes of the figures. With their elaborately illuminated manuscripts, these masters completely dominated book production in the County of Holland during the late fifteenth and early sixteenth centuries. Their work is characterized by an overwhelming wealth of decorative and pictorial richness, which is especially evident in the unusually ornate programmes of the Books of Hours, and a new type of border decoration derived from the Ghent-Bruges School. This style of painting was practised by many artists of differing talents, as demonstrated by the large number of surviving manuscripts. Not all of the illuminators worked in Holland. Some of them settled in the Southern Netherlands, others emigrated to England, where they illuminated manuscripts for members of the English court. This monograph seeks to order, analyze and evaluate the work of the Masters of the Dark Eyes, and to position their achievements within the context of book illumination in the Northern Netherlands during the 'Waning of the Middle Ages'. It explores a virtually uncharted territory of Dutch manuscript painting. The accompanying descriptive catalogue provides complementary information on more than 70 manuscripts, many of which have never been published at length before. The work is illustrated with a wide selection of colour and black-and-white reproductions. Languages: English.‎

Referentie van de boekhandelaar : 33778

‎E. J. Moodey;‎

‎Illuminated Crusader Histories for Philip the Good of Burgundy,‎

‎Turnhout, Brepols, 2012 Hardback, 312 p., 38 b/w ill. + 38 colour ill., 190 x 250 mm. ISBN 9782503518046.‎

‎Philip the Good, duke of Burgundy from 1419 to 1467, distinguished himself as a patron of illuminated histories and historical romances, and as host of the most lavish entertainment of the middle ages. The Banquet of the Pheasant was a response to the Fall of Constantinople, and it was staged to enlist support for the coming crusade. Two splendid tributes to heroic crusaders from the duke's family tree, commissioned in the 1450s, provide an opportunity to bring these elements of his reputation - bibliophile and would-be crusader--under the same lens. Our perception of the Charlemagne Chronicle in Brussels (BR, MS 9066-68) and the Jerusalem Chronicle in Vienna (ONB, Cod. 2533) is enhanced when we consider other examples of "crusade literature" and remember the perennial goal of recovering Jerusalem. This study of the visual and literary projects that supported Philip's efforts to launch a crusade, long after the days of the "classic" crusades, sets these manuscripts in the context of his court's interest in history writing and updated historical romances, and against the background of the French crusading tradition and the Burgundian incarnation that succeeded it. Languages: English.‎

Referentie van de boekhandelaar : 33781

‎C. Heck;‎

‎Ci nous dit. L'image medievale et la culture des laics au XIVe siecle: les enluminures du manuscrit Conde de Chantilly,‎

‎Turnhout, Brepols, 2012 Hardback, 358 p., 824 colour ill., 230 x 315 mm. ISBN 9782503542201.‎

‎Le Ci nous dit est un texte essentiel pour la spiritualite de la fin du Moyen Age. C?est un recueil d'instruction chretienne, anonyme, ecrit en francais vers 1320. Il est constitue de nombreux tres courts chapitres, qui vont de la Genese au Jugement Dernier, et incluent des elements de la Bible, des vies des saints, des bestiaires, des fables, de la vie liturgique, d?exempla (courtes histoires a sens moral). Chaque chapitre commence par la formule ? Ci nous dit ? (Ici on nous dit que?). Le manuscrit du Musee Conde a Chantilly est a la fois le plus ancien, et le seul a etre magnifiquement illustre, avec pres de huit cents enluminures, et donc le seul a avoir conserve la formule originelle. La reproduction et le commentaire de la totalite de cette iconographie exceptionnelle revelent ainsi l'existence d'un veritable cycle enlumine de la culture et de la morale chretiennes, et qui se trouvait a disposition d'un laic, pour sa devotion personnelle.‎

Referentie van de boekhandelaar : 33804

‎R. Favreau;‎

‎Epigraphie medievale,‎

‎Turnhout, Brepols, 1998 Paperback, 360 p., 65 ill., 156 x 234 mm. ISBN 9782503506470.‎

‎Les inscriptions ont pour fonction de porter a la connaissance du public le plus large et pour la plus longue duree diverses informations. Cette fonction de "publicite" assure a l'epigraphie une place particuliere parmi les sources historiques. S'impose d'abord une approche technique. Il faut tenir compte de la nature du support, de l'emplacement et de la disposition des textes, de l'ecriture, de la langue, de ceux qui ont commande ou inscrit le texte, du recours qu'ils ont eu aux emprunts, aux formulaires, aux actes de la pratique diplomatique. Mais la tache principale de l'epigraphiste reste la mise en oeuvre des inscriptions comme apport a l'Histoire. A travers les textes on peut isoler divers elements de la culture de leurs auteurs: la connaissance de l'Antiquite, le recours tres frequent a la Bible, directement ou a partir de la liturgie, source essentielle pour l'epoque. Le monde des saints est omnipresent, qu'il s'agisse de saints modeles, de saints protecteurs ou de saints fondateurs. Les inscriptions sont aussi un moyen privilegie pour comprendre les programmes iconographiques et penetrer la pensee de leurs auteurs. Elles nous eclairent encore sur la theologie de l'epoque et parfois comportent un enseignement moral a la maniere d'une predication. Enfin il faut rappeler le domaine ou les inscriptions sont les plus nombreuses, celui des epitaphes. Le present ouvrage est le fruit de trente ans de recherches. Il se veut un instrument pour etudier cette source et en tirer toutes les informations qu'elle porte. Il est complete par une soixantaine d'illustrations et le commentaire de plus d'une centaine de textes. Robert Favreau, archiviste-paleographe, est directeur honoraire du Centre d'etudes superieures de civilisation medievale (Universite de Poitiers). Languages: French.‎

Referentie van de boekhandelaar : 33996

‎B.-M. Tock, M. Courtois, M.-J. Gasse-Grandjean, P. Demonty;‎

‎diplomatique francaise du Haut Moyen Age. Inventaire des chartes originales anterieures a 1121 conservees en France,‎

‎Turnhout, Brepols, 2001 Paperback, XVIII+858 p., 160 x 240 mm. ISBN 9782503510019.‎

‎Cet ouvrage donne la table et les index de la base de donnees de l'ARTEM de Nancy, relatifs a quelque 4.800 chartes originales anterieures a 1121 et conservees en France. Cette table et ces index se constituent comme suit: - Introduction developpee, presentant l'evolution, au moins quantitative, de la diplomatique francaise (evolution chronologique, diversites regionales et typlogiques). - Table generale des chartes, par numero de classement de l'ARTEM. - Differents index: chronologique, auteurs, destinataires, genre diplomatique, sceaux. Ces index renvoient a la liste des chartes.Languages: French.‎

Referentie van de boekhandelaar : 34001

‎J.-P. Gerzaguet (ed.);‎

‎chartes de l'abbaye d'Anchin (1079-1201),‎

‎Turnhout, Brepols, 2005 Paperback, 512 p., 160 x 240 mm. ISBN 9782503521725.‎

‎Fondee en 1079, l'abbaye benedictine d'Anchin etait un des principaux monasteres du Nord de la France. Riche, celebre, puissante, elle etait aussi un foyer culturel important, comme en temoignent le nombre et la qualite de ses manuscrits, ainsi que les textes qui y furent ecrits. J.-P. Gerzaguet, qui a deja ecrit sur Anchin une excellente these, publie les chartes de l'abbaye. De la fondation a 1201, ce sont 316 chartes qui sont editees, le plus souvent d'apres l'original. Elles permettent de mieux connaitre l'evolution du tres riche patrimoine du monastere, mais eclairent aussi les relations avec les pouvoirs civils et ecclesiastiques. Et que l'on peut aussi, desormais, comparer aux textes litteraires produits par Anchin. Languages: French.‎

Referentie van de boekhandelaar : 34003

‎G. Bischoff, B. Tock (eds.)‎

‎Leon IX et son temps. Actes du colloque international organise par l'Institut d'Histoire Medievale de l'Universite Marc-Bloch, Strasbourg-Eguisheim, 20-22 juin 2002,‎

‎Turnhout, Brepols, 2007 Paperback, 687 pages., 47 b/w ill., 160 x 240 mm. ISBN 9782503516271.‎

‎Le pontificat de Leon IX (1049-1054) marque un tournant dans l'histoire de l'Eglise. Energique et determine, Leon IX voyage au sud comme au nord des Alpes, tient de nombreux conciles, fait sentir meme aux eveques le poids de l'autorite romaine, tente de mener une politique coherente face aux Normands et aux Byzantins, reforme la vieille chancellerie pontificale... Il lance ainsi, dans le respect de l'autorite imperiale, la reforme de l'Eglise qui deviendra ensuite la reforme gregorienne. Saisissant le pretexte du millenaire de sa naissance, un colloque reuni a Strasbourg en juin 2002 a fait le point sur les origines, la personnalite, l'action et l'entourage de ce pape, ainsi que sur les sources, narratives, diplomatiques, epistolaires, necrologiques, archeologiques et autres, de l'histoire de son pontificat. Languages: French German.‎

Referentie van de boekhandelaar : 34005

‎J.-P. Gerzaguet (ed.);‎

‎abbaye feminine de Denain, des origines a la fin du XIIIe siecle. Histoire et chartes,‎

‎Turnhout, Brepols, 2008 Paperback, 289 p., 160 x 240 mm. ISBN 9782503527338.‎

‎Cloitrees a l'abri de l'intrusion masculine, les femmes qui, au Moyen Age, se sont consacrees a la vie monastique ont trop largement echappe a la curiosite des historiens. Pourtant, les abbayes feminines ont elles aussi connu une histoire riche : de la fondation aux crises et aux reformes successives, elles ont du, comme les monasteres d'hommes, organiser la vie interne de la communaute, accomplir la liturgie, encourager la spiritualite, developper l'assise economique, assurer le quotidien, entretenir des relations fructueuses avec l'ordinaire et le souverain pontife ainsi qu'avec l'aristocratie locale. Languages: French.‎

Referentie van de boekhandelaar : 34007

‎B. Tock (ed.);‎

‎chartes de l'abbaye cistercienne de Vaucelles au XIIe siecle ,‎

‎Turnhout, Brepols, 2010 Paperback, 300 pages, 14 colour ill., 156 x 234 mm. ISBN 9782503531564.‎

‎L'abbaye de Vaucelles, pres de Cambrai, etait une des plus grandes abbayes cisterciennes, comptant parfois des centaines de moines et convers. L'edition des chartes de l'abbaye pour le XIIe siecle (176 chartes, dont 125 inedites) permet de voir la croissance de l'abbaye, l'extension de son domaine, l'etablissement d'un reseau de relations sociales (comtes de Flandre, de Hainaut, de Vermandois, de Soissons..., duc de Lotharingie, eveques de Cambrai et de Noyon), la mise en place d'une politique d'exemptions de peages. Dynamique, l'abbaye commence aussi progressivement a ecrire elle-meme les chartes qu'elle recoit, et developpe un archivage systematique. Languages: French.‎

Referentie van de boekhandelaar : 34009

‎N/A;‎

‎DER KELHEIMER HEXENHAMMER,‎

‎Munchen-Allach, Konrad Kolbl, o.J. Gebunden, Leinen, 190 x 280mm., 56S., illustriert.‎

‎Facsimile-Ausgabe der Original-Handschrift aus dem Kelheimer Stadtarchiv. Neue.‎

Referentie van de boekhandelaar : 34161

‎J. Vercruysse;‎

‎Inventaire raisonne des manuscrits voltairiens de la Bibliotheque Royale Albert I,‎

‎Turnhout , Brepols, 1983 Paperback, 128p., 210 x 270 mm. ISBN 9782503780023.‎

‎On trouvera dans cet inventaire l'analyse raisonnee de 510 documents. Nous avons retenu, par principe, les seuls titres ou Voltaire occupe une place preponderante, car s'il fallait inclure tout document parlant de lui, faisant allusion a ses ecrits, c'est l'inventaire de presque toutes les pieces du XVIIIe siecle ou relatives a cette epoque qui devrait etre entrepris, et ces pieces sont legion dans les collections de la Bibliotheque Royale Albert Ier. Languages: French.‎

Referentie van de boekhandelaar : 34234

‎P.F. Ganz;‎

‎Role of the Book in Medieval Culture, II,‎

‎Turnhout , Brepols, 1986 Paperback, 134 p., 210 x 270 mm. ISBN 9782503780047.‎

‎Languages: French.‎

Referentie van de boekhandelaar : 34236

‎M. Zerdoun Bat-Yehouda;‎

‎papiers filigranes medievaux: Essai de methodologie descriptive I,‎

‎Turnhout , Brepols, 1988 Paperback, 144p., 210 x 270 mm. ISBN 9782503780078.‎

‎Languages: French.‎

Referentie van de boekhandelaar : 34239