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De Chirico: Sei Tavole A Colori
Set of six color plates tipped-in on gray background paper stored in a gray folder with color plate on cover. The sheets are 5 3/4"w x 8 1/4"h. The plates are in excellent condition; the cover of the folder shows a bit of wear and is in Very Good condition. A bit musty smelling.
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Glückwunsch Aufstellkarte mit 5 Kulissen zum Frühling. Faltperspektiv: Paper Peepshow.
Deutschland, Um 1890. Chromolithographische Aufstellkarte mit fünf Ebenen und einem Hintergrundsbild. Karte und Kulissen vollständig, sauber und intakt. Rückseite der Karte mit Resten einer Papiermontierung. Vorderseite mit Glückwunsch und einem farbig geprägtem Blumenstrauß. Der Boden der Gartenkulisse ist mit einem vierzeiligen Spruch beschriftet. Größe der Karte: 70 x 105 mm.
Bookseller reference : 8769
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LA DOMENICA DEL CORRIERE. 14 Aprile 1901. Anno III - N. 15.
In-4, brossura, mancanze al dorso, peraltro in buono stato di conservazione. In questo numero: "Il Viaggio Del Governatore Civile Nella Regione Occidentale Della Colonia Eritrea, I Capi Presentano Omaggi." "I Tumulti in Russia, La Lotta Fra Cosacchi, Studenti Ed Operai Nella Newsky Perspective, Presso Il Palazzo Di città, A Pietroburgo.".
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The Art of Drawing
A clean, unmarked book with a tight binding. Staple-bound. 10 1/2"w x 12 1/4"h. 48 pages.
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Vue et perspective de la Grotte du Chateau de Veaux le Vicomte
Taille-douce du 18è siècle attribuée à Perelle chez de Poilly.bon tirage en noir, 30,5 X 21,5 cm. Légère pliure en coin, sinon très bon état.
Bookseller reference : 27416
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"LE CLERC, SEBASTIEN (LECLERC). - GEOMETRY AND PERSPECTIVE IN 80 COPPERPLATES.
Practical Geometry: or a New and Easy Method of Treating that Art. Whereby the Practice of it is render'd plain and familiar, and theStudent is directed in the most easy manner thro' the several Parts and Progessions of it. Translated from the Fren...
London, T. Bowles, 1727. Small 8vo. Contemp. full calf, raised bands, blindtooled covers (Cambridge-binding). Wear to spine ends and spine. Hinges weakening, but still holding. Titlepage in red/black. (2),195,(6) pp. and 80 full page engraved illustrations. Some soiling and browning, mainly marginal, last 10 engravings with a faint dapmstain. The charming plates are engraved by Leclerc.
Bookseller reference : 45242
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[Collection Leonardo]
LA PERSPECTIVE et THEORIE des OMBRES - N° 5
Une publication de 34 pages, format 240 x 340 mm, illustrée, brochée couverture couleurs, s.d., Vinciana Editions, bon état
Bookseller reference : LFA-126728881
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[Flocon] WINGLER, Hans M. ; WINGLER, Hedwig ; HAHN, Peter ; FLOCON, Albert
Albert Flocon 1943-1983 : Suites Expérimentales
Médusa. Bauhaus-Archiv 1983 In-4, broche, couv. blanche illustree, illustrations pleines pages en noir et blanc., 178 pp. En allemand et en français. Dos insole. Bon etat d’occasion.
Bookseller reference : 36600
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[La RECHERCHE]
LA RECHERCHE
N° 160 - Novembre 1984 Une revue d'environ 140 pages, format 295 x 220 mm, brochée, illustrée
Bookseller reference : LFA00892
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[Vue perspective de Strasbourg].
[Eau-forte avec rehauts aquarellés du temps] : Strasbourg, ville impériale d'Alemagne [sic, Allemagne] avec Evêché suffragant de Mayence. Capitale de l'Alsace et une des plus belles et des plus grandes. [...].
A Coutances et se vend à Paris, chez Esnauts & Rapilly, s.d. [circa 1770]. Dimensions (à vue) : 528 x 352 mm + passe-partout + cadre.
Bookseller reference : 24136
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Actes de la Recherche en Sciences Sociales
Actes de la Recherche en Sciences Sociales - Directeur Pierre BourdieuThème : La peinture et son publicMéprise et mépris - Eléments pour une étude de l'iconoclasme contemporain ( D. Gamboni ) - La réinterprétation de la perspective linéaire au Japon ( 1740 - 1830 ) et son retour en France ( 1860 - 1910 ) ( S. Inaga ) - La perspective académique - Peinture et tradition lettrée : la référence aux mathématiques dans les théories de l'art au 17ème siècle ( N. Heinich ) - L'œil de l'histoire. L'effet cartographique dans la peinture hollandaise au 17ème siècle ( S. Alpers ) - Les musées et leurs ennemis ( F. Haskell ) - L'aura de Walter Benjamin - Note sur " l'œuvre d'art à l'ère de sa reproductibilité technique" ( N. Heinich ) -
1 vol in-4 - broché - N° 49 de septembre 1983 - 114 pages
Bookseller reference : 46481
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Africa Perspective
African Perspective Agrarian Struggle in South Africa New Series Volume 1 Nos 5 & 6 December 1987
South Africa: Africa Perspective 1987. A very good first edition special edition soft cover binding is tight & strong no marks or inscriptions cover boards are clean & bright. Photos supplied upon request. First Edition. Soft Cover. Very Good/No Jacket. Africa Perspective Paperback
Bookseller reference : 03421
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Alain G. BALI, David COSSET, Jean-Luc MABY (collectif Belle Journée en Perspective). Préface de Marc Villard.
(PUNK) I'm a cliché
Paris, Baudoin/Editions de Nesle, 1979, 240x240mm, broché, non paginé. Edition originale. Bel exemplaire. 80 photos n/b. Reportage réalisé au début du mouvement PUNK à Paris (Gibus), Londres et Birmingham sur une idée de Philippe Manoeuvre et J.P. Dionnet.
Bookseller reference : 75564
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Alfred Adler in Perspective
MASKS OF LONELINESS
new york: Macmillan 1/1/1974 . Hardcover. VERY_GOOD. first printing clean Macmillan hardcover
Bookseller reference : 177
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America in Theological Perspective: The Annual Publication of the College Theology Society College Theology Society and Thomas M
America in Theological Perspective: The Annual Publication of the College Theology Society College Theology Society and Thomas M
Good. Seabury 1976 trade softcover. Book is clean binding tight. Minimal cover wear. A very sound copy. paperback
Bookseller reference : 0923T740355
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Anonyme
Le dessin enseigné par l'exemple, étude du paysage n°7
Editions Bornemann Broché sous chemise 1977 In-4 (31 x 25 cm.), format à l'italienne, broché sous chemise illustrée, 12 planches illustrées sur les exercices de perspective et de paysages divers ; quelques traces et frottements au premier plat, intérieur frais, très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Bookseller reference : qi1558
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ANONYME (LE MARQUANT, Louis-François-Auguste)
Description du château d'Anet
1789 Chez G. Desprez, Imprimeur ordinaire du Roi, Rue Saint-Jacques - 1789 - In-12, demi basane rouge, dos à cinq nerfs, titre et date en doré au dos, reliure postérieure a priori - Couverture brochée d'origine conservée dans l'ouvrage - 109 p. - Mention manuscrite (datant de 1825) en regard de la grande page de titre
Bookseller reference : 116245
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Anonyme ;
Les premiers éléments de la perspective appliquée aux objets usuels.
Librairie Poussielgue frères, Paris, 1889. Un volume in 4° relié à l'italienne, demi toile percale noire à coins, (4), VIII, 72 pages de texte et d'illustrations, certaines en deux couleurs, présentant les objets usuels de la vie quotidienne sous tous les aspects de la perspective.
Bookseller reference : 471
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ARASSE, Daniel
L'ANNONCIATION ITALIENNE : une histoire de perspective
Paris : Hazan, DL 2010. In-8 (22 cm), couverture souple illustrée, ill. en noir et en coul., 375 pages, 690 gr.
Bookseller reference : 05166
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ART. PERSPECTIVE. Samuel van Hoogstraten 1627 1678
Inleyding tot de hooge schoole der Schilderkonst: Anders de Zichtbaere Werelt. Verdeelt in negen Leerwinkels yder bestiert door eene der Zanggodinnen.
Rotterdam: 1678. SOLE EDITION. COMPLETE WITH THE RARE PORTRAIT. Quarto:. A very fine copy. Bound in contemporary Dutch vellum lightly soiled. Internally quite fine the engravings all present. A few instances of light marginal staining or light soiling. Small repair to blank margin of leaf L1. This copy has two special features: It contains an original anatomical drawing signed with the initials S.V.H Samuel van Hoogstraten a combination of figures from the first two plates. The engraved portrait is present in two states one printed before the addition of the door in the upper right corner. In addition to the added pates there are 4 remarkable text illustrations showing the way light falls and shadows are cast. The most famous of these illustrates the "Dance of Shadows" Van Hoogstraten's innovative theater concept. Each book is prefaced by an allegorical engraving by Van Hoogstraten. Sole edition of the Dutch painter and art theorist Samuel van Hoogstraten's "Introduction to the Higher Academy of the Art of Painting: or The Visible World". The only extended theoretical treatise on painting published in Holland between Van Mander's ‘Schilderboeck’ of 1604 and Lairesse's ‘Het Groot Schilderboek’ of 1707 van Hoogstraten's work "is of undeniable importance as an account of contemporary artistic attitudes and practice." The work is also of great art historical value. Van Hoogstraten was a student of Rembrandt from the winter of 1640–41 until shortly before April 1648 and his treatise includes a good deal of information on Rembrandt's studio and the master's paintings including "The Night Watch". Rembrandt was then at the height of his powers and Hoogstraten wrote presciently that the fame of "The Night Watch" would outlive all its rivals because it was "so dynamic in its physical movement and so powerful." "Samuel van Hoogstraten b. Dordecht 1627 d. Dordrecht 1678 went to Amsterdam in 1642 to work as an apprentice in Rembrandt's studio but after six years he was back in Dordrecht before starting his travels through Europe 'following the sun' as he described it and offering his services at several courts. His aims were different from those of his teacher. His one-time pupil and fellow citizen of Dordrecht Houbraken put it succinctly: 'He was driven by an extraordinary ambition. because he could not stand to be surpassed by anybody in the race for artistic laurels.' He competed in all subjects: 'architectural paintings landscapes rough seas quiet waters animals flowers fruit and still lifes which he painted so naturally that he deceived many'. With the last of these he acquired his highest acclaim when the Holy Roman Emperor in Vienna rewarded him with a golden chain for his 'Still Life' because 'he was the first painter who had deceived him.' In his portrait in his "Inleyding" Hoogstraten can be seen wearing the medal."Brown Samuel van Hoogstraten: Perspective and Painting National Gallery Technical Bulletin Volume 11 1987 Perspective Shadow & Theater: "In his 'Introduction to the Higher Academy of the Art of Painting: or The Visible World' 1678 Van Hoogstraten describes with practical examples how both painters and amateurs may sharpen their perception by progressing through his nine different classes leer winckels each overseen by a mistress muse. His philosophy of painting is summed up in his observation that it is 'a science to give shape to all ideas or thoughts which the complete visible world can give and to convince the eye that they are real with the help of contours silhouette and paint.' To achieve this one has to use 'details that communicate in a concealed manner.' His illusionism seems to include a wider range of possibilities than the pursuit of deception found in Gerrit Dou's work in Leiden. When discussing the concept of beauty Van Hoogstraten relates it to the 'true idea of beauty' thus demonstrating his knowledge of Plato which also seems to come out in one of his most famous passages the 'game the dance of shadows'. "The 'dance of shadows' is discussed and illustrated in the seventh book dedicated to Melpomene the muse of tragedy. She presides over the use of light and shadow: 'Similar to the way in which Tragedy receives its strength from its mixture of happy and sad occasions gevallen in the same way Painting receives its lustre luister when she knows how to create daylight or darkness.' In the attic of Van Hoogstraten's house a stage was constructed with instead of curtains a large sheet of white paper separating the audience from the stage. At a considerable distance behind the sheet stood a large lit candle. In the space between the candle and the sheet his students acted the play of Acis and Galatea in such way that the growing or diminishing dimensions of their shadows reflected the drama. In similar experiment to that in the perspective boxes that he constructed he shows that Acis appears now as a human then as a giant demonstrating how light and shade change or even cover up verhullen reality which at first sight looks fixed. "In Van Hoogstraten's image at the beginning of this chapter… the muse is placed in the center of a spiral stairwell as an allegory of the ascent and descent of the art of painting going up on the left to a scene in which Apollo the god of light is blessing the painter and on the other side descending to Vulcan's forge stressing the role of shades. A similar composition arranged vertically around a narrow stairwell is also used for Thalia the comic muse who presides over joyous gatherings often held at night under the moon and who is to oversee 'invention' and 'composition' which in the end lead the painter to the halls of glory."De Biève The Shadow-dance Silent Company Stil-staande Levens in Dutch Art and Urban Cultures 1200-1700 p. 93 f. Life: "Having left Rembrandt's studio and returned to Dordrecht to work as an independent artist Hoogstraten travelled to Vienna in May 1651 where he received the patronage of Emperor Ferdinand. In 1652 Hoogstraten was in Rome but had returned to Vienna by the following year. He was back in Dordrecht in 1654 and married there in 1656: he appears to have remained in the town until he left for London at some time before September 1662. "Hoogstraten was much in demand as a portrait painter. He was still in London at the time of the Great Fire in September 1666: he gives an account of the outbreak of the Fire in the ‘Inleyding’ Hoogstraten returned to Holland shortly after settling in The Hague. He was back in Dordrecht by 1673 serving as one of the Provosts of the Mint. It was during these years after his return to his native town that he was working on his theoretical and technical treatise on painting the ‘Introduction to the High School of the Art of Painting: or The Visible World' which was published by his brother Francois in Dordrecht in 1678 the year of Hoogstraten's death. "A number of Hoogstraten's large-scale canvases showing figures in marble columned courtyards survive: at least some of these form part of a series and may well have been part of a scheme of decoration commissioned from Hoogstraten by the Finch family during his stay in England. However the best-known and most effective of his large-scale perspective paintings is the ‘View down a Corridor’ of 1662 which is at Dyrham Park in Gloucestershire. Today this large upright canvas is placed – as it was always intended to be – at the end of an actual corridor where it has the effect when seen from a distance of prolonging the corridor. Like the peepshow it is a highly effective illusion and testifies to the artist's skill in deceiving the eye. It was admired by Samuel Pepys who saw it on 26 January 1663 at Mr. Povey's rooms in Lincoln's Inn Fields: '. went and dined at Mr. Povys . above all things I do the most admire his piece of perspective especially he opening me the closet door and there I saw there is nothing but only a plain picture on the wall.'"Christopher Brown Samuel van Hoogstraten: Perspective and Painting National Gallery Technical Bulletin Volume 11 1987 Arntzen/ Rainwater H63; Hollstein IX p. 142 31: J. de Mann Kunst op schrift Kunst op Schrift: Een inventarisatie van Nederlandstalige publikaties op het gebied van kunsttheorie en esthetica 1670-1820 23 unknown
Bookseller reference : 4006
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artwork & watercolors of Warren A. Van Ess SIGNED & dated with best wishes Introduction by Thomas Heaton perspective on art
A World of His Own artwork of Warren A. Van Ess who is Confined to Wheelchair
Wm. B. Eerdmans Publ Mich 1974. HBDJ Oblong Grey cloth lettered in White light wear & crease corner 1st page 1974 1st edition F-/VG DJ minor rub wear & mended tear & FoX 71 pages. First Edition. Hard Cover. Wm. B. Eerdmans Publ Mich hardcover
Bookseller reference : 11000
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Aspaklaria Perspective.:
Dream Technology and Torah Responsibility etc.
Institute of Science and Halacha Jerusalem 1982. Hebrew and English. Pb. G. Institute of Science and Halacha, Jerusalem 1982. unknown
Bookseller reference : 27049
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Author of The art of drawing in perspective
The art of painting in oil : rendered familiar to every capacity : extracted from the works of the most eminent masters of the Italian Flemish and English schools to which is prefixed the method of mixing the colours to the various teints used both for portraits landscapes etc. . 1800 Leather Bound
2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1800. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng Pages 67. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover
Bookseller reference : LB1111003087779
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Author of The art of drawing in perspective.
The art of painting in oil : rendered familiar to every capacity : extracted from the works of the most eminent masters of the Italian Flemish and English schools to which is prefixed the method of mixing the colours to the various teints used both for portraits landscapes etc. . / by the author of The art of drawing in perspective. 1800
2020. Paperback. New. Lang: - eng Pages 66. Reprinted in 2020 with the help of original edition published long back 1800. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
Bookseller reference : PB1111009399012
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Author of The art of drawing in perspective.
The art of painting in oil : rendered familiar to every capacity : extracted from the works of the most eminent masters of the Italian Flemish and English schools to which is prefixed the method of mixing the colours to the various teints used both for portraits landscapes etc. . / by the author of The art of drawing in perspective. 1800 Hardcover
2020. Hardcover. New. Lang: - eng Pages 66. Reprinted in 2020 with the help of original edition published long back 1800. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Bookseller reference : 1111009399012
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Author of The art of drawing in perspective.
The art of painting in oil rendered familiar to every capacity : extracted from the works of the most eminent masters of the Italian Flemish and English schools but principally from Mr. Bardwell : to which is prefixed an explanation of the method of mixing the colours to the various teints used for portraits landscapes &c. / by the author of The art of drawing in perspective. 1826
2020. Paperback. New. Lang: - eng Pages 56. Reprinted in 2020 with the help of original edition published long back 1826. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
Bookseller reference : PB1111011003984
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Author of The art of drawing in perspective.
The art of painting in oil rendered familiar to every capacity : extracted from the works of the most eminent masters of the Italian Flemish and English schools but principally from Mr. Bardwell : to which is prefixed an explanation of the method of mixing the colours to the various teints used for portraits landscapes &c. / by the author of The art of drawing in perspective. 1826 Hardcover
2020. Hardcover. New. Lang: - eng Pages 56. Reprinted in 2020 with the help of original edition published long back 1826. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Bookseller reference : 1111011003984
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Author of The art of drawing in perspective
The art of painting in oil : rendered familiar to every capacity : extracted from the works of the most eminent masters of the Italian Flemish and English schools to which is prefixed the method of mixing the colours to the various teints used both for portraits landscapes etc. . 1800
2020. Paperback. New. Lang: - eng Pages 67. Reprinted in 2020 with the help of original edition published long back 1800. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
Bookseller reference : PB1111003087779
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Author of The art of drawing in perspective
The art of painting in oil : rendered familiar to every capacity : extracted from the works of the most eminent masters of the Italian Flemish and English schools to which is prefixed the method of mixing the colours to the various teints used both for portraits landscapes etc. . 1800 Hardcover
2020. Hardcover. New. Lang: - eng Pages 67. Reprinted in 2020 with the help of original edition published long back 1800. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Bookseller reference : 1111003087779
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AVELINE
vue d’optique. Veuë et pers-pective de l’entrée du château de Marly en général.
Fait par Aveline. Belle gravure en couleurs, du XVIIIème siècle ; avec rehauts. 510x335mm et 550x370mm avec marges Gravure renmargée. Une mouillure dans la partie gauche, pratiquement invisible, visible au verso. Très décorative, dans l’état.
Bookseller reference : 8570
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BAILBY E
Cours de perspective linéaire élémentaire
P, Delagrave , 1874 , in4° à l' italienne 1/2 toile verte, 9 pp , 20 planches hors texte gravées Langue: Français
Bookseller reference : M6027
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Baker, David N.
The Jazz Style of Sonny Rollins - A Musical and Historical Perspective - Giants of Jazz Series
108 pages. Selected Bibliography; List of Compositions; Discography. Includes sheet music for: Vierd Blues; Doxy; Slow Boat to China; Tenor Madness; Newk's Fade-away; Tune Up; Airegin; Hold'em Joe; Keep Hold of Yourself; plus several pages of patterns. Somewhat above-average external wear. Binding intact. Unmarked. A sound working copy. Book
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BALI ALAIN G., DAVID COSSET, JEAN-LUC MABY (COLLECTIF BELLE JOURNEE EN PERSPECTIVE).
I’m a cliché
1979 Paris, Baudoin/Editions de Nesle, 1979238x238mm, 96p., broché sous couverture photographique.Préface de Marc Villard en français et anglais, traduite par Philippe Mikriammos,Titus, et 80 photographies en noir et blanc de la scène punk réalisées par le collectif « Belle journée en perspective », à Paris, Birmingham et Londres, légendées. On y croise Edwige, Alain Pacadis, Djémila.Ex-dono non identifié.
Bookseller reference : 103473
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BALTRUSAITIS (Jurgis).
Anamorphoses ou Thaumaturgus opticus.
S.l., Flammarion / Coll. ''Les Perspectives dépravées'', (1984). Un vol. au format pt in-4 (286 x 217 mm) de 223 pp. Reliure d'édition de pleine percaline grège, sous jaquette illustrée.
Bookseller reference : 29323
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Baltrušaitis, Jurgis
Anamorphoses ou perspectives curieuses
Olivier Perrin, Editeur, collection "Jeu savant", Paris, 1955. In-4, broché sous couverture rempliée et illustrée, 82 pp. I. Perspective accélérée ou ralentie - II. Anamorphoses : XVIe et XVIIe siècles (images et textes) - III. Descartes : les automates et le doute - IV. Querelle d'artistes : l'Académie contre Desargues et Bosse - V. Visionnaires allemands : ...
Bookseller reference : 4737
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Bishop Berkeley's Querist In Historical Perspective
Johnston Joseph
Dundalk : Dunalgan Press 1970. Book. As New. Hardcover. 1st Edition. 8vo - over 7� - 9�" tall. 220 Pages. Dunalgan Press Hardcover
Bookseller reference : 033899
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BONBON (Bernard S.)
Perspective scientifique & artistique. préface de J. Daynie
Eyrolles 1972 In-4. Broché, couverture illustrée, VIII-254 pp., 272 figures, 12 planches. Bon exemplaire.
Bookseller reference : 87264
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BOSSUET (F.)
Traité de perspective linéaire. Atlas.
Sans lieu, san nom, sans date. In-folio, 57 pl. Reliure demi-basane à coins.
Bookseller reference : 15471
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BOSSUET (F.)
Traité de perspective linéaire. Atlas.
In-folio, 57 pl. Atlas seul. Rassemble 57 planches. Bon exemplaire.
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BRETON (André)
Le Surréalisme et la peinture. Suivi de Genèse et perspective artistiques du Surréalisme, et de Fragments inédits.
Editions Brentano's, New York, 1945. Petit in-4 relié, cartonnage éditeur gris-foncé avec une grande vignette au premier plat, 203 pages. Cahiers cousus bien solidaires. Seconde édition achevée d' imprimer le 2 avril 1945, en partie originale. Cet ouvrage dut publié la première fois chez Gallimard, en 1928. Il est ici augmentée et revue par André Breton qui séjournait alors à New York. Il contient 64 planches recto/verso en noir et blanc, ainsi que 6 hors-texte en couleurs. Illustrations de Marc Chagall, Marcel Duchamp, René Magritte, Joan Miro, Yves Tanguy, etc. Photos hors texte en noir. Essai suivi de " Genèse et perspective artistiques du surréalisme" et de " Fragments inédits". Pas de grand papier annoncé. Index en fin de volume. Un des ouvrages indispensables sur le mouvement Surréaliste. - 890g.- Exemplaire bien frais, très bon état.
Bookseller reference : 30464
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BRÜCKE et HELMHOLTZ.
Principes scientifiques des Beaux- Arts.
In 8 reliure éditeur pleine toile lie de vin. Titre doré au dos et sur le premier plat, titre, 223 pages, 1 page de table des matières, catalogue de 32 pages, 39 figures dans le texte. Paris Librairie Germer Baillière & Cie 1878. Rousseurs, plus concentrées en début et fin de volume. Premier plat et dos, en partie, insolés. Edition originale.
Bookseller reference : 12321
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C. (L.) - B. (F. P.)
Abrégé de géométrie appliquée au dessin linéaire, au toisé et au lever des plans ; suivi des principes de l’architecture et de la perspective. Neuvième édition
Librairie Classique de L. Hachette - Moronval, Imprimeur-Libraire - Roret, Libraire 1836 In-16. Reliure de l’époque plein vélin, dos avec titre manuscrit, IV + 180 pp., 60 planches in fine. En l’état.
Bookseller reference : 53558
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Calif. Transonic Perspective Symposium 1981 Moffett Field
Transonic Aerodynamics Paas81: Technical Papers Selected from the Transonic Perspective Symposium Moffett Field California February 18-20 1981 Progress in Astronautics and Aeronautics V. 81
1982-02-01. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be re-issue. May be ex-library. Shipping & Handling by region. Buy with confidence excellent customer service! unknown
Bookseller reference : 0915928655 ISBN : 0915928655 9780915928651
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Calif. Transonic Perspective Symposium 1981 Moffett Field; David Nixon; Editor David Nixon; Corporate Author Ames Research Cente
Transonic Aerodynamics Paas81: Technical Papers Selected from the Transonic Perspective Symposium Moffett Field California February 18-20 1981 Progress in Astronautics and Aeronautics V. 81
Amer Inst of Aeronautics & 1982-02. Hardcover. Good. Amer Inst of Aeronautics & hardcover
Bookseller reference : SONG0915928655 ISBN : 0915928655 9780915928651
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Camerota, Filippo
Linear Perspective in the Age of Galileo. Ludovico Cigoli's ?Prospettiva pratica?.
cm. 17 x 24, xxii-360 pp. con 246 figg. n.t. e 19 tavv. f.t. di cui 18 a colori. Biblioteca di Galilaeana La Prospettiva pratica di Ludovico Cigoli ? insieme un?opera di letteratura artistica e uno straordinario documento scientifico del ruolo attribuito alla rappresentazione del mondo visibile nell?ambito delle ricerche galileiane. Composto da uno dei pittori pi? vicini a Galileo negli anni delle grandi scoperte astronomiche (1610-1613), il trattato illustra temi decisivi per il disegno prospettico, dalle proiezioni ortogonali alla proiezione delle ombre, dalle scene teatrali all?uso degli strumenti meccanici. Ludovico Cigoli?s Prospettiva Pratica (Practical Perspective) is both a work of artistic literature and a remarkable scientific document about the role attributed to the representation of the visible world within the scope of Galilean research. Composed by one of the painters closest to Galileo during the period of great astronomical discoveries (1610 -1613), the treatise illustrates several themes crucial to perspective drawing, from orthogonal projections to shadow projection, from theatrical scenes to the use of mechanical instruments. 736 gr. xxii-360 p.
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CASSAGNE Armand
Traité pratique de Perspective
Paris.1945.In-8 demi-toile à coins.212 pNombreuses figures.BE avec dos insolé.
Bookseller reference : 45744
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Caste System in India: A Historical Perspective
Caste System in India: A Historical Perspective
ABD Publishers 2013. New. S.N. Ambedkar. ABD Publishers unknown
Bookseller reference : OBC-9788183764001 ISBN : 8183764002 9788183764001
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Cb : A South Asian Perspective With Coursemate
Cb : A South-Asian Perspective With Coursemate
New/New. Brand New Paperback International Edition Perfect Condition. Printed in English. Excellent Quality Service and customer satisfaction guaranteed! paperback
Bookseller reference : BIBDEC-38067 ISBN : 813153071x 9788131530719
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Cb : A South Asian Perspective With Coursemate
Cb : A South-Asian Perspective With Coursemate
Cengage India. PAPERBACK. New . New Book. Shipped via DHL/FEDEX with tracking ID. Cengage India paperback
Bookseller reference : 9788131530719-ADNW ISBN : 813153071x 9788131530719
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Chambert, Christian (editor)
Art Planet: A Global View of Art Criticism, Vol. 1 No. 0
A clean, unmarked book with a tight binding. 214 pages.
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