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‎Text by MEVLÂNÂ IDRIS.‎

‎Talismani ed altri oggetti straordinari. La mostra degli oggetti di Khanqa del mondo Turco. 16 Ottobre - 7 Novembre 2014.= Tilsimlar ve diger olaganüstü esyalar. Türk Dünyasi Tekke Objeleri Sergisi. 16 Ekim - 7 Kasim 2014. [Exhibition catalogue].‎

‎New Italian Original bdg. HC. 4to. (30 x 25 cm). In Italian and Turkish. [175] p., fully color ills. Talismani ed altri oggetti straordinari. La mostra degli oggetti di Khanqa del mondo Turco. 16 Ottobre - 7 Novembre 2014.= Tilsimlar ve diger olaganüstü esyalar. Türk Dünyasi Tekke Objeleri Sergisi. 16 Ekim - 7 Kasim 2014. [Exhibition catalogue].‎

‎ÇILER BELEN.‎

‎Çiler Belen. Soma. [Exhibition catalogue]. 13 Mayis - 12 Haziran 2017. Crated by Mahmut Nüvit.‎

‎New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [76] p., ills. Çiler Belen. Soma. [Exhibition catalogue]. 13 Mayis - 12 Haziran 2017. Crated by Mahmut Nüvit. A painting exhibition on the catastrophic disaster in the Soma Coal Mine in 2014.‎

‎DOLORS SORIANO et alli.‎

‎Istanbul, traversée. [Exhibition catalogue].‎

‎New English Paperback. Roy. 8vo. (24 x 17 cm). In English. 200 p. Istanbul, traversée. [Exhibition catalogue]. Its geographical location, its rampant urban development and its complex socio-political fabric make Istanbul an ideal backdrop for many artists, not only Turkish and Istanbul artists, but also artists from the diaspora or artists from abroad who have come to Istanbul as artists in residence. Through the selected works and the varied backgrounds of the artists, this publication attempts to show how city-dwellers face their reality and their history, and how, depending on their cultural, social and political background, they show their resistance to it and participation in it. In recent years, the number of artistic projects has increased, inviting dialogue and historical introspection. These artists accompany the movement of contemporary history. The publication will trace these developments.‎

‎Edited by GURUR ERDEM.‎

‎Solo? in contemporary dance.= Çagdas dansta solo?‎

‎Fine English Paperback. Demy 8vo. (21 x 15 cm). In English and Turkish. 68, 72, [1] p. Solo? in contemporary dance.= Çagdas dansta solo?‎

‎SÜHEYL ÜNVER, GüLBüN MESARA.‎

‎The Turkish rose.‎

‎New English Paperback. Oblong 4to. (31 x 31,5 cm). In English. [xx], [2], [1] p., 99 color plts. 'A treatise on roses' presents a selection of 99 rose drawings gathered from old Turkish manuscripts, book bindings, ornaments on plaster, stone and wood, tiles and various other sources dating from the middle of sixteenth century to the end of nineteenth century.'.‎

‎MUZEJ KNEZA PAVLA, BEOGRAD.‎

‎Izlojva Turskih slika i publikatsiya. Muzej Kneza Pavla. [Exhibition catalogue]. 14 April - 30 April, Beograd 1937.‎

‎Very Good Serbian Paperback. Roy. 8vo. (23 x 16 cm). In Serbian. 2 b/w portraits, 17, [18] p., ix numerous b/w plates. Izlojva Turskih slika i publikatsiya. Muzej Kneza Pavla. [Exhibition catalogue]. 14 April - 30 April, Beograd 1937. Extremely rare. Exhibition catalogue of Turkish / Ottoman masterpieces.‎

‎MICHALIS HADJIPIERIS, NESIE YIASIN, GEORGIOS KEPOLA, NIYAZI KIZILYÜREK.‎

‎Nicosia.‎

‎Fine English Paperback. Large 8vo. (24 x 24 cm). In English. 116 p., color ills. Nicosia.‎

‎FEYHAMAN DURAN, (1886-1970).‎

‎Feyhaman [Duran]. Texts by Gül Irepoglu.‎

‎Very Good English Original bdg. HC. 4to. (34 x 25 cm). In Turkish. 127 p., color and b/w ills. Feyhaman [Duran]. Texts by Gül Irepoglu.‎

‎G. MARKANTONATOS et alli.‎

‎I Elliniki glossa. Keimena Archaia, Byzantina kai logia b' gymnasiu.‎

‎Fine Greek, Modern (post 1453) Paperback. Roy. 8vo. (24 x 17 cm). In Greek. 224 p., color and b/w ills. I Elliniki glossa. Keimena Archaia, Byzantina kai logia b' gymnasiu. The Greek language. Texts Ancient, Byzantine and Secondary lyrics.‎

‎VASILES PAN. KEKES.‎

‎[Our trial of Cappadocia. A wandering pilgrimage]. E dikia mas Kappadokia. Ena odoiporiko proskunema.‎

‎Fine Greek, Modern (post 1453) Paperback. Small. 4to. (26 x 20 cm). In Greek. 171, [2] p., color and b/w ills. [Our trial of Cappadocia. A wandering pilgrimage]. E dikia mas Kappadokia. Ena odoiporiko proskunema. Signed and inscribed by Kekes.‎

‎KONSTANTINOU A. JACHOU.‎

‎Leitourgikon. Periechou ta upo te tou diakouou tou Ierou kai tou Ieropsaltou eu ie agia kai iera Leitourgia psallomeua. Edited by H. Redias-Toubas. [With a CD].‎

‎Fine Greek, Modern (post 1453) Paperback. Roy. 8vo. (24 x 17 cm). In Greek. 91, [3] p., with CD. Leitourgikon. Periechou ta upo te tou diakouou tou Ierou kai tou Ieropsaltou eu ie agia kai iera Leitourgia psallomeua. Edited by H. Redias-Toubas. [With a CD]. Functional. I contained the sacred and holy Liturgy by the Divine and the Holy Ghost.‎

‎Curated by ÇELENK BAFRA - PAOLO COLOMBO.‎

‎Till it's gone: An exhibition on nature and sustainability.= Yok olmadan: Doga ve sürdürülebilirlik üzerine bir sergi. [Exhibition catalogue].‎

‎New English Paperback. 4to. (28 x 23,5 cm). In English and Turkish. 156, [7] p., color ills. Till it's gone: An exhibition on nature and sustainability.= Yok olmadan: Doga ve sürdürülebilirlik üzerine bir sergi.= Till it's gone: An exhibition on nature and sustainability. [Exhibition catalogue]. "TILL IT'S GONE" presents a selection of artists who undertake conceptual research on nature and focus on ecological issues in their artistic practices. The artists are from various generations and have intricate relationships with the concept of sustainability; they bring to bear diverse interpretations and insights pertaining to the interaction between human beings and the ecosystem. The exhibition features paintings, sculptures, installations, photographs, and moving images by twenty artists and art collectives from Turkey and other geographies. Istanbul Modern launches the preliminary program of the exhibition on December 23, 2015, with Yoko Ono's large-scale installation "Ex It", which Ono describes as "life as a continuation". The catalogue includes images and texts about the artists and artworks in "TILL IT'S GONE" and three new essays proffering different perspectives on the premises of the show: following the conceptual framework of the exhibition by Celenk Bafra and Paolo Colombo, the author, educator, and environmentalist Richard Heinberg of the Post Carbon Institute asks-and answers-the question of "why sustainability?", and the art historian Dr. Roger Cook explores the relationship of nature and art in the context of the works in the exhibition in his article titled "Good Air My Friend: Art for the Anthropocene.‎

‎Curated by MATTIJS VISSER; Prep. by THEKLA ZELL.‎

‎ZERO. Countdown to the future. [Exhibition catalogue]. Sabanci University Sakip Sabanci Museum, 2 September 2015 - 10 January 2016.‎

‎New Turkish Paperback. 4to. (27 x 24 cm). Edition in English. 196 p., b/w and color ills. ZERO. Countdown to the future. [Exhibition catalogue]. Sabanci University Sakip Sabanci Museum, 2 September 2015 - 10 January 2016. "ZERO. Countdown to the Future" is introducing the ZERO movement to art enthusiasts in Turkey through an extensive selection of works in which nature and technology interact in novel ways, produced by a group of artists brought together by their unshakeable belief in the future". Museum with an atmosphere of energy and force, accompanied by numerous symposia, conferences, film screenings, children's workshops and an audioguide, along with an extensive exhibition catalogue.‎

‎FÜREYA KORAL, (1910-1997).‎

‎Fureya. [Exhibition catalogue]. Curated by Karoly Aliotti, Nilüfer Sasmazer, Farah Aksoy.‎

‎New New Turkish Original bdg. Dust wrapper. 4to. (29 x 24 cm). Edition in Turkish. 473, [1] p., color and b/w ills., many folding pages, folded planches, additional booklet of life of Fureya. Fureya. [Exhibition catalogue]. Curated by Karoly Aliotti, Nilüfer Sasmazer, Farah Aksoy.‎

‎FELIX ZIEM.‎

‎Felix Ziem. Wander on the sea of light.= Isik denizinde bir gezgin. [Exhibition catalogue].‎

‎New English Paperback. Pbo. 4to. (28 x 20 cm). In English and Turkish. 136 p., color ills. Felix Ziem. Wander on the sea of light.= Isik denizinde bir gezgin. [Exhibition catalogue]. The exhibition Félix Ziem: Wanderer on the Sea of Light focuses on the French artist Félix Ziem, one of the most original landscape painters of the nineteenth century, and his paintings that mostly depict Istanbul and Venice where the sea and the city intermingle. In the paintings of Félix Ziem who is regarded as a pre-impressionist painter, it is possible to observe an endeavor to capture the vibrating effects of the ever-changing light by means of lively colors and fast, dynamic brush stroke techniques. While the articles written by the exhibition curators Lucienne Del'Furia and Frédéric Hitzel concentrate on Ziem's life and art, the article by R. Bar¿¿ K¿br¿s, the curator of the Suna and ¿nan K¿raç Foundation, Orientalist Painting Collection, offers a view on the artistic milieu of the period.‎

‎Edited by EKREM ISIN.‎

‎Çiçek defteri. 18. yüzyil Osmanli kültüründen bir örnek. Seçmeler.‎

‎New English Original 1/4 leather bdg. Demy 8vo. (22 x 16 cm). In Turkish. 255 p., color ills. (Some facsimiles of masterpieces illuminated Ottoman manuscripts such 'Sukufename'). Çiçek defteri. 18. yüzyil Osmanli kültüründen bir örnek. Seçmeler. 500 copies were printed.‎

‎Edited by NICHOLAS TROMANS, R. BARIS KIBRIS, GÖKÇE GÜNGÖR.‎

‎The lure of the East: British orientalist painting.= Dogu'nun cazibesi: Britanya oryantalist resmi. [Exhibition catalogue].‎

‎New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 360 p., color ills. The lure of the East: British orientalist painting.= Dogu'nun cazibesi: Britanya oryantalist resmi. [Exhibition catalogue]. This exhibition focused on the paintings made by British artists of the 'Orient', primarily during the nineteenth century. In this context the term 'Orient', to Western Europeans, meant those parts of the eastern Mediterranean world which could be accessed relatively easily such as Egypt, Palestine and Turkey, particularly after the development of steamboat and rail travel in the 1830s. In these places, predominantly Muslim and at least nominally under the control of the Ottoman Empire, British artists, such as David Roberts, David Wilkie, William Holman Hunt, John Frederick Lewis and Frederic Leighton, sought to develop imagery which captured what they believed to be characteristic of the people, cities and landscapes of the region. In the 1970s the Palestinian-American academic Edward Said published his treatise on Orientalism, initiating a global debate over Western representations of the Middle East. For many, such representations now appeared to be a sequence of fictions, serving the West's desire for superiority and control over the East. The argument for and against Said's Orientalism has continued for thirty years. Its resonance for an exhibition such as this one, however, is as strong as ever given that, by the 1920s (the end of the period covered by this exhibition), Britain was in direct control of much of the newly abolished Ottoman Empire, including Egypt, Palestine and Iraq. As Said argued, these images cannot be viewed in isolation from their wider political and cultural context. Keeping the debates around Orientalism in mind, "The Lure of the East" focuses on the range of pictorial options open to British artists, within five major themes: portraits, genre, religious and domestic subjects and landscape. British painters came to the Middle East from a culture steeped in technical and compositional artistic traditions. Such traditions were not easily unlearned, despite the apparent difference of the people and places the artists encountered on their travels. Given this, British Orientalist painters found many challenges in attempting to represent the Middle East, but they also found inspiration and, more importantly, the freedom to rework, reinvent and even discard those conventions that defined picture-making in Britain.‎

‎Edited by ÖMER FARUK SERIFOGLU.‎

‎Istanbul'un ressami Hoca Ali Riza. Ev ve sehir. 2 volumes set.‎

‎New Turkish Original cloth bdg. In publisher's special box. 4to. (31 x 25 cm). In Turkish. 2 volumees set: (1023 p.), color and b/w ills. Istanbul'un ressami Hoca Ali Riza. Ev ve sehir. 2 volumes set. A very heavy set. Extra shipping cost will be requested. Biography of Turkish painter Hoca Ali Riza (1858-1930). He was a Turkish painter and art teacher known primarily for his impressionist landscpes and architectural paintaings.‎

‎BELGIN DEMIRSAR ARLI.‎

‎Oryantalizmden çagdas Türk resmine.‎

‎Fine Fine Turkish Original bdg. Dust wrapper. 4to. (31 x 23 cm). In Turkish. 319 p., color and b/w ills. Oryantalizmden çagdas Türk resmine. A comprehensive study on history of Turkish painting and its orientalist origin.‎

‎BELGIN DEMIRSAR ARLI.‎

‎From Orientalism to contemporary Turkish painting. Translated into English by Valerie Needham. Preface by Ara Altun.‎

‎New New English Original bdg. Dust wrapper. 4to. (31 x 23 cm). Edition in English. 307, [1] p., color ills. From Orientalism to contemporary Turkish painting. Translated into English by Valerie Needham. Preface by Ara Altun.‎

‎TÜLÂY DURAN.‎

‎Portraits of Ottoman Empire's sultans.= Padisah portreleri.‎

‎Fine English Original creme bdg. 4to. (32 x 23 cm). In English and Turkish. 317, [1] p., color and b/w ills. Portraits of Ottoman Empire's sultans.= Padisah portreleri. OTTOMANIA Ottoman Sultans Turkish art of painting History of art Portrait Orientalism.‎

‎COLLECTIVE.‎

‎Saltwater: A theory of thought forms. Guidebook.= Tuzlu su: Düsünce biçimleri üzerine bir teori. Rehber. Edited by Süreyya Evren.‎

‎New English Paperback. Foolscap 8vo. (18 x 12 cm). In English and Turkish. 141, [52] p., color and b/w ills. Saltwater: A theory of thought forms. Guidebook.= Tuzlu su: Düsünce biçimleri üzerine bir teori. Rehber. Edited by Süreyya Evren. The 14th Istanbul Biennial Guidebook, written by Christov-Bakargiev herself, gives some very helpful insight into the works and venues in the biennial, while the maps, recommended routes, and practical transport information intend to smooth the way for the biennial expedition that will take three days the least on land and sea.‎

‎ADEM GENÇ.‎

‎Adem Genç. The new abstract approaches during Post Dada and Pop period.= Post Dada ve pop sürecinde yeni-soyut yaklasimlar. [Catalogue of the artist]. Text by Ahmet Oktay.‎

‎Fine Fine English Original bdg. Dust wrapper. 4to. (31 x 24 cm). In English and Turkish. 296 p., color ills. Adem Genç. The new abstract approaches during Post Dada and Pop period.= Post Dada ve pop sürecinde yeni-soyut yaklasimlar. [Catalogue of the artist]. Text by Ahmet Oktay. TURKISH ART OF PAINTING Dadaism.‎

‎ALAIN QUELLA-VILLEGER, BRUNO VERCIER / ENIS BATUR.‎

‎Dessinateur Pierre Loti: Une oeuvre au long cours. Loti, de Turquie.= Ressam Pierre Loti: Uzun bir yolculuk. Loti'yi Türkiye'den görmek.‎

‎New New English Original bdg. Dust wrapper. Large 4to. (31 x 31 cm). In French and Turkish. 301, [3] p., color and b/w ills. Dessinateur Pierre Loti: Une oeuvre au long cours. Loti, de Turquie.= Ressam Pierre Loti: Uzun bir yolculuk. Loti'yi Türkiye'den görmek. Le romancier à succès Pierre Loti (1850-1923) a occulté le dessinateur. Sous son véritable nom de Julien Viaud, comme reporter et pour le plaisir, il avait pourtant composé, au fil de ses campagnes de jeune officier de marine, une remarquable ¿uvre graphique, ethnographique aussi. La voici pour la première fois réunie. Plus de cinq cents dessins, accompagnés des gravures qui en furent tirées et de textes de l¿écrivain, forment un singulier carnet de voyages autour du monde, vers les lointains de cet artiste polymorphe et raffiné : Terre de Feu, île de Pâques, Tahiti, Brésil, Amérique du Nord, Sénégal, Maghreb, Adriatique, Indochine, Japon, mais aussi Bretagne et Saintonge natale, sans oublier son cher « Stamboul ». Du simple croquis à l¿aquarelle aboutie, le trait, sûr et inspiré, fait surgir un foisonnement de portraits et d¿événements, d¿étonnements et de fantaisies, de visions. Le monde de l¿un des derniers romantiques. Alain Quella-Villéger et Bruno Vercier sont les deux spécialistes de Pierre Loti et de son oeuvre, auxquels ils ont consacré de nombreux ouvrages, ensemble ou séparément (voir la bibliographie, p. 291). Ils ont notamment entrepris de conserve la publication au long cours du Journal de Loti (t. 1, 2006 ; t. 2, 2008, Paris, Les Indes savantes). Alain Quella-Villéger, natif de Rochefort, comme Pierre Loti, agrégé d¿histoire et docteur ès-lettres en histoire contemporaine, est le biographe de Pierre Loti, de Claude Farrère et de René Caillié. Il est, en outre, co-auteur d¿une dizaine d¿anthologies aux éditions Omnibus (dont Istanbul, Rêves de Bosphore, 2001), directeur et fondateur de la revue Les Carnets de l¿exotisme (1990-2006), à la suite de la Revue Pierre Loti (1980-1988), et auteur de plusieurs autres ouvrages, dont deux romans. Aux éditions Bleu autour, il a préfacé la réédition de Suprêmes visions d¿Orient (2006, 2010), le dernier ouvrage de Pierre Loti. Bruno Vercier, docteur ès-lettres et universitaire, spécialiste de l¿autobiographie et du journal intime, est co-auteur de plusieurs ouvrages sur la littérature française contemporaine (aux éditions Bordas). Il a signé l¿appareil critique de nombreuses rééditions de textes de Pierre Loti, ainsi que de Raymond Radiguet et Charles-Louis Philippe (aux éditions Flammarion et Gallimard). Il préside l¿Association pour laMaison de Pierre Loti. Enis Batur, qui vit à Istanbul et séjourne régulièrement à Paris, est l¿une des figures centrales de la littérature turque depuis vingt-cinq ans. Romancier, essayiste et poète, il est l¿auteur d¿une centaine d¿ouvrages, souvent traduits dans de nombreuses langues étrangères. En France, ses ouvrages paraissent chez Actes Sud (La Pomme, roman, 2004 ; Amer savoir, récit, 2002 ; D¿autres chemins, récit, 2008) et chez Bleu autour (D¿une bibliothèque l¿autre, 2008 ; Ottomanes, Autochromes de Jules Gervais-Courtellemont, en collaboration, 2006), où il a également préfacé trois recueils, deux de poèmes (Va jusqu¿où tu pourras, OrhanVeli, 2009 ; J¿ai vu la mer, anthologie, 2010), l¿autre de nouvelles (Le Samovar, Sait Faik Abasiyanik, 2010).‎

‎GÜL IREPOGLU.‎

‎A passion for the sea: The secret diary of Ivan Konstantinovich Aivazovsky.= Ask-i derya: Ayvazovski'nin gizli Istanbul güncesi.‎

‎New English Paperback. Pbo. Large 8vo. (23 x 22 cm). In English, Turkish and Russian. 216 p., color and b/w ills. A passion for the sea: The secret diary of Ivan Konstantinovich Aivazovsky.= Ask-i derya: Ayvazovski'nin gizli Istanbul güncesi.‎

‎PROF. ÖNDER KÜÇÜKERMAN.‎

‎The art of glass and traditional Turkish glassware.= Cam sanati ve geleneksel Türk camciligindan örnekler. With a preface by C. J. Riedel.‎

‎Fine Fine English Original bdg. Dust wrapper. 4to. (29 x 22 cm). In English and Turkish. 239, [4] p. Color ills. The art of glass and traditional Turkish glassware.= Cam sanati ve geleneksel Türk camciligindan örnekler. With a preface by C. J. Riedel.‎

‎SEMRA GERMANER, ZEYNEP INANKUR.‎

‎Constantinople and the orientalists.‎

‎New English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.‎

‎Curated by NAZAN ÖLÇER, FILIZ ÇAGMAN, POLONA VIDMAR.‎

‎Image of the Turks in the 17th century Europe. [Exhibition catalogue]. Sabanci University, Sakip Sabanci Museum, 12 July - 9 October 2005.‎

‎New English Paperback. Pbo. 4to. (27 x 24 cm). In English. 311 p., color ills. Museum, and showed how the Ottoman-European relationships and political events has reflected in Arts, a theme common with the previously held exhibition entitled From the Medicis to the Savoias, Ottoman Splendour in Florentine Collections. Along with being a rich art collection for the museums, the large number of portraits where the foreigners pose in Turkish costumes in their homeland after fighting with the Turks, showing how "Fear from the Turks" converted into a fascination, and the goods from the Ottomans that are either gained from wars, received as presents or bought, and the important role that they played in the European social life have always been interesting subjects for historians and other social researchers. In the exhibition, 92 oil paintings, landscapes and engravings, coming from different Museums in Central Europe (especially Slovenia) and private collections from England and Turkey, were displayed. The exhibition was made possible with the contributions of Credit Suisse. Contents: Vasko Simoniti, On the 'Turqueries'; Ales Arih, Foreword; Nazan Ölçer, Foreword; Hans-Ulrich Doering, Foreword; Christoph K. Neumann - Petr Stepanek, Ottoman-Habsburg relations in the 17th century; Stefan Yerasimos, Styrian dragomans in Istanbul; Gunsel Renda, The Ottoman Empire and Europe in the 17th century: Changing images; EdvilijoGardina, Alla Turca': The Tarsia Family of Koper in service for la Serenissima; Maximilian Grothaus "At the crossing of Orient and Occident: The Turquerie of Ptuj"; Polana Vidmar, Courage, power, beauty and luxury: The Vurberk gallery of 17th century paintings; Catalogue; Bibliography.‎

‎FABIEN NIZAM GÜNER, (1941- ).‎

‎Nizam. Double tension.= Ikili gerilim. [Exhibition catalogue]. Curated by Nural Yagmur.‎

‎New English Paperback. Pbo. 4to. (30 x 23 cm). In English and Turkish. 190 p, color ills. Fabien Nizam Güner, (1941- ) is a Turkish sculptor living in France. Nizam. Double tension.= Ikili gerilim. [Exhibition catalogue]. Curated by Nural Yagmur.‎

‎AHMET KUTSI TECER, MALIK AKSEL.‎

‎Resim ve Heykel Müzesinde Tasbaskisi Halk Resimleri Sergisi.‎

‎Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 13 p., 11 b/w plts. Resim ve Heykel Müzesinde Tasbaskisi Halk Resimleri Sergisi. Rare. Exhibition on old Turkish / Turkic lithographic folk paintings in the Museum of Painting and Suclpture.‎

‎NURHAN ATASOY.‎

‎Surname-i Hümayun 1582: An imperial celebration.‎

‎New English Original bdg. HC. In publisher's special slip-case. Folio. (48 x 34 cm). Edition in English. 136 p., color ills. "The Surname-i Hümayun literally translates into Imperial Festival Book, and were albums that commemorated celebrations in the Ottoman Empire in pictorial and textual detail. Such celebrations included mainly imperial weddings and circumcision festivals. These albums were commissioned by the Ottoman Imperial family, usually by the Sultan presiding at the time. The Surname recounts the festivities in order of when the events took place, which includes in detail processions, grand entrance of the Sultan, feasts, entertainers, musicians, dancers, gift giving, firework displays, circumcision and wedding ceremonies. Although many of the Surnames were made to celebrate circumcisions of Ottoman Princes, the first Surname was commissioned in 1524 for a wedding ceremony. This Surname-I Hümayun was commissioned for a circumcision festival, as well it was to commemorate Sultan Murad III's son Prince Mehmed. This festival lasted fifty-two days and was probably one of the most elaborate and grandiose festival the Ottomans had ever held, and it was well documented. The organization of this Surname was done chronologically, each day documented in order with what occurred. The book was created by an author named 'Intizami' which is a pen-name, and the illustrations were done mainly by court artists.".‎

‎ABIDIN DINO.‎

‎Selçuk Demirel - Abidin Dino, Özel Koleksiyon, 1978-1993. Edited by Cem Ileri.‎

‎New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 327 p., color ills. Selçuk Demirel - Abidin Dino, Özel Koleksiyon, 1978-1993. Edited by Cem Ileri. TURKISH PAINTING ART History of art Collection.‎

‎MAZHAR SEVKET IPSIROGLU, SABAHATTIN EYÜBOGLU.‎

‎Sur l'album du Conquerant.= Fatih albumuna bir bakis.‎

‎Very Good Very Good English Paperback. Pbo. Dust wrapper. Roy. 8vo. (24 x 18 cm). In Turkish and French. [xxi], 153 p., b/w plates. Fatih albumuna bir bakis.= Sur l'album du Conquerant.‎

‎Text by MAHMUT NÜVIT.‎

‎Suret-siz: (Adem Genç, Balkan Naci Islimyeli, Bedri Baykam).= You the Visage, Visageless. Tunca sanat 15 Aralik 2010 - 30 Ocak 2011 [Exhibition catalogue]. Translator: Fred Stark.‎

‎New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 127 p. Color ills. 1000 copies were printed. Suret-siz: (Adem Genç, Balkan Naci Islimyeli, Bedri Baykam). You the Visage, Visageless. Tunca sanat 15 Aralik 2010 - 30 Ocak 2011 [Exhibition catalogue]. Translator: Fred Stark.‎

‎Preface by SEVKET RADO.‎

‎Hünername minyatürleri ve sanatçilari. Introduction by Nigar Anafarta.‎

‎Very Good English Original bdg. Folio. (47 x 33 cm). In Turkish. [xv] p. text; 43 color plts. Limited Edition. First Edition. 2500 copies were printed. Facsimile edition of the miniatures from the Ottoman manuscript. Calligraphed by Fethullah bin Katip Dervis es-Sirazi. (Karatay, Topkapi Sarayi Turkce yazmalar katalogu 688). Illustrated by Nakkas Osman (19), Ali Celebi (6), Mehmet Bey (10), Veli Can (2), Molla Tiflisi (3), Mehmet Bursavi (3). Hünername minyatürleri ve sanatçilari. Introduction by Nigar Anafarta.‎

‎Edited by ZEKI BIYIK, MEHMET MAZAK, FIRAT KARAHAN, HILMI TÜRKMEN.‎

‎Images of Üsküdar from the past. The five star book.= Geçmisten Üsküdar suretleri. Besibiryerde.‎

‎New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 254 p., b/w and color ills. Images of Üsküdar from the past. The five star book.= Geçmisten Üsküdar suretleri. Besibiryerde. Compiling the visual odyssey of our beloved borough of Üsküdar, spanning 500 years from the 1420s up until the 1950s, "The golden city" album aims at presenting the pertinent documents of the historical heritage that Üsküdar possesses. The paintings, etchings, photographs, postcards, and maps incorporated into the book all function to adequately and efficiently reflect and convety a semblance of the likeness of the past times pertaining to the "Eternal city" Üsküdar (Scutari) the our present day, and carry them forward to to posterity. Each page of this book-album ensures the remembrance of an exalted glory and an enduring magnificence of the bygone epochs, and, in a sense, successfully attempts to recreate the memory of a living metropolis. Each visual element and image featuring in the album attests to a diverse and rich accumulation, amassed over hundreds of years, as this impressive and exhilarating pictoral feast defines the magical and enchanted atmosphere of Üsküdar, standing out prominently as a "Dreamland" or the "City of fairy-tales and fantasies. (From introduction).‎

‎Edited by SELMIN KANGAL.‎

‎War and peace: Ottoman - Polish relations in the 15th - 19th centuries. [Exhibition catalogue] June 29 - September 20, 1999; Museum of Turkish and Islamic Arts, Istanbul.‎

‎Fine English Paperback. 4to. (33 x 24 cm). In English. 462 p., color and b/w ills. This book is published on the occasion of the exhibition entitled "War and Peace: Ottoman - Polish relations in the 15th - 19th centuries" held at the Museums of Turkish and Islamic Arts in Istanbul between June 29 and September 20, 1999. Contents: M. Istemihan Talay: Preface / Kaya Turgut: Exhibitions of international scale and the role of sponsors / Nazan Olcer: Exhibition of two countries at war and peace / Dariusz Kolodziejczyk: A historical outline of Polish - Ottoman political and diplomatic relations / Dariusz Kolodziejczyk: Ottoman documents in the Polish collections / Andrzej Dziubinski: Polish - Turkish trade ih the 16th to 18th centuries / Tadeusz Majda: Ottoman art in thePolish collections / Magedalena Piwocka: Turkish tents in Poland / Beata Biedronska-Slota: The history of Turkish textile collections in Poland / Zdzislaw Zygulsky Jr: The kalkan - the shield of the orient / Kazimierz Dopierala: Poles in the Ottoman Empire / Kazimierz Dopierala: Adampol - Polonezkoy / Hieronim Kaczmarek: Sefer Pasha - Wladyslaw Koscielski / Zdzislaw Zygulsky Jr: Remarks on the weapons collection of Wladyslaw Koscielski - Alias Sefer Pasa / Catalogue: 15. century / 16. century / 17. century / 18. century / 19. century / Glossary / Bibliography.‎

‎COLLECTIVE].‎

‎Nazim.‎

‎Very Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. 79 p., b/w ills. Second Edition. Nazim.‎

‎Edited by ELVAN TEKCAN SAHINOGLU. ISTANBUL GRAFIK SANATLAR MÜZESI (IMOGA).‎

‎Anatolian impressions: Artists prints from the Studio of Master Tekcan. Süeyman Saim Tekcan - Avni Arbas - Semih Balcioglu - Filiz Basaran - Nurullah Berk - Nermin Bezmen - Cihat Burak - Adnan Coker et alli. Texts by Nancy Matthews, Bonnie Baxter. [Exhibition catalogue].‎

‎New English Paperback. Pbo. Large 8vo. (23 x 22 cm). In English. [4], 46 p., color ills. Anatolian impressions: Artists prints from the Studio of Master Tekcan. Süeyman Saim Tekcan - Avni Arbas - Semih Balcioglu - Filiz Basaran - Nurullah Berk - Nermin Bezmen - Cihat Burak - Adnan Coker et alli. Texts by Nancy Matthews, Bonnie Baxter. [Exhibition catalogue].‎

‎CANAN TOLON, (1955-).‎

‎Canan Tolon. Edited by Haldun Dostoglu.‎

‎Fine Fine English Original bdg. Dust wrapper. 4to. (32 x 24 cm). In English and Turkish. 423 p., color ills. Canan Tolon. Edited by Haldun Dostoglu.‎

‎NURI IYEM.‎

‎Nuri Iyem. 50. sanat yili '86. Text by Demirtas Ceyhun.‎

‎Fine English Paperback. Pbo. 4to. (28 x 20 cm). In Turkish, biography is bilingual in Turkish and English. 157 p., color ills. Nuri Iyem. 50. sanat yili '86. Text by Demirtas Ceyhun.‎

‎EBRU UYGUN.‎

‎Ebru Uygun. EbruCa breath.= EbruCa nefes. [Exhibition catalogue]. 10 February - 10 March 2015, Galeri'Miz.‎

‎New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English and Turkish. 33, [1] p., color ills. 500 copies were printed. Ebru Uygun. EbruCa breath.= EbruCa nefes. [Exhibition catalogue]. 10 February - 10 March 2015, Galeri'Miz.‎

‎METIN ERKAN KAFKAS.‎

‎Metin Erkan Kafkas. Thousandss of years, the time travel feeling the mother goddess.= Anadolunun binlerce yillik zaman yolculugunda, ana tanricaya dokunmak. [Exhibition catalogue]. Texts by M. Sinan Genim, Erol Eti.‎

‎New English Paperback. Pbo. Large 8vo. (22 x 22 cm). In English and Turkish. 80 p., color ills. Metin Erkan Kafkas. Thousandss of years, the time travel feeling the mother goddess.= Anadolunun binlerce yillik zaman yolculugunda, ana tanricaya dokunmak. [Exhibition catalogue]. Texts by M. Sinan Genim, Erol Eti.‎

‎SITKI M. ERINÇ.‎

‎Zeki Faik Izer, 1905-1988.‎

‎Fine Fine English Original bdg. Dust wrapper. 4to. (29 x 21 cm). In English, French, and Turkish. [1], 281 p., color and b/w ills. Zeki Faik Izer, 1905-1988.‎

‎KAYA ÖZSEZGIN.‎

‎Türk plâstik sanatçilari: Ansiklopedik sözlük.‎

‎Fine English Paperback. Pbo. Fine. Roy. 8vo. (24 x 16 cm). In Turkish. 344 p. Color ills. 1500 copies were printed. Türk plâstik sanatçilari: Ansiklopedik sözlük.‎

‎Edited by SALIHA SISMAN.‎

‎Masters of future 2. Traditional Arts Competition, 2014.= Gelecegin ustalari 2. Geleneksel Sanatlar Yarismasi, 2014. [Exhibition catalogue].‎

‎New English Paperback. Pbo. 4to. (29 x 24 cm). In English, Turkish, and Arabic. 139, [4] p., color ills. Masters of future 2. Traditional Arts Competition, 2014.= Gelecegin ustalari 2. Geleneksel Sanatlar Yarismasi, 2014. [Exhibition catalogue].‎

‎NÜZHET ISLIMYELI.‎

‎Türk resim sanatindan örnekler I.‎

‎Very Good English Paperback. Pbo. 4to. (32 x 23 cm). In Turkish. [64] p., color ills. Examples from Turkish painting art. Türk resim sanatindan örnekler I.‎

‎Curated by SELIN SENGÜNLER, ELVAN T. SAHINOGLU.‎

‎Özgün baski resim. [Exhibition catalogue]. Artess Çamlica Art Gallery & Studio, December, 19, 1998 - January, 30, 1999.‎

‎New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 135 p., color ills. 2000 copies were printed. Özgün baski resim. [Exhibition catalogue]. Artess Çamlica Art Gallery & Studio, December, 19, 1998 - January, 30, 1999.‎

‎RÜÇHAN ARIK.‎

‎Batililasma dönemi Anadolu tasvir sanati.‎

‎Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and summary in English. [vii], 168 p., color and b/w ills. Folk painting art in Anatolia in the westernization period. Batililasma Dönemi Anadolu tasvir sanati.‎

‎SELAHATTIN ÖMER & TÜRK OCAGI COLLECTION.‎

‎Türk Ocagi Koleksiyonu ve Selahattin Ömer Resim Sergisi. Prep. by Asuman Akdemir, Hatice Atlihan, Özgür Izzet Pektas, Servet Bayoglu.‎

‎New English Original bdg. HC. 4to. (27 x 24 cm). In Turkish. [124] p., color ills. Türk Ocagi Koleksiyonu ve Selahattin Ömer Resim Sergisi. Prep. by Asuman Akdemir, Hatice Atlihan, Özgür Izzet Pektas, Servet Bayoglu.‎

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