‎Architecture‎

‎Maw, Terence (updated version)‎

‎The Church of All Saints; Brenchley Kent‎

‎No marks or inscriptions. No creasing to covers. A very clean very tight copy with bright unmarked boards and no bumping to corners. 12pp. Updated version of the booklet about All Saints Church at Brenchley, originally written by William Fear and Dr Arnold Hatch.‎

‎Mawson, Thomas H‎

‎The Art & Craft of Garden Making‎

‎London: Batsford 1926. This is a very good hardcover copy with just light wear. The gilt title on the spine is still bright though the green cloth is sunned. The front and back boards have a few faint lighter colored stains. Some foxing to the verso of the color frontispiece and right page-edge but still generally very clean throughout. The binding has a slight forward lean. Still overall very good. This is the fifth edition. Five full-page color plates hundreds of black & white photographs drawings details etc. 14" high X 1o" wide 440 pages. Large very heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Hard Cover. Very Good. Batsford Hardcover‎

Bookseller reference : 018540

‎Max Bill‎

‎Robert Maillart‎

‎Zurich: Les Editions D'Architecture/Artemis 1969. hard cover natural linen covered boards. lacks dust jacket. smattering of dust-spots or foxing to edges and a little to first and last few sheets. very small owner name date to front free endpaper. else no other writing or markings. no bumps or wear. strong binding.; parallel text in original german and french english translations.; 184pp. illustrated throughout in b/w photos plans. focus on the architect's concrete bridges of the early decades of the 20th century. Third Edition. Hard Cover. Very Good Minus/No Jacket. Square 8vo. Les Editions D'Architecture/Artemis Hardcover‎

Bookseller reference : 22359

‎Max Bill, Max Bense, Will Grohmann.‎

‎Max Bill. Malerei Und Plastik 1928-1968. Kunstverein Fuer Die Rheinlande Und Westfalen Duesseldorf, 20. Juli Bis 8. Sept. 1968‎

‎Dusseldorf, 1968, , 1968 Original publishers paper-covered boards, unpag. (ca. 120 Seiten) mit zahlr., teils farb. Abb. Deutsch . 4to.‎

‎CATALOGUE Kunstverein Fuer Die Rheinlande Und Westfalen Duesseldorf, 20. Juli Bis 8. Sept. 1968‎

Bookseller reference : 62884

‎Max Borka‎

‎Danny Venlet, Monograph‎

‎Hardback, 260x210mm, 160p, English edition, Publication date: [10/08]<. ISBN 978905856302613. Danny Venlet werd geboren in Victoria, Australie, uit Nederlandse ouders. In 1984 studeerde hij af als interieurvormgever aan het St-Lucasinstituut voor Architectuur en Beeldende Kunsten te Brussel, waarna hij naar zijn geboorteland Australie terugkeerde en zich vestigde als onafhankelijk designer en interieurarchitect. Hij werkte er aan een reeks prestigieuze projecten, waarmee hij de internationale pers haalde. Sinds 1995 verblijft Venlet afwisselend in Belgie en Australie en werkt aan projecten over de hele wereld. Zo ontwierp hij in 2002 voor de 'Carte Blanche' collectie de 'Easy Rider', een mobiel object dat tegelijk stoel en tafel is en dat een minimum aan middelen verbindt met een maximum aan flexibiliteit, zowel wat positie in de ruimte als wat toepassingen betreft. Despite his reputation of being one of the world's best and most promising designers, the work of Danny Venlet (?°1958, Victoria, Australia) is one of the best kept secrets in the world of design. While this may partly have its reason in the fact that Venlet has been living and working in two opposed parts of the world, Australia and Belgium, it may also be explained by what largely defines the essence of his personality and work - modest, thriving on understatement, laidback and relaxed. Finally, there is the fact that Venlet - despite his being credited as the inventor of a curvy and more organic and humanising minimalism - does not cultivate one single style as designer and interior architect. People are his main material, and bring him each time to a different solution, teasing or pleasing, in order to make them change their attitudes or interact. This book gives a first and all-encompassing overview of two decades of a career that did not only revolutionize the world of office, outdoor and residential furniture, with award winning designs as the 'Easy Rider' and the 'Viteo Shower', but also introduced a total new concept of interior architecture, in which objects and users are no longer dominated by space, but the reverse.‎

‎Max Cramer, Hans van Grieken, Heleen Pronk‎

‎W.M. Dudok 1884-1974‎

‎, Van Gennep / Stichting Architectuur Museum 1981, 1981 Paperback, 148 pagina's, NL, 275 x 210 mm, in goede staat, met tal van foto's / illustraties in z/w. ISBN 9789060124789.‎

‎Willem Marinus Dudok (Amsterdam, 6 juli 1884 ? Hilversum, 6 april 1974) was een Nederlands architect en stedenbouwkundige. Hoewel niet opgeleid als architect, is hij onder meer bekend door zijn ontwerp van het raadhuis in Hilversum. Hij maakte voor Hilversum in totaal 75 ontwerpen (enkele niet uitgevoerd en enkele reeds gesloopt), een unicum in de Nederlandse architectuur. Hij kreeg wereldwijd erkenning, vooral uit de VS en Japan.‎

Bookseller reference : 59126

‎Max Hirmer Norbert Lieb Irmgard Ernstmeier-Hirmer Albert Hirmer‎

‎Barockkirchen zwischen Donau und Alpen‎

‎München : Hirmer 1984 177 pages 22 6x4x29 4cm. 1984. Cartonné jaquette. 177 pages.‎

‎proche du neuf avec sa jaquette et son emboîtage cartonné‎

Bookseller reference : 100125907

‎Max Pam , Hans Renders , Piet Schreuders‎

‎HET UNIVERSUM VAN WILLEM FREDERIK HERMANS‎

‎, De Harmonie, 2023 Hardcover, 452 pag. NL, 245 x 245 x 40 mm, NIEUW, veel info, illustraties / foto's in kleur / z/w, Meer dan 400 pagina's nooit eerder gepubliceerde foto's, manuscripten en documenten. ISBN 9789463361644.‎

‎Talloze studies zijn er verschenen sinds de dood van schrijver Willem Frederik Hermans (1921-1995), maar altijd bleef n aspect daarin onderbelicht: zijn speelse kant. Max Pam, Hans Renders en Piet Schreuders stelden op basis van nooit eerder gepubliceerde brieven, foto?s en andere documenten uit het niet-openbare archief-Hermans een nieuw en levendig portret samen van deze creatieve en fantasierijke kunstenaar. Het is een documentaire op papier, waarin beeld en tekst, chronologisch gerangschikt, een nieuw inzicht geven in Hermans? veelzijdigheid. Het universum van Willem Frederik Hermans/is niet alleen een unieke bron van informatie voor de doorgewinterde hermansiaan, maar ook een vrolijke introductie op leven en werk van een van de grootste schrijvers van Nederland.‎

Bookseller reference : 61631

‎Max Reisnger, Hubert Grenzer, Helmut Wachter, Karl Neupert‎

‎Stadtebild und Landschaft Reichsheimstattenamt der DAf, Planungsabteilung‎

‎gebunden, Mit 219 Abb. im Text und auf (teils gefalt.) Tafeln. Gr.-4?°. 181 S., 1 Bl. OLwd. Einzige Ausgabe Sprache: Deutsch . Mit teils ausgefuhrten Planen und Modellen zahlreicher sachsischer Orte. - Bemmann/J. V/1, 2406. - Das mit XV Seiten romisch paginierte Vorwort fehlt, offensichtlich zu "DDR"-Zeiten aus politischen Grunden herausgetrennt‎

‎Max Ritter, lodie Turquois (eds)‎

‎Imagery and Aesthetics of Late Antique Cities‎

‎, Brepols, 2025 Hardback, Pages: x + 197, Size:216 x 280 mm, Illustrations:4 b/w, 17 col., 4 tables b/w., Language: English. ISBN 9782503611914.‎

‎Summary While the role of the city in Late Antiquity has often been discussed by archaeologists and historians alike, it is only in recent years that scholarship has begun to offer a more nuanced approach in our understanding to how such cities functioned, stepping away from the traditional paradigm of their decline and fall with the collapse of the Roman Empire. In line with this approach, this deliberately interdisciplinary volume seeks to provide a more multifaceted understanding of urban history by drawing together scholars of literary and material culture to discuss the concepts of imagery and aesthetics of late antique cities. Gathering together contributions by historians, philologists, archaeologists, literature specialists, and art historians, the volume aims to explore the imagery and aesthetics of cities in Late Antiquity within a strong theoretical framework. The different chapters explore the aesthetics of cityscape representations in literature and art, asking in particular whether literary representations of late antique urban landscapes mirror the urban reality of eclectic ensembles of pre-existing architecture and new buildings, as well as questioning both how the ideal of the city evolved in the imagination of the period and if imperial ideology was reflected in literary depictions of cities. TABLE OF CONTENTS List of Illustrations Abbreviations Imagery and Aesthetics of Late Antique Cities. An Introduction Elodie Turquois From the City of Indians to Jerusalem. Nonnus of Panopolis' Real and Imagined Cities Arianna Rotondo Experiencing a City in Harmony. The Aesthetics and Ethics of Gaza in Choricius's Panegyrics Jan R. Stenger Aesthetics of Urban Decor in Sixth-Century CE Greek ekphraseis. Gaza and Constantinople Delphine Lauritzen Constantinople in the Latin Geographical Imagination (300-600) Caroline B langer The Emperor as Builder: Justinian, Constantinople, and the Past in Malalas' Chronographia and Procopius' Buildings Olivier Gengler From Constantinople to Edessa. Syriac Historians and the Justinianic City Lea Niccolai Cityscapes in Early Syriac Poetry. Nisibis, Amida, Edessa Philip Michael Forness The Beautiful Wall. Militarized Cityscapes in the Age of Justinian Conor Whately A Land of Small Forts and Cross Walls. The Sixth-Century Balkans according to the Buildings Alexander Sarantis The City Foundations of Justinian between Imagery and Reality through the Lenses of Justiniana Prima and Caput Vada Max Ritter Why Depict a City? Urban Imagery in the Early Medieval Eastern Mediterranean Bill Leal Why Else Depict a City? A Response Philipp Niew hner Epilogue. Cities of the Mind, Cities of the Heart, Cities of Stone Hendrik Dey‎

Bookseller reference : 70576

‎Maxbel‎

‎STOVE CATALOG SPAIN Maxbel Cocinas Y Hornillos A Gas‎

‎Color illustrated wraps. Very good. 10 pages. 15 x 12 cm. c. 1950's. Fully illustrated stove catalog featuring dimensions - with individual prices typed in. Barcelona business stamp on rear: Jose Amado Mingrat. Covers lightly rubbed. <br/><br/> paperback books‎

Bookseller reference : 2167

‎Maxime Cizaletti‎

‎Nouvelles façades et détails d'Architecture - 48 Planches - Complet‎

‎Paris Alexis Sinjon 1929 In folio ( 33 X 25 cm ) en feuilles sous chemise cartonnée de l'éditeur - Demi toile rouge - Défauts a la coiffe inférieure de la chemise - 4 ff ( titres , introduction et tables ) + 48 planches - Complet - Très belle représentation de l'architecture Art-Déco .‎

‎Satisfaisant‎

Bookseller reference : Arm391

‎Maximus the Confessor, Joshua Lollar (ed)‎

‎Ambigua to John. Volume I: Translation‎

‎, Brepols, 2024 Paperback, 400 pages, Size:156 x 234 mm, Language(s):English, Greek. ISBN 9782503579467.‎

‎Summary In the Ambigua to John, the great early Byzantine monastic theologian and philosopher Maximus the Confessor (580 - 662) is at work in his most creative and expansive mode. Using difficult passages in Gregory Nazianzen as starting points for his thinking, Maximus draws together various strands of the theological and philosophical traditions he inherited and shapes an ever-moving, kaleidoscopic vision of the journey through the world of place, time, and materiality to final dynamic repose in eternity. Throughout the text, Maximus takes his readers along the many paths his own mind traveled to clarify this breathtaking reflection of the teachings of Scripture and the patristic tradition. In this translation of the first fully critical edition of Maximus's text, the streams of the Confessor's divine philosophy are revealed in their own right. This translation will be followed with the first full commentary on the Ambigua to John in English, to appear in Corpus Christianorum in Translation. The source text of this volume will appear in Corpus Christianorum, Series Graeca, 84. TABLE OF CONTENTS Introduction Bibliography The Ambigua to John Index of Scriptural References Index of Non-Biblical Sources General Index‎

Bookseller reference : 63513

‎Maxwell, Robert A.‎

‎The Art of Medieval Urbanism: Parthenay in Romanesque Aquitaine‎

‎A clean, unmarked book with a tight binding. Full brown cloth boards with gilt lettering. 9 1/4"w x 10 3/4"h. 376 pages. "The Art of Medieval Urbanism examines the role of monumental sculpture and architecture in the medieval cityscape, offering a pathbreaking interpretation of the relationships among art, architecture, and the history of urbanism. In the first study of its kind, Robert Maxwell shifts attention away from the great Gothic cities of the later Middle Ages to focus on the urban context of art making in the earlier Romanesque era." [Publisher]‎

‎May, A. & G de; Vicens, Francesc; Gomis, Joaquim‎

‎Kathedrale von Tarragona. Die Sprache des Sehens.‎

‎Barcelona, Ediciones Poligrafa, 1970. 8°. 127, 240 Seiten, 4 Blatt. Original-Leinenband. Original-Schutzumschlag.‎

‎1. Auflage. Viersprachige Ausgabe: Deutsch-Französisch-Englisch-Spanisch. Mit zahlreichen Abbildungen. Umschlag mit geringen Randläsuren. Gutes Exemplar. First edition. Four lingual edition: English-German-Spanish-French. With many illustrations. Original cloth binding with dust jacket. Good copy.‎

Bookseller reference : 37886AB

‎Maya - AVENI A.& HARTUNG H‎

‎Maya City Planning and the Calendar.‎

‎Philadelphia. The American Philosophical Society. 1986. 87 pages. With 17 figures and tables. Original softcover binding (Title with library stamp) 25x17 cm‎

‎* Transactions Volume 76, Part 7.‎

Bookseller reference : 19909

‎MAYASSIS Sotirios‎

‎ARCHITECTURE - RELIGION - SYMBOLISME. Origines, formation et évolution de l'architecture. * Volume 1: LE BOIS. * Volume 2: LA PIERRE.‎

‎B.A.O.A. Athènes 1964 2 forts volumes in-8 ( 255 X 180 mm ) de XVI-705 et XVI-565 pages, brochés sous couvertures imprimées. Figures dans le texte. EDITION ORIGINALE. Petites traces de solarisation sur les couvertures et les dos, bons exemplaires.‎

Bookseller reference : 354165

‎Maydieu-Maffre Hélène, Maffre Philippe‎

‎Bordeaux- Les rues du centre historique‎

‎Editions Koegui/Editions Cairn. 2010. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 192 pages. Jaquette correcte. Nombreuses illustrations en noir et blanc et en couleurs.. Avec Jaquette. . A l'italienne. Classification Dewey : 720-Architecture‎

‎Dessins par Dominique Duplantier, Couleurs par Francine Callède. Introduction par Dominique Dussol. Classification Dewey : 720-Architecture‎

Bookseller reference : RO30375610

‎Mayenfisch.-‎

‎Hans E. Mayenfisch.‎

‎Zürich, Berichthaus, 1958. Gr.-8°. 48 S. Mit zahlr. Abb. Orig.-Broschur. = "Neujahrsblatt 1958 der Zürcher Kunstgesellschaft".‎

‎Rohr 1112. - Mit Beiträgen von René Wehrli, Gotthard Jedlicka und Ernst Morgenthaler.‎

Bookseller reference : 12085AB

‎MAYER, A.L‎

‎Alt-Spanien. (Architektur und Kunstgewerbe. Hrsg. auf Anregung v. G. Ernst. 2. verm. u. verb. Aufl.) München, Delphin-Vlg,.‎

‎(1922). 4to. 24 S., 200 Taf. m. 661 Abb. (Architektur u. Kunstgewerbe d. Auslandes 3). OLwd (Einbd angestaubt u. etwas fl.)‎

Bookseller reference : 1506875

‎Mayer, Alfred (Hrsg.):‎

‎Olaf Gulbransson. Fünfzig unveröffentlichte Zeichnungen.‎

‎München, Georg Müller, 1914. Gr.-4°. 105 (4) S. Mit einem Porträtfrontispiz sowie zahlr. Abb. im Text und auf Tafeln (dv. 3 farbig). Illustr. Orig.-Leinenband (berieben, bestossen und fleckig).‎

‎Vorsätze stärker, sonst leicht gebräunt. Durchgehend leicht stockfleckig.‎

Bookseller reference : 27988AB

‎MAYER, August L.:‎

‎El estilo gótico en España. Traducido del Alemán por Felipe Villaverde. Segunda edición.‎

‎4to, 27cm. Pp. 307,[3]. 155 latge halftone photos, notes & refs., indexes. Orig. printed decorated cloth. Binding very slightly marked, contents fine.‎

‎MAYER, August Liebmann.‎

‎El Estilo Gótico en España. Traducción del alemán por Felipe Villaverde.‎

‎Madrid, Espasa Calpe, 1929. Folio; 310 pp., con 155 ilustraciones fotográficas entre el texto. Enc. original en tela estampada. Primera edición española.‎

‎MAYER, August Liebmann.‎

‎Historia de la Pintura Española.‎

‎Madrid, Espasa Calpe, 1928. Folio; VIII-500 pp., 1 h., con 391 ilustraciones entre el texto, y 23 láminas en color, aparte. Primera edición española. Encuadernación original en tela estampada. El gran historiador del arte hispánico acabó sus dias exterminado por judío en el Campo de Concentración de Auchswitz en vísperas del final de la WW2.‎

‎MAYER, August Liebmann.‎

‎La Pintura Española. Traducción de Manuel Sánchez Sarto.‎

‎Barcelona, Labor, 1937. 4to.; 274 pp., con 72 láminas en blanco y negro y 5 láminas en color. Encuadernación original en media tela y cartoné impreso.‎