‎Middle east‎

‎[Yemen and Egypt].‎

‎Photograph album. Yemen, Egypt and other places, c. 1889.‎

‎An album of 25 albumen prints (vintage), measurements usually c. 200 x 270 mm, one a double-page spread, many captioned in English. Bound in contemporary giltstamped auburn full calf (378 x 280 mm; spine rebacked). All edges gilt. Photographic record of a journey begun in Australia and taken, via Aden, through the Suez canal and to the Mediterranean (and then on to England). While the first image shows the steamship R.M.S. Ormuz in the port of Sydney, three images (including a double-page spread) show the port of Aden in Yemen, the famous water tanks, and a native of the Southern Arabian region in a studio portrait. The majority of the album is dedicated to Egypt, showing Arabs on their camels, the Khedive's Ismailia Palace, the Suez Canal, Port Said, and members the local population, as well as the famous pyramids. The last few photographs show the final leg of the journey: Naples, and ultimately Gibraltar. Among the studios identified in the photographs are those of Hippolyte Arnoux and the Zangaki brothers, based at Port Said. A slightly later inscription on the flyleaf identifies this album as that of Edith Elkington: "Aunt Edith's voyage home to England about 1889". - Some foxing and waterstaining, but prints largely clean.‎

‎Zwemer, Samuel M[arinus] and Amy E.‎

‎Zigzag Journeys in the Camel Country. Arabia in Picture and Story. New York etc., Fleming H. Revell Co., (1911).‎

‎8vo. 125 pp. With frontispiece, 15 plates and several text illustrations (including a map of the Gulf coast and the first page of a Quran). Original illustrated cloth. First edition of this account of travel through the Arabian desert. - S. M. Zwemer (1867-1952), the "Apostle to Islam", was a missionary at Basra, Bahrain, and at other locations in Arabia from 1891 to 1905. He was a member of the Arabian Mission (1890-1913) and served in Egypt from 1913 to 1929. He also travelled widely in Asia Minor and was elected a fellow of the Royal Geographical Society of London. - A good, clean copy without the front flyleaf. Macro, Bibliography of the Arabian Peninsula, 2379. OCLC 5163501.‎

‎Abu al-Fida Isma`il ibn `Ali (Abulfeda).‎

‎Vie de Mohammed. Texte arabe d'Abou'lféda, accompagnié d'une traduction française et de notes par A. Noël des Vergers. Paris, Imprimerie Royale, 1837.‎

‎8vo. 2 parts in one volume. X, 160 pp. (4), 120 pp. Contemporary blindstamped calf, sparsely gilt. Marbled endpapers. Stored in custom-made full calf clamshell case. Only printed edition of this mediaeval biography of the Prophet, from the author's great historical work, the "Concise History of Humanity" ("Mukhtasar tarikh al-bashar"). Abu'l-Fida, born in Damascus in 1273, was a historian, geographer, military leader, and sultan. The crater Abulfeda on the Moon is named after him. - Includes an annotated French translation by Adolphe Noël des Vergers (1805-67). Binding slightly chafed; lower joint repaired. Slight foxing near beginning and end with occasional browning. A very appealingly bound set. GAL II, 45. Chauvin XI, 2. Gay 3614. Silvestre de Sacy 1489. Hoefer XXXVIII, 184. Brunet I, 18. Graesse I, 8.‎

‎Aga Khan, Andrée Joséphine, wife of Aga Khan III (1898-1976).‎

‎Autograph quotation signed. [Antibes], 22. I. 1930.‎

‎Large 4to. 1 p. "La santé est le seul et unique principe de vie pour le corps humain: pour un peuple c'est l'union avec l'accord et non la guerre qui le fera vivre [...]". - Mounted on cardboard.‎

‎Al-Tugrai, Hassan ibn ´Ali.‎

‎Lamiato 'l Ajam. Carmen Tograi. Una cum versione Latina, & notis, opera E. Pocockii. Oxford, Henry Hall for Richard Davis, 1661.‎

‎8vo. 2 parts in 1 vol. (22), 233, (89) pp. (4), 170, (2) pp. With full-page engraving. Modern vellum. The first Arabic-Latin edition of the great poem "Lamiyat al-´Agam" by Hassan ibn ´Ali al-Tugra'i (c. 1061-1121), and one of the first Arabic books ever printed in England: "a complaint over the unfortunate circumstances of his times and over his own lot" (cf. GAL). Contains not only the text with an extensive commentary, but also a complete index of the words appearing in the poem and the apparatus, as well as a second part, an Arabic prosody by Samuel Clarke entitled "Scientia metrica & rhythmica, seu Tractatus de prosodia Arabica" (also issued separately, but here forming part of the Tugrai edition). Edward Pococke (1604-91) was the first scholar of Arabic at Oxford; the Oxford oriental scholar Samuel Clarke (1624-69) also served his University as printer. - Variously browned due to paper. An untrimmed copy. GAL I, p. 247. Lowndes 2692. Schnurrer 197. Brunet V, 875. Ebert 23019.‎

‎Al-Tugrai, Hassan ibn ´Ali.‎

‎Poema Tograi. Ex versione Latina Jacobi Golii, cum scholiis et notis. Curante H. van der Sloot. Franeker, Willem Coulon, 1769.‎

‎4to. 17, (1), 174 pp. Modern calf. Upper edge red. The poem "Lamiyat al-Agam" by al-Hasan Ibn-Ali at-Tugrai (c. 1061-1121) in the Arabic original with a Latin translation and extensive commentary. "A complaint over the unfortunate circumstances of his times and over his own lot" (cf. GAL). "The 'Lamiyat al-'Agam', a famous poem by At-Tograi [...] It was first edited by Golius together with the Sentences of Ali in 1629. This is the first [edition] accompanied by Arabic scholia, and also the first readily available edition containing Golius’ translation: Anchersen's edition of 1707, which published this translation for the first time, was lost at sea except for six copies" (Smitskamp). - Some creasing; a very clean copy. Lower edge untrimmed. GAL I, p. 247. Smitskamp 318. Schnurrer 200. Brunet V, 875. Ebert 23021.‎

‎Alessandro, Giuseppe d', duca di Pescolanciano.‎

‎Pietra paragone de' cavalieri, [...] divisa in cinque libri. Naples, Domenico-Antonio Parrino, 1711.‎

‎Folio (332 x 218 mm). With engraved frontispiece, portrait of the author, and 140 engravings, all but one full-page. Contemporary full vellum with manuscript lettering to spine. First edition of this rare Italian riding school, covering all aspects of horse breeding, training and care, lavishly illustrated with 140 engravings. A second, enlarged edition, also apparently rare, was published in 1723 under the title "Opera". The work is divided into five parts: the first, "Regole di cavalcare" with one plate; the second, "[...] ove si tratta del difficilissimo mestiere dell' imbrigliare"; the third, "[...] dell' istesso", with 95 illustrations of bits, etc.; the fourth, "Disegni de' circoli" with 10 diagrams and "Ritratti d'uomini illustri" with 27 portraits, about half of which show mounted figures; the fifth, "[...] intorno alla preservativa, conservatione, e medicina per cavalli" with 7 plates, also including other animals (such as a rhinoceros). - Errata leaf at beginning, some leaves browned or spotted. No copy in auction records of the last decades. Huth p. 28. Brunet I, 159. Graesse I, 68.‎

‎[Algeria]. - El Mézari, Mohamed.‎

‎Autograph letter signed (as Agha of Mostaganem). N. p., 14. I. 1937.‎

‎Together with a lithographic portrait (315:243 mm). In Arabic to King Louis-Philippe I, requesting recruitment of men and horses. Together with an autograph translation signed by Joseph-Marie Jouannin, the king's interpreter of Arabic (Paris, 14 Feb. 1837).‎

‎[Alphabetum Arabicum].‎

‎Alphabetum Arabicum una cum Oratione Dominicali, Salutatione Angelica et Symbolo Fidei. Rome, Sac. Congreg. de Propaganda Fide, 1797.‎

‎8vo. 15, (1) pp. With printer's device to title page. Modern half calf. Brief introduction to the Arabic language for Catholic missionaries, "an exact reproduction of the 1715 edition" (Smitskamp). Includes a table of the alphabet and the Lord's Prayer and Ave Maria in Arabic. "The best known products of the Propaganda Press, apart from its missals, grammars, and dictionaries, are the Alphabeta" (Smitskamp 193). This is, perhaps, little surprise, for the missionaries sent forth to all parts of the globe by the Roman see through the Sacra Congregatio de Propaganda Fide, founded by Pope Gregory XV in 1622 for the purpose of spreading the Catholic interpretation of the Gospel, depended on language study textbooks such as these. The production of such alphabets was taken up as early as 1630 and was not discontinued until the early years of the 19th century; in 1812 the Congregation's in-house printing office was dissolved. - A good copy with deckle edges intact. Smitskamp 216. Cf. Streit XVII, p. 351, no. 6551.‎

‎[Alphabetum Persicum].‎

‎Alphabetum Persicum cum Oratione Dominicali et Salutatione Angelica. Rome, Sac. Congreg. de Propaganda Fide, 1783.‎

‎8vo. 24 pp. With woodcut printer's device to title page. Modern red half calf with marbled covers. Brief introduction to the Persian language for Catholic missionaries in the Middle East, with a table of the alphabet and the Lord's Prayer in Persian. "The best known products of the Propaganda Press, apart from its missals, grammars, and dictionaries, are the Alphabeta" (Smitskamp 193). This is, perhaps, litte surprise, for the missionaries sent forth to all parts of the globe by the Roman see through the Sacra Congregatio de Propaganda Fide, founded by Pope Gregory XV in 1622 for the purpose of spreading the Catholic interpretation of the Gospel, depended on language study textbooks such as these. The production of such alphabets was taken up as early as 1630 and was not discontinued until the early years of the 18th century; in 1812 the Congregation's in-house printing office was dissolved. - Slight waterstain to margins. Untrimmed copy. Smitskamp 210. Graesse I, 85. Brill II, 2109.‎

‎[Anatomy of the horse].‎

‎Explication des proportions géométrales du cheval vu dans ses principaux aspects suivant les principes établis dans les Ecoles Royales Vétérinaires. No place, [1769].‎

‎480 x 680 mm. Fine handwritten, calligraphic description of a perfect horse's anatomy, explaining its ideal proportions. Located in the centre is a printed horse study taken from Bourgelat's "Treatise on the choice and care of horses they require" ("Traité du choix des chevaux et des soins qu'ils exigent", 1769). - The founder of veterinary colleges at Lyon in 1761, Claude Bourgelat, was as an oft-consulted authority on horse management. - Small defects to edges; some dust-staining on reverse.‎

‎[Arabian Horses at the Hungarian National Stud].‎

‎Collection of original vintage photographs. Bábolna, c. 1885.‎

‎11 vintage photo prints (ca. 90 x 120 mm, but one 105 x 170 mm) on backing cardboard (20 x 25 cm). Highly uncommon photographs of Arabian horses (all individually captioned) at the famous Bábolna stud in Hungary, the principal stud for producing the best horses for the Austro-Hungarian military in the 19th century. The "Bábolna Nemzeti Ménesbirtok" (Bábolna National Stud) was founded by Emperor Joseph II in 1789. In 1816 it was decreed that henceforth only Arabian stallions should be used for stud service - a policy that raised the quality of the Austrian cavalry's horses to a famous level and necessitated the frequent introduction of new pure-bred Arabian stallions from the Middle East. One of the greatest commanders and stud-masters of Bábolna, Mihály Fadlallah el Hedad, hailed from Syria. - The photos show portraits of the horses Sechun, Nadir, Tahita, Nasira, Celeby, Dzerid, El Hafi, El Denedzi, Hiläl, Riat, as well as a larger group portrait showing several of the horses with their Arabian and Austro-Hungarian trainers. Some slight staining to backboards, but altogether well-preserved. Extremely rare.‎

‎[Bahrain].‎

‎Treasure Minute Dated 21 March 1957 Concerning a Gift of Land in Bahrein. London, Her Majesty's Stationery Office, 1957.‎

‎2 pp. 8vo. Modern binder. Parliamentary minutes regarding the sale of a vacant site of some 4/5ths of an acre in the Manama district of Bahrain, originally acquired in 1903 for the erection of the Victoria Memorial Hospital which was demolished in 1953, to the Ruler of Bahrain, H.H. Sheikh Salman ibn Hamad Al Khalifa, who wished to found a Museum and Public Library on the site. The value of the site was estimated at about 70,000 pounds sterling. - With stamp of "The Law Society, London" (29 March 1957).‎

‎[Bergk, Johann Adam].‎

‎Arabien und Syrien in historischer, geographischer, wissenschaftlicher, artistischer, naturgeschichtlicher, merkantilischer, religiöser, sittlicher und politischer Hinsicht. Berlin & Leipzig, Verlagshandlung der neuen compendiösen Bibliothek, 1799.‎

‎8vo. XVI, 512 pp. With engraved title vignette, folding engraved map, and 4 engraved plates. Contemporary marbled boards. All edges red. First edition, conceived as a continuation of Bergk's volume on Egypt. The map shows Syria; the plates depict Arabic costumes, household tools, and views of Haleb, Mecca, and Medina. The title vignette shows Mt. Sinai. Also discusses the history , topography, climate, illnesses etc. of the Arabian Peninsula (with chapters on the Nejd, Arabia Felix and Yemen, etc.). - Some browning. From the library of the Kalksburg Jesuit college with their shelfmark label on pastedown. Kayser I, 32. Holzmann/B. I, 2892. Hamberger/Meusel XXII/1, 216. OCLC 257668994. Not in Macro, Atabey or Blackmer.‎

‎[Biblia arabica - VT - Psalmi].‎

‎Davidis Regis et Prophetae Psalmi. Ex arabico in latinum idioma [...] redditi. Rome, typographia Savariana, 1619.‎

‎4to. (8), 474, (8) pp. Title page printed in red and black. Contemporary vellum with ms. title to spine. Edges sprinkled in red. Second edition of Savary's Arabic Psalter; more precisely, a re-issue of the 1614 original edition, with only the title changed and the remaining pages re-used from the first. Prepared by two Maronite scholars, Nasrallah Salaq al-'Aquri, better known as Victorius Scialac Accurensis, and Gabriel Sionita. "Scialac was one of the first Oriental Christian scholars who by his publications furthered the causes of both European Orientalism and Oriental Christianity. He taught Arabic and Syriac in the Roman University from 1610 to 1631" (Smitskamp, p. 161). The publication is famous for the clarity and elegance of its typeface created by Savary de Brèves: the extensive vocalisation helped this handy quarto volume achieve immense popularity among oriental scholars throughout Europe. Formerly it was assumed that the type design was based on specimens Savary had seen during his time as French envoy at Constantinople; today his probable model is believed to be a calligraphical manuscript from Qannubin, preserved in the Bibliotheca Vaticana. The cutting and founding of the types were done in Rome, in collaboration with Stefano Paolini, an experienced printer formerly of the Typographia Medicea. The Psalms' text is based on a manuscript Savary de Brèves had bought in Jerusalem (cf. Balagna, L’imprimerie arabe en occident, p. 55f.); as it occasionally departs from the Vulgate (as does the translation by the Maronites Sionita and Scialac), an extensive imprimatur was necessary. - The Arabic-Latin Psalter (1614/19) and Bellarmin's Arabic catechism (1613) would remain the only works to leave the Typographia Savariana in Rome; the types have survived and are now in the archives of the Imprimerie Nationale in Paris. - Occasional paper flaws professionally restored; insignificant brownstaining in places. A good copy. Darlow/Moule 1643. Schnurrer 324 (note) & p. 505. Ebert 18088 (note). Brunet IV, 921 (note). STC 108. Cf. Smitskamp 33. Fück 56.‎

‎[Biblia arabico-latina - Psalmi].‎

‎Liber psalmorum Davidis regis, et prophetae. Ex Arabico idiomate in Latinum translatus. A Victorio Scialac & Gabriele Sionita. Recens in lucem editus munificentia Francisci Savary de Breves. Rome, Stefano Paolini f. Typographia Savariana, 1614.‎

‎4to. (8), 474, (6) pp. With two woodcut coats of arms on t. p. and at the end. Late 19th century half calf. First edition of this adaptation of the Psalms, set in Arabic-Latin parallel text. Printed in some 3000 copies, most of which were used for a 1619 re-issue with only the title page changed. Famous for the clarity and elegance of the typeface created by Savary de Brèves: the extensive vocalisation helped this handy quarto volume achieve immense popularity among oriental scholars throughout Europe. Formerly it was assumed that the type design was based on specimens Savary had seen during his time as French envoy at Constantinople; today his probable model is believed to be a calligraphical manuscript from Qannubin, preserved in the Bibliotheca Vaticana. The cutting and founding of the types were done in Rome, in collaboration with Stefano Paolini, an experienced printer formerly of the Typographia Medicea. The Psalms' text is based on a manuscript Savary de Brèves had bought in Jerusalem (cf. Balagna, L’imprimerie arabe en occident, p. 55f.); as it occasionally departs from the Vulgate (as does the translation by the Maronites Sionita and Scialac), an extensive imprimatur was necessary. - Bellarmin's Arabic catechism and the Arabic-Latin Psalter would remain the only works to leave the Typographia Savariana in Rome; the types have survived and are now in the archives of the Imprimerie Nationale in Paris. - From the library of the Biblical scholar Samuel Davidson (1806-98) with his ms. ownership to title page; binding slightly bumped, but a fine copy altogether. STC 108. Darlow/Moule 1641. Lüthi 198. Smitskamp 33. Schnurrer 324 & p. 500-506. Fück 56. Ebert 18088. Brunet IV, 921.‎

‎[Illustrated broadsheet].‎

‎Tewfik Pasha of Egypt. Weißenburg, Burckardts Nachfolger, [c. 1890].‎

‎Head-and-shoulders portrait. Chromolithograph. 60 x 44.6 cm. Very rare Weißenburg broadsheet showing the portrait of an oriental ruler: the last-but-one Khedive (Viceroy) of Egypt, Tewfik Pasha (ruled 1879-1892). These oriental broadsheets were usually sold with the fictitious imprint of Hassan Auvès in Cairo; this one also states the actual publisher, Camille Burckardt's successors. - Slight horizontal crease; edges somewhat browned. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.‎

‎[Illustrated broadsheet - Egypt].‎

‎I re dell'Egitto. Weißenburg, Burckardts Nachfolger, [c. 1895/1900].‎

‎Colour lithograph. 57 x 42.5 cm. Splendid Weißenburg illustrated broadsheet showing the rulers of the dynasty of Muhammad Ali (reigned from 1805 until the deposition of the last Khedive, Abbas Hilmi II, in 1914). As usual, this bears the fictitious publisher's address of Hassan Auvès in Cairo (at left), and also the true imprint of Camille Burckardt's successors, who took over the company in 1889. - Slight repaired tear to left edge; slight browning. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.‎

‎Biscionio, Antonio Maria.‎

‎Bibliothecae Mediceo-Laurentianae catalogus [...]. Tomus primus [no more published], codices orientales complectens. Florence, ex Imperiali Typographio, 1752-(1757).‎

‎Folio (282 x 410 mm). 2 parts in 1 volume. LV, (1), 199, (1) pp. 121, (1) pp. Title page printed in red and black. With engr. frontispiece, engr. title vignette, 9+26+1 (= 36) engr. plates, numerous text engravings (one full-page), and several engr. initials, head- and tailpieces. All edges sprinkled in red. Disbound. First and only edition of this ambitiously conceived catalogue of the Hebrew, Syriac, Arabic and Greek manuscripts at the Laurentian Library ("Biblioteca Medicea Laurenziana") in Florence. The 9 engraved plates of the first part show the architectural details and ornaments of the library that was planned and partly built by Michelangelo; the plates of the second part show examples from the illuminated manuscripts of the collection - a rich trove of Near-Eastern and Middle-Eastern book art. Antonio Maria Biscionio (1674-1756) was a celebrated scholar and the appointed keeper of the Laurentian Library. "No more published; later catalogs were issued by Biscioni's successor as librarian, Angelo Maria Bandini. An abridgment appeared in 1757 under title: 'Bibliothecae ebraicae graecae florentinae, sive Bibliothecae mediceo-laurentianae catalogus'" (OCLC). - Vellum slightly rubbed at extremeties; foxing to edges of final pages. Rare; only two copies in international auction records since 1950. Graesse I, 432. OCLC 6475224.‎

‎Bourgoin, Jules.‎

‎Les Arts Arabes. Architecture - Menuiserie - Bronzes - Plafonds - Revêtements - Marbres - Pavements - Vitraux - etc. Paris, A. Morel & Cie., 1873.‎

‎Folio (360 x 454 mm). (4), 3, (1), 4, (4), VIII, 28 pp. With 51 engr. plates and 41 chromolithographic plates. Contemporary half calf on 5 raised bands and giltstamped title to spine. Marbled endpapers. Only edition of this rare collection of stunning ornamental plates, showing Islamic architectural designs and decorative details thereof. With accompanying text by Bourgoin (1838-1908), who had spent years in Egypt as an architect and made extensive travels to Syria and Palestine. This monumental work, with a preface by E. Viollet-le-Duc, first made Arabic art widely known in Europe and was immediately recognized as a classic. Included with this set are three original pen-and-ink sketches of the geometrical mosaic designs in the Alcazar of Sevilla, as well as a sketch of western gothic architecture. - Some foxing throughout as usual, but mainly confined to margins. Binding slightly rubbed and bumped at extremities; still an excellent copy. Blackmer 185. Gay 3435. OCLC 558156807.‎

‎[Breviary in Arabic].‎

‎Al-Urulugiyun, ay al-sawa`i al-mustamil `ala salawat al-fard al-qanuniyya. Dayr al-Shuwayr, Kisrawan, Lebanon, St. John the Baptist Monastery, 1822.‎

‎8vo. (10), 736 pp. Printed in red and black throughout. Contemporary blindstamped black calf binding. The Arabic Horologion (following the Byzantine rite), containing the breviary, canonical prayers and hymns for the feast days of the Saints throughout the year. From the printing office of the Melkite monastery of St. John the Baptist at al-Shuwayr in the Lebanese Kisrawan mountains, operative between 1734 and 1899, during which time it produced in all 69 Arabic books, including re-editions (cf. Silvestre de Sacy I, pp. 412-414; Middle Eastern Languages and the Print Revolution. A Cross-Cultural Encounter, Westhofen 2002, pp. 179-181). Occasional insignificant brownstaining; slight chipping to extremeties of the appealing original binding. Rare: OCLC lists two copies only (at the University of Leiden and the Veech Library, Catholic Institute of Sydney, Australia). OCLC 68525490, 224329156.‎

‎Bruyn (Le Brun), Cornelis de.‎

‎Reizen van Cornelis de Bruyn, door de vermaardste deelen van Klein Asia, de eylanden Scio, Rhodus, Cyprus, Metelino, Stanchio, &c. mitsgaders de voornaamste steden van Aegypten, Syrien en Palestina [...]. Delft, Henrik van Krooneveld, 1698.‎

‎Folio (235 x 337 mm). (18), 398, (8) pp. With engr. half-title, engr. portrait of the author (after Godfrey Kneller), and 210 as well as several lettered or unnumbered engravings (many by Jan and Caspar Luyken after the author's drawings) printed on 57 plates, 24 double-page plates and 20 folding plates (most of which are panoramic views). Wants the folding map of the Eastern Mediterranean. Contemporary Dutch blindstamped vellum. First edition, the only one to appear in the original language. The Dutch painter and traveller Cornelius de Bruyn travelled to Constantinople and throughout the Levant and the Ottoman empire between 1677 and 1685. "De Bruyn was primarily a landscape artist and this manifests itself in the several fine panoramas which include Smyrna, Constantinople, the Bosphorus, Rhodes, Tyre, Alexandria, Bethlehem, Jerusalem, Aleppo, Palmyra and others. De Bruyn's costume plates are mostly of the different types of Greek and Turkish head-dresses" (Atabey). - Some browning, fingerstaining and edge flaws throughout. Complete save for the map. Atabey 159. Tiele 207. Gay 2101. Henze I, 378. Howgego I, p. 157, B177. Weber II, 402 (note). Röhricht 1184. Tobler 114. Cobham/Jeffery 7. Laor 967. Schwab 74. Cohen/de Ricci 610. Lipperheide Ci 48 (= 546). Graesse I, 552. OCLC 4619950. Cf. Blackmer 225 (2nd French ed.). Aboussouan 164 (1725 French 4to ed.).‎

‎Castellan, A. L.‎

‎Moeurs, usages, costumes des Othomans, et abrégé de leur histoire. Paris, Nepveu, 1812.‎

‎12mo. 6 vols. With 6 engraved frontispieces and 66 engraved plates, all in original hand colour. Contemp. calf gilt; all edges gilt. First edition. "Plates are by Dalvimart, most of them reduced from those in William Alexander’s ‘Costume of Turkey’" (Hiler). The pretty plates (some aquatints) depict not only various costumes and head coverings, but also dramatic scenes. - Well-preserved, appealingly bound copy with engraved bookplate of Baron de La Roche Lacarelle to pastedowns. Removed from the Ottoman collection of the Swiss industrialist Herry W. Schaefer. Blackmer 300. Aboussouan 189. Hage Chahine 821. Lipperheide Lb 42. Colas 545. Hiler 143. Auboyneau 370. Brunet I, 1226. Graesse I, 530.‎

‎Chamberlayne, John.‎

‎Oratio dominica in diversas omnium fere gentium linguas versa. Amsterdam, W. & D. Goeree, 1715.‎

‎4to. 2 parts in 1 vol. (48), 94 (but: 96), (6) pp. (2), 256 (but: 156) pp. Title page printed in red and black. With 2 folding engr. plates and some 20 text engravings, all showing script specimens. - (Bound after) II: Morin, Stephan. Exercitationes de lingua primaeva ejusque appendicibus. Utrecht, Willem Broedelet, 1694. (14), 448, (8) pp. With engr. title page and 4 folding engr. plates. Contemp. Dutch blindstamped vellum with oriental-style, lozenge-shaped cover ornaments. First edition. - The Lord’s Prayer in more than 150 languages, including many European and Asian languages, but also Arabic (in two styles), Persian (in two styles), Syriac, Ottoman Turkish, etc., many of which are rendered both in Latin transliteration and in their original scripts, engraved in the text or as folding plates. The second part contains nine remarkable treatises on typefaces and languages, including the first publication ever of "De variis linguis" by the great German philosopher and polymath G. W. Leibniz. The English courtier John Chamberlayne (1666-1723) is said to have known sixteen languages; among his many writings is an immensely popular, amusing tract on coffee, tea, and hot chocolate which he published at the age of 19 (cf. DNB). - II: First edition. The plates show coins and medals from Palestine and Samaria. - One corner bumped. Insignificant browning; a good, clean copy. I: Ebert 3978. DNB IV, 9. Brunet I, 1761. Graesse II, 112. Ravier 317 (pt. 2 only). - II: Ebert 14415. Fürst II, 390. Lipsius 268.‎

‎[Costumes].‎

‎Neu-eröffnetes Amphitheatrum [...] aus dem Gantzen America [...] Asia [...]. Neu-eröffnetes Amphitheatrum Turcicum. Erfurt, Johann Michael Funcke, 1723-1728.‎

‎Folio (214 x 342 mm). 3 vols. bound in one. (4), 120 (instead of 124) pp. (2), 142 pp. 172, (4) pp. Two title pages printed in red and black. With a total of 97 (instead of 98) half-page woodcuts in the text. Period style dark brown calf, elaborately gilt decorated spine and boards, red morocco spine label, raised bands, marbled endpapers. First editions of three separately issued parts of the very scarce "newly-opened amphitheatre", comprising the America, Asia, and Turkey volumes. The exceptional large woodcuts show the native inhabitants of the various parts of the world. Of special interest is the rare volume dedicated only to Ottoman society, as well as that on Asia: together, they cover the Islamic countries of the early modern period, including details on the Arabian Peninsula. Among the illustrations are various Muslim clerics, Northern Arabians and desert Arabians in Bedouin costume, coffee salesmen, sweetmeats salesmen, and a Turkish gentleman carrying the Qur'an on his head, as well as Persians, the Sultan, Janissaries, archers, dancers, etc. The Asia volume, produced later, repeats a single illustration but contains much new matter on Arabia, including a discussion of the Muslim religion, the Qur'an, ablutions performed with sand, and the trade in incense, coffee, and spices, as well as pearl fishing in Bahrain (p. 54). The America volume covers the discovery and exploration of America, with woodcut illustrations including portraits of Columbus, Vespucci, Magellan, and 30 depictions of Native Americans from throughout the New World, including Virginia, California, Pennsylvania, Maryland, etc. - This present set omits the parts on Europe and Africa, which were published first, and thus contains parts 3 (America) and 4 (Asia) of the four-part "Neu-eröffnetes Amphitheatrum" (the final part of which was produced only after a five-year hiatus), along with the "Neu-eröffnetes Amphitheatrum Turcicum", separately issued in 1723, from which the 1728 volume on Asia drew freely. Severely browned throughout due to paper. Title page of "America" vol. remargined; edge-wear to first and last few leaves only; wants quire G (pp. 25-28, including one illustration). Quire K in "Turkey" vol. (pp. 37-40) with expert paper repairs. In a highly appealing modern binding. Lipperheide Ac 5. Colas 2187. Hiler 652. Sabin 52360. Palmer 364. Not in Atabey or Blackmer. Not in Hünersdorff (Coffee).‎