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ENGRAVINGS. FOUR VICTORIAN ILLUSTRATED BOOKS WITH FINE ENGRAVINGS: HAYTER JOHN
THE COURT ALBUM. and HEATH CHARLES. THE WAVERLEY GALLERY. and HEATH'S PICTURESQUE ANNUAL FOR 1832: RITCHIE LEITCH. TRAVELLING SKETCHES IN THE NORTH OF ITALY THE TYROL AND ON THE RHINE. and THE TOURIST IN WALES
London 1832-58. Quartos. 26 leaves; 40 leaves of text 1 leaf ads; iv 4 256 pp. errata slip; 2 p.l. 192 pp. Four separately published works. Court Album in blue publisher's cloth decorated in gilt and blind; "Waverley Gallery" in green half morocco over green cloth raised bands spine gilt in compartments with central fleuron; "Heath's Picturesque Annual" in publisher's red morocco decorated in gilt and blind; "Tourist in Wales" in half calf over purple buckram raised bands spine panels with gilt floral sprig at center. Court Album with 14 engraved portraits of female aristocrats; "Waverley Gallery" with 36 engravings of the principal female characters in Sir Walter Scott's romances; "Heath's Picturesque Annual" with extra engraved title page and 26 engravings by Ritchie after drawings by Clarkson Stanfield; "Tourist in Wales" with extra engraved title page and 49 engravings of views. Bindings with minor imperfections but all solid and pleasing; occasional mild offsetting or minor marginal foxing a couple of short marginal tears to text leaves bur excellent copies internally the text clean and fresh the plates bright with fine impressions. These are appealing examples of the illustrated works that were so popular in the Victorian era providing readers with glimpses of the nobility images of their favorite literary characters and the opportunity to enjoy dramatic scenery from the comfort of their drawing rooms. The first two works here contain portraits of beautiful women both real society belles and heroines of bestselling romances. The latter two transport the armchair traveller to the wilds of Wales to the Austrian and Italian Alps and to the Rhine River. Although in black and white the engravings are so detailed and finely executed particularly in the use of shadow and light that both portraits and landscapes come to life. In the days before photography--much less streaming videos--books like these brought beauty and imagination into everyday lives. unknown
Bookseller reference : ST15199b-e
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engravings
The Island of Formosa Original lithograph taken from Perry Expedtion to Japan Tucker printing. Lithogr. by Ackerman /NY. Nice map of Formosa. Rare
unknown
Bookseller reference : 58558
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engravings
Two original lithographs taken from Malakozool. Blatter 1857: Albers J.C. Diagnosen neuer Heliceen mit gelegentlicher Berichtigung einiger �lteren Arten. We include the pdf of this article
unknown
Bookseller reference : 63284
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engravings
Valley above Simoda. Original steel engraving taken from Perry Expedition to Japan Tucker printing 1856. By a Heine' drawing. Page size 29 x 22 cm - Image size 155 x 11 cm.
unknown
Bookseller reference : 69505
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engravings
View of Old China Street Canton. Original steel engraving taken from Perry Expedition to Japan Tucker printing 1856. By a Heine' drawing engraved by W. Orr. Page size 29 x 22 cm - Image size 155 x 115 cm. Edges brittled
unknown
Bookseller reference : 69509
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Engravings Skelton Christopher Editor Eric Gill
Eric Gill - The Engravings
Boston: David R. Godine 1990. First American edition. Cloth. Near Fine/near fine. Large clothbound quarto in dustwrapper. 478 pp. This volume compiled by Gill's nephew contains Gill's complete oeuvre - from his religious subjects to his erotic fantasies. With hundreds of illustrations of the artist's engravings. Ever so slight shelfwear else a fine copy in patterned green cloth covers in a near fine unclipped dustwrapper. Terrific book on Gill. Stated first U.S. edition. A very large and heavy book. David R. Godine unknown books
Bookseller reference : 26366
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Engravings by E. Landells
The Book of Science ; a Familiar Introduction to the Principles of Natural Philosophy Adapted to the Comprehension of Young People
London: Chapman and Hall 1833. Cloth. Very Good. 2 xviii 2 1-464 1-ad pages frontis. Publisher's cloth blindstamped and gold stamped decorations. Rebacked with original spine laid down. All edges gilt. 4 3/8 x 5 1/2 inches. Generally bright and clean internally noting a '139' on the front flyleaf perhaps from a lending library. Wear at the extremities now a sound working copy. Cloth. Covers various topics targetted at youth including mechanics hydraulics hydrostatics pneumatics acoustics pyronomics optics electricity galvanism and magnetism. Engravings by E. Landells. Chapman and Hall unknown books
Bookseller reference : 20466
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Engravings of Arabia Aden
Collection of 3 Antique Engravings of Arabia Printed 1847
Collection of three original steel engravings of the Castle of the Sultan of Aden at Lahadj 2 Arabian men shaking hands and a camel on a voyage titled: "Chateau Du Saltan d'Aden a Lahadj" "Salut des Arabes" & "Chameau scelle pour le Voyage" from Picturesque Universe published by Firmin Didot in 1847. Size: 5" x 8.2." The first engraving shows a beautiful and picturesque view of the Sultan of Aden's Castle and surrounding countryside with depictions of palm trees and mountians. The second depicts a greeting between two Arab men who are seen shaking hands. And the final engraving depicts a camel in the desert. Some age related toning pin holes in the top margin and remenants of a sticker in the top right corner of first image.Third engraving with past staple marks and a 4cm paper loss along top edge not affecting image. Overall the engravings in very good condition. unknown books
Bookseller reference : 14685
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Erasmus (Desiderius) :
Epitome Adagiorum ex novissima D. Erasmi Rot. recognitione, per Eberhardum Tappium ad numerum Chiliadum aucta ; et, quod diligers lector facile videbit, multis in locis iam, quàm anté diligentiùs emendata.
Cologne, Mart. Gymnicus, 1549 ; in-8 ; plein vélin estampé sur ais de bois, dos à trois gros nerfs, fermoirs de cuivre (reliure de l'époque) ; (16) y compris le titre, 632, [634], (76) pp. index, (1) f. blanc (*, AZ, Aa-Xx - 8, Yy - 4).
Bookseller reference : 9472
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Erasmus Darwin illustrated with engravings by Tanner Edwin Tiebout & Seymour after Fuseli
THE TEMPLE OF NATURE - OR THE ORIGIN OF SOCIETY. A POEM WITH PHILOSOPHICAL NOTES.
Baltimore: Printed by John W. Butler and Bonsal & Niles for Bonsal & Niles Samuel Butler and M. and J. Conrad & Co. 1804. First American edition. Hardcover. Fair. 5 1/2 x 8 inches. 144 pages. Condition is Fair front cover and ffep detched but present rear hinge weak but holding illustrations are all present but are toned see photos with offsetting toning to opposite pages the rest of the text pages are very clean with no toning foxing markings etc. RGRR <br/><br/> Printed by John W. Butler, and Bonsal & Niles for Bonsal & Niles, Samuel Butler, and M. and J. Conrad & Co. hardcover
Bookseller reference : 33047
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Eric Robinson & Geoffrey Summerfied editors with wood engravings by David Gentleman
Selected Poems and Prose of JOHN CLARE
Oxford University Press London 1967 hardcover 5�" x 8�" with dust jacket Ours is an ex-library copy in transparent protective covering with usual stamps stickers & pocket. VERY GOOD book in VERY GOOD price-clipped dj In this selection the reader may sample the best of Clare's prose - descriptive and political - and come to recognize Clare not only as one of our leading Romantic poets but also as a writer of sturdy prose combining the traditions both of Cobbett of White and of Selborne. Clare is a much more varied writer than is generally known - his poetry ranges from calm descriptive pastoral through satire and drinking songs to the concentrated intensity of his later lyrics. Oxford University Press, London hardcover
Bookseller reference : 40065
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ERICKSON Carl
"Combien de morceaux de sucre?" Robe d'après-midi garnie de dentelle "à la maréchale" (pl.2, La Gazette du Bon ton, 1922 n°1)
Lucien Vogel éditeur, Paris 1922, 18x24cm, une feuille.
Bookseller reference : 54951
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ERICKSON Carl
"Combien de morceaux de sucre?" Robe d'après-midi garnie de dentelle "à la maréchale" (pl.2, La Gazette du Bon ton, 1922 n°1)
Lucien Vogel éditeur, Paris 1922, 18x24cm, une feuille.
Bookseller reference : 57525
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ERICKSON Carl
"Combien de morceaux de sucre?" Robe d'après-midi garnie de dentelle "à la maréchale" (pl.2, La Gazette du Bon ton, 1922 n°1)
- Lucien Vogel éditeur, Paris 1922, 18x24cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. La Gazette du bon ton, l'une des plus belles et des pl
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ERICKSON Carl
"Combien de morceaux de sucre?" Robe d'après-midi garnie de dentelle "à la maréchale" (pl.2, La Gazette du Bon ton, 1922 n°1)
- Lucien Vogel éditeur, Paris 1922, 18x24cm, une feuille. - Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (sur de Jean, le père de Babar) la Gazette du bon ton dont le sous-titre est alors « Art, modes et frivolités ». Georges Charensol rapporte les propos du rédacteur en chef : « En 1910, observe-t-il, il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes [...] J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France. » (« Un grand éditeur d'art. Lucien Vogel » in Les Nouvelles littéraires, n°133, mai 1925). Le succès de la revue est immédiat, non seulement en France, mais aussi aux Etats-Unis et en Amérique du Sud. À l'origine, Vogel réunit donc un groupe de sept artistes : André-Édouard Marty et Pierre Brissaud, suivis de Georges Lepape et Dammicourt ; et enfin ses amis de l'École des beaux-arts que sont George Barbier, Bernard Boutet de Monvel, ou Charles Martin. D'autres talents viennent rapidement rejoindre l'équipée : Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Charles Martin, Maggie Salcedo. Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, deviendront par la suite des figures artistiques emblématiques et recherchées. Ce sont ces mêmes illustrateurs qui réalisent les dessins des publicités de la Gazette. Les planches mettent en lumière et subliment les robes de sept créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet et Doucet. Les couturiers fournissent pour chaque numéro des modèles exclusifs. Néanmoins, certaines des illustrations ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. La Gazette du bon ton est une étape décisive dans l'histoire de la mode. Alliant l'exigence esthétique et l'unité plastique, elle réunit pour la première fois les grands talents du monde des arts, des lettres et de la mode et impose, par cette alchimie, une toute nouvelle image de la femme, élancée, indépendante et audacieuse, également portée par la nouvelle génération de couturiers Coco Chanel, Jean Patou, Marcel Rochas... Reprise en 1920 par Condé Montrose Nast, la Gazette du bon ton inspirera largement la nouvelle composition et les choix esthétiques du « petit journal mourant » que Nast avait racheté quelques années auparavant : le magazine Vogue. [ENGLISH DESCRIPTION ON DEMAND]
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Ermakov, (Dmitri Ivanovich).
[One of the first Marxist groups in the Caucasus]. Tbilisi (Tiflis), Georgia, 1880s.
Albumen print, titled and numbered "13385" in the lower edge of the negative. 213 x 165 mm. A fine image showing yard and street cleaners at study. - The Russian photographer Ermakov trained as a military topographer and took part in the Russo-Turkish War before setting up his photographic business in Tbilisi. He travelled extensively as far as Iran and took part in several archaeological expeditions in the Caucasus, leaving a series of unique photographs.
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Ernest S. Kramer Fine Arts & Prints Wellesley Hills MA
Catalogue II
Wellesley Hills MA: Ernest S. Kramer Fine Arts & Prints 1991. 4to. 32 pp. Soft Covers Very Good. Plates. Book list & post card present. George Bellows Grant Wood Whistler et al. Wellesley Hills, MA: Ernest S. Kramer Fine Arts & Prints, 1991 paperback
Bookseller reference : 15-10360
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Ernest S. Kramer Fine Arts And Prints
Ernest S. Kramer Fine Arts and Prints Inagural Catalogue
ERNEST S. KRAMER FINE ARTS AND PRINTS. First edition. Wraps. Very good. light shelfwear. Includes illustrations. ERNEST S. KRAMER FINE ARTS AND PRINTS paperback
Bookseller reference : Alibris.0062410
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ERNST Max
"Masque" - Aquatinte originale signée de Max Ernst
- 1950, 31,5x50cm, une feuille. - «Masque» - Original aquatint signed by Max Ernst 1950, 31.5 x 50 cm, single sheet Original aquatint by Max Ernst signed in pencil on bottom right by the artist. Autograph pencil note to bottom left: "BAT (avec fond)". A handsome proof on vergé d'Arches paper of this original aquatint engraved by Max Ernst in 1950 and only printed 20 years later in the workshop of Georges Visat in 100 numbered copies and signed [Spies/Leppien, 38]. This copy is the contract proof of the engraving. Two small pinholes to top left and bottom right of subject, as on all the plates in the printing. [FRENCH VERSION FOLLOWS] Aquatinte originale de Max Ernst signée en bas à droite au crayon par l'artiste. En bas à gauche, mention autographe au crayon : "BAT (avec fond)". Belle épreuve sur vergé d'Arches de cette aquatinte originale gravée par Max Ernst en 1950 et tirée seulement 20 ans plus tard dans l'atelier de Georges Visat à 100 exemplaires numérotés et signés [Spies/Leppien, 38]. Notre exemplaire est le bon à tirer de la gravure. Deux petits trous d'épingles en haut à gauche et bas à droite du sujet, comme sur toutes les planches du tirage.
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ERNST Max:
Le musée de l'homme suivi de La pêche au soleil levant.
Paris, Galerie Alexandre Iolas, [1965]. In-8 broché de [56] pages, couverture rempliée sur vélin pur fil blanc, illustrée au premier plat d'un dessin de Dorothea Tanning, sous chemise et étui de toile vieux rose.
Bookseller reference : 17696
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Erotic Engravings Courbouleix Leon
Lapsus Linguae - Dites:. Ne Dites Pas. 34 Eaux-Fortes Tirage a 150 Exemplaires 1923
Paris: The Artist 1923. First printing. Hardcover. Near Fine. First edition 1923 limited to 150 copies 34 etchings plus etched title page 4to 11 inches 28 cm half bliue cloth marbled boards leather spine label very funny and erotic engravings with outsized penises and crazy situations with a caption page: 17 of the engravings are fairly tame; the facing engravings make a pun of the original caption and give the same scene from an overly eroticized point of view. Attributed to Leon Courbouleix by Dutel Dutel 1830; sold at Romantic Agony Auction for a total of over 1800 Euros in 2015 in a slightly nicer binding. All etchings mounted on tabs excellent condition laid paper. In fact gives a whole new meaning to laid paper. Does not appear to be in any institutions according to OCLC. The Artist hardcover
Bookseller reference : H3583
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ERRO' ,Gudmundur (Olafsvik, Islanda 1932),
Senza titolo
Litografia originale a colori dalla cartella ''El circulo de piedra'' Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. Esemplare XXV/XXV. cm 56,5x45. . . . . Tiratura 125 + XXV. .
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Erró, [Gudmundur], Icelandic artist (b. 1932).
Karl Marx. No place, 1975.
Collage on paper, signed and dated. 425 x 330 mm. Framed and glazed. Erró (born Guðmundur Guðmundsson), the "Roy Lichtenstein of Iceland", is a visual artist and painter best known for his painted pop-art collages of images from comic books and advertisements.
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ERTINGER François
Bacchanale.
D'une série de 8 planches gravées d'après Raymond Lafage. Notre épreuve est avant la letrre "R. Lafage in. - F. Ertinger sc." Elle est numérotée "4" dans la marge de gauche, en bas. IFF Tome IV, n° 21 12,5 x 35 cm.
Bookseller reference : 7539
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Escher von der Linth, Hans Conrad
Ansichten und Panoramen der Schweiz - Die Panoramen.
Zürich, Orell Füssli, 1976. Folio. 131, (1) S. Mit 27 faksimilierten Panoramen. Orig.-Leinenband in farb. illustr. Pappkassette. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C
Bookseller reference : 28507AB
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Escher von der Linth, Hans Conrad:
Ansichten und Panoramen der Schweiz - Die Panoramen.
Zürich, Orell Füssli, 1976. Folio. 131, (1) S. Mit 27 faksimilierten Panoramen. Orig.-Leinenband in farb. illustr. Pappkassette.
Bookseller reference : 28507AB
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Escher, M.C.; Bool, F.H. et al.
M.C. Escher: His Life and Complete Graphic Work (With a Fully Illustrated Catalogue)
Worn black cover with some white paint stains. Worn dust jacket with tears and tape. Smudges on endpapers. Interior pages clean and unmarked. Very large book: 9 5/8"w x 11 7/8"h. 350 pages.
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Escher, Rolf
Bücherzeiten. Gezeichnete Entdeckungen. Zeichnungen, Aquarelle, Druckgrafik. Mit einer Einführung von Walter Jens und Texten von Hanns Michael Crass, Alexander von Knorre und Dirk Schwarze.
Herne, Emschertal-Museum, 2000. 4°. 30 cm. 131 Seiten. Original-Klappenbroschur.
Bookseller reference : 45099AB
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Escher, Rolf
Das Leben der Dinge. Zeichnungen und Druckgraphik 1970 - 2002. [Signiertes Exemplar.]
Paderborn und Mühlheim an der Ruhr, DruckVerlag Kettler, 2003. 4°. 29 x 22,5 cm. 120 Seiten. Gebundener Original-Pappband. [2 Warenabbildungen]
Bookseller reference : 65592CB
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Escher, Rolf
Druckgraphik. Radierungen, Lithographien. 1971 - 1996 Redaktion - Eckard Wagner.
Bramsche, Rasch, 1996. 4°. 28,5 cm. 132 Seiten. Original-Klappenbroschur.
Bookseller reference : 3596EB
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Escher.- Wyss, David von:
Lebensgeschichte Johann Kaspar Eschers, Bürgermeisters der Republik Zürich.
Zürich, Orell, Gessner, Füssli und Compagnie, 1790. Klein-8°. 315, (2) S., (3) S. (Verlagsanzeigen). Halblederband der Zeit mit goldgepr. Rückenschild, einfacher Rückenvergoldung u. handschriftl. Rückennummernschild (bestossen u. stärker berieben).
Bookseller reference : 5491BB
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Eser J. Gal. Soskin engravings
Art Calendar ""Erez Israel"" 5698
Jerusalem: The Palestine Publishing Co. Ltd. 1937. First Edition. Good copy in original stiff card wrappers with some wear and tear as with age. Remains well-preserved overall; bright and clean. Physical description; full calendar for the year 1937. Subjects; Art Calendars. Erez Israel. Jewish Studies. Jerusalem: The Palestine Publishing Co. Ltd. unknown
Bookseller reference : 283196
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Esslemont David. Engravings by Thomas Bewick; John Bewick; Luke Clennell
JOHN BEWICK: A Selection of Wood Engravings being impressions from original wood-blocks; LUKE CLENNELL: Bewick Apprentice being impressions from original wood-blocks; THOMAS BEWICK BIRDS: Impressions from original wood-blocks
Newcastle: David Esslemont 1980; 1981; 1997. Limited editions. Fine. 3 volumes. First vol.: xiv 1 24 pp. includes 22 numbered sheets with engravings printed on rectos only; second vol: xiv 1 32 pp. includes 28 numbered sheets with engravings printed on rectos only; third volume: 8 pp. pamphlet in blue printed wrappers accompanying 17 numbered loose sheets with engravings printed on rectos. All volumes unbound each in separate folder of natural linen and marbled boards housed together in matching slipcase with letterpress label. Impressions from the original blocks of Thomas and John Bewick and Bewick apprentice Luke Clennell. Printed by hand on a Columbian press on BFK Rives Velin Cuve paper by David Esslemont. Limited editions: "John Bewick" No. 104/140; "Luke Clennell" No. 99/100; "Thomas Bewick Birds" one of 100 unnumbered copies. David Esslemont hardcover
Bookseller reference : 20836
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ESTAMPAS DE LA GUERRA
Estampas de la Guerra Tomo 4º: DE ARAGON AL MAR
San Sebastián: Editora Nacional 1938.- Tomo 4º.; 39 p. 32 hojas de ilustraciones fotográficas en negro impresas por ambas caras referentes a las acciones bélicas; 4º 248 x 17 cm.; Cartulina Ed. ilustrada.- Col. Estampas de la Guerra. Album 4.- Trata sobre las operaciones militares hasta pocos días antes de comenzar la Batalla del Ebro. Algo afectado por la humedad en su parte inferior que se acusa especialmente en las cubiertas. GUERRA CIVIL 1936-1939 Y EXILIO Libro en español Editora Nacional paperback
Bookseller reference : 42792
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Estampes
UTAMARO
Paris: Haguette Beres. Very Good with no dust jacket. 1977. Paperback. catalogue of an exhibition held in March / April 1977. Text in French. Illustrated card covers slight foxing. NO INSCRIPTIONS. Profusely illustrated with black and white photographs. CLEAN TIGHT AND BRIGHT. With accompanying booklet foxed - addenda to the cataluge of the exhibition. English text.; 105790; 4to . Haguette Beres paperback
Bookseller reference : 105790
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Estampes Louis d' Jannet Claudio
La Franc-maconnerie et la Revolution 1884 Leather Bound
2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1884. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - fre Pages 566. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover
Bookseller reference : LB1111006358104
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Estampes Louis d' Jannet Claudio
La Franc-maconnerie et la Revolution 1884
2020. Paperback. New. Lang: - fre Pages 566. Reprinted in 2020 with the help of original edition published long back 1884. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
Bookseller reference : PB1111006358104
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Estampes Louis d' Jannet Claudio
La Franc-maconnerie et la Revolution 1884 Hardcover
2020. Hardcover. New. Lang: - fre Pages 566. Reprinted in 2020 with the help of original edition published long back 1884. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Bookseller reference : 1111006358104
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Estampes Louis d'.
La France au pays noir par Louis d'Estampes. 1893 Leather Bound
2020. Leather Bound. New. SPECIAL DISCOUNTED PRICE DURING COVID PANDEMIC. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2020 with the help of original edition published long back 1893. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - fre Pages 384. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover
Bookseller reference : LB1111016855959
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Estampes Louis d'.
La France au pays noir par Louis d'Estampes. 1893 FULL LEATHER BOUND
2019. SUPER DELUXE EDITION. New. Antique look with Golden Leaf Printing and embossing with round Spine completely handmade bindingextra customization on request like Color Leather Colored book special gold leaf printing etc. Reprinted in 2019 with the help of original edition published long back 1893. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure in old look so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - fre. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED. Normal Hardbound Edition is also available on request. unknown
Bookseller reference : SD1111016855959
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Estampes Louis d'
La France au pays noir 1893 Leather Bound
2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1893. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - fre Pages 384. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover
Bookseller reference : LB1111000348037
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Estampes Louis d'
La France au pays noir 1893 Hardcover
2020. Hardcover. New. Lang: - fre Pages 386. Reprinted in 2020 with the help of original edition published long back 1893. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Bookseller reference : 1111016031211
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Estampes Louis d'.
La France au pays noir par Louis d'Estampes. 1893
2019. Paperback. New. Lang: - fre. Reprinted in 2019 with the help of original edition published long back 1893. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
Bookseller reference : PB1111016855959
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Estampes Louis d'.
La France au pays noir par Louis d'Estampes. 1893 Hardcover
2019. Hardcover. New. Lang: - fre. Reprinted in 2019 with the help of original edition published long back 1893. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Bookseller reference : 1111016855959
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Estampes Louis d'
La France au pays noir 1893
2020. Paperback. New. Lang: - fre Pages 384. Reprinted in 2020 with the help of original edition published long back 1893. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
Bookseller reference : PB1111000348037
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Estampes Louis d'
La France au pays noir 1893 Hardcover
2020. Hardcover. New. Lang: - fre Pages 384. Reprinted in 2020 with the help of original edition published long back 1893. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Bookseller reference : 1111000348037
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ESTAMPES (Louis d').-
La France au Pays noir.
P., Bloud et Barral, sans date, grand in 8° relié demi-basane cerise, dos à faux nerfs orné, fer doré de l'"Institution des Chartreux à Lyon" frappé au centre du plat supérieur, 368pp. ; illustrations ; petits frottis, coins légèrement émoussés. Bel exemplaire.
Bookseller reference : 28236
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ESTAMPES ET DESSINS
Ensemble de gravures et dessins.
Bookseller reference : 47369
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ESTAMPES JAPONAISES
CATALOGUE DES ESTAMPES JAPONAISES (2e partie-5e vente) composant la Collection de feu M. Manzi.
Galerie Manzi, Joyant & Cie, Paris, du 8 au 11 novembre 1920. 9 reproductions en noir et blanc h-t. Plaquette grand in-8, broché, couverture crème. Faux-titre, titre, (1 f.), 74 pp.
Bookseller reference : 13914
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Estampes Louis d'.
La Franc-maconnerie et la Revolution / par Louis d'Estampes et Claudio Jannet. 1884
2020. Paperback. New. Lang: - fre Pages 568. Reprinted in 2020 with the help of original edition published long back 1884. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
Bookseller reference : PB1111013877651
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