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SEMRA GERMANER, ZEYNEP INANKUR.
Constantinople and the orientalists.
Very Good English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
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Edited by JEAN-LUC MAESO.
Landscapes of water from the Arkas Collection.= Paysages d'eaux de la Collection Arkas.= Arkas Kolekksiyonu'ndan su manzalari. [Exhibition catalogue]. 20 September - 29 December 2017.
New English Paperback. 4to. (28 x 23 cm). In English, French, and Turkish. 201 p., color ills. Landscapes of water from the Arkas Collection.= Paysages d'eaux de la Collection Arkas.= Arkas Kolekksiyonu'ndan su manzalari. [Exhibition catalogue]. 20 September - 29 December 2017. The paintings chosen for this exhibition emphasize the importance of landscape painting in the art of the Western world. This selection, dating from the first half of the 19th century to the second half of the 20th century, features some of the most prominent artists of European landscape painting. The 90 works from the Arkas Collection, most of which are being shown for the first time, illustrate the flourishing artistic scene that prevailed when Paris was the capital of art. The 19th century was one of innovations and revolutions, both historically and artistically. Landscape painting had begun to be recognized as an independent artistic genre in the first half of the 19th century. Until that period, artists preferred to paint in studios. Then, breaking with the strictures of academicism, they began to experiment with plein air (outdoor) painting. During this period, when art itself was being redefined, artistic movements were evolving according to the pictorial tradition. Nature was represented through diverse modes of expression and new artistic movements came into being, such as the Barbizon School, Impressionism, Symbolism, Post-Impressionism, Fauvism and Expressionism. Landscapes of Water "reflects" the historical evolution of the pictorial medium over the course of the 19th and 20th centuries. Here you will find the remarkable works of Eugéne Boudin, Jean-Baptiste Camille Corot, Maurice de Vlaminck, Francis Picabia, Henry Lebasque, and Hippolyte Camille Delpy, among others. They invite the viewer on a fabulous odyssey through diverse geographic areas, from the banks of the Seine and the Scottish lakes to the summits of the Alps, by way of the warm light of the Mediterranean, the North Sea and the rivers of Europe. 1000 copies were printed.
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DR. ELISABETH SGALITZER.
Portrat und Mehransichtigkeit in der Plastik ausserhalb des Mittelmeerkreises.= Akdeniz havzasi disindaki kavimlerin plâstik eserlerinde portre ve birkaç cepheden görünüs.
Very Good German Paperback. Roy. 8vo. (24 x 17 cm). In Turkish with a short abstract in German. [vi], [3], 112, [1] p., v numerous b/w plates (Tafeln). Portrat und Mehransichtigkeit in der Plastik ausserhalb des Mittelmeerkreises.= Akdeniz havzasi disindaki kavimlerin plâstik eserlerinde portre ve birkaç cepheden görünüs.
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Edited by EKREM KAHRAMAN.
Van Gogh sarisi. Vincent Van Gogh'un pesinde modernizmin izinde.
New Turkish Original bdg. HC. Large roy. 8vo. (22 x 19 cm). In Turkish. 680 p., color ills. Van Gogh sarisi. Vincent Van Gogh'un pesinde modernizmin izinde. Van Gogh's yellow. On traces of modernism with Vincent Van Gogh.
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MEHMET CEMAL TOLLU, (1899-1968).
Talimgâh'tan Güzel Sanatlar'a, 1921-1923. Prep. by Servet Avsar.
New Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 164 p. Talimgâh'tan Güzel Sanatlar'a, 1921-1923. Prep. by Servet Avsar. Memoirs of painter Cemal Tollu between the years of 1921-1923.
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CEM DINLENMIS.
Cem Dinlenmis. Attn: Block residents.= Blok sakinlerinin dikkatine. [Exhibition catalogue]. 18 May - 16 June, 2018.
New English Paperback. Pbo. Oblong large Roy. 8vo. (22 x 22 cm). [22] p. In Turkish and English. 500 copies were printed. Fully color ills. Cem Dinlenmis. Attn: Block residents.= Blok sakinlerinin dikkatine. [Exhibition catalogue]. 18 May - 16 June, 2018.
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PHILIPP SCHWEINFURTH.
Grundzüge der Byzantinisch-Osteuropäischen Kunstgeschichte.
Good German Paperback. Roy. 8vo. (24 x 17 cm). In German. 51 p., 15 numerous b/w plates (Tafeln). Grundzüge der Byzantinisch-Osteuropäischen Kunstgeschichte. Essentials of Byzantine-Eastern European history of art.
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O. VOLK / SCHEYERN.
Franz Dölger - Bibliographie, 1919-1951. [Separatum Byzantinische Zeitschrift Begründet von Karl Krumbacher, Sonderdruck aus Band 44-1951).
Very Good German Paperback. Some markings. A reading copy. Roy. 8vo. (24 x 17 cm). In German. 50 p. Franz Dölger - Bibliographie, 1919-1951. [Separatum Byzantinische Zeitschrift Begründet von Karl Krumbacher, Sonderdruck aus Band 44-1951). Dölger war ein deutscher Byzantinist. Dölger war von 1931 bis 1963 Herausgeber der Byzantinischen Zeitschrift. Er hatte damit eine maßgebliche Rolle im Wissenschaftsbetrieb seines Faches inne. Dölger war der Begründer der byzantinischen Diplomatik als Teildisziplin der Byzantinistik. Neben zahlreichen Einzelstudien, die in zwei Sammelbänden zusammengefasst wurden, war seine Bearbeitung der byzantinischen Kaiserurkunden beispielhaft. Dölger gelang es in fünf Bänden mit Regesten von 3555 Urkunden erstmals die Regierungs- und Verwaltungstätigkeit der byzantinischen Kaiser umfassend zu dokumentieren. Aus den Schatzkammern des Heiligen Berges bot erstmals eine breite Information über die Urkundenarchive der Athosklöster. Im Jahre seines Todes erschien das gemeinsam mit Karayannopulos erarbeitete Handbuch zur Diplomatik der byzantinischen Kaiserurkunde. Dieser Sonderdruck enthält 747 Materialien von ihm, die von ihren Untertanen klassifiziert sind. Dölger was a German Byzantinist. He is most notable for his crucial contributions to Byzantine diplomatics, and as the chief editor of the journal Byzantinische Zeitschrift from 1931 to 1963. A member of the Bavarian Academy of Sciences and Humanities, he received honorary doctorates from the universities of Athens, Thessaloniki and Sofia. In 1962, he was awarded the Order Pour le Mérite. This reprint contains 747 materials by him which are classified by their subjects.
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Edited by TANIA BAHAR, BEGÜM AKKOYUNLU ERSÖZ.
Chagall. Life and love. Prints, drawings and paintings.= Chagall. Yasam ve ask. Baski, desen ve resimler. [Exhibition catalogue]. Curated by Meira Perry Lehmann - Michael Bromberg.
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 191 p., color and b/w ills. Contents: Suna, Inan ve Ipek Kirac; Foreword - James S Snyder; Foreword - Meira Perry-Lehmann; Introduction - Marc Chagall: A Photobiography - Ferit Edgu; The World of Chagali - Sivan Eran-Levian; Portraits - Efrat Aharon; Chagali and the Theme of Lovers - Efrat Aharon; My Life - Meira Perry-Lehmann; Books of Bella Chagall: Burning Lights, First Encounter - Meira Perry-Lehmann; Dead Souls - Efrat Aharon; The Fables of La Fontaine - Sivan Eran-Levian; lllustrations of the Bible. The works of outstanding 20th century artist Marc Chagall were exhibited in Turkey for the very first time at the Pera Museum. The 160 works by Chagall (b. 1887, Vitebsk, Russia, d. 1985, Saint-Paul-de-Vence, France) were comprised of prints, drawings and paintings selected from the rich collection of The Israel Museum, Jerusalem. The exhibition showcased a unique selection that revealed Chagall's multi-faceted personality and vivid world of imagination. Accompanying the drawings, which reflect Chagall's life and his love for his first wife Bella, the exhibition also showcased his illustrations for the Holy Book and for literary works such as The Fables of La Fontaine, and Gogol's Dead Souls. Representing his signature style, themes such as Russian folklore, Jewish traditions and lovers stand out in Chagall's works. A conference was held on 5th December 2009, in conjunction with the exhibition as a joint collaboration between Pera Museum and the French Cultural Center, Vice President of the Marc Chagall Committee and granddaughter of Marc Chagall, Meret Meyer spoke of the art and life of the artist.
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ANDY WARHOL.
Warhol in motion. Films and polaroids.= Warhol hareket halinde. Filmler, polaroidler.
Fine English Paperback. Demy 8vo. (21 x 14 cm). In English and Turkish. 38 p., ills. Warhol in motion. Films and polaroids.= Warhol hareket halinde. Filmler, polaroidler.
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YALIN ALPAY, EMRE ALKIN.
The art of Fikret Mualla: Moualla.
New English Paperback. 4to. (28 x 20 cm). In English. 144 p., ills. The art of Fikret Mualla: Moualla. Today, many of his works are included in top private and public museums' collections in Turkey, such as Ankara Museum of Painting and Sculpture and Sakip Sabanci Museum. Mualla retrospectives are run by many internationally recognized modern and contemporary art museums, especially by Istanbul Modern. The most prestigious art galleries in Turkey and in the world hold exhibitions to display Mualla paintings in particular. There are numerous books and plays written about him, many movies and documentaries telling his life story. Despite all of these, the life and art of Fikret Mualla are still ridden with myths and contradictions in the eyes of society. Maybe it is because the last word has not yet been said on the connection between his life and his art, the way how his outlook on life influenced his works, other painters who have been an inspiration to him, the novelties he brought into the art of painting and finally the life he led, a life so dramatic and so intriguing that it could almost be used as a plot for a novel. Here in this book, you will find the life story of Fikret Mualla, the relationship between his art and his life, rare and precious examples of his works, and various characteristics of his art.
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IVAN STCHOUKINE.
La peinture Indienne à l'époque des Grands Moghols.
Very Good French In contemporary 1/3 leather bdg. Small folio. (33 x 26 cm). In French. [10] ,214, [4] p., 'c' numerous b/w plates. La peinture Indienne a l'epoque des Grands Moghols. First Edition. Rare. Sour cadette de la rayonnante miniature persane, la peinture moghole ne fut étudiée qu'à dater du début de ce siècle. Elle n'était considérée jusqu'à ce jour que sous l'aspect d'une branche souvent inférieure des expressions esthétiques iraniennes. Vue sous l'angle de l'art indien, elle retrouve la place importante qui lui était due. Nous avons rendu compte dans les notes bibliographiques de ce Bulletin, M. Parmentier en 1919, nous-même en 1929, d'un ouvrage de M. E. B. Havell intitulé Indian Sculpture and Painting. Cet auteur eut le premier le mérite de placer l'école moghole et l'école néo-indienne à leur rang légitime. M. I. S. rend un juste hommage à M. Havell ainsi qu'à ses successeurs dans l'appréciation des choses sous cet angle nouveau. Il était cependant fort regrettable de constater la pauvreté de la littérature française sur cette question. Nous ne pouvons donc que féliciter vivement M. I. S. de nous avoir offert un important volume sur un sujet à peu près neuf dans notre langue. La nouveauté de ce dernier exigeait la méthode rigoureuse qui a présidé à l'élaboration de ce travail. Dans une première partie historique, M. I. S. étudie la filiation des traditions anciennes avec l'école moghole et néo-indienne. L'auteur insiste sur la continuité de la tradition artistique indienne. Les moyens d'expression des formes picturales de l'homme, puis de la nature, leur définition et leur classement font l'objet d'une seconde partie analytique. Enfin, l'auteur entreprend de déterminer la formation esthétique de la peinture moghole dans une dernière partie, où il étudie, synthétiquement, le rythme de la composition et de la couleur, II est un fait certain : c'est la peinture qui s'est le moins bien conservée au cours des siècles. Cependant, quelques épaves ont miraculeusement survécu aux intempéries, aux invasions et aux guerres. Comme, d'autre part, de nombreuses allusions littéraires font mention de peintures, nous avons en mains les données suffisantes pour que l'historien d'art puisse reconstituer les étapes de l'évolution de cet art. Quoique notre connaissance des débuts soit nécessairement déformée par la légende, la peinture semble avoir tenu à cette époque lointaine une grande place dans la pensée indienne. Elle était le délassement préféré des princes, et la bibliographie amoureuse y trouve largement son compte. Toute personne cultivée avait chez elle le matériel nécessaire à l'exécution d'un portrait, et ceux-ci étaient, paraît-il, fort ressemblants. Mais le caractère profane de la représentation des personnages fut tel qu'au début il était interdit aux moines bouddhiques de séjourner dans les lieux où de pareilles images étaient exposées. Cette interdiction ne dura d'ailleurs pas et l'Eglise bouddhique comprit rapidement la nécessité d'user à son tour de ce puissant moyen de favoriser sa propagande. La connaissance de ces interdictions suffit à déterminer l'origine laïque de la peinture indienne. Les canons aux règles impérieuses ne font leur apparition que vers le VIIe siècle et superposent la formule d'école à l'inspiration directe de la nature. Ces lois enrayeront ainsi graduellement l'évolution de cette forme d'art. En ce qui concerne la décoration des monuments, les plus anciennes fresques sont celles delà grotte Jogimarâ (Orissâ) datant du début de notre ère et celles d'Ajantâ qui remontent, pour certaines «caves», aux deux premiers siècles. Ces représentations, dont le thème est emprunté aux Jàtakas, révèlent une technique en possession de moyens très développés. Notons en passant que les différents auteurs qui ont traité de ce sujet ne sont pas parfaitement d'accord sur les différents moyens mis en ouvre par cette technique. La symétrie des volumes, la sécheresse, une raideur générale, sont les
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DEVRIM ERBIL.
Devrim Erbil. Siirsel uyum.= Poetic harmony. [Exhibition catalogue]. May 25th - June 30th 2017.
New English Paperback. 4to. (29 x 21 cm). In English and Turkish. [65] p., color ills. Devrim Erbil. Siirsel uyum.= Poetic harmony. [Exhibition catalogue]. May 25th - June 30th 2017.
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KIYMET GIRAY.
Ayten Yetis Dogu. [Catalogue of the artist].
New Turkish Paperback. 4to. (30 x 22 cm). In Turkish. 239 p., color ills. Ayten Yetis Dogu. [Catalogue of the artist]. Ayten Yetis Dogu, attended the Department of Painting of Istanbul State Academy of Fine Arts and worked at the studios of Adnan Çoker and Özdemir Altan. She graduated from the studio of Nurullah Berk in 1966. She continued her studies in Vienna from 1967 to 1970 and in Germany from 1972 to 1975. The Artist had twenty solo exhibitions, two of which were abroad and participated in numerous joint exhibitions. The artist who describes her art as expression of color, light and shadow, is currently working in her own studio in Istanbul. (Source: Turkish paintings).
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GÖNÜL GÜLTEKIN.
Western trends in the Turkish art of painting. [= Bati anlayisinda Türk resim sanati].
Fine Fine English Original bdg. Dust wrapper. In special publisher's box. 4to. (28 x 20 cm). In English. 216 p., color ills. Western trend in the Turkish art of painting.
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MURAT AKGÜNDÜZ, ANTONIO COSENTINO, ALTAN ÇELEM, MUSTAFA HORASAN, et alli.
On the frontiers of experience.= Sinir deneyimleri. 11 November - 15 December 2005. [Exhibition catalogue]. Curated by Levent Çalikoglu.
As New English Paperback. Large 8vo. (24 x 24 cm). In English and Turkish. 90 p., color and b/w ills. On the frontiers of experience.= Sinir deneyimleri. 11 November - 15 December 2005. [Exhibition catalogue]. Curated by Levent Çalikoglu.
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Edited byed by ALI KAMIL GÖREN.
Destek Reasürans Koleksiyonu.
New New English Original bdg. Dust wrapper. 4to. (32 x 24 cm). In Turkish. 263 p., color ills. Destek Reasürans Koleksiyonu.
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Edited byed by ALI KAMIL GÖREN.
Destek Reasürans Koleksiyonu.
Fine Fine English Original bdg. Dust wrapper. 4to. (32 x 24 cm). In Turkish. 263 p., color ills. Destek Reasürans Koleksiyonu.
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IKSV.
Untitled (12th Istanbul Biennieal), 2011. The companion.= Isimsiz (12. Istanbul Bienali), 2011. El kitabi.
New English Paperback. Pbo. Mint. Cr. 8vo. (19 x 13 cm). In English and Turkish. 431, [2] p. Color and b/w ills. Untitled (12th Istanbul Biennieal), 2011. The companion.= Isimsiz (12. Istanbul Bienali), 2011. El kitabi.
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Curated by FULYA ERDEMCI.
3th Istanbul Biennial. Mom, am I barbarian?= 13. Istanbul Bienali. Anne ben barbar miyim? [Biennial catalogue].
Fine English Paperback. Demy 8vo. (22 x 15 cm). In English and Turkish. 750, [3] p. 3th Istanbul Biennial. Mom, am I barbarian?= 13. Istanbul Bienali. Anne ben barbar miyim? [Biennial catalogue].
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CONTEMPORARY ISTANBUL - AKBANK.
CI: Art. Stories. Istanbul. Contemporary Istanbul. Catalogue, 14-17 September, 2017.
New English Paperback. Roy. 8vo. (23 x 16,5 cm). In English and Turkish. 313, [2] p., color ills. CI: Art. Stories. Istanbul. Contemporary Istanbul. Catalogue, 14-17 September, 2017.
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Curated by LEVENT ÇALIKKOGLU.
Gelenekten çagdasa modern Türk sanatinda kültürel bellek. Sergi konusmalari. Edited by Esin Eskinat.
New Turkish Paperback. Demy 8vo. (22 x 15 cm). In Turkish. 204 p., color ills. Gelenekten çagdasa modern Türk sanatinda kültürel bellek. Sergi konusmalari. Edited by Esin Eskinat.
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Directed by DYALA NUSSEIBEH.
AI ArtInternational 2015. [Art fair catalogue].
New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish. 230, [68] p., color ills. AI ArtInternational 2015. [Art fair catalogue].
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ARDAN ÖZMENOGLU.
Ardan Özmenoglu: Ben bienal sanatçisi degilim. Texts by Ilkay Balic. [Catalogue of the artist].
New Turkish Original bdg. HC. Roy. 8vo. (25 x 17 cm). In Turkish. 99, [4] p., color ills. Ardan Ozmenoglu: Ben bienal sanatçisi degilim. Texts by Ilkay Balic. [Catalogue of the artist].
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GÜLIN DÖKMECI, EMRE DÖKMECI.
There is a madness in my mind. Gülin-Emre Dökmeci Collection Exhibition.= Aklimda bir delilik var. Gülin-Emre Dökmeci Koleksiyonu Sergisi. Curated by Ali Akay. [Exhibition catalogue].
Fine English Original cloth bdg. 4to. (27 x 24 cm). In English and Turkish. 170, [1] p., b/w and color ills. There is a madness in my mind. Gülin-Emre Dökmeci Collection Exhibition.= Aklimda bir delilik var. Gülin-Emre Dökmeci Koleksiyonu Sergisi. Curated by Ali Akay. [Exhibition catalogue]. 1500 copies were printed.
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SULTAN ABDÜLAZIZ, (1830-1876).
Kunstausstellung von der Skizze zum Gemalde.= Eskizlerden tablolara Sultan Abdülaziz Resim Sergisi. [Exhibition catalogue]. Curated by Mehmet Lütfi Sen.
As New German Paperback. Pbo. 4to. (29 x 24 cm). In German and Turkish. 144 p., color ills. Kunstausstellung von der Skizze zum Gemalde.= Eskizlerden tablolara Sultan Abdülaziz Resim Sergisi. [Exhibition catalogue]. Curated by Mehmet Lütfi Sen.
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Curated by MONTSE AGUER TEIXIDOR - NAZAN ÖLÇER.
Istanbul'da bir sürrealist: Salvador Dali. [Exhibition catalogue].
New English Paperback. 4to. (27 x 24 cm). In Turkish. 405 p., b/w and color ills. Istanbul'da bir sürrealist: Salvador Dali. [Exhibition catalogue].
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AHMET KAMIL GOREN.
50. yilinda Akbank resim koleksiyonu.
New New Turkish Original bdg. Dust wrapper. 4to. (29 x 24 cm). In Turkish. 302 p., color ills. 50. yilinda Akbank resim koleksiyonu. Collection of the Turkish paintings of Akbank.
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TIMUR KERIM INCEDAYI.
Timur Kerim Incedayi. [Catalogue of the artist]. Curated by Zeynep Çarmikli. Translated by Fatih Özgüven. Introduction by Osman S. Çarmikli.
New New English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In English and Turkish. 175 p, color and b/w ills. 2000 copies were printed.
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MEVLÂNÂ CELÂLEDDIN RUMÎ.
Candan cana: Mevlânâ Celaleddin Rumi'den seçme rübailer. Translated into Turkish by Talât Sait Halman. Painted by Erol Akyavas.
New New Turkish Original bdg. Dust wrapper. 4to. (29 x 25 cm). In Turkish. 175 p., color ills. ISBN: 9754581400. Candan cana: Mevlânâ Celaleddin Rumi'den seçme rübailer. Translated into Turkish by Talât Sait Halman. Painted by Erol Akyavas.
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ISMAIL ACAR.
Ismail Acar. Hagia Sophia and imaginary projections.= Ayasofya ve sanal izdüsümler. [Exhibition catalogue]. Preface by Semavi Eyice.
New English Paperback. 4to. (31 x 23 cm). In English and Turkish. 87, [1] p., color ills. 2000 copies were printed. Ismail Acar. Hagia Sophia and imaginary projections.= Ayasofya ve sanal izdüsümler. [Exhibition catalogue]. Preface by Semavi Eyice.
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ISMAIL ACAR.
Ismail Acar. Hagia Sophia and imaginary projections.= Ayasofya ve sanal izdüsümler. [Exhibition catalogue]. Preface by Semavi Eyice.
As New English Paperback. Mint. 4to. (31 x 23 cm). In English and Turkish. 87, [1] p., color ills. 2000 copies were printed. Ismail Acar. Hagia Sophia and imaginary projections.= Ayasofya ve sanal izdüsümler. [Exhibition catalogue]. Preface by Semavi Eyice. Signed and inscribed by artist to Turkish paintress Elif Uras.
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RAFFI PORTAKAL.
P. Dünya sanati dergisi. No:1-52. SET. Owner: Raffi Portakal. Yayin danismani: Ferit Edgü. Yayin Yönetmeni ve Sorumlu Yazi isleri müdürü: Celal Üster.
New Turkish Paperback. 4to. (29 x 21 cm). In Turkish. 52 issues set. Many color and b/w ills. P. Dünya sanati dergisi. No:1-52. SET. Owner: Raffi Portakal. Yayin danismani: Ferit Edgü. Yayin Yönetmeni ve Sorumlu Yazi isleri müdürü: Celal Üster. 1996-2010. All published. It's an oversize and very heavy set.
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ATTILA GALATALI.
Attila Galatali. Poet of the Earth and Sun.= Topragin ve Günesin ozani. Text by Anna Turay.
New New English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In English and Turkish. 123 p., color and b/w ills. 2000 copies were printed. Attila Galatali. Poet of the Earth and Sun.= Topragin ve Günesin ozani. Text by Anna Turay. TURKISH ART Ceramics Tile History of art Modern art.
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TIMUR KERIM INCEDAYI.
A city in search if its history: Istanbul and an artist, Timur Kerim Incedayi.= Una citta sulle orme della Storia, Istanbul e un pittore, Timur Kerim Incedayi.= Tarihin izinde bir kent, Istanbul ve bir ressam, Timur Kerim Incedayi.[Exhibition catalogue]. Edited by Amelie Edgü. Texts by Ahmet Oktay, Murat Ural, Maurizio Calvesi.
New English Paperback. In publisher's special slip-case. 4to. (29 x 21 cm). In English, Italian, and Turkish. 127, [1] p., color ills. A city in search if its history: Istanbul and an artist, Timur Kerim Incedayi.= Una citta sulle orme della Storia, Istanbul e un pittore, Timur Kerim Incedayi.= Tarihin izinde bir kent, Istanbul ve bir ressam, Timur Kerim Incedayi.[Exhibition catalogue]. Edited by Amelie Edgü. Texts by Ahmet Oktay, Murat Ural, Maurizio Calvesi. One of 2000 copies.
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BURCU PELVANOGLU.
Hale Asaf: Türk resim sanatinda bir dönüm noktasi.
New Turkish Original bdg. HC. 4to. (29 x 23 cm). In Turkish. 232 p., color and b/w ills. A comprehensive biographical study on Turkish paintress Hale Asaf, (1905-1938). Second Edition.
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MAYDA SARIS.
Megerdich Jivanian: A painter of Istanbul.= Migirdiç Civanyan: Bir Istanbul ressami.
New English Paperback. 4to. In English and Turkish. 255 p., fully color ills. Megerdich Jivanian: A painter of Istanbul.= Migirdiç Civanyan: Bir Istanbul ressami. "Not much has been written about Jivanian. Researcher-author Mayda Saris has gone through Armenian and Turkish sources and has researched at lenght archives both in Turkey and abroad to piece together Jivanians life story. She found and documented nearly all Jivanian works held by domestic and foreign collections. It was essential that research bringing to light the interesting and unique personality of an individual so important to Turkish art history be conducted. The time has come to remove the veil shrouding Jivanian's life and to make it possible for his work to be presented as a coherent whole to the world." Raffi Portakal from Introduction.
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Curated by KHALID KHREIS.
Between desert and sea: A selection from the Jordan National Gallery of Fine Arts.= Çöl ve deniz arasinda: Ürdün Ulusal Sanatlar Galerisi'nden bir seçki. Edited by Begüm Akkoyunlu Ersöz, Tania Bahar. [Exhibition catalogue].
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 107 p., b/w and color ills. Between desert and sea: A selection from the Jordan National Gallery of Fine Arts.= Çöl ve deniz arasinda: Ürdün Ulusal Sanatlar Galerisi'nden bir seçki. Edited by Begüm Akkoyunlu Ersöz, Tania Bahar. [Exhibition catalogue]. Comprised of works carefully selected from its wide collection by the esteemed founders and directors of Jordan National Gallery of Fine Arts, the exhibition is brought to life in collaboration with Pera Museum.
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BEDRI RAHMI EYÜBOGLU, (1911-1975).
Bedri Rahmi Eyüboglu: To love is a beautiful profession chief.= Bedri Rahmi Eyüboglu: Sevmek güzel meslek reis. Curated by Ibrahim Örs, Hanefi Yeter. Edited by Fahri Ozdemir. [Exhibition catalogue].
New English Original bdg. HC. Foolio. (33 x 24 cm). In English and Turkish. 329, [3] p., b/w and color ills. Bedri Rahmi Eyüboglu: To love is a beautiful profession chief.= Bedri Rahmi Eyüboglu: Sevmek güzel meslek reis. Curated by Ibrahim Örs, Hanefi Yeter. Edited by Fahri Ozdemir. [Exhibition catalogue]. One of numbered 1200 copies. Rare.
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EVELINE SINT NICOLAS, GÜL IREPOGLU, GÜNSEL RENDA DUNCAN, DUNCAN BULL.
An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin.
Very Good Very Good English Original cloth bdg. Dusst wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
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Edited by ZEYNEP ÖGEL.
From Mekteb-i Sultani to Galatasaray Lycee painters, 1868-1968 = De Mekteb-i Sultani au Lycee de Galatasaray peintres, 1868-1968.= Mekteb-i Sultani'den Galatasaray Lisesi'ne ressamlar, 1868-1968.
New English Paperback. 4to. (29 x 24 cm). In English, French, and Turkish. 311 p., color ills. From Mekteb-i Sultani to Galatasaray Lycee painters, 1868-1968 = De Mekteb-i Sultani au Lycee de Galatasaray peintres, 1868-1968.= Mekteb-i Sultani'den Galatasaray Lisesi'ne ressamlar, 1868-1968. This catalogue was published to accompany the "From Mekteb-i Sultani to Galatasaray Lycée Painters 1868-1968" exhibition held on 10 February 2009 at the Suna and Inan Kiraç Foundation Pera Museum on the occasion of the 100th anniversary of the Galatasaray Alumni Association. Opened on 1 September 1868 with the support of Sultan Abdülaziz, Mekteb-i Sultani was conceived of as a training ground for bureaucracts who would staff the state's newly-designed agencies, it was thought that its students should be inculcated in the ways of international diplomacy and European culture. Among the lessons that were included in the curriculum with this idea in mind were European art and literature and it was due to their influence that major artists emerged both from Imperial-period Mekteb-i Sultani and from Republican-period Galatasaray Lycée. The primary aim of this exhibition is to draw attention to an attitude towards education which, for over a century in the years from 1868 to 1968, upheld stricht standards of quality, fostered an undying love of art from generation to generation and transformed that love into professionalism. When the works of Galatasaray graduates were chosen for the exhibition, attention was given as much as possible to examples of their impressions of Istanbul and Paris in order to emphasize their sojourns in the two cities. The authors of the works on display in this exhibition today figure among the leading names in the history of Turkish art. Viewing this group of works produced by those artists reveals the importance of the role that the institution played in Turkey's artistic environment and the value of the contributions that it made during the course of a century from Mekteb-i Sultani to Galatasaray Lycée. / Ce catalogue a été préparé pour l'exposition "De Mekteb-i Sultani au Lycée de Galatasaray Peintres 1868-1968" ouverte le 10 février 2009 au Musée de Pera, Fondation Suna et Inan Kiraç, à l'occasion du 100éme anniversaire de l'Association des Anciens de Galatasaray. On avait créé Mekteb-i Sultani le 1er septembre 1868 avec l'accord du Sultan Abdülaziz dans le but de former les futurs bureaucrates de la fonction publique nouvellement organisée, en développant leur savoir sur la culture occidentale et la politique mondiale. Parmi ces étudiants, un certain nombre d'artistes importants s'étaient révélés, aussi bien du temps de Mekteb-i Sultani à l'époque ottomane qu'à celui du Lycée de Galatasaray sous la République, grâce aux cours de littérature et de dessin mis au programme de l'école dans ce but précis. Le but principal de l'exposition est ainsi de se focaliser sur la période d'une centaine d'années qui s'étend de 1868 à 1968, durant laquelle on s'est efforcé de maintenir un enseignement de qualité de façon constante, et durant laquelle aussi, l'amour de l'art a pu se transmettre sur plusieurs générations, finissant par se transformer en un véritable professionalisme. On s'est efforcé de choisir autant que possible pour l'exposition, parmi les différentes oeuvres des artistes de Galatasaray, es toiles représentant des impressions de Paris et d'Istanbul, afin de souligner leurs séjours dans ces deux villes. Aujourd'hui encore, les auteurs des oevres exposées sont des noms essentiels de l'histoire de l'art turque. Voir rassemblées les oeuvres des ces artistes sur une période de cent ans, de l'époque de Mekteb-i Sultani jusqu'à celle du Lycée de Galatasaray, permet de prendre la mesure de la valeur incontestable de soutien et du rôle essentiel que jouait cet établissement dans le monde de l'art en Turquie.
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SÜKRIYE DIKMEN.
Sükriye Dikmen. [Catalogue of the artist]. Preface by Nurullah Berk, Sezer Tansug.
Very Good Very Good Turkish Original bdg. Dust wrapper. 4to. (29 x 21 cm). Edition in Turkish 166, [2] p., color ills. Sükriye Dikmen. [Catalogue of the artist]. Preface by Nurullah Berk, Sezer Tansug. One of 1000 copies.
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MARIO - GIOVANNA DAMIANI - NAZAN OLCER (Curators) SCALINI.
Medicilerden Savoylara Floransa saraylarinda Osmanli görkemi. [Exhibitions catalogue].
New Turkish Paperback. 4to. (29 x 24 cm). In Turkish. 207 p., color ills. Medicilerden Savoylara Floransa saraylarinda Osmanli görkemi. [Exhibitions catalogue]. The exhibition consists of 120 Ottoman and Ottoman-influenced works of art dating from the 14th to 19th centuries, and illustrating the various motifs and styles over this period.
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KAYA ÖZSEZGIN.
Tu?rk plastik sanatc?ilari: Ansiklopedik so?zlu?k.
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 344, [2] p., color ills. Tu?rk plastik sanatc?ilari: Ansiklopedik so?zlu?k. One of 1500 copies.
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FIKRET MUALLA.
Fikret Muallâ. Drawings from Yeni Adam, (1936-1937).= Fikret Muallâ. Yeni Adam'dan desenler, (1936-1937).
Fine English Paperback. Pbo. Oblong large 8vo. (22 x 23 cm). In English and Turkish. 117 p., b/w ills. Fikret Muallâ. Drawings from Yeni Adam, (1936-1937).= Fikret Muallâ. Yeni Adam'dan desenler, (1936-1937).
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MAN RAY, (1890-1976).
Man Ray. Photographies - dessins - objets - assemblages et scultures. Collection de la Galerie Marion Meyer.= Fotograflar - desenler - küçük heykeller. Galerie Marion Meyer Koleksiyonu. [Exhibition catalogue]. December 15, 1997 - January 15, 1998, Borusan Sanat Galerisi. Preface by Marion Meyer.
New New French Paperback. Dust wrapper. Large 8vo. (23 x 23 cm). In French and Turkish. 35, [1] p., color ills. and b/w photos. 1000 copies were printed. Man Ray. Photographies - dessins - objets - assemblages et scultures. Collection de la Galerie Marion Meyer.= Fotograflar - desenler - küçük heykeller. Galerie Marion Meyer Koleksiyonu. [Exhibition catalogue]. December 15, 1997 - January 15, 1998, Borusan Sanat Galerisi. Preface by Marion Meyer.
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NUSRET ARSEL.
Nusret Arsel. Çizgilerimdeki, çizgilerim! Prep. by Semahat Arsel et alli.
New New Turkish Original bdg. Dust wrapper. Oblong 4to. (20 x 29 cm). In Turkish. 194 p., color and b/w ills. Nusret Arsel. Çizgilerimdeki, çizgilerim! Prep. by Semahat Arsel et alli.
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MUSTAFA ASLIER.
Mustafa Aslier. [Catalogue of the artist]. Translated by Nazan Erkmen.
New New English Original bdg. Dust wrapper. 4to. (29 x 25 cm). In English and Turkish. 163 p., color and b/w ills. Mustafa Aslier. [Catalogue of the artist]. Translated by Nazan Erkmen. 2000 copies were printed.
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SAIM ÖZEREN, (1900-1964).
Dogumunun 100. yilinda Saim Özeren [1900-1964] Resim Sergisi. 26 Eylül-26 Ekim 2000. [Exhibition catalogue]. Texts by Amelie Edgü, Levent Çalikoglu.
New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 78 p., color and b/w ills. Dogumunun 100. yilinda Saim Özeren [1900-1964] Resim Sergisi. 26 Eylül-26 Ekim 2000. [Exhibition catalogue]. Texts by Amelie Edgü, Levent Çalikoglu. One of 500 copies.
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CAN DÜNDAR.
Bir yasam iksiri: Dr. Nejat F. Eczacibasi. [With a CD].
New Turkish Paperback. 4to. (33 x 24 cm). In Turkish. 198 p., color and b/ ills. Bir yasam iksiri: Dr. Nejat F. Eczacibasi. [With a CD].
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