‎Architecture‎

‎André Triaud‎

‎Les Rostand en images‎

‎L'Association des Amis d'Arnaga, des Arts et de la Culture, Cambo-les-Bains, 1995. Fascicule in-8, 32 pages, nombreuses illustrations N&B et couleurs. Joli témoignage de la vie de la famille Rostand au sein de la villa Arnaga de Cambo. Subitile couverture couleur beurre frais. Très beau document en parfait état‎

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‎André Verstein‎

‎Le théâtre expérimental tendances et propositions‎

‎1968. Paris éditions La Renaissance du livre coll. Dionysos 1968 - Broché couv. rempliée 18 5 cm x 20 5 cm 118 pages - Texte de André Verstein - Dessins et photos N&B in et hors-texte - État neuf‎

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‎ANDRÉS ORDAX, Salvador.‎

‎La escultura romanista en Álava.‎

‎Vitoria-Valladolid, Diputación Foral de Álava, Universidad de Valladolid, 1973. 4to. mayor; 28 pp. sin numerar y 18 láminas fuera de texto. Cubiertas originales.‎

‎Andy Lim ; Rajka Knipper ; Gerhard Winkler‎

‎Gerhard Winkler : stationtostation-timeaftertime : Landschaften 1993 - 2008‎

‎, Darling Publications, 2008 Hardcover, 64 pages, ENG / GER, 220 x 170 x 15 mm, NEW / NEU, ill. in colour / b/w. ISBN 9783939130789.‎

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‎Andy Lim ; Birgit Rautenberg ; Matthias Harder‎

‎Birgit Rautenberg : Musterhaus‎

‎, Darling Publications, 2008 Hardcover, 64 pag. German, 220 x 170 x 15 mm, NEU, ill. in farbe. ISBN 9783939130826.‎

‎From 1996 to 2002, Birgit Rautenberg studied photography with Dirk Reinartz at the Muthesius Academy of Art in Kiel. Her diploma thesis ?In my own body. About trying to get closer to your ideal.? (A documentary about cosmetic surgery), was awarded the BFF sponsorship prize for the best diploma theses in the field of photography in 2002. Her artistic work is mainly in the field of landscape photography; her work has been shown in numerous group and several solo exhibitions. Furthermore, Birgit Rautenberg works as a freelance photographer in Kiel in the fields of documentation, landscape and portraits. She has published in various magazines (Neon, Geo, B rsenblatt, Fotonews, Neue Z rcher Zeitung). Birgit Rautenberg is married to the German writer and artist Arne Rautenberg‎

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‎Andy Lim ; Emilie Bilotto ; Nicolas Gilles‎

‎NICOLAS GILLES : LUTHIER MONTPELLIER : 4 Quatuors‎

‎, Darling Publications, 2011 Hardcover, 60 pages, ENG / FR, 350 x 330 x 15 mm, NEW, illustrated in colour / b/w, large format , rare. ISBN 9783941765481.‎

‎Nicolas Gilles est n en 1977 Montpellier o il installe son premier atelier apr s un parcours de formation d coulant d?une sensibilit musicale d s son jeune ge. En 2016, Nicolas tablit son atelier de lutherie dans l?ancienne manufacture Royale de Villeneuvette. Ce village du XVIIeme si cle class monument historique est un crin pr cieux o l?histoire et la nature sont pr serv es s?accordant avec beaut la fabrication des instruments du quatuor. Il s?inspire principalement des grands luthiers Italiens du 18 me si cle (Cr mone, Venise, Breccia) qui ont d velopp le violon dans sa perfection sonore et esth tique. Tout au long de la fabrication, son intuition, son exp rience et l? change avec les musiciens le guident dans ses choix sonores et esth tiques. Ses instruments sont appr ci s en Europe et aux Etats Unis par des solistes et professeurs de Conservatoires.‎

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‎Andy Lim ; Jonathan Meese ; Arne Rautenberg‎

‎Arne Rautenberg : Vermeeren‎

‎, Darling Publications, 2007 Hardcover, 96 seiten, German, 220 x 135 x 18 mm, Neu, illustr. in farbe, . ISBN 9783939130284.‎

‎It's not every day that you hold such a beautiful and graphically appealing volume of poetry in your hands. See and read, that's what Arne Rautenberg says on almost 100 pages of collages and poems, with lyrical harlequinades and well thought-out pictorial poetry. The title says it all: Whoever hears it, hears the word "increase". Anyone who reads it reads a linguistically creative ?vermeeren?. Anyone who sees art as the focus thinks of Vermeer.‎

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‎Andy Lim ; Mitsy Groenendijk‎

‎Mitsy Groenendijk : Monkeys II‎

‎, Darling Publications, 2005 Hardcover, 40 pages, Multilingual !, 220 x 135 x 13 mm, New, illustrated in colour, available in white cloth and orange cloth. ISBN 9783980959582.‎

‎Mitsy Groenendijk (1952) is a well-known Dutch artist. She was one of the forewomen of the 'Sirens' who made Amsterdam unsafe at the end of the last century with a female-presented painting that harked back to Romanticism.‎

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‎Andy Lim ; Rafael von Uslar, Susanne Rottenbacher‎

‎Susanne Rottenbacher, Volume I - Beginning to see the light, Band 1 einer zweiteiligen Monografie‎

‎, Darling Publications, 2009 Hardcover, 48 pages, ENG / GER, 330 x 330 x 15 mm, NEW / NEU, illustr. in colour / b/w.Large Format ISBN 9783941765061.‎

‎Susanne Rottenbacher studied stage design at Barnard College[1] from 1988 to 1991 in New York (B.A.) and then (1991-1992) completed a degree in light (MSc) at the Bartlett School of Architecture and Planning in London. She worked as a set designer at the Deutsche Oper Berlin and as a light designer for the "LichtKunstLicht" planning office. In this context, among other things, she designed the lighting design for the Federal Chancellery and the new government buildings. She has been working as a freelance light artist since 2007. Susanne Rottenbacher creates expansive installations from sculptural elements that can best be described as light-colored bodies. Her sculptures are characterised by great lightness and transparency and change in dialogue with the surrounding space and times of day. They penetrate the surrounding space like three-dimensional drawings and thus reinterpret it. The organically curved forms seem to be in dynamic motion and at the same time frozen in time and space‎

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‎Andy Pankhurst , Lucinda Hawksley‎

‎Kunst 80 meesterwerken uitgelegd.‎

‎, Librero, 2025 Hardcover, 224 pagina's, 24 x 17.5 cm, NL. *Nieuw . ISBN 9789463597302.‎

‎Waarom steken sommige kunstwerken met kop en schouders uit boven de rest? Uitzonderlijke kunstwerken raken de toeschouwer dieper dan gewone schilderijen en beelden. Dit boek toont een selectie van 80 uitzonderlijke meesterwerken uit alle windstreken en tijdperken, en vertelt daarbij wat deze kunstwerken tot topstukken maakt: sommige blinken uit door compositie of kleurgebruik, andere door diep menselijk inzicht of door krachtige expressie van emoties. In kort bestek laten Andy Pankhurst en Lucinda Hawksley zien wat deze stukken tot meesterstukken maakt en hoe kunstenaars in elk tijdperk hun talenten op een andere manier inzetten.‎

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‎Andy Steel ; Liz Farrelly‎

‎Celebrity and Performance : The World's Top Photographers Workshops‎

‎, Rotovision, 2009 Hardcover, 176 pages, ENG, 255 x 255 x 18 mm, in good condition, illustrated in colour. ISBN 9782940378401.‎

‎Demonstrates how to shoot big personalities. This title showcases the work reflecting the various aspects of celebrity and performance photography, including projects shot in studios, on sets, in theatres, on stage, and on location.‎

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‎Anelli, Renato‎

‎Architettura Contemporanea : Brasile‎

‎Mm 270x240 Collana " Motta Architettura ". Volume cartonato rigido, copertina illustrata, 144 pp. con disegni ed illustrazioni a colori nel testo. Libro in perfette condizioni di nuovo, spedizione in 24 ore dalla conferma dell'ordine.‎

‎Aneurin Ellis-Evans‎

‎Alexandreia Troas in the Hellenistic Period. War, Finance, and Civic Identity‎

‎, Brepols - American Numismatic Society, 2025 Hardback, Pages: xxviii + 234, Size:210 x 297 mm, Illustrations:47 b/w, 8 tables b/w., 27 b&w plates, Language: English. ISBN 9780897227438.‎

‎Summary This book uses the best but least exploited evidence we have for Alexandreia Troas-its coinage-to explore the city's Hellenistic history and the reception of that Hellenistic past in the imperial period after the polis was replaced by a Roman colony under Augustus. Alexandreia was especially valued by the various states that contended for control of the Greek world in the Hellenistic period for its strategic location at a crossroads in the eastern Mediterranean. As a result, the fate and fortunes of this community were tied to the shifting geopolitics of the Hellenistic world to an unusual degree. In the relative absence of other evidence, it is the coinage of Alexandreia that allows us to reconstruct the city's complex relations with external powers, to trace the community's struggle as a newly founded polis to define its place in the Greek world, and to understand how the city's Hellenistic past was rewritten in the imperial period. TABLE OF CONTENTS List of Maps and Figures List of Tables List of Plates Acknowledgments Abbreviations Credits Part I: Alexandreia Troas in the Hellenistic Period Introduction The Synoikism of Alexandreia Troas Alexandreia Troas in the Third Century Alexanders for the Attalids The Cult of Apollo Smintheus The Coinage in the Name of Apollo Smintheus Alexandreia Troas and the First Mithridatic War The Era of Alexandreia Troas Alexandreia Troas and Rome Alexandreia Troas and Its Past in the Time of Commodus Conclusions Part II: Catalogue Introduction to the Catalogue Alexandreia Troas: Persic-Weight Coinage Alexandreia Troas: Posthumous Alexanders Alexandreia Troas: Seleucid Coinage Alexandreia Troas: Apollo Smintheus Coinage Alexandreia Troas: Bronze Coinage Hamaxitos, Kebren, and Larisa: Bronze Coinage Alexandreia Troas: Figures for Gold and Silver Alexandreia Troas: Summary of Hoards for Gold and Silver Alexandreia Troas: Summary of Types for 2-4 Addenda and Corrigenda Bibliography Index of sources General index‎

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‎ANFRAY M.-‎

‎L'Architecture religieuse du Nivernais au Moyen Age.-‎

‎Les Eglises romanes. Préface de Marcel Aubert. Illustré de 51 figures dans le texte, 60 planches h.-t. et 1 carte. Paris. Picard. 1951. Fort in-4 br. couverture imprimée en noir et rouge, 326pp. Très bel exemplaire.‎

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‎Ang line Rais‎

‎Antiquarian Book Trade in Switzerland Sir Thomas Phillipps's Acquisitions in the 1820s and their Later Dispersal‎

‎, Brepols, 2026 Hardback, 430 p., 216 x 280 mm, Illustrations:14 b/w, 7 col., 3 tables b/w, .Language(s):English *New . ISBN 9782503616209.‎

‎In 1822?1823, the obsessive British collector Sir Thomas Phillipps (1792?1872) spent a year in Switzerland planning to reduce his spending on books. Yet, by the time he returned to England, he had bought some 850 manuscripts and printed volumes. The historical context of these acquisitions offers a unique case study of the workings of the Swiss market in rare books in the first half of the nineteenth century. The Antiquarian Book Trade in Switzerland shows how this market was organised, how booksellers gathered and sold their stock, what kinds of books were available for sale, and the repercussions of Phillipps?s purchases on the formation of libraries in the twentieth century. Combining archival research, the survey of sale and library catalogues, and the material analysis of books, this monograph argues that the Swiss book trade was a thriving business led by professional and amateur dealers who sold rare and modern volumes in shops, private houses, and religious institutions. Phillipps?s motives for obtaining these items (and those of the owners who bought them after his death) also indicate that books were acquired for their aesthetic quality and prestige, historical and literary research, and political purposes. Illustrating the changing values assigned to books, this study demonstrates how many of these volumes became treasures of the world?s cultural heritage.‎

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‎Angel Martín Ramos‎

‎LA CONSTRUCCION DE TOLOSA.‎

‎1993 / 426 pages. Broché au format : 25 x 34 cm. Editions COAVN‎

‎Très bon état / Very good condition.‎

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‎Angela Cossu, Elvira Zambardi (eds)‎

‎Uses and Reuses of Medieval Manuscript Books / Usi e riusi del libro manoscritto nel Medioevo. Southern Italy. Latin Manuscripts / Italia meridionale. Manoscritti latini‎

‎, Brepols, 2026 Hardback, Pages: 280, Size:216 x 280 mm, Illustrations:24 b/w, 83 col., 8 tables b/w., Languages: Italian, French, English. ISBN 9782503616827.‎

‎Summary Manuscript books have many lives. Once assembled, they scarsely remain unchanged. They can be read and re-read, annotated, supplemented, dismembered, restored and physically moved, even more than once. The volume 'Uses and Reuses of Medieval Manuscript Books. Southern Italy. Latin Manuscripts' investigates these multiple lives through an interdisciplinary approach that embraces codicology, paleography, philology, and art history. With a focus on book circulation in Latin Southern Italy, the volume brings together 14 contributions written in three languages. Through rich and diverse case studies, the authors offer a new perspective on the history of the book. Divided into three thematic sections ('Uses and Reuses of Classical Texts, 'Manuscripts en route', 'Material and Immaterial Reuses'), the book explores the 'marginal' traces left by readers, the philological reception of texts, material transformations, and the journeys of codices. The volume reconstructs through these lenses the influence of manuscripts on medieval intellectual activity and offers insights that extend from the specific context of southern Italy to broader geographical and diachronic scales. L'histoire d'un codex commence la fin de sa fabrication, apr s la copie du texte. Mais les livres manuscrits n'ont pas qu'une seule vie : ils peuvent tre lus et relus, annot s, int gr s, divis s, ou encore d plac s, plusieurs reprises, de leur lieu de conservation. Bien que non pr vues dans le projet initial, les annotations marginales des lecteurs, les corrections du texte, les ajouts au d cor sont des op rations qui t moignent de la r utilisation du manuscrit, et donc de son v ritable usage au fil du temps. Ces traces laiss es par les lecteurs permettent de reconstituer l'influence des livres dans l'activit intellectuelle, personnelle et collective dans un lieu ou une p riode donn e. Le volume Usi e riusi del libro manoscritto nel Medioevo meridionale s'ins re dans cette dimension de renouvellement des tudes, avec un focus sur la circulation du livre en Italie m ridionale, en particulier dans le domaine latin, par le biais d'une approche interdisciplinaire, qui allie la codicologie, la pal ographie, la philologie, l'histoire de l'art et des biblioth ques. La storia di un codice inizia quando esso finisce di essere allestito e copiato. Ma i manoscritti non hanno una sola vita: vengono letti e riletti, annotati, integrati, smembrati, risarciti e, inoltre, possono essere spostati, anche pi di una volta, dal loro luogo di conservazione. Bench non previste nel progetto iniziale, queste operazioni testimoniano il vero uso, e quindi riuso, del manoscritto. Le tracce lasciate dai lettori, le manipolazioni e gli spostamenti permettono cos di ricostruire l'influenza dei libri nell'attivit intellettuale, personale e collettiva, di un determinato luogo o periodo. Il volume Usi e riusi del libro manoscritto nel Medioevo meridionale si inserisce in questa dimensione di studio, con un focus sulla circolazione libraria nel Meridione italiano, in particolare latina, attraverso un approccio interdisciplinare che abbraccia codicologia, paleografia, filologia, storia dell'arte e storia delle biblioteche. TABLE OF CONTENTS Introduction, Angela Cossu - Elvira Zambardi I. Uses and Reuses of Classical Texts / Usi e riusi dei testi classici Adriano Russo, Riuso dei libri e trasmissione dei classici: la tradizione della prima Deca in Italia centro-meridionale Filomena Bernardo, L'Ovidius Neapolitanus: la storia di un manoscritto attraverso il suo (ri)uso come antigrafo Caterina Pentericci, El Escorial Codex T. II. 8 and the beginning of Plautine Itala recension II. Manuscripts en route / Manoscritti in viaggio Andrea Puglia, Migrazioni di codici dall'Italia meridionale alla Toscana nordoccidentale tra XI e XII secolo. Prime ricerche Valeria De Fraja - Francesco Siri, Dn 11, les craintes apr s les V pres siciliennes, et la biblioth que de la cath drale de Messine Claudia D'Alberto, The ?Cronico del Re Giovannino? in the Latin Barberini Fund of the Vatican Apostolic Library: Connections, Provenance and Reuses Franco Benucci - Matteo Calzone, Da Padova a Parigi: usi e riusi d'un Giuseppe Flavio nel Medioevo meridionale III. Material and Immaterial Reuses / Riusi materiali e immateriali J r my Delmulle, Vittore, vescovo di Capua (541-554), lettore, annotatore e revisore di codici Michele Campopiano, Storia e memoria nell'Italia meridionale. Rappresentazioni del passato e pratiche compilative: alcuni esempi e la loro influenza (secoli IX-XI) Anna Gili, Lire la ?Pantegni? entre le xiiie et le xive si cles : le t moignage du codex Napoli, Biblioteca Nazionale Vittorio Emanuele III, VIII.D.39 dans son contexte Chiara De Angelis - Elvira Zambardi, Reuses of Reuses: The Case of Glossed Biblical Fragments at Montecassino Chiara Paniccia, Nuovi materiali per la storia della miniatura (secc. XII-XV). Le pergamene reimpiegate dell'Archivio di Stato di Viterbo e della Biblioteca degli Ardenti Closing words, Marilena Maniaci - Universit di Cassino e del Lazio Meridionale‎

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‎Angela Grauerholz , Eduardo Ralickas‎

‎Angela Grauerholz : The 2015 winner of the Scotiabank Photography Award‎

‎, Steidl Publishers 2016, 2016 Hardcover, 234 pages, English, 310 x 255 mm, book in new state, . ISBN 9783958291225.‎

‎Over the course of her career, Angela Grauerholz has created a subjective vision of our world, full of intimate moments that reveal the passage of time. Her spaces are filled with people, glimpses of public and private interiors, and ethereal rural and urban landscapes. The out-of-focus quality of her photographs transforms them into a stream of consciousness, generating a sense of collective memory. She considers this approach ?a representation of our experience: a continuous prodding into something that escapes us continuously.? Turning away from the single image shown on the wall, her photographs are displayed inside cabinets, in portfolios or on sliding panels. This method creates new viewing possibilities, opens up narrative potential, and pushes the concept of the archive to reveal its potentially endless thematic categories and points of entry. Grauerholz?s attention to how the medium is displayed and experienced makes the viewer an active participant in her photographic universe.‎

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‎Angela Lampe (Ed.)‎

‎Kandinsky Pionier van de abstracte kunst‎

‎, Waanders, 2024 softcover 144 pag. met prachtige illustraties. ISBN 9789462586369.‎

‎Volg Wassily Kandinsky op zijn reis van het impressionisme naar de abstracte kunst Wassily Kandinsky (Moskou 1866-Parijs 1944) is van niet te onderschatten betekenis geweest voor de kunst. Zijn ontwikkeling verliep van figuratief, bijna impressionistisch werk, naar een organische, hybride vormentaal. Dit boek laat de artistieke weg van de Russisch-Franse kunstenaar zien. Hij was een van de pioniers van de abstracte kunst die de kunstwereld op zijn kop zette. Kandinsky werd geboren in tsaristisch Rusland, vestigde naam als leraar aan het vermaarde Bauhaus in Duitsland, ontvluchtte het fascisme en kwam terecht in Frankrijk waar hij tot Fransman werd genaturaliseerd. Oorlogen, crises en revoluties hadden hun beslag op de kunstenaar. Zijn onwaarschijnlijke levensverhaal is terug te zien in de rijkdom van zijn kunst. Dat er zoveel van hem bewaard bleef, is te danken aan zijn weduwe Nina. Zij schonk kunst en archiefstukken aan de Franse staat. Daar kwamen ze terecht in Centre Pompidou, een van de grootste musea voor moderne en hedendaagse kunst ter wereld. Dit boek verschijnt bij de tentoonstelling in H?ART Museum. Het museum laat topstukken zien als Mit dem schwarzen Bogen (1912), Accord r ciproque (1942) maar ook het levensgrote Salon (1922). Het is de reconstructie van het Bauhauswerk dat tijdens het bombardement op Berlijn verloren ging.‎

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‎Angela Sanna‎

‎art de l'Impressionnisme‎

‎, Place des Victoires, 2010 Couverture souple, 199 pages, 24 x 22 cm, FR. *En bon tat. ISBN 9782809901320.‎

‎Des d buts de l'impressionnisme au post-impressionnisme, cet ouvrage propose au lecteur de d couvrir l'un des mouvements picturaux majeurs du XIXe si cle. Les plus grands artistes ? Manet, Monet, Renoir ? sont repr sent s travers leurs ?uvres majeures. Une approche chrono-th matique permet au n ophyte de comprendre l'origine et l' volution de ce courant artistique essentiel, qui a pr par le terrain aux avant-garde du d but du XXe si cle. Des chapitres sont galement consacr s au pointillisme et au post-impressionisme. Cette s lection d'environ 200 ?uvres est compl t e par de riches annexes (chronologie, biographies, glossaire...).‎

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‎ANGELI Diego Abondamment illustré.‎

‎Rome. Parte seconda. Da Costantino al Rinascimento. Italia artistica N° 15 .‎

‎Couverture souple. Broché. 183 pages. Sous emboîtage. 19 x 25 cm. Manque au dos.‎

‎Livre. Monografie illustrate pubblicate sotto la direzione del Dott. Corrado Ricci. Abondamment illustré. Istituto italiano d'Arti grafiche, editore, 1908.‎

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‎Angeli Renato G. (a cura)‎

‎Edifici industriali. Numero monografico di Documenti architettura. Direttore: A. Cassi Ramelli‎

‎33 cm, cartella edit; 76 tavole con numerose foto nel testo, timbro di architetto alla cartella‎

‎Angelika Schnell,Lisa Schmidt-Colinet,Antje Lehn,Stefan Gruber‎

‎Big! Bad? Modern: Four Megabuildings in Vienna.‎

‎, Park Books, 2015 softcover, 334 PAGES, Illustrated. ISBN 9783906027968.‎

‎Post-war modernist architecture is a subject of controversial debate. The results of a research project into four significant buildings from this era in Vienna are presented, including looking at the future use and development for these buildings.‎

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‎ANGELINI LUIGI (1884-1969)- ANTONICELLI TEMI - LEONARDI CARLO (1892-)- MARTINENGHI GIUSEPPE (1894-1970)‎

‎Ville e casette raccolte di 80 progetti I° volume (signé)‎

‎1922 Milan, Giuseppe Martinenghi Editore, 1922, 218x225mm, 84+(6) pp., broché sous couverture illustrée avec vignette collée au centre.Edition originale.‎

‎Préface de Giuseppe Martinenghi et 80 projets d’architecture de villas et de palais par ces quatre architectes actifs dans les années 1920-1930, dont plusieurs furent réalisés.Envoi autographe signé et daté de décembre 1922 de Giuseppe Matinenghi à l’architecte viennois Adolf Loos.(103557)‎

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‎Angelique Campens, Roxane Le Grelle, Francelle Cane, Sophie Lauwers, Iwan Strauven‎

‎JACQUES MOESCHAL (1913-2004)‎

‎softcover 160 pages. Eng. edition. ISBN 9783753300351. Samen met curator Angelique Campens en Architecture Curating Practice duikt BOZAR de archieven in van architect en beeldhouwer Jacques Moeschal (1913-2004). Als leerling aan de Académie Royale des Beaux-Arts in Brussel raakte hij al snel gefascineerd door de sculpturale mogelijkheden van beton. In het kielzog van de democratisering in het naoorlogse België, staat Moeschal bij het grote publiek vooral bekend om zijn monumentale beeldhouwwerken die integraal deel uitmaken van het autosnelwegennetwerk. Passanten genieten volop mee wanneer ze vanuit hun wagen plots op een imposant werk van Moeschal stoten. De beelden werden landmarks op onze eentonige autostrades. Aan de hand van plannen, filmfragmenten, maquettes en interventies van hedendaagse kunstenaars zal de tentoonstelling dieper inzoomen op de relatie tussen kunst en architectuur in het onderbelichte werk van Moeschal.‎