|
Russ Meyer (director, screenwriter); Babette Bardot, Pat Barrington, Darlene Gray (starring)
Mondo Topless Original pressbook for the 1966 film
California: Eve Productions 1966. Vintage pressbook for the 1966 film. <br /> <br /> A sexploitation "documentary" following several buxom strippers as they discuss their lives in 1960s San Francisco.<br /> <br /> One leaf bifold. 11 x 17 inches. Folded once horizontally. Very Good plus overall. Eve Productions unknown
Bookseller reference : 152053
|
|
|
Russ Meyer (director, screenwriter); James Griffith, Hal Hopper (screenwriters); Haji, Alex Rocco, Steve Oliver, Holie K Winters
Motorpsycho! Original pressbook for the 1965 film
California: Eve Productions 1965. Vintage pressbook for the 1965 film. <br /> <br /> The final film in Russ Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black and white with powerful and vengeful female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. One of the first films to discuss post-traumatic stress disorder in a Vietnam War veteran. <br /> <br /> Six pages saddle stitched 11 x 17 inches. Folded once horizontally. Very Good plus overall. Eve Productions unknown
Bookseller reference : 152052
|
|
|
Russ Meyer (director, screenwriter); Shari Eubank, Charles Napier, Uschi Digard (starring)
Supervixens Super Vixens Original photograph from the 1975 film
N.p.: N.p. 1975. Vintage reference photograph from the 1975 film showing actress Shari Eubank.<br /> <br /> After his wife is murdered a gas station attendant at a remote desert station finds himself sexually pursued by several different but equally buxom women.<br /> <br /> Shot on location in New Mexico Arizona and California. <br /> <br /> 10 x 8 inches. Very Good plus lightly toned on the right edge. N.p. unknown
Bookseller reference : 161301
|
|
|
Russ Meyer (director, screenwriter); Charles Napier, Uschi Digard, Colleen Brennan, Haji, John Lazar (starring)
Supervixens Super Vixens Original photograph of Uschi Digard from the 1975 film
N.p.: Russ Meyer 1975. Vintage studio still photograph from the 1975 film showing actress Uschi Digard.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> After his wife is murdered a gas station attendant at a remote desert station finds himself sexually pursued by several different but equally buxom women.<br /> <br /> Shot on location in New Mexico Arizona and California. <br /> <br /> 10 x 8 inches. Near Fine. Russ Meyer unknown
Bookseller reference : 159139
|
|
|
Russ Meyer (director, screenwriter); Shari Eubank, Charles Napier, Uschi Digard, Charles Pitts (starring)
Supervixens Original Spanish poster for the 1975 film
Madrid Spain: RM Films International 1986. Original Spanish one sheet poster for the 1986 release of the 1975 US film. Features buxom Christy Hartburg who starred as SuperLorna. Hartburg along with Kitten Natividad and Uschi Digard has become one of the more recognizable faces of Russ Meyer filmdom even though this was her only film. <br /> <br /> Meyer's successful return to independent filmmaking after the big-budget "Beyond the Valley of the Dolls" 1970 and the unfortunate films "The Seven Minutes" 1971 and "Black Snake" 1973. Arguably the most entertaining Meyer project with all the trademarks present: strong sexual women impotent men and healthy doses of sex violence and nudity with a nod to the desert violence of Italian Euro Westerns of the 1960s. <br /> <br /> Shot on location in Arizona California and New Mexico. <br /> <br /> 27 x 41 inches folded as issued. Near Fine. Scarce. RM Films International unknown
Bookseller reference : 139240
|
|
|
Russ Meyer (director)
The French Peep Show Original program for the lost 1952 short documentary film
Oakland: P.A. DeCenzie 1952. Vintage program for the 1952 short documentary film. Rare.<br /> <br /> A very early 40-minute effort by sexploitation auteur Russ Meyer presenting a burlesque show at the El Rey Theater in Oakland California. Meyer served as director editor and cameraman on the film. Currently considered lost. <br /> <br /> 11 x 8.5 inches saddle stapled. 18 leaves printed on rectos and versos. About Near Fine with some light rubbing and creasing to the wrappers and brief silverfish damage to the fore-edges. P.A. DeCenzie unknown
Bookseller reference : 170433
|
|
|
Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Enrico Banducci, Marilyn Wesley (starring)
The Immoral Mr. Teas Steam Heat Two original photographs from the 1959 film
N.p.: N.p. 1959. Two vintage studio still photographs from the 1959 film one photograph under the original release title "Steam Heat." <br /> <br /> Director Russ Meyer's first commercially successful film. Shot without sound with a voice-over narration and a musical theme added and noted for extensive female nudity. Mr. Teas is a door to door salesman selling dentists' appliances who seems to encounter buxom nude women everywhere he goes.<br /> <br /> Set in and shot on location in Los Angeles and Malibu California. <br /> <br /> 8 x 10 inches. Very Good plus one with faint creasing light edgewear and four pinholes and one with light edgewear a half inch closed tear to the upper right side and a small chip in the bottom margin. N.p. unknown
Bookseller reference : 161847
|
|
|
Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Danielle (starring)
The Immoral Mr. Teas Original pressbook for the 1959 film
Hollywood: Pad-Ram Enterprises 1959. Vintage pressbook for the 1959 film. <br /> <br /> A door-to-door dental appliance salesman has a chemical reaction to an anesthetic which grants him X-ray vision as in "seeing through women's clothes." He subsequently overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie the film that basically launched the lighthearted nudie pictures of the early 1960s. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and nightclub circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films.<br /> <br /> For his debut Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "Frenchy" "nudist" film but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots an arguably feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach.<br /> <br /> One leaf bifold. 11 x 17 inches. Very Good plus overall. Pad-Ram Enterprises unknown
Bookseller reference : 152047
|
|
|
Russ Meyer (director, screenwriter); Ken Parker (photographer); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Dan
The Immoral Mr. Teas Mr. Teas and His Playthings Eight original still photographs from the 1959 film
Los Angeles: Pad-Ram Enterprises 1959. A Eight vintage still photographs from the 1959 film. Included are 4 stills from the US release and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance one can immediately see the differences with regard to nudity paid by both US and UK publicists the UK stills decidedly more liberal with regard to the "forbidden flesh."<br /> <br /> The US stills were taken directly from scenes of the film and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" Baby Dahl Chicky Fricase Frenchie Tost Teri Clawthe that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines however the final cut features neither murder nor suspense. <br /> <br /> The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br /> <br /> For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br /> <br /> All stills 8 x 10 inches some differ slightly in size. Two US stills Very Good plus others Near Fine. UK stills Near Fine. Pad-Ram Enterprises unknown
Bookseller reference : 134256
|
|
|
Russ Meyer (director, screenwriter); Bill Teas, Ann Peters, Marilyn Wesley, Michele Roberts, Dawn Danielle (starring)
The Immoral Mr. Teas Two original pressbooks for the 1961 re-releases of the 1959 film
Los Angeles: Pad-Ram Enterprises 1961. Original pressbooks two variants for 1961 re-releases of the 1959 film. Featured are the two most commonly seen layouts used for publicity: the full-color illustrated "hat" variant and the other with Mr. Teas surrounded by a bevy of well-developed women the female leads of the film from left to right: Ann Peters Michele Roberts Dawn Danielle and Marilyn Wesley. <br /> <br /> The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br /> <br /> Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br /> <br /> For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br /> <br /> Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br /> <br /> Both pressbooks 11 x 17 inches folded horizontally. "Hat" variant includes a 9 x 12 ad mat dated "Fri. Aug. 18 1961." Light rubbing overall rubber stamps from "Sack Amusement Enterprises" in Dallas Texas and a few light creases and tiny closed tears else Near Fine. Pad-Ram Enterprises unknown
Bookseller reference : 134255
|
|
|
Russ Meyer (director); Marianne McAndrew, Philip Carey, Wayne Maunder, Charles Napier (starring); Richard Warren Lewis, Manny Di
The Seven Minutes Original photograph of Russ Meyer and Charles Napier on the set of the 1971 film
N.p.: N.p. 1971. Vintage reference photograph of director Russ Meyer and actor Charles Napier looking through Irving Wallace's 1969 source novel on the set of the 1971 film. Provenance label on the verso.<br /> <br /> Based on the 1969 novel by Irving Wallace about an unassuming bookstore clerk who is pulled into a highly publicized pornography trial. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
Bookseller reference : 161073
|
|
|
Russ Meyer (director); Marianne McAndrew, Philip Carey, Wayne Maunder, Charles Napier (starring); Richard Warren Lewis, Manny Di
The Seven Minutes Original screenplay for the 1971 film
Los Angeles: Twentieth Century-Fox 1970. Revised Final script for the 1971 film. <br /> <br /> Based on the 1969 novel by Irving Wallace about an unassuming bookstore clerk who is pulled into a highly publicized pornography trial. <br /> <br /> Red titled Twentieth Century-Fox wrappers dated August 19 1970 noted as copy No. 179 and REVISED FINAL on the front wrapper. Title page present dated August 19 1970 noted as REVISED FINAL with credits for screenwriters Richard Warren Lewis and Manny Diez director Russ Meyer and novelist Irving Wallace. 195 leaves with last page of text numbered 190. Xerographic duplication on eye-rest green stock rectos only with blue revision pages throughout dated 8/31/70 and 9/14/70. Pages Near Fine wrapper Very Good plus slightly yapped bound internally with three gold brads. Twentieth Century-Fox unknown
Bookseller reference : 162496
|
|
|
Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starrin
Vixen Original British photograph from the 1968 film
Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown
Bookseller reference : 139328
|
|
|
Russ Meyer (director, producer); Robert Rudelson (screenwriter); Erica Gavin, Garth Pillsbury, Harrison Page, Jon Evans (starrin
Vixen Two original photographs from the 1968 film
California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown
Bookseller reference : 139327
|
|
|
Russ Meyer director producer; Robert Rudelson screenwriter; Erica Gavin Garth Pillsbury Harrison Page Jon Evans starring
Vixen Original British photograph from the 1968 film
Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. <br/><br/>"Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br/><br/>Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br/><br/>8 x 10 inches. Very Good plus with edge creasing and a single short tear. <br/><br/>Complete collation details available on request. Eve Productions Cinecenta unknown books
Bookseller reference : 139328
|
|
|
Russ Meyer director producer; Robert Rudelson screenwriter; Erica Gavin Garth Pillsbury Harrison Page Jon Evans starring
Vixen Two original photographs from the 1968 film
California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br/><br/>"Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br/><br/>Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br/><br/>8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. <br/><br/>Complete collation details available on request. Eve Productions unknown books
Bookseller reference : 139327
|
|
|
Russ Meyer director screenwriter starring; Bill Cummings Princess Livingston starring
Heavenly Bodies Collection of four original photographs from the 1963 film
California: Eve Productions 1963. Collection of four vintage studio still photographs from the 1963 film. With stars drawn on the recto and two with stamps on the bottom right corner of the recto noting production No. 72-640. With hand-inked black stars over portions of breasts where one would normally expect to see a nipple or a pasty.<br/><br/>An early Russ Meyer effort a faux documentary following several pin-up girls around and exploring the art of nude glamor photography. <br/><br/>10 x 8 inches. Near Fine. Eve Productions unknown books
Bookseller reference : 150643
|
|
|
Russ Meyer director screenwriter still photographer; Ross Massbaum Billy Sprague screenwriter; Haji Alex Rocco Steve Oliver
Motorpsycho Motorpsicho Two original lobby cards from the 1965 film
Romania: Eve Productions 1970. Two vintage oversize borderless black-and-white lobby cards from a 1970s Romanian release of the 1965 US film. Rubber-stamped on the versos MOTQRPSICHO sic FAVORIT indicative of the Cinema Favorit in Romania once the largest and most popular cinema in the country and one that operated even under the then-Communist regime. One lobby card also bears the imprint of the cinema on the recto. <br/><br/>Seen in the lobby cards is Haji as a voluptuous Cajun woman named Ruby and Alex Rocco as a veterinarian named Cory whose wife was raped by a sex-hungry motorcycle gang the same Vietnam Vet-led gang that killed Ruby's husband. <br/><br/>The last of Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black-and-white with powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Other films in his "Gothic" period include "Lorna" 1964 "Mudhoney" 1965 and the epic and legendary "Faster Pussycat! Kill! Kill! " 1965. "Fanny Hill" 1964 snuck in right after "Lorna" although that film is generally left out of the "Gothic" period. <br/><br/>"Motorpsycho!" was written by James Griffith who starred as the Preacher narrator in "Lorna" and the underrated Hal Hopper another Meyer regular. The film explores not only the ever present "biker" culture and its association with uncontrolled violence but the lasting effects of war or post-traumatic stress disorder particularly the Vietnam War; Meyer's statement on PTSD and Vietnam stands as one of the earliest inferences. <br/><br/>9.25 x 11.5 inches. One card is matte the other glossy. Very Good plus overall both with pinholes at the corners edge creases slight curling. Eve Productions unknown books
Bookseller reference : 139232
|
|
|
Russ Meyer director screenwriter; Bill Teas Ann Peters Marilyn Wesley Michele Roberts Dawn Danielle starring
The Immoral Mr. Teas Two original pressbooks for the 1961 re-releases of the 1959 film
Los Angeles: Pad-Ram Enterprises 1961. Original pressbooks two variants for 1961 re-releases of the 1959 film. Featured are the two most commonly seen layouts used for publicity: the full-color illustrated "hat" variant and the other with Mr. Teas surrounded by a bevy of well-developed women the female leads of the film from left to right: Ann Peters Michele Roberts Dawn Danielle and Marilyn Wesley. <br/><br/>The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br/><br/>Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br/><br/>For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br/><br/>Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br/><br/>Both pressbooks 11 x 17 inches folded horizontally. "Hat" variant includes a 9 x 12 ad mat dated "Fri. Aug. 18 1961." Light rubbing overall rubber stamps from "Sack Amusement Enterprises" in Dallas Texas and a few light creases and tiny closed tears else Near Fine. Pad-Ram Enterprises unknown books
Bookseller reference : 134255
|
|
|
Russ Meyer director screenwriter; Ken Parker still photographer; Bill Teas Ann Peters Marilyn Wesley Michele Roberts Dawn D
The Immoral Mr. Teas Mr. Teas and His Playthings Collection of 8 original still photographs from the 1959 film
Los Angeles: Pad-Ram Enterprises 1959. A collection of 8 vintage still photographs from the 1959 film. Included are 4 stills from the US release and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance one can immediately see the differences with regard to nudity paid by both US and UK publicists the UK stills decidedly more liberal with regard to the "forbidden flesh."<br/><br/>The US stills were taken directly from scenes of the film and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" Baby Dahl Chicky Fricase Frenchie Tost Teri Clawthe that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines however the final cut features neither murder nor suspense. <br/><br/>The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br/><br/>Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br/><br/>For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br/><br/>Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br/><br/>All stills 8 x 10 inches some differ slightly in size. Two US stills Very Good plus others Near Fine. UK stills Near Fine. Pad-Ram Enterprises unknown books
Bookseller reference : 134256
|
|
|
Russ Meyer director screenwriter; Roger Ebert screenwriter; Erica Gavin Cynthia Myers Dolly Read Marcia McBroom John Lazar
Beyond the Valley of the Dolls Original photograph of Erica Gavin and Cynthia Myers from the 1970 film
N.p.: N.p. 1975. Vintage oversize borderless reference photograph from the set of the 1970 film showing actresses Erica Gavin and Cynthia Myers with cinematographer Fred J. Koenekamp behind the camera at the far left. With the film's French 1975 release title "Orgissimo" at the bottom right.<br/><br/>After nearly a decade as one of America's most successful independent filmmakers sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity however and the girls eventually succumb to a nonstop train of decadence drugs and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock supporting performances by Meyer regulars Charles Napier and Haji and a bit part from future blaxploitation icon Pam Grier "Beyond the Valley of the Dolls" proved to be Meyer's biggest box-office success.<br/><br/>Set and shot on location in Hollywood.<br/><br/>12 x 9.5 inches. Near Fine with light wear to the corners.<br/><br/>Criterion Collection 836. N.p. unknown books
Bookseller reference : 149729
|
|
|
Russ Meyer director screenwriter; Shari Eubank Charles Napier Uschi Digard Charles Pitts starring
Supvervixens Original Spanish poster for the 1975 film
Madrid Spain: RM Films International 1986. Original Spanish one-sheet poster for the 1986 release of the 1975 US film. Features buxom Christy Hartburg who starred as SuperLorna. Hartburg along with Kitten Natividad and Uschi Digard has become one of the more recognizable faces of Russ Meyer filmdom even though this was her only film. <br/><br/>Clint Pitts operates a small-town gas station where he is constantly harassed by his wife SuperAngel Eubank. On one occasion the police are called and Harry Napier arrives and is promptly seduced by SuperAngel however his impotence becomes him. Stricken by SuperAngel's taunts Harry murders her in a rather gruesome bathtub scene and pins the act on Clint. On the lam Clint meets a farmer with a heyper-sexual Austrian mail-order bride named SuperSoul Digard. In keeping with director Meyer's powerful female roles SuperSoul rapes Clint a few times notably in a barn where the farmer discovers his wife's indiscretions. Clint meets up with SuperVixen Eubank an inexplicable reincarnation of SuperAngel and the two fall in love. Harry is however still hot on the trail. <br/><br/>Meyer's successful return to independent filmmaking after the big-budget "Beyond the Valley of the Dolls" 1970 and the unfortunate films "The Seven Minutes" 1971 and "Black Snake" 1973. Arguably the most entertaining Meyer project with all the trademarks present: strong sexual women impotent men and healthy doses of sex violence and nudity with a nod to the desert violence of Italian Euro Westerns of the 1960s. <br/><br/>Shot on location in Arizona California and New Mexico. <br/><br/>27 x 41 inches folded as issued. Near Fine. Scarce. RM Films International unknown books
Bookseller reference : 139240
|
|
|
Russ Meyer director screenwriter; Veronique Gabriel Gigi La Touche Abundavita Denise Du Vall starring
Europe in the Raw Two original photographs from the 1963 film
N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. <br/><br/>A mondo documentary following the sexual exploits of buxom women across Europe. <br/><br/>Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold 8.5 x 11 inches. Very Good moderately chipped and soiled. N.p. unknown books
Bookseller reference : 151457
|
|
|
Russ Meyer director; Tom McGowan screenwriter; Larissa Ely Linda Ashton Charles Napier Uschi Digard starring
Cherry Harry and Raquel Original French poster for the 1970 film
France: Eve Productions 1989. Original French grande poster for the 1989 release of the 1970 US film. Scarce. <br/><br/>A small-town border sheriff and marijuana smuggler sets out to kill a rival drug dealer while his girlfriend has a dalliance with another woman. The first Meyer film to feature full frontal male nudity a rarity even in sexploitation films at the time and quite the introduction to soon-to-be Meyer's regular Charles Napier. <br/><br/>Meyer shot several new sequences late in production about a quarter of the film's runtime either to replace footage lost by a photo lab or because an actress left the shoot early the reason is disputed. The new sequences unrelated to the original ones give the film an almost surreal quality leading Roger Ebert to call it "possibly the only narrative film ever made without a narrative."<br/><br/>The film was one of the most successful of Meyer's career leading him to return to and refine this style in subsequent films peaking with Beneath the Valley of the Ultra-Vixens in 1979.<br/><br/>47 x 63 inches folded as issued. Near Fine. Eve Productions unknown books
Bookseller reference : 139236
|
|
|
Russell Birdwell (director); Gene Coon, Robert Hill (screenwriters); Zsa Zsa Gabor, Lex Barker (starring)
The Girl in the Kremlin Original post-production screenplay for the 1957 film
Universal City: Universal Pictures 1957. Post-production Continuity and Dialogue script for the 1957 film. Co-written by Gene Coon who would go on to become a major player in the creation of the original "Star Trek" series in 1966.<br /> <br /> A campy Red Scare thriller wherein Stalin fakes his own death undergoes extreme plastic surgery to make himself unrecognizable and escapes to Greece with his Lithuanian lover/nurse Greta Grisenko. Meanwhile Grisenko's twin sister Lili hires a Communist-hating secret agent to find and retrieve Greta.<br /> <br /> Set in Russia Germany and Greece.<br /> <br /> White titled self wrappers noted as CONTINUITY & DIALOGUE on the front wrapper noted as production No. 1852 dated APRIL 1 1957 with credits for director Russell Birdwell and actors Lex Barker Zsa Zsa Gabor and other cast members. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine with light stains and fading on the front wrapper bound at the top edge with two gold brads. Universal Pictures unknown
Bookseller reference : 146207
|
|
|
Russell Mack director screenwriter; HW. Hanemann Arthur T. Horman Richard Shayer screenwriters; Zasu Pitts Pert Kelton El B
The Meanest Gal in Town Once Over Lightly Original screenplay for the 1934 film
Culver City CA: RKO Radio Pictures 1933. Final script for the 1934 film. Copy belonging to a unknown cast member with his signature on front wrapper. With some holograph pencil annotations. <br/><br/>A pre-Code comedy featuring a stranded actress in a small town who becomes a manicurist and inadvertently has a great impact on the lives of the local citizenry. <br/><br/>Red titled wrappers noted as Final Script on the front wrapper rubber-stamped copy production No. 722 dated October 14 1933 with credits for screenwriters Richard Schayer and Russell Mack. 135 leaves with last page of text numbered "H:7-8." Mimeograph duplication with revision pages throughout dated variously between October 12 1933 and October 19 1933. Pages Very Good plus wrapper Very Good plus bound with three gold brads. RKO Radio Pictures unknown books
Bookseller reference : 140054
|
|
|
Russell Nype (subject); Gene Kelly (director); Peter De Vries (novel, play); Joseph Fields (screenwriter, play); Jerome Chodorov
The Tunnel of Love Original photograph of Russell Nype from the 1958 film
N.p.: N.p. 1958. Vintage studio still photograph from the 1958 film showing uncredited actor Russell Nype. Newspaper clippings and reference library stamps on the verso.<br /> <br /> A comedy of errors about a married man who comes to believe that he has impregnated the owner of an adoption agency and that she will serve as the surrogate. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 8 x 10 inches archivally matted on a 11 x 14 inch mat. Very Good with annotations in manuscript ink on the recto regarding cropping and a small splash on the right edge. N.p. unknown
Bookseller reference : 163067
|
|
|
Russell Rouse director; Ed Waters Paul David Moessinger screenwriters; William P. McGivern novel; Yvette Mimieux Vito Scotti
The Caper of the Golden Bulls Original screenplay for the 1967 film
Burbank CA: American Broadcasting Company ABC 1966. Draft script for the 1967 film. Based on the 1966 novel by William P. McGivern. Included is a mimeograph letter signed from Harold Berowitz to Arnold Burk regarding Peter Lawford's salary for starring in the film.<br/><br/>An ex-bank robber living a straight life in Pamploma Spain is lured into one final con by his former partner. Shot on location in Spain. <br/><br/>Green studio wrappers with a die-cut title window in the British style. Title page present dated April 13 1966 rubber stamped copy No. 18 with credits for screenwriters Waters and Moessinger. 65 leaves with last page of text numbered 63. Mimeograph on yellow stock with goldenrod revision pages throughout dated 4-20-66 and 4-26-66. Pages Fine wrapper Near Fine bound with two gold brads. American Broadcasting Company [ABC] unknown books
Bookseller reference : 134759
|
|
|
Russell, Gary (Author)/ Platt, Marc (Author)/ Day, Martin (Author)/ Russell, Gary (Director)/ Hendrick, Mark (Composer)/ Wallban
Irwin Allen's The Time Tunnel: The Nightmare Begins
Big Finish Productions Ltd 2025. audioCD. New. 5.67x5.00x1.06 inches. Big Finish Productions Ltd unknown
Bookseller reference : __1802406670 ISBN : 1802406670 9781802406672
|
|
|
RUSSELL, KEN (director) : CHAYEKSKY, PADDY (author)
ALTERED STATES 1981 VINTAGE LOBBY CARDS Set of eight 8 1/4"x 10" Color Stills
WARNER BROS. 1981. Poster. Illus. by HURT WILLIAM featured. As New. No Binding. First Edition. Lobby Cards - Set of 8 NM A set of Lobby Cards from the 1981 film Altered States by Ken Russell - Flat - Single sided - 8 1/4" x 10" - Images include William Hurt's character Dr. Jessup in his halucinatory state taking the mushroom concoction with the natives in the sensory deprivation tank transformed into a primal being and more.Very cool!!!. WARNER BROS. unknown
Bookseller reference : 006476
|
|
|
Russoli, Franco (director of the Brera Gallery in Milan)
Modigliani Drawings and Sketches
New York: New York: Abram Inc. 1969 1969. Fine/Very Good. First American Edition. Dr. Russoli one of Italy's leading art historians and the author of several other volumes on the artist has carefully described each of the works illustrated in the catalog raisonne and cross-referenced them to the bibliography which covers books journals and major exhibitions. Fine in large square white linen cloth HC with illustrated white paper dustjac ket and partially missing see-through acetate foil over dustjacket. Includes 98 illustrations including 4 large plates in full color. First American Edition. Fine/Very Good. New York: Abram, Inc. 1969 hardcover
Bookseller reference : 09292
|
|
|
Rustaveli Drama Theatre and Robert Sturua (director)
34. Berliner Festwochen 84. Rustaveli-Theater Tiblissi Tbilisi Georgia
Berlin DDR: Berliner Festspiele 1984. Poster in red and black 58 x 64 cm. Piece missing upper left corner. Rustaveli National Theatre Georgian: შáƒáƒ—რრუსთáƒáƒ•áƒ”ლის სáƒáƒ®áƒ”ლáƒáƒ‘ის áƒáƒ™áƒáƒ“ემიური თეáƒáƒ¢áƒ ი Shota Rustavelis Sakhelobis Akademiuri Teatri is the largest and one of the oldest theaters of Georgia located in its capital Tbilisi on Rustaveli Avenue. From the collection of the Russian theater historian Alma Law. Berlin, DDR: Berliner Festspiele, 1984. unknown
Bookseller reference : 16-2757
|
|
|
Rutger Hauer, Jennifer Jason Leigh, Susan Tyrrell, Brion James (starring); Paul Verhoeven (director, screenwriter)
Flesh and Blood Flesh Blood Original photograph from the 1985 film
N.p.: N.p. 1985. Vintage color reference photograph from the 1985 film showing a sex scene with actors Jennifer Jason Leigh and Rutger Hauer. <br /> <br /> In sixteenth-century Italy an army of mercenary peasants kidnaps a nobleman's fiancée as revenge for unpaid debts. Although disgusted by the brutality of the peasants the woman soon falls in love with the group's leader. Although the film's cynicism and violence made it unsuccessful at the box office upon release it has since become a cult favorite. <br /> <br /> Shot on location in Spain in Belmonte Cáceres and Ãvila. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
Bookseller reference : 161325
|
|
|
Ruth Ann Tyson (Director)
Pentecostal Assemblies of the World The Apostolic Way 2018-2019 Annual Sunday School Commentary
Urban Ministries Inc. Unknown Binding. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Urban Ministries, Inc. unknown
Bookseller reference : G0989544168I4N00 ISBN : 0989544168 9780989544160
|
|
|
Ruth Ann Tyson (Director)
Pentecostal Assemblies of the World The Apostolic Way 2018-2019 Annual Sunday School Commentary
Urban Ministries Inc. Unknown Binding. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Urban Ministries, Inc. unknown
Bookseller reference : G0989544168I3N00 ISBN : 0989544168 9780989544160
|
|
|
Ruth Chatterton, Otto Kruger, Marian Marsh, Robert Allen (starring); Marion Gering (director); Katharine Brush (short story); Jo
Lady of Secrets No More Yesterdays Four original photographs from the 1936 film
Culver City CA: Columbia Pictures 1935. Four vintage reference photographs from the 1936 film. Mimeo snipes and studio stamps crediting photographer Ray Jones on the versos. One double weight photograph of Robert Allen one double weight keybook photograph of Marian Marsh one photograph of Ruth Chatterton and Otto Kruger and one on-the-set photograph of Chatterton. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Based on the short story "Maid of Honor" by Katharine Brush published in in the September 1932 issue of "Hearst's International-Cosmopolitan." Ruth Chatterton stars as a woman who disapproves of her young sister's Marian Marsh impending marriage to Otto Kruger and reveals a long-hidden secret.<br /> <br /> 8 x 10 inches to 8 x 11 inches. Near Fine overall. Columbia Pictures unknown
Bookseller reference : 164442
|
|
|
Ryan Jack director of crested valuables; Beta Sigma Phi sorority
To All Beta Sigma Phis-- Greetings: caption title; with membership card laid in
Kansas City MO: the sorority 1941. Pamphlet. Unpaginated about 20p. multiple b&w illustrations on each page most shrunk to fit the small pamphlet format: 6x4.5 inch stapled blue wraps embossed with indecipherable lettering and device. Staples are rusted with a little migration front cover has a light vertical crease otherwise clean and sound. Laid in International Membership card unsigned for one Jessie Cotton of McCook Nebr. expires 7-30-41. Per Wikipedia BSP is a "non-academic sorority" founded 1931 in Kansas has 200000 members. Headquarters city presumed from info on the member's card ditto surmised date of publication; no such info in the catalogue itself. Lockets broaches rings on and on the variety extends even to baby spoons. A plethora of compact-types leads readily to cigarette cases including a wooden one that holds two standard packs. "For some time the privilege of supplying you with crested valuables has been entrusted to a large jewelry firm on a contract basis. Now B S P has taken over this responsibility itself and has retained Mr Jack Ryan to head the department the sorority unknown books
Bookseller reference : 227214
|
|
|
Ryan Gosling, Josh Brolin, Nick Nolte, Emma Stone (starring); Ruben Fleischer (director); Will Beall (screenwriter); Paul Liberm
Gangster Squad Original screenplay for the 2013 film
Burbank CA: Warner Brothers 2011. Revised Draft script for the 2013 film with rainbow revision pages throughout.<br /> <br /> Based on the 2012 book "Gangster Squad: Covert Cops the Mob and the Battle for Los Angeles" by Paul Lieberman. A dramatization of the formation of the "Gangster Squad" a team of Los Angeles police officers and detectives tasked with taking down a prominent crime boss.<br /> <br /> Set in 1949 Los Angeles shot on location in Los Angeles.<br /> <br /> White untitled front wrapper lacking rear wrapper. Title page present dated September 8 2011 noted as FULL PINK with credits for Lieberman and screenwriter Will Beall. 142 leaves with last page of text numbered 133. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between September 8 and November 22 2011. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Silver and Ursini American Neo-Noir. Warner Brothers unknown
Bookseller reference : 170195
|
|
|
Ryan O'Neal, Ali MacGraw, John Marley, Ray Milland (starring); Arthur Hiller (director); Erich Segal (novel, screenwriter)
Love Story Original photograph from the 1970 film
N.p.: N.p. 1970. Vintage borderless reference photograph from the 1970 film showing actors Ryan O'Neal and Ali MacGraw. Annotations in manuscript ink and pencil on the verso. <br /> <br /> Based on the 1970 novel by screenwriter Erich Segal. An enormously successful romantic drama about the tumultuous relationship between a working-class musician and a wealthy law student. <br /> <br /> Shot on location in New York and Massachusetts. <br /> <br /> 8 x 10 inches. Near Fine with light wear at the corners. N.p. unknown
Bookseller reference : 158514
|
|
|
Ryan O'Neal, Leigh Taylor-Young, Van Heflin (starring); Alex March (director); Elmore Leonard (novel); Robert Dozier (screenwrit
The Big Bounce Complete set of eight original color photographs from the 1969 film
Burbank CA: Warner Brothers / Seven Arts 1969. Complete set of eight vintage color studio still photographs from the 1969 film. <br /> <br /> Based on Elmore Leonard's 1969 novel. A Vietnam veteran turned migrant farm laborer falls into a secretary's scheme to steal $50000 from the owner of a California farm.<br /> <br /> Set and shot on location in Carmel and Monterey California. <br /> <br /> 10 x 8 inches. Seven Near Fine one Very Good plus with a small closed tear with accompanying creasing to the right edge. <br /> <br /> Grant US. Warner Brothers / Seven Arts unknown
Bookseller reference : 150714
|
|
|
Ryan O'Neal Leigh Taylor Young Van Heflin starring; Alex March director; Elmore Leonard novel; Robert Dozier screenwriter
The Big Bounce Complete set of eight original color photographs from the 1969 film
Burbank CA: Warner Brothers / Seven Arts 1969. Complete set of eight vintage color studio still photographs from the 1969 film. <br/><br/>Based on Elmore Leonard's 1969 novel. A Vietnam veteran turned migrant farm laborer falls into a secretary's scheme to steal $50000 from the owner of a California farm.<br/><br/>Set and shot on location in Carmel and Monterey California. <br/><br/>10 x 8 inches. Seven Near Fine one Very Good plus with a small closed tear with accompanying creasing to the right edge. <br/><br/>Grant US. Warner Brothers / Seven Arts unknown books
Bookseller reference : 150714
|
|
|
Ryan O'Neal Madeline Kahn Tatum O'Neal starring; Peter Bogdanovich director producer; Joe David Brown novel; Alvin Sargent sc
Paper Moon Post-production script for the 1973 film
Hollywood: Paramount Pictures 1973. Post-production Release Dialogue script for the 1973 film. <br/><br/>Based on Joe David Brown's 1971 novel "Addie Pray." Real-life father-daughter Ryan and Tatum O'Neal play a con man and the girl who may or may not be his daughter. <br/><br/>Shot on location in Nebraska Kansas Florida Missouri and California. Winner of an Academy Award nominated for three others. <br/><br/>Eye-rest green stock side-stapled dated April 25 1973 noting reels 1A-6B and footage of 9208 feet. Mimeograph duplication. Near Fine. Paramount Pictures unknown books
Bookseller reference : 129143
|
|
|
Ryan; O'Neal Leigh Taylor Young Van Heflin starring; Alex March director; Elmore Leonard novel; Robert Dozier screenwriter
The Big Bounce Collection of eight original photographs from the 1969 film
Burbank CA: Warner Brothers / Seven Arts 1969. Collection of eight vintage studio still photographs from the 1969 film. <br/><br/>Based on Elmore Leonard's 1969 novel. A Vietnam veteran with a shady past falls into a secretary's scheme to steal $50000 from the owner of a California farm.<br/><br/>Set and shot on location in Carmel and Monterey California. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Grant US. Warner Brothers / Seven Arts unknown books
Bookseller reference : 150712
|
|
|
Ryden, Mark Robert Williams (Founder), Kevin Thatcher (Publisher), Jamie O'Shea (Editor/Art Director), et al
Juxtapoz Art & Culture Magazine. Issue #36 - January-February 2002. Volume Ten Number One Signed by Mark Ryden
San Francisco CA: High Speed Productions / Juxtapoz 2002. Near Fine. SIGNED in black marker on the front cover by the artist Mark Ryden. 96pp. Quarto 27.5cm; perfect-bound in glossy magazine wraps. Full-color. Profusely illustrated throughout. Just a hint of rubbing and edgewear. The cover story is entitled "Mark Ryden: The Alchemist's Message" and the pull-out poster is a nice full-color reproduction of Ryden's painting "The Magic Circus" poster measures approximately 11" x 15.5".<br /> <br /> This copy is from the collection of Pat "the Cat" Eddington 1953-2016 a Utah-based artist and art teacher who carried on extensive correspondence throughout his life with a staggering number of writers visual artists and musicians. A generous gift-giver Eddington was always eager to forge connections among the writers and artists that he knew and admired. Eddington also co-owned and operated the publishing company Green Cat Press which specializes in original letterpress broadsides in small editions. High Speed Productions / Juxtapoz unknown
Bookseller reference : 71411
|
|
|
Ryo Kato, Tetsuhiro Ikeda Screenplay, Kensaku Kobayashi Director
Stage Patalliro Stardust Plan Pamphlet
Nelke Planning 2018. Soft Cover. Fine. Number of books: 1 Nelke Planning paperback
Bookseller reference : 2090202120402655
|
|
|
Ryoji Mori/Director Yoshiharu Habu
Hanyu's decisive factor 1 <Japanese Version>
Kimoto shoten 1996. Soft Cover. Fine. Volume: 1 Kimoto shoten paperback
Bookseller reference : 2110502150903714
|
|
|
Ryoko Sakuma (Actor), Shoichi Ozawa (Actor), Tadashi Imai (Director)
Miniature movie press Echigo Tsutsuishi Oyashirazu
Toei 1964. Soft Cover. Fine. Number of books: 1 Toei paperback
Bookseller reference : 2090202120405329
|
|
|
Ryuta Iida/Director
Autumn Flowers Color Version Haiku Risejiki <Japanese Version>
Sekaibunkasha 1980. Soft Cover. Fine. The book is in fine condition. Sekaibunkasha paperback
Bookseller reference : 2111902154602373
|
|
|
S Edwin Graham (Director)
DEVIL MONSTER The Sea Fiend - Vintage Finnish Tour Poster
Finland: Astor-Filmi O.Y. 1947. No Binding. Fine. A Finnish "tour" movie poster for the action-adventure horror film DEVIL MONSTER starring Barry Norton and directed by S. Edwin Graham. Also known as The Sea Fiend and The Great Manta the film was first released in 1936 and a re-edited version was released as Devil Monster in 1946. This poster advertises that second version. You are looking at a Finnish "tour" poster printed for distribution to the small regional cinemas and other venues e.g. clubs village halls etc outside of the main cities following an initial theatrical run. This movie was first screened in Helsinki at the Aloha Theatre in July 1947 dating this poster to later that year. Finnish tour posters are normally re-sized re-printings of studio/distributor-issued lobby posters usually narrower and longer to accommodate spaces for entering information about screening times ticket prices and venue etc. They were sometimes surplus to requirements if demand for hiring the movie was low and so occasionally resurface nowadays in unused condition. This is one such example. Measures 16" by 23" approx. The poster was printed by Kirjapaino Jaakkoo Osakeyhtiö of Turku established 1936. In excellent clean condition a rolled poster without folding creases. A small tear to the left margin midway and a small handling crease lower down in the same margin. No pinholes paste residue or clamping marks certainly an unused example. The verso is unmarked. C8 - Very Fine. <br/> <br/> Astor-Filmi O.Y. unknown
Bookseller reference : 1901201130
|
|
|
S Fukushima, director
Formes: Nos. 1-33. Edition Anglaise / English Edition. An International Review of Plastic Art Appearing Ten Times a Year
Paris/NY: Editions des Quatre Chemins 1929-1933. ENGLISH EDITION; Numbers 1 December 1929 and 1-33 January 1930 to March 1933 34 issues; #1 lacks one color plate; #2 lacks one color plate & 7 black and white plates; #3 lacks front cover & pages 1-4 #7 lacks one color plate; original paper wrappers good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Paris/NY: Editions des Quatre Chemins unknown
Bookseller reference : ZB626055
|
|
Receive by email
Download as PDF document
RSS feed
Permanent link
