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BOOK OF HOURS.
Hore = Horae beate Marie Virginis secundum usum Romanum ad longum.colophon: Paris Thomas Kees ca. 1511 with an almanac for the years 1511-1530. 8vo 18 x 12 cm. Printed on vellum in red and black throughout with illustrations printed from mostly metal relief blocks: 17 nearly full-page mostly 12.5 x 8 cm plus 1 repeat 27 small about 3.5 x 2 cm plus 2 repeats in the text many additional small in the decorated border pieces that surround nearly every page many in all three groups with criblée backgrounds and further un-illustrated decorative border pieces. Set in a roman type 77 mm/20 lines with incidental textura 118 mm/20 lines. With manuscript initials in gold on red blue or red and blue divided diagonally three 3-line hundreds of 2-line and thousands of 1-line and about 60 manuscript line-fillers in gold on red or blue. Dark brown gold- and blind-tooled goatskin morocco ca. 1870 signed "HARDY-MENNIL" in the foot of the front turn-in.
216 pp.Second known copy apparently the only known copy printed on vellum of a Paris book of hours in Latin probably published in 1511 the almanac and calendar for 20 years covers the years 1511 to 1530 the only known book of hours printed by Thomas Kees or Caseus from Wesel in the Rhine valley recorded as a printer in Paris from 1507 to 1516. The illustrations are finely cut many with criblée backgrounds and many are thought to have been printed from metal relief blocks rather than woodcuts. Most of the small illustrations in the text depict saints. The illustrations in the border strips include scenes from the Old and New Testament dance of death scenes apostles saints scenes from daily life fantastic beasts and more. The large illustrations may have been cut for Antoine Vérard ca. 1503 to 1507. That on the title-page shows an enormous Holy Grail supported by two angels while two more angels hold the cover aloft with drapery making a sort of canopy. The grail is so large that it looks like a baptismal fount and the Eastern Orthodox Church often used baptismal founts with a chalice form. The same scenes appear in nearly the same order in Antoine Vérard's 1510 book of hours it includes two additional scenes: the Trinity and Pope Gregory as noted by Mortimer who indicates that some copy those shown in editions Pigouchet printed for Vostre in 1497 and 1498.The work was rebound by Hardy-Mennil in Paris ca. 1870. Little is known about Hardy himself. "Mennil" is not separately recorded. He used the name Hardy-Mennil by 1864 and was certainly a celebrated binder by 1868 when the books he bound were often gold-tooled by one of the most famous finishers of all time Jean Michel 1821-1890.Possibly from the great library assembled by Robert Harley 1661-1724 first Earl of Oxford chief advisor to Queen Anne and his son Edward Harley 1689-1741 which descended to Edward's daughter Margaret Cavendish Bentinck 1715-1785 Duchess of Portland many of whose printed books were sold in London 1816-1817.Trimmed close to the decorative borders at the head shaving a border on 1 page and just touching a few others with a tiny chip slightly affecting the corner of another border but generally in very good condition the binding fine.l Bohatta 932; French vernacular books 67388 BN Paris copy only; KVK & WorldCat BN Paris copy only; Moreau II 115 p. 83 BN Paris copy only; Robins Bibliotheca Harleiana: a catalogue of … the Harleian Library 18352 vol. IV 1817 p. 781 not seen possibly the present copy; USTC 183113 BN Paris copy only; cf. Mortimer Harvard French 295; not in Alston & Hill Books printed on vellum in … the British Library; Van Praet Cat. livres imprimés sur vélin … Bibl. Du Roi. hardcover
Bookseller reference : LC8BK00LLGOI
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Book of Hours
Libro de Horas de Isabel la Catolica. Reproduccion facsimil del manuscrito conservado en la Biblioteca del Palacio Real de Madrid
Madrid: Testimonio 1991. Price HAS BEEN REDUCED by 10% until Monday June 29 sale item limited to 980 numbered copies signed by the publisher this being copy #330; large thick octavo approx. 500 pp. original gilt stamped decorated full blue leather fine in a very good blue suede box as issued; the box has a few spots of candle wax to the front panel; a lavishly reproduced medieval manuscript. Photos available upon request. Madrid: Testimonio hardcover
Bookseller reference : ZB942304 ISBN : 8486290325 9788486290320
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Book of Hours .
Livre d'Heures. Manuscript on Japan vellum paper
n.p. France: n.d. ca. 1880 Full dark brown crushed morocco title in gilt on spine front cover with onlaid gilt metal device. Gilt decorated turn-ins plum colored silk doublures and endleaves. All edges gilt multi-colored silk ribbon market. . 7" x 5 5/8." . Text in gothic style letters with elaborate borders initials and miniatures in watercolor and gold in a style reminiscent of the late Middle Ages. A fine and very interesting manuscript featuring very delicate work of a rather varied nature. Pencil presentation inscription in French to a woman named Marie in memory of the presenter's mother who had once owned the book. We know nothing about either the donor or the donee and can only guess whether they had a relation to the producers of this manuscript. unknown
Bookseller reference : 16507
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BOOK OF HOURS.
Nouvelles Heures Gothiques d'apres les Manuscrits des Biblioth�ques Nationales et Particuli�res.
Paris Leroy Secail & Cie Ca. 1880. Quadratic 8vo. Orig. full brown morocco raised bands blindtooled title on spine broad inside gilt borders large floral silver clasps with open work. Endpapers in red silk. On inside frontcover large gilt crown underneath the letters L and B. All edges gilt. 1942 pp. Throughout printed in chromolithography all text surrounded by fine broad ornamental chromolithographed borders some full-page chromolithographed leaves. Fine and clean. hardcover
Bookseller reference : 54371
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Book of Hours
The Grand Heures of Jean Duke of Berry. Introduction and Legends by Marcel Thomas
New York: George Braziller 1971. 109 Color Plates 2 Black and White Figures. 1 vols. Folio. Cloth. Fine in gilt dust jacket. 109 Color Plates 2 Black and White Figures. 1 vols. Folio. The Duke of Berry was a great collector of anything beautiful from gems to castles. His library was surely one of the most remarkable of his collections and included the Tr�s Riches Heures and the Belles Heures both illustrated by the famous Limbourg Brothers as well as the Grandes Heures which is one of the most impressive works of its type. <br/><br/> George Braziller hardcover
Bookseller reference : 54887
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BOOK OF HOURS. PLUMMER John introduces with commentaries.
The Hours of Catherine of Cleves.
George Braziller New York. 1966. First edition. Octavo. 359 pages. 150 full colour reproductions. Full faux-vellum binding with gilt coat of arms on front.Small bump to head of spine otherwise fine in near-fine slipcase. George Braziller, New York. hardcover
Bookseller reference : BOOKOFHO005149
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Book of Hours
THE HOURS OF CATHERINE OF CLEVES.
8vo. Imitation leather binding stamped in gold in custom slipcase. 2nd printing. Full color reproductions throughout. Fine in like slipcase. NY: George Braziller (1966.) hardcover
Bookseller reference : 26083
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BOOK OF HOURS. Millard MEISS intro.
The Rohan Book of Hours. Bibliotheque Nationale Paris MS. Latin 9471. Introduction by Millard Meiss. Introduction and Commentary by Marcel Thomas. IN PUBLISHER'S SLIP-CASE
Thames & Hudson 1973. Sm. folio First Edition thus with 127 fine plates in gilt and colours; red cloth upper board and backstrip framed and lettered in gilt backstrip very lightly faded else a very good clean copy in publisher's board slip-case the latter with mounted coloured illustration repeated from text and mildly age-soiled. Thames & Hudson, hardcover
Bookseller reference : 25720
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BOOK OF HOURS
Uffizio della B.V. Maria Nell'Avvento AND Uffizo della B.V. Maria Dopo l'Avvento AND Uffizio de'Morti dello Spirito Santo e della Santa Croce con i Sette Salmi Penitenziali. 3 volumes
Rome: Salvioni 1795. hardcover. fine. Each book is printed throughout in red & black with a fine engraved vignette on the title page and other full-page engravings. 92; 88; 120pp. Thin 12mos. Gloriously bound in contemporary full red straight-grained morocco with heavy floral gilt tooling on the covers and spines; outer dentelles marbled endpapers silk ribbons. The 3 volumes are housed together in a brown calf solander slipcase with blind-stamped decorations. Roma: Per Luigi Perego Salvioni 1795. Fine. Salvioni unknown
Bookseller reference : 157735
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BOOK OF HOURS
Book of Hours
Evidence Of A Special Early Moment In Parisian Book Production Expressive Of Northern Realism Book of Hours Use of Paris†In French and Latin illuminated manuscript on parchment France Paris c. 1400-1410 15 large miniatures by the Master of the Bible Historiale MS fr. 159 as described by Les Enluminures This beautifully executed and unusual Parisian Book of Hours was painted at the time of the Duke of Berry. The ìrealismî seen in the illuminations represents a special moment in Parisian art one exemplifying its northern origins.†The miniatures are attributed to one of the artists responsible for the†Bible Historiale†also referred to as the Master of the Bible Historiale fr. 159 Paris BnF MS fr. 159.†The female patron who ordered the book appears twice in the miniatures. 224 folios mostly in gatherings of 8 i12 complete pastedowns and two flyleaves at front and back some catchwords written in a dark brown ink†in a gothic liturgical script on 14 long lines by different hands ff. 82-82v and ff. 219v-223v written by a slightly posterior†hand ruled in light red ink justification 62 x 85 mm†rubrics in red both in French and Latin versals in burnished gold on alternating†pink†and blue grounds with pink or blue infill and white tracery line endings pink and blue with burnished goldleaf discs and white tracery infill 2-line initials in pink or blue with white tracery on burnished gold grounds with ivyleaves extending in the margins and infill one 3-line initial at the beginning of†the Hours of the Virgin pink†with white tracery†burnished gold and ivyleaf†infill on a blue ground 3-line initials marking the start of the main texts pink or blue with white tracery on highly burnished gold grounds with ivyleaf infill one 4-line letter I traced in pink and white with ivyleaf infill on a burnished gold ground richly decorated borders with extending baguettes foliate pattern on burnished gold grounds and dense ivyleaves in borders 15 LARGE MINIATURES at†the beginning of the main†texts in excellent condition. Nineteenth-century dark brown morocco binding over pasteboards frame of two gilt fillets on covers smooth spine cropped edges affecting very slightly the border decoration at the top edge never affecting text or illuminations in clamshell box. Dimensions 161 x 116 mm. PROVENANCE: 1. Liturgical use and calendar secure a place of origin in Paris. Probably made for the woman patron who appears kneeling on fol.110 and 185. 2. Isydort Bernardon and Marthe Galberict first front fly-leaf. Second front flyleaf reads as follows: ìIsydort Bernardon Bon Compaion qui esme†Monsieur.îLast word is difficult to read; XVIIth century.††3. Du Buisson and Marchand families eighteenth-century notes on family history and marks of ownership 1716 and 1717 back pastedown and fly-leaves: ìCes presentes heures sont tenues de defunst Charles du Buisont . Seigneur de Lublataris demerant a St Michel.î ; ìCes presentes heures appartiennent a moy Gabriel Marchand. Je prie ceux et celle quy les trouveront de me les rendre. Je les reconpanserÈ sic de leurs payne fait a St Michel le traize jour de fevrier 1716"†signed††Marchand; ìJeanne du Buisson fille de Charles du Buisson a espouzÈ Gabriel Marchand 1717.î The name ìDespanageî with the date 1716 also appears on the first flyleaf. 4. Engraved ex-libris pasted on front pastedown eighteenth-century. ìM. Titon de Villotran conseiller au Parlementî. Jean-Baptiste Titon de Villotran is recorded as a ìconseillerî in the Parlement de Paris see Chesnaye-Desbois and Badier†Dictionnaire de la noblesse vol. 19 Paris 1876. 5. Les Enluminures/ Bruce Ferrini Catalogue 9 Books of Hours 2000 no. 1 hence Private Collection. TEXT: ff. 1-12 Calendar red blue and burnished gold in French with numerous Paris saints such as Genevieve in gold Germain Landri Marcel Cloud; ff. 13-18 Gospel Sequences; ff. 18-18v Various Prayers : ìProtector in teî;†ìEcclesiam tuam quesimusî;†ìOmnipotens sempiterne.î; ff.19-22 Obsecro te; ff. 22v-26 O intemerata; ff. 26v-27 Prayer ìDeus qui noluisti pro redempcione.î; ff. 27-27v Prayer ìCommendo tibi Sancta Maria.î; ff. 27v-28 Prayer ìSignum crucis dominum.î; f. 28v blank; ff. 29-80v Hours of the Virgin use of Paris†Matins f. 29 Lauds f. 39v Prime f. 50 with ant. ìBenedicta tuî and cap. ìFelix namqueî Terce rubric erroneous f. 55bis; Sext f. 59v; None f. 63v with ant. ìSicut liliumî and cap. ìPer te Deiî; Vespers f. 68; Compline f. 75; ff. 80v-81v Suffrage to Sebastian written in a different but contemporary hand ìAnthienne de saint Sebastienî et ìOroison de saint Sebastienî; ff. 82-82v Salve regina different hand slightly posterior; ff. 83-83v blank except for a XVIIth†century inscription on fol. 83 in brown ink that reads :†ìBernardon 1648î; ff. 84-102 Penitential Psalms and†litanies; ff. 102v-105v Short Hours of the Cross; ff. 106-109v Short Hours of the Holy Spirit; ff. 110-115v Fifteen Joys of the Virgin in French; ff. 116-119v Seven Requests to Our Lord in French; ff. 120-184v Office of the Dead use of Paris; ff. 185-204 Suffrages; ff. 204-218 Prayers: ìLa priere Theophilusî: ìGlorieuse vierge royne.î†ff. 204-213v ; ìTres devote oroison†de la sainte trinitÈîff. 213v-217;†ìOmnipotens sempiterne deus qui dedisti†nobis.î ff. 217-218; ff. 218-218v Seven verses of St. Bernard; f. 219 Prayer: ìOmnipotens sempiterne Deus qui Ezechie.î; ff. 219v-221v Prayer for Communion ìTres devote oroyson quant on veult recevoir le corps de nostre seigneur.î Different hand; ff. 221v-224v Prayer upon receiving Communion ìTres devote oroison quant on a receu le corps de nostre seigneurî. ILLUSTRATION: f. 29 Annunciation; f. 39v Visitation; f. 50 Nativity; f. 55bis Annunciation to the Shepherds; f. 59v Adoration of the Magi; f. 63v Presentation in the Temple; f. 68 Flight into Egypt; f. 75 Dormition of the Virgin; f. 84 God in Judgment; f. 102v Crucifixion; f. 106 Pentecost; f. 110 Female donor presented by patron saint John the Baptist kneeling before the Virgin and Child; f. 116 Last Judgment; f. 120 Funeral Mass; f. 185 Donor kneeling before her patron saint John the Baptist. An unrecorded Parisian Book of Hours this manuscript has a sequence of beautifully executed miniatures attributed by FranÃois Avril to one of the artists responsible for the†Bible Historiale†Paris BnF MS fr. 159 a grand manuscript given to Jean Duke of Berry by Raoulet dÃAuquetonville before 1402. Our Book of Hours was painted for an unidentified female donor depicted twice in the manuscript. Once she kneels in prayer before St. John the Baptist who must be her patron saint f. 185. A second time St. John the Baptist presents her to the Virgin and Child whom she adores in prayer f. 110. Her costume befits a lady of the court and suggests a date around 1400. The paintings corroborate this date. The†Bible Historiale†is regarded as one of the earliest works of an artist surely trained in the Netherlands who appeared in Paris at the beginning of the fifteenth century and cannot be traced after 1405. Bella Martens called him the ìMaster of 1402î and Millard Meiss in 1967 renamed him the Master of the Coronation of the Virgin after a stunning frontispiece of this subject in a manuscript of Jacobus de VoragineÃs†Golden Legend†of 1402-03 Paris BnF MS fr. 242. In Paris working with collaborators on large projects the Coronation Master was responsible for a sequence of richly illuminated volumes that include the†Fleur des histories de la terre dÃOrient Paris BnF MS fr. 12201 and BoccaccioÃs†Des cleres et nobles femmes†Paris BnF MS fr. 12420. Among the related hands in the lavish†Bible Historiale†emerges as a distinctive personality who must have had his own workshop. Working side by side with the Coronation Master the Master of the†Bible Historiale†assimilated his style and our manuscript recalls some of these early works. We suspect that our artist like the Coronation Master originated in the North because of the ìrealismî of the exceptionally fine miniature of the Nativity f. 50 with its hemp floor and wattled fence the tenderness of Joseph seated close to the Virgin Mary and the bare breasts of the reclining Virgin. The finely tessellated diaper backgrounds and the triangular tiled floor that tilts upward both repeatedly used in our Book of Hours also occur in the miniature of the Coronation of the Virgin. In the†Funeral Mass†f. 120 the dark outlines for the expressive faces are comparable to those in†Clerics Singing†in the†Bible Historiale. Likewise the soft features of the VirginÃs rounded face the crisp modeling in her garment and her slender delicate hands are found in the†Coronation of the Virgin†and elsewhere. Sprinkled with tiny plants the blossom with red blue or white flowers the simple landscapes reappear in the†Bible Historiale.†The rendering of the donors anticipates the treatment of the female heroines in the Boccaccio manuscript. The engaging style of the Master of the†Bible Historiale†like that of Jacquemart de Hesdin and the Master of the Breviary of Jean sans Peur exemplifying a ìrealismî that derives from their northern origins represents a special moment in Parisian illumination one that was short-lived. Art in Paris was to evolve in another direction which the more refined cosmopolitan style of the Boucicaut and Bedford Masters best represent. THIS FULL DESCRIPTION TAKEN FROM THE CATALOG OF THE FIRM LES ENLUMINURES Meiss Millard 300 312 355 II fig. 822;†French Painting in the Timede Berry974 I 383-4 II figs. 458-64 HBS 66569 $350000 1400 hardcover books
Bookseller reference : 66569
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BOOK OF HOURS
Uffizio della B.V. Maria Nell'Avvento AND Uffizo della B.V. Maria Dopo l'Avvento AND Uffizio de'Morti dello Spirito Santo e della Santa Croce con i Sette Salmi Penitenziali. 3 volumes
Rome: Salvioni 1795. hardcover. fine. Each book is printed throughout in red & black with a fine engraved vignette on the title page and other full-page engravings. 92; 88; 120pp. Thin 12mos. Gloriously bound in contemporary full red straight-grained morocco with heavy floral gilt tooling on the covers and spines; outer dentelles marbled endpapers silk ribbons. The 3 volumes are housed together in a brown calf solander slipcase with blind-stamped decorations. Roma: Per Luigi Perego Salvioni 1795. Fine.<br/><br/> Salvioni unknown books
Bookseller reference : 157735
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BRUNETTA ..//.. Brunetta (calligraphe et dessinateur).
Heures Romaines. Ecrites et dessinées par Brunetta.
Orléans, P. Blanchard, sd (vers 1860), 1 volume, in-8, sous chemise, 79 p.. Texte calligraphié, majuscules ornementées et aquarellées avec rehauts d'or, texte dans un encadrement à décor floral ou de faune fantastique (chimères, dragons), arabesques et décors géométriques, gravure en frontispice représentant une mise en croix, une autre gravure (p. 41) représente le mariage de la Vierge d'après Raphaël. Contient : Ordinaire de la Sainte Messe (Psaume 42, Confiteor, Gloria et Evangiles, Credo, Offertoire, Canon, Elevation, prières, communion), Cérémonie du mariage (avec la prière à la Croix), Messe du Mariage (avec collection, épîtres, Graduel, Évangiles, prières et Benediction), Messe de la Nativité (avec épîtres, Evangiles et Communion), Messe du Jour Saint de Pâques (avec épîtres, Evangiles et les souvenirs de la Famille). Ensemble sous chemise rigide illustrée avec dos et coins toilés, chemise salie avec petite usure aux coupes, liens de fermeture manquants, page de titre légèrement ternie.
Bookseller reference : 8822
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Catholic Church. Book of Hours.
The Tr s Riches Heures of Jean Duke of Berry. Intoduction and Legends by Jean Longnon. Translated . by Victoria Benedict
New York: George Braziller 1969. Hardcover. Very good condition in slipcase. Folio 139pl. illus. <br/><br/> George Braziller hardcover
Bookseller reference : 017263
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Collectif
Heures imprimées par l'ordre de Monseigneur le Cardinal de Noailles, archevesque de Paris. Nouvelle édition, qui contient les offices selon l'usage de Rome, avec les messes des principales Solemnités
A Paris, chez Cl. J. B. Herissant, rue Notre-Dame, à la Croix d'or, A Paris, chez Jean-Thomas Herissant, rue S. Jacques, à Saint Paul et à Saint Hilaire Relié 1763 In-12 (10 x 17 cm), reliure plein veau, dos à 5 nerfs orné de dorures, tranches dorées, gardes couleur, 456 pages, avec quelques ruban signets (effilochés aux extrémités) ; manques de cuir aux coiffes et coins, frottements aux mors, nerfs et coupes, mors supérieur fendu en tête, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Bookseller reference : gu4359
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GRUEL; ENGELMANN
Paroissien Romain d'après les imprimés français du XVe siècle
Paris, Gruel et Engelmann, 1885. In-12, 687 pp., maroquin brun de Gruel, plats estampés de frises à froid et dorées en encadrement cantonnés de fleurons dorés, dos lisse orné d'un caisson doré et à froid, frise de petites fleurs dorées, doublure de maroquin rouge orné de filets dorés en encadrement, des arabesques et fleurs de l ys dorés, au centre le chiffre doré G. R., garde de soie côtelée grenat, tranches dorées et ciselées, deux fermoirs en métal (petits épidermures et insolation, petits manques aux fermoirs).
Bookseller reference : 16697
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Introduction et légendes par Marcel Thomas
Les grandes heures de Jean de France, Duc de Berry.
1971 Draeger Frères, éditeurs - 1971 - In-folio, cartonnage crème avec titre en doré au dos et sur le 1er plat , sous rhodoïd - 109 planches en couleurs
Bookseller reference : 117665
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J.P. Badenas, A. Gudayol
Libro de horas del Obispo Morgades (Libro d’ore del Vescovo Morgades)
Commentario al facsimile: Libro de horas del Obispo Morgades (Libro d’ore del Vescovo Morgades). Numerose illustrazioni a colori. Tela editoriale e sovraccoperta a colori. Formato : 23x30 cm. Pagine : 258. Peso : 1720 gr. Lingua : catalano, spagnolo. Condizione : nuovo.
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LIVRE D'HEURES.-
Heures dédiées au Roy, contenant les Offices, Vespres, Hymnes et Proses de l'Eglise.-
Avec les Exercices du matin & du soir, l'Entretien durant la Sainte Messe, & les Prieres pour les sept jours de la semaine. Et la méthode de se bien confesser & communier. Le tout en François. Paris. Jacques Le Gras. 1694. In-16 (84 x 130mm) plein maroquin rouge, dos à 5 nerfs, écoinçons or dans les caissons, pointillés encadrant les plats avec écoinçons également, roulettes sur les coupes, plats peignés, tranches dorées (reliure de l'époque). Gravure intitulée Regina Caeli, de la rue St. Jacques au Pelican, en frontispice, 6ff.n.ch., 454, (2) pages. Un bandeau et une lettrine gravés sur bois et 2 gravures hors texte. Des rousseurs sinon bon exemplaire, reliure ancienne bien conservée.
Bookseller reference : ORD-6477
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LIVRE d'HEURES;
Heures choisies des Dames Chrétiennes approuvées par M.S. l'Evêque de Dijon, tiré des manuscrits du XIIe au XVIIe siècle provenant du Cabinet de M. H. Baudot à Dijon.
Lesort, Pellion Paris, Dijon 1860 1 vol. In-12 de 2 ff.n.ch. CCVIII pp., maroquin bordeaux de l'époque, dos à nerfs orné, décor doré en encadrement sur les plats, guirlande dorée intérieure, gardes de soie moirées, tranches dorées.
Bookseller reference : 14848
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LIVRE D'HEURES - NOAILLES (Cardinal de).
HEURES IMPRIMÉES PAR L'ORDRE DE MONSEIGNEUR LE CARDINAL DE NOAILLES, Archevesque de Paris.
1765 Paris, Hérissant, 1765. Fort volume petit in-8 (105 X 175 mm) maroquin vert lierre, triple encadrement de filet et fleurons d'angles dorés sur les plats, armes frappées or au centre, dos lisse cloisonné et entièrement orné aux fers dorés, pièce de titre maroquin rouge, coupes et coiffes filetées, roulette dorée intérieure, gardes illustrées de motifs dorés, tranches dorées sur marbrure (Reliure de l'époque) ; (12) ff., 540-345 pages, (2) pages de table. Manque de papier dans l'angle inférieur droit de deux feuillets (pages 37 à 41) avec perte de quelques lettres aux manchettes en latin, taches claires en marge des pages 3 à 6.
Bookseller reference : 001214
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LIVRE d'HEURES;
LIVRE D'HEURES ou offices de l'Eglise.
Guilbert Paris 1843 1 vol. In-8 de 9 ff.n.ch. 92 pp. 1 f.n.ch., plein maroquin havane, doublure de maroquin bleu pétrole ornée d'une dentelle dorée, plats ornés d'un décor à froid, dos à nerfs orné de caissons à froid avec petites fleurs-de-lys dans les angles, coupes filetées, gardes de moire blanche, tranches dorées, étui bordé (reliure de Carayon).
Bookseller reference : 14700
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LIVRE D'HEURES
Livre d'heures du XIXeme siècle.
1880 plein maroquin tête de nègre, tr. dorées, monogramme en argent "F B " sur le Ier plat, in-12, (5ff.), 188pp. montées sur onglets, 4 gravures h.t., P. Laplace Sanchez (ca. 1880)
Bookseller reference : 16166
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LIVRE D'HEURES
Livre d'heures, sans lieu, sans date (XVIIIe siècle).
1 ouvrage minuscule 5,5 cm sur 4,5 cm relié pleine basane racinée marron, dos lisse décoré, pièce de titre de maroquin rouge avec accroc, petits trous de vers sur le plat supérieur, tranches saumonées, 288 p. Coupé un peu court sur quelques feuilles.
Bookseller reference : 13499
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LIVRE D'HEURES.
LIVRE D'HEURES A L'USAGE D'AMIENS. Chatoyant manuscrit enluminé de belle qualité, évocateur de la peinture abbevilloise des années 1480.
Manuscrit enluminé sur peau de vélin orné de 6 miniatures. France, Abbeville, vers 1480. In-12 de 82 ff. sur parchemin précédés et suivis d’1 feuillet de garde de parchemin. Complet. 19 longues lignes, f. 14 blanc. Ecriture bâtarde à l’encre brune, texte en latin sur une colonne, réglure à l’encre violette, rubriques en rouge, initiales peintes en alternance rouges ou bleues, grandes initiales peintes argentées ou dorées sur fonds brun rehaussé d’or, 2 miniatures à quart-de-page, sans bordures, 4 grandes miniatures à demi-page avec bordures enluminées. Justification du texte 107 x 73 cm. Reliure de cuir brun, double encadrement de filets à froid sur les plats avec fleurons d’angle, dos à nerfs orné à froid. Gruel. 180 x 127 mm.
Bookseller reference : LCS-17842
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LIVRE D'HEURES.-
Nouvelles Heures Gothiques d'après les Manuscrits des Bibliothèques Nationales et Particulières.-
Paris. Leroy. Secail & Cie. s. d. (1882). In-8 (120 x 164 mm) plein chagrin noir à 60 nerfs, muet, gardes jaspées, tranches dorées, 3 pages n.ch. (titre et 2 frontispices), CXCIV pages et 6 pages n.ch. Ouvrage entièrement imprimé en chromolithographie. Bords des gardes un peu insolés, tranches assez irrégulières, sinon très bon état. Ex-libis et blason de Ms William E. Kelley. Reliure muette mais en très bon état.
Bookseller reference : ORD-19266
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LIVRE D'HEURES
Livres D'Heures complet en Latin et en Francais a l'usage de Paris et des dioc�ses qui suivent le rit parisien; contenant l'Office de tous les Dimanches et F�tes de l'ann�e avec des Explications historiques et morales qui en sont connaitre le but et l'institution: imprim� sous la direction de L'Abbe Affre.
Paris J. Hetzel 1838. Small8vo. 135 x 95 cm. Orig. full velvet with metal corners and metal clasps. Engraved lettering on metalplate on spine. All edges gilt. A mild dampstain on lower part of frontboard reaching front free endpaper. Chromolithographed frontispiece.20792 pp. Pictorial and ornamental lithographed borders on each page biblical scenes and with many plates. unknown
Bookseller reference : 52210
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Meiss, Millard et Kirsch, Edith W. :
Heures (Les) de Visconti. Bibliothèque Nationale, Florence. Traduit de l'américain par François Avril, Conservateur au Cabinet des Manuscrits de la Bibliothèque Nationale.
Paris, Draeger Frères, 1972 ; in-4, cartonnage bleu de l'éditeur à la bradel, titre argent, écusson doré et illustré sur le premier plat, sous jaquette illustrée d'une enluminure en relief couleurs et or, sous étui carton gris ; (1) f. (bl.), 262 pp., (2) ff. (bl.) ; 128 illustrations en couleurs hors-texte (reproduction d'enluminures).
Bookseller reference : 2782
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MEISS Millard
The Visconti Hours. Bibliotheca Nazionale, Florence. FINE COPY IN PUBLISHER'S SLIP-CASE
Roy. 8vo., First Edition thus, with very numerous splendid coloured heightened in gold; blue cloth, upper board blocked in gilt, gilt back, gilt top, a fine copy in publisher's board slip-case with mounted coloured plate. With extended introduction and bibliography.
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Millard MEISS et Marcel THOMAS
Les HEURES de ROHAN
Un ouvrage de 248 pages, format 215 x 300 mm, illustré, relié toile sous jaquette couleurs, publié en 1973, Draeger Frères Editeur, bon état
Bookseller reference : LFA-126720341
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Officium Beatae Mariae Virginis
Officium Beatae Mariae Virginis
P II V.Pont.Max.iussu éditum Nuncpluribus quàm hactenus vmquam figures oeneis illustratum Officina plantiniana, 162.Petit in 4 EDITION PLANTINIENNE plein maroquin de couleur rouge foncé de l’époque,à nerfs,caissons dorés,6 filets et écoinçons dorés sur les plats,trace de roulette dorée sur les coupes; titre avec vignette gravée,XXXVI pages,696 pages,2 pages index eorum quae officio B Mariae continentur Impression en rouge et noir,91 superbes gravures sur cuivre ,57 pleine page et 34 dans le texte,67 lettrines gravées sur bois, tranches dorées. Antverpiae ex officina Platiniana Apud Balthazarem Morerum & Viduam Joanus Moreti,& Io Meufium 1622.Reliure de l’époque.Raccommodages principalement charnières et coiffes et coins.
Bookseller reference : 5581
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Queyroy (A.), Gusman (A.)
Heures romaines avec figures par A. Queyroy gravées par A. Gusman.
Tours Alfred Mame et fils s.d. Rousselle Un volume in-12 reliure signée Emile Rousselle, plein maroquin aubergine, dos à cinq nerfs orné de fleurons, plats à encadrement de filets et larges dentelles, filets sur les coupes et en coiffe, tranches dorées, dentelles intérieures, gardes satin aubergine au chiffre RV, [2ff.] blancs, faux titre, frontispice, page de titre, [10ff.] fêtes mobiles, notes et calendrier, 516 pages, texte en deux couleurs en encadrement, [2ff.] blanc.Très bel exemplaire.
Bookseller reference : 3700
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RG
(Le Chien de Goltzius). Portrait du fils de Frisius avec un chien.
Copie n°2 d'après Bartsche (p. 60, n° 190) de la plus rare des gravures de Goltzius. Cette très belle copie par un maître anonyme de la fin du XVIè siècle est également très rare. en feuille Très bon 1599 35,3 x 26,2 cm
Bookseller reference : 11698
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ROBERT, Karl
Traité Pratique de l'enluminure des livres d'Heures, Canons d'Autel, Images et Gravures selon la méthode des Anciens d'après les documents du moine Théophile et selon les procédés modernes d'après les meilleurs Artistes Peintres Imagiers et Enlumineurs
1898 Paris, Henri Laurens Editeur - 1898 - Rroisième édition - In-8 - Demi basane brune, 5 nerfs, fleurons et titres dorés ( belle reliure probablement postérieure avec gardes en textile contre-collé sur papier à motifs de fleurs de lys - 1ère de couverture conservée - 159 pages - Illustrations en noir & blanc
Bookseller reference : 80632
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S.n.
Heures Nouvelles
Nancy, Claude Leseure, 1805. In-16, 11x7 cm., [4] ff., 350 pp., reliure en maroquin, dos orné, plats encadrés de filets à motifs floraux, coupes et tranches dorés, gardes marbrées. Légère usure. Manque la page de titre (débute au f. A2). Intérieur propre, sans rousseur. Ex-libris manuscrit sur la dernière garde. Approbation de l'évêque de Nancy donné le 16 mai 1805.
Bookseller reference : UGE-82
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Sotheby's [Hrsg.]
Illuminated Manuscripts from the Celebrated Library of the late Major J.R. Abbey. The eleventh and final Part. London Monday 19th june 1989.
London, 1989. 4°. 207 Seiten, mit vielen tls. farb. Illustr. Or.-Kart. Einband mit wenig Gebrauchssp.,ansonsten sauber und gut erhalten.
Bookseller reference : 26165BB
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VERVE VOL III,
Les Fouquet de Chantilly. Les heures d'Etienne Chevalier. La vierge et les saints : 14 reproductions en couleurs présentées par Henri Malo.
Couverture rigide. Cartonnage de l'éditeur. 26 x 35cm. 14 pages. + 14 reproductions en couleurs. Jaquette de couverture en mauvais état.
Bookseller reference : 138048
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