‎Gavarni‎

‎Gavarni‎

‎Affiches Illustr�es no. 3. "Mosieu quelle est la meilleure troupe de Paris.‎

‎Paris: Le Charivari 1846. Lithograph. Image: 19.5 x 17.5 cm. Sheet: 36.5 x 24.5 cm. Armelhault & Bocher no. 1000. Published in Le Charivari text verso. Paris: Le Charivari, 1846 unknown‎

Ссылка продавца : 04-1816

‎Gavarni‎

‎Affiches Illustr�es no. 4. "Plus de cheveux blancs.‎

‎Paris: Le Charivari 1846. Lithograph. Image: 19 x 16.5 cm. Sheet: 36.5 x 24 cm. Armelhault & Bocher no. 1001. Published in Le Charivari text verso. Paris: Le Charivari, 1846 unknown‎

Ссылка продавца : 04-1803

‎Gavarni‎

‎Ce qui faut les qualit�s du mari." Impressions de M�nage no.12‎

‎Paris: Le Charivari 1843. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 24.5 x 36 cm. Armelhault & Bocher no. 715. Published in Le Charivari text verso. Paris: Le Charivari, 1843 unknown‎

Ссылка продавца : 04-1778

‎Gavarni‎

‎Clichy no. 1. "Enfonc�!!!‎

‎Paris: Le Charivari 1840. Lithograph. Image: 20 x 15.5 cm. Sheet: 36.5 x 24 cm. Armelhault & Bocher no. 429. Published in Le Charivari text verso. Paris: Le Charivari, 1840 unknown‎

Ссылка продавца : 04-1804

‎Gavarni‎

‎Clichy no. 15. "Mon cher Monsieur je vous laisse.‎

‎Paris: Le Charivari 1841. Lithograph. Image: 20 x 15.5 cm. Sheet: 36.5 x 24 cm. Armelhault & Bocher no. 443. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1841 unknown‎

Ссылка продавца : 04-1806

‎Gavarni‎

‎Combien veuz-tu parier." Impressions de M�nage 2e S�rie no. 10‎

‎Paris: Le Charivari 1846. Lithograph. Image: 20 x 18 cm. Sheet: 36 x 24 cm. Armelhault & Bocher no. 1100. Published in Le Charivari text verso. Paris: Le Charivari, 1846 unknown‎

Ссылка продавца : 04-1768

‎Gavarni‎

‎Corporal et Chemisier de Monsieur‎

‎Paris ca. 1857. Lithograph. Image: 18-1/2 x 30 cm. Sheet: 29 x 40 cm. Lithograph by Gavarni. Armelhault & Bocher Gavarni no. 1811 Foxing primarily in margins. Paris, ca. 1857 unknown‎

Ссылка продавца : 04-1749

‎GAVARNI‎

‎Douze nouveaux travestissements‎

‎Paris: Au bureau du journal les modes parisiennes 1856. Collection de 35 planches colori�es contenant des images des costumes historiques Album containing 35 coloured plates depicting several historical costumes. In-4� recueil de 12 belles planches en couleurs repr�sentant des femmes en robes de th��tre grav�es par Portier. Reliure en toile noire filets dor�s sur les plats. Au milieu du premier plat le titre 'Album' dor�. Charni�res et coins us�s. Dans la m�me reliure: DARJOUX recueil de 20 planches en couleurs contenant un aper�u historique des costumes de dames de 1801 � 1830. Chaque planche avec un texte descriptif LACAUCHIE 3 planches lithographi�es et colori�es des costumes historiques du 16- et 17i�me si�cle. Paris-London Maison Marinet - Gambart Junin & Co. 4� collection of 12 nice coloured plates depicting women in theatre costumes engraved by Portier. Binding in black cloth gilt print frame on boards in the middle of the upper board title 'album gilt print. Signs of use on joints and corners. In the same binding: DARJOUX collection of 20 coloured plates forming a historical outline of dresses between 1801 and 1830. LACHAUCHIE 3 coloured lithographical plates heightened with gum of costumes of the 16th and 17th century. Paris-London Maison-Marinet - Gambart Junin & Co Au bureau du journal les modes parisiennes hardcover‎

Ссылка продавца : 5469

‎Gavarni‎

‎Fourberries de femmes no. 48. "Que voulez-vous j'irai tout seul.‎

‎Paris: Le Charivari 1841. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 699. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1841 unknown‎

Ссылка продавца : 55-0023

‎Gavarni‎

‎Fourberries de femmes no. 31. "C'est �gal je trouve que le Parrain.‎

‎Paris: Le Charivari 1841. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 688. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1841 unknown‎

Ссылка продавца : 55-0022

‎Gavarni‎

‎Fourberries de femmes no. 9. "A un monsieur Anatole qui attend dans un cabinet de la Poissonnerie.‎

‎Paris: Le Charivari 1840. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 670. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1840 unknown‎

Ссылка продавца : 55-0019

‎Gavarni‎

‎Haie!!!" Interjections no. 2‎

‎Paris: Le Charivari 1841. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36 x 24 cm. Armelhault & Bocher no. 1167. Published in Le Charivari text verso. Paris: Le Charivari, 1841 unknown‎

Ссылка продавца : 04-1763

‎Gavarni‎

‎Impressions de M�nage no. 2 "Trois ou quatre m�chantes chopines.‎

‎Paris: Le Charivari 1843. Lithograph. Image: 20.5 x 16 cm. Sheet: 34 x 25 cm. Armelhault & Bocher no. 705. Published in Le Charivari text verso. Foxing in margins. Paris: Le Charivari, 1843 unknown‎

Ссылка продавца : 04-1784

‎Gavarni‎

‎Jeanne d'Arc‎

‎Paris 1843. Lithograph. Image: 13 x 18 cm. Sheet: 25.5 x 16 cm. Armelhault & Bocher Gavarni no. 1636. Paris, 1843 unknown‎

Ссылка продавца : 04-1747

‎Gavarni‎

‎L'Eloquence de la Chair no. 16. "Jean-Marie!.‎

‎Paris: Le Charivari 1843. Lithograph. Image: 19.5 x 15 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 559. Published in Le Charivari text verso. Water stain visible across hleft corner. Paris: Le Charivari, 1843 unknown‎

Ссылка продавца : 55-0013

‎Gavarni‎

‎L'Eloquence de la Chair no.1. "Et du pain pour demain.‎

‎Paris: Le Charivari 1843. Lithograph. Image: 19.5 x 15 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 544. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1843 unknown‎

Ссылка продавца : 55-0012

‎Gavarni‎

‎La Mascarade humaine‎

‎Paris: Calmann Levy 1881. Pseudonym of Sulpice-Guillaume Chevalier. 100 Grandes Compositions par�. Introduction par Ludovic Halevy. First Edition. 4to 215 pp. 100 plates. Original red cloth elaborately blocked in black & gilt. Damaged spine. Paris: Calmann Levy, 1881 hardcover‎

Ссылка продавца : 99-0172

‎Gavarni‎

‎La Pri�re‎

‎Paris 1841. Lithograph. Image: 18 x 13.4 cm. Sheet: 30 x 21.5 cm. Armelhault & Bocher no. 221. Foxing in margins. Paris, 1841 unknown‎

Ссылка продавца : 04-1796

‎Gavarni‎

‎La Vie de jeune homme no. 36. "Ne vas pas te tromper!.‎

‎Paris: Le Charivari 1841. Lithograph. Image: 20 x 15.5 cm. Sheet: 36.5 x 24 cm. Armelhault & Bocher no. 997. Published in Le Charivari text verso. Paris: Le Charivari, 1841 unknown‎

Ссылка продавца : 04-1810

‎Gavarni‎

‎Le Carnival � Paris no. 21. "C'est vieux et laid mon cher.‎

‎Paris: Le Charivari 1842. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 24 cm. Armelhault & Bocher no. 409. Published in Le Charivari text verso. Foxing upper right corner of sheet. Paris: Le Charivari, 1842 unknown‎

Ссылка продавца : 04-1792

‎Gavarni‎

‎Le Chevalier de Nogaroulet no. 3. "Alcibiade cliquet � voulu fumer‎

‎Paris: Le Charivari 1839. Lithograph. Image: 19 x 15 cm. Sheet: 36.5 x 24 cm. Armelhault & Bocher no. 425. Published in Le Charivari text verso. Paris: Le Charivari, 1839 unknown‎

Ссылка продавца : 04-1801

‎Gavarni‎

‎Le Diable a Paris. Paris et les Parisiens. Two Volumes in Four‎

‎Paris: J. Hetzel 1846. First Edition. Page size: 10-1/2" x 7". I lxxx 363pp; II xxxii 380pp; in two text volumes; numerous vignettes 212 illustrations in two plate volumes; contemporary quarter deep blue-green morocco over marbled boards title and volume in gilt on the spine marbled endpapers. Minor rubbing to the extremities limited abrading to the marbling causing loss in a few small areas boards exposed at the corners 1" band of discoloration to the front board beginning at ½" from the top edge and descending 8" but pronounced only near the top impression from the half-binding of another volume on the front board of Volume III hinges beginning to show on Volumes I and II occasional foxing and minor discoloration. Gordon Ray in The Art of the French Illustrated Book describes this title as „something of a potpourri". The texts are by well-known writers including Balzac Gauthier Musset George Sand and the publisher Hetzel. Although there are historical geographical and statistical details about the city of Paris the bulk of the text is made up of stories and dialogues with Parisian subjects. The illustrations are wood engravings. Ray states the "most impressive are the 208 .after Gavarni." Sulpice-Guillaume Chevallier known as Gavarni also worked in lithography. In either medium his psychological portraits were telling. Ray especially praises his wood engravings for this title however noting that they were superior to much of his other work and all new conceptions not versions of his lithos. Hetzel imposed unity on the texts and images by presenting them as documents bearing on the Devil's visitation of Paris. This is the culmination of the Romantic tradition of diablerie and the last of the big books of collaboration. Ray The Art of the French Illustrated Book #236. J. Hetzel unknown‎

Ссылка продавца : 8462

‎Gavarni‎

‎Le Diable a Paris. Paris et les Parisiens. Two Volumes in Four‎

‎Paris: J. Hetzel 1846. First Edition. Page size: 10-1/2" x 7". I lxxx 363pp; II xxxii 380pp; in two text volumes; numerous vignettes 212 illustrations in two plate volumes; contemporary quarter deep blue-green morocco over marbled boards title and volume in gilt on the spine marbled endpapers. Minor rubbing to the extremities limited abrading to the marbling causing loss in a few small areas boards exposed at the corners 1" band of discoloration to the front board beginning at ½" from the top edge and descending 8" but pronounced only near the top impression from the half-binding of another volume on the front board of Volume III hinges beginning to show on Volumes I and II occasional foxing and minor discoloration.<br/> Gordon Ray in The Art of the French Illustrated Book describes this title as „something of a potpourri". The texts are by well-known writers including Balzac Gauthier Musset George Sand and the publisher Hetzel. Although there are historical geographical and statistical details about the city of Paris the bulk of the text is made up of stories and dialogues with Parisian subjects. The illustrations are wood engravings. Ray states the "most impressive are the 208 .after Gavarni." Sulpice-Guillaume Chevallier known as Gavarni also worked in lithography. In either medium his psychological portraits were telling. Ray especially praises his wood engravings for this title however noting that they were superior to much of his other work and all new conceptions not versions of his lithos. Hetzel imposed unity on the texts and images by presenting them as documents bearing on the Devil's visitation of Paris. This is the culmination of the Romantic tradition of diablerie and the last of the big books of collaboration. Ray The Art of the French Illustrated Book #236. J. Hetzel unknown books‎

Ссылка продавца : 8462

‎Gavarni‎

‎Le r�veil du lion‎

‎Paris: Aubert 1846. Lithograph. Image: 17.5 x 20.5 cm. Sheet: 26 x 32 cm. Armelhault & Bocher Gavarni no. 1014. Paris: Aubert, 1846 unknown‎

Ссылка продавца : 04-1746

‎Gavarni‎

‎Les Actrices no. 1 "Voila M. Granger qui apport le bancal.‎

‎Paris: Le Charivari 1839. Lithograph. Image: 16.5 x 19.5 cm. Sheet: 36 x 24 cm. Armelhault & Bocher no. 233. Before publication in Le Charivari white verso. Marginal tear 4cm. in top margin. Foxing in lower margin. Paris: Le Charivari, 1839 unknown‎

Ссылка продавца : 55-0051