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Mann, Thomas
Bekenntnisse des Hochstaplers Felix Krull. Der Memoiren erster Teil.
Frankfurt, Wien und Zürich, Büchergilde Gutenberg, 1975. 409 S., 1 Bl. Mit zahlreichen Illustrationen von Gunter Böhmer und lose inliegender numerierter und signierter Original-Radierung. Gr.-8° (24 x 17 cm). Original-Leinwand mit Schutzumschlag in Original-Pappschuber.
Bookseller reference : 39029
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Mann, Thomas
Bekenntnisse des Hochstaplers Felix Krull. Der Memoiren erster Teil. (1.-20. Tausend).
(Frankfurt), S. Fischer, 1954. 441 S. 8° (19 x 12,5 cm). Original-Leinwand.
Bookseller reference : 39116
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Mann, Thomas
Betrachtungen eines Unpolitischen. (Erste bis sechste Auflage).
Berlin, S. Fischer, 1918. XXXXIV, 611 S., 2 Bl. 8° (19,5 x 14 cm). Original-Halbleinwand.
Bookseller reference : 39114
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Mann, Thomas
Buddenbrooks. Verfall einer Familie. Roman. 23. Auflage. 2 Teile in 1 Band.
Berlin, S. Fischer, 1904. 2 Bl., 566 S., S. (3)-539, 2 Bl. 8° (18,5 x 13,5 cm). Illustrierte Original-Leinwand. [2 Warenabbildungen]
Bookseller reference : 39118
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Mann, Thomas
Die Begegnung.
Olten, (Vereinigung Oltner Bücherfreunde), 1953. 73 S., 1 Bl. 8° (20,5 x 13, cm). Original-Pappe (Werkstatt Max Grollimund, Basel). [2 Warenabbildungen]
Bookseller reference : 39110
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Mann, Thomas
Fiorenza. 2. Auflage.
Berlin, S. Fischer, 1906. 170 S., 1 Bl. 8° (18,5 x 12,5 cm). Original-Broschur.
Bookseller reference : 27689
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Mann, Thomas
Gesammelte Werke in 12 Bänden, cplt. in 12 Bänden.
Berlin: Aufbau Verlag 1956. Original Halbpergament mit Rückenvergoldung, Kopfgoldschnitt und Lesebändchen (gering berieben und bestoßen, sonst sehr gute und saubere Exemplare). Gr.-8°:.
Bookseller reference : 32727-ya2
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Mann, Thomas
Königliche Hoheit. Roman. 3. Auflage (= 3. Tausend).
Berlin, S. Fischer, 1909. 475 S., 2 Bl. 8° (18,7 x 13,5 cm). Original-Leinwand mit Kopfgoldschnitt (Entwurf: Karl Walser). [2 Warenabbildungen]
Bookseller reference : 39115
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Mann, Thomas
Neue Studien.
Stockholm, Bermann-Fischer, 1948. 185 S., 1 Bl. 8° (19 x 12,5 cm). Original-Leinwand mit Schutzumschlag.
Bookseller reference : 39113
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Manna, Angelo
L'inferno della poesia napoletana. Versi proibiti di poeti di ogni tempo. Terza edizione riveduta ed ampliata.
Napoli: Edizioni del Delfino 1991. 444 p. Paperback (a little rubbed and bumped, otherwise a very good and clean copy). broschiert/ Taschenbuch
Bookseller reference : 30499-yk3210
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MANNERS J. HARTLEY
PEG DEL MIO CUORE - 1931
In 16o, pp. 320, br. Prefazione di Luigi Motta, firma di proprietà, tracce d'uso ai piatti e al dorso, ottimo (6761/ MANNERS - PEG DEL MIO CUORE - LETTERATURA INGLESE 1900)
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Mannin Ethel 1900 1984
All Experience / by Ethel Mannin
London : Jarrolds For The Beacon Library 1937. 1st Beacon Library Edition. Fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 284 pages; Physical desc. : 284 p. : front. ; 24 cm. Subject: Mannin Ethel 1900-1984 . Europe -- Description and travel. Series: The beacon library ; no.1. London : Jarrolds For The Beacon Library hardcover
Bookseller reference : 144125
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Mannin Ethel 1900 1984
Aspects of Egypt; Some Travels in the United Arab Republic By Ethel Mannin
London Hutchinson 1964. First Edition. Fine cloth copy in a near fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 264 pages; Description: 264 p. Illus. map ports. 22 cm. Bibliography: p. 257-258. Subjects: Egypt --Description and travel. London, Hutchinson hardcover
Bookseller reference : 112540
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Mannin Ethel 1900 1984
Common-sense and the adolescent
London : Jarrolds limited 1945 1945. Third Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges slightly dust-toned and rubbed as with age. Fading to spine. Remains particularly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 288 pages; Description: 288 p. : front. port. ; 19 cm. Subject: Adolescence. Erratum slip tipped in at contents page. London : Jarrolds, limited, [1945] hardcover
Bookseller reference : 187278
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Mannin Ethel 1900 1984
England My Adventure
London Hutchinson 1972. First Edition. Fine cloth copy in a near fine slightly edge-nicked and dust-dulled dw now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight bright clean and sharp-cornered. ; 214 pages; Description: x 214 15 p. Illus. 23 cm. Subjects: England --Description and travel. Impressively photo illustrated. London, Hutchinson hardcover
Bookseller reference : 91872 ISBN : 0091118905 9780091118907
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Mannin Ethel 1900 1984
Rebel's Ride : a Consideration of the Revolt of the Individual
London : Hutchinson Of London 1964. First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 287 pages; Description: 287 p. ; 22 cm. Subjects: Individualism. Conformity. Radicalism. Social conflict. Notes: Bibliography: p. 277-279. London : Hutchinson Of London unknown
Bookseller reference : 89829
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Mannin Ethel 1900
The Curious Adventure of Major Fosdick
London Hutchinson & Co. 1972. First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Literally as new and still with the original price-sticker. ; 205 pages. London, Hutchinson & Co. unknown
Bookseller reference : 49313 ISBN : 0091098505 9780091098506
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MANNIN Ethel Londra 1900 1984
Sabishisa Solitidine
Torino: Frassinelli 1961. Rilegato tela custodia cloth slip-case. Ottimo Fine. Traduzione di Ada Prospero. 8vo. pp. 398. Ottimo Fine. Prima edizione italiana First Italian Edition. Frassinelli, hardcover
Bookseller reference : 70036
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MANNING Olivia
LE COLOMBE DI VENERE. Versione di Cesare Moscone.
In-16 (cm. 19), cartonato editoriale, custodia, pp. 539. In buono stato di conservazione (good copy).
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Mannino Marco
Marco Mannino. 20 architetture del XXI Secolo-20 architectures of the XXI century. Ediz. bilingue
ill.
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Manno Antonio
VOCABOLARIO ARALDICO UFFICIALE. SEGUITO DAL DIZIONARIETTO DI VOCI ARALDICHE FRANCESI TRADOTTE IN ITALIANO.
Stabilimento Giuseppe Civelli, 1907. In-8, brossura, pp. 73, con illustrazioni in bianco e nero. In buono stato.
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Mannocci L. (cur.); Risaliti S. (cur.)
Solo Gino Severini. Catalogo della mostra (Firenze, 12 luglio-10 ottobre 2019). Ediz. inglese
ill., ril. Il catalogo della mostra allestita dal 12 luglio al 10 ottobre al Museo del Novecento di Firenze si concentra sulla produzione risalente agli anni Venti e Trenta dell'artista toscano, proponendo una selezione di opere in cui l'iconografia dei soggetti è legata alla Commedia dell'arte, al teatro e alla musica. A partire dagli anni Venti, Severini si appassiona infatti alle figure e alle vicende di maschere della commedia dell'arte, come Pulcinella e Arlecchino. Clown, saltimbanchi, eroi del circo stavano affascinando numerosi artisti quali Picasso, Gris e Rouault, musicisti come Stravinskij e impresari come Djagilev. Le occasioni principali per cimentarsi con questi temi sono rappresentate per Severini dalla decorazione di due ambienti privati: il Castello di Montegufoni, di proprietà di Sir George Sitwell, nei pressi di Firenze, e la Maison di Léonce Rosenberg, suo mercante francese, a Parigi.
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Mannu Giuliana
Aldo Capitini filosofo dell'azione e della comunicazione
ill., br. Il saggio ricostruisce criticamente l'opera di Aldo Capitini, con particolare attenzione allo spazio teoretico in cui si intrecciano i rapporti tra morale e politica, individuo e società, ontologia ed esistenza, con riferimento anche al pensiero di Augusto Del Noce. La prima sezione indaga le categorie del pensiero capitiniano che definiscono la sua proposta etico-politica come filosofia dell'azione e della libertà. La seconda parte riguarda il pensiero di Augusto Del Noce, in particolare l'epistolario inedito con Aldo Capitini dal quale emerge, non solo la grande rilevanza dei temi trattati ai fini della ricostruzione dei rapporti intercorsi tra i due pensatori, ma soprattutto un'interpretazione del loro pensare che sostanzia la linea etico-politica del nostro tempo. Il carteggio documenta le traversie, il periodo di crisi, di rivoluzione intellettuale e morale, durante la loro amicizia, mettendo in luce che il nodo teoretico della loro riflessione si ritrova nel valore attribuito all'agire pratico e alla libertà come scopo e tensione continua della coscienza attiva dell'individuo.
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Mannu Giuliana
Aldo Capitini filosofo dell'azione e della comunicazione
ill., br. Il saggio ricostruisce criticamente l'opera di Aldo Capitini, con particolare attenzione allo spazio teoretico in cui si intrecciano i rapporti tra morale e politica, individuo e società, ontologia ed esistenza, con riferimento anche al pensiero di Augusto Del Noce. La prima sezione indaga le categorie del pensiero capitiniano che definiscono la sua proposta etico-politica come filosofia dell'azione e della libertà. La seconda parte riguarda il pensiero di Augusto Del Noce, in particolare l'epistolario inedito con Aldo Capitini dal quale emerge, non solo la grande rilevanza dei temi trattati ai fini della ricostruzione dei rapporti intercorsi tra i due pensatori, ma soprattutto un'interpretazione del loro pensare che sostanzia la linea etico-politica del nostro tempo. Il carteggio documenta le traversie, il periodo di crisi, di rivoluzione intellettuale e morale, durante la loro amicizia, mettendo in luce che il nodo teoretico della loro riflessione si ritrova nel valore attribuito all'agire pratico e alla libertà come scopo e tensione continua della coscienza attiva dell'individuo.
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MANOEL ANTONIO Manoel Antonio Perez Sanchez 1900 1930.
De catro a catro. Follas sin data d'un diario d'abordo. De cuatro en cuatro. Edición bilingüe. Prólogo y traducción de Miguel González Garcés.
Madrid Rialp 1979 "Adonais". 4to. menor; 98 pp. 1 h. Cubiertas originales. unknown
Bookseller reference : C83-981
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Mansar, Arno
Mondrian ou l'abstraction blanche
La Renaissance du Livre, collection Signatures, Bruxelles, 2000. In-8, broché sous couverture illustrée en noir, 191 pp. Prologue - Initiation - Accomodation - Vérification - Confrontation - Conviction - Réconciliation - Postface - Repères chronologiques - Annexes : Premier article de Mondrian publié dans le premier numéro de la revue De Stijl, en octobre 1917. - Témoignages ...
Bookseller reference : 2173
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Manset Regis 1900 1978
A Woman applying makeup with a hand held mirror. Design for the cosmetics brand "Soir de Paris." Original drawing.
Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 8 x 8 cm on 9.5 x 16 cm. card stock. Initialed by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4022
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Manset Regis 1900 1978
A Woman applying makeup in a Hat. Design for the cosmetics brand "Soir de Paris." Original drawing.
Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 9 x 8 cm on 23 x 15 cm. card stock. Initialed by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4023
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Manset Regis 1900 1978
A Woman applying makeup. Design for the cosmetics brand "Soir de Paris." Original drawing.
Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 8 x 8 cm on 22 x 11 cm. card stock. Initialed by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4021
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Manset Regis 1900 1978
A Woman applying makeup with a giant box and Etoile and the Tour Eiffel in the background. Design for the cosmetics brand "Soir de Paris." Original drawing.
Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 25x 18 cm. on card stock. Initialed by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4019
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Manset Regis 1900 1978
A Woman in Silhouette applying makeup. Design for the cosmetics brand "Soir de Paris." Original drawing.
Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 8 x 8 cm on 25 x 18 cm. card stock. Initialed by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4020
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Manset Regis 1900 1978
A Woman looking down at a makeup kit. Design for the cosmetics brand "Soir de Paris." Original drawing.
Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 9 x 8 cm on 10.5 x 14 cm. card stock. Initialed by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4024
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Manset Regis 1900 1978
An insolent child offering flowers to an elegant couple. Design for the cosmetics brand "Soir de Paris." Original drawins.
Paris: Circa 1928 . Original ink l drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 20 x 14cm. and 18 x 19.5 cm with cut-out. on card stock. Initialed and titled by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4015
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Manset Regis 1900 1978
Apr�s Minuit. An elegant couple dancing in a restaurant in Paris. Design for the cosmetics brand "Soir de Paris." Original ink drawing.
Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 27 x 15.5 cm. on card stock. Initialed and titled by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4012
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Manset Regis 1900 1978
Dans la loge. A woman seated in front of her dressing table with a man in a tuxedo. kissing her hand Design for the cosmetics brand "Soir de Paris." Original drawings.
Paris: Circa 1928 . Original ink drawings for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 27 x 15.5 cm. and 17 x 13.5 cm. on card stock. Initialed and titled by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4017
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Manset Regis 1900 1978
Expositions. A woman and a man in evening attire embracing overlooking the Tour Eiffel. Design for the cosmetics brand "Soir de Paris." Original drawing.
Paris: Circa 1928 . Original ink drawing for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 27 x 15.5 cm. on card stock. Initialed and titled by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4018
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Manset Regis 1900 1978
L�vriers. An elegant couple dining in a rooftop restaurant in Paris with greyhounds racing below. Design for the cosmetics brand "Soir de Paris." Two original drawings
Paris: Circa 1928 . Original ink and pencil drawings for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 22 x 15.5 cm. and 15.5 x 15.5 cm.on card stock. Initialed by the artist with an indiscernible title. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4010
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Manset Regis 1900 1978
Succes. Two elegant women arm and arm with a man in a tuxedo. Design for the cosmetics brand "Soir de Paris." Original drawings.
Paris: Circa 1928 . Original ink and pencil drawings for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 23 x 15 cm. and 16.5 x 14 cm. on card stock. Initialed and titled by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4016
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Manset Regis 1900 1978
Tous les suffrages. An elegant woman surrounded by 4 bowing men in tuxedoes. Design for the cosmetics brand "Soir de Paris." Original drawings.
Paris: Circa 1928 . Original ink and pencil drawings for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 22 x 15.5 cm. and 18 x 19.5 cm with cut-out. on card stock. Initialed and titled by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4014
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Manset Regis 1900 1978
Une bonne surprise. An elegant couple the woman holding a dog and the man with a present. Design for the cosmetics brand "Soir de Paris." Original drawings.
Paris: Circa 1928 . Original ink and pencil drawings for the publicity of Soir de Paris the perfume-cosmetics line of the Bourjois company. 20 x 15.5 cm. and 15.5 x 14 cm on card stock. Initialed and titled by the artist. History of Bourjois: In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1860 M. Ponsin an actor established a shop at 28 place Vendome Paris which sold perfumes toiletries and cosmetics. In 1869 the shop was purchased by Alexandre Napoleon Bourjois and the company was renamed Bourjois. Around 1880 Emile Orosdi became a co-proprietor and in 1898 the business was acquired by Ernest Wertheimer who had already established a reputation of producing perfumes theatrical makeup and a best selling rice face powder called Java. Bourjois invented the first dry rouge in 1890 and marketed the first powder compact. The most successful line was Soir de Paris or Evening In Paris which debuted in 1928. You might find a perfume bottle by Gilot named Soir de Paris this is not a typo this perfume-cosmetics line was trademarked in 1925 prior to Bourjois. Expertise by Elvire Poulain-Marquis & Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris. Paris: Circa 1928 unknown
Bookseller reference : 51-4013
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MANSFIELD KATHERINE
LETTERE - 1943
In 8o, pp. 268, br. con sovraccoperta, traduz. di Milly Dandolo, con firma di proprietà, ottimo (6707/ MANSFIELD - LETTERE - LETTERATURA INGLESE 1900)
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MANSFIELD KATHERINE
MATRIMONIO MODERNO - 1946
In 16o, pp. 253, br. Traduz. di Mirella Ducceschi, ottimo (6646/ MANSFIELD - MATRIMONIO MODERNO - LETTERATURA INGLESE 1900)
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Mansfield Katherine; Ciampoli S. (cur.)
Diari
brossura Il libro presenta i diari dal 1910 al 1922 di Katherine Mansfield. Curati dal marito dopo la morte della scrittrice, sono documenti nei quali è possibile cogliere dal vivo l'intelligenza psicologica che costituisce la filigrana dei suoi scritti creativi.
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Mansfield Katherine; Ciampoli S. (cur.)
Diari
br. I diari dal 1910 al 1922 di una delle più grandi scrittrici del Novecento. Curati dal marito dopo la morte della scrittrice, sono documenti di grande fascino umano e letterario, nei quali è possibile cogliere dal vivo l'intelligenza psicologica che costituisce, per cosi dire, la filigrana dei suoi scritti creativi.
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Mansfield Katherine; Middleton Murry J. (cur.)
Quaderno d'appunti
br. Pensieri improvvisi, folgoranti aforismi, squarci di racconti mai più elaborati sono raccolti in questo "Quaderno d'appunti", pubblicato postumo e limpidamente tradotto da un'altra grandissima scrittrice, Elsa Morante. La breve vita di Katherine Mansfield vi si illumina di tonalità nuove, in particolare per i suoi ultimi anni, quando la sua ricerca di una verità oltre la letteratura la porta a mettersi in discussione, a confrontarsi drammaticamente con la vita. Il paragone con la sua grande contemporanea, Virginia Woolf, è obbligato: "Strane le sorti di queste due grandi scrittrici," scrive Emilio Cecchi. "E la sorte più buia, indecifrabile, non è quella della Woolf, piena d'immagini e di sogni, benché minacciata e visitata dalla demenza; ma della Mansfield, tesa e vibrante come acciaio, nella spietata ricerca della realtà, della verità, che la induceva a cieca crudeltà verso se stessa." Uno sguardo nell'intimità di una delle maggiori autrici di narrativa breve del Novecento, troppo presto strappata alla sua arte.
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Mantaigne, André
Maurice Vlaminck
Editions Crès & Cie, collection "Peintres et Sculpteurs", Paris, 1929. In-12, broché sous couverture rempliée, 60 pp. - pl. Maurice Vlaminck, par A. Mantaigne - Planches - Table des illustrations.
Bookseller reference : 8508
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Mantegazza Paolo
IGIENE DELL'AMORE.
Marzocco, 1948. In-16, brossura, pp. 397. In buono stato.
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Mantellino Maura
Kingsley Amis. Dalla rivolta al silenzio
brossura Questo libro è stato impostato con uno scopo ben preciso: fornire uno strumento che permetta di accostarsi allo scrittore Kingsley Amis con quel tanto di consapevolezza indispensabile per distinguere il vario articolarsi dei movimenti letterari inglesi degli anni Cinquanta e il percorso di un autore poco conosciuto in Italia. L'esigenza di una conoscenza approfondita della produzione e degli autori del periodo post seconda guerra mondiale è importante: esplorare le tematiche care a Amis e ai suoi colleghi scrittori può essere un momento di riflessione e di conoscenza della prosa e della poesia anglosassone di quegli anni. Kingsley Amis (1922-1995) intellettuale e grande artista, fu un poeta e uno scrittore tradizionalista e affrontò varie tematiche sociali. Ebbe un grande successo con il romanzo "Lucky Jim" del 1954, scrisse inoltre "That Uncertain Feeling" del 1955, "I Like it Here" del 1958 e in particolare "One Fat Englishman" del 1963. La sua lunga produzione include anche varie raccolte di poesie quali "A Frame of Mind" del 1953 e "A Case of Sample" del 1956. Fu autore di numerosi saggi di costume tra i quali ricordiamo "The James Bond Dossier", saggio sul famoso eroe cinematografico.
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Mantovani Paola; Turchetti Marcella; Sertoli S. (cur.); Casali C. (cur.)
Olivetti e l'arte: Jean Michel Folon. Ediz. illustrata
ill., br. Adriano Olivetti pensava che la conoscenza, la bellezza, in una parola la «grazia», dovessero accompagnare i giorni e le ore di tutte le vite umane che gli scorrevano accanto e che incontrava in fabbrica e nel mondo. Pensava di dover restituire in «grazia» ciò che gli era stato concesso in sorte. E a chi gli chiedeva quale fosse il contrario del peccato rispondeva senza esitazione che fosse non la «virtù» ma la «grazia». Pensava che generare bellezza fosse un dovere.
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Manuel, Hans Rudolf
Das Weinspiel. Fastnachtspiel. 1548. Herausgegeben von Theodor Odinga.
Halle, Max Niemeyer 1892. * VIII, 131 Seiten. 18,5 x 12 cm. Original-Broschur. (Neudrucke deutscher Literaturwerke des XVI. und XVII. Jahrhunderts, Nr. 101-102).
Bookseller reference : 62596
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