‎Collectibles‎

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Les bas-bleus - ""Le parterre de l'Odéon""‎

‎Paris: Chez Aubert 1844. Fine. Chez Aubert Paris s. d. 1844 26.10 x 34.40 cm une feuille Original black and white lithograph second state for Le Charivari printed on heavy paper. Signed in the plate. Delteil 701 Some pale foxing including one more significant spot in the lower left margin. Chez Aubert unknown‎

Riferimento per il libraio : 74758

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Physionomies des chemins de fer - ""La gare du chemin de fer de Boulogne.""‎

‎Paris: Chez Aubert 1852. Fine. Chez Aubert Paris s. d. 1852 27.10 x 35.10 cm une feuille Original black and white lithograph second state for Le Charivari printed on heavy paper. Signed on the plate. Delteil 2340 Some pale foxing and tears to the top and bottom margins as well as the bottom right corner. Chez Aubert unknown‎

Riferimento per il libraio : 74747

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Les amis - ""Un ami est un crocodile donné par la civilisation""‎

‎Paris: Chez Aubert 1845. Fine. Chez Aubert Paris s. d. 1845 27.30 x 35.60 cm une feuille Original black and white lithograph second state for Le Charivari printed on heavy paper. Signed on the plate. Delteil 593 Monogrammed stamp ""AB"" from the collection of Dr Albert Bloch on the verso of the plate. Good condition. Chez Aubert unknown‎

Riferimento per il libraio : 74753

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Mœurs conjugales - ""Cà n'empêche que cà vaut encore mieux que des enfants qui vous minent.""‎

‎Paris: Chez Aubert 1842. Fine. Chez Aubert Paris s. d. 1842 25.50 x 33.50 cm une feuille Original lithograph in black and white in the second state created for Le Charivari and printed on heavy paper. Signed on the plate. Delteil 2101 Some foxing. Chez Aubert unknown‎

Riferimento per il libraio : 74681

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Les bas-bleus - ""Ah vous trouvez que mon dernier roman.""‎

‎Paris: Chez Aubert 1844. Fine. Chez Aubert Paris s. d. 1844 24.30 x 32.10 cm une feuille Original black and white lithograph for Le Charivari printed on heavy paper. Signed on the plate. Delteil 718 Occasional light foxing. Chez Aubert unknown‎

Riferimento per il libraio : 74755

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Les 12 Mois - ""La Neige Mois de Décembre""‎

‎Paris: Chez Aubert 1839. Fine. Chez Aubert Paris s. d. 1839 34.10 x 25.70 cm une feuille Original black and white lithograph second state created for La Caricature and printed on heavy paper. Signed on the plate. Delteil 385 Some light foxing. Chez Aubert unknown‎

Riferimento per il libraio : 74653

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Flagorneries Commerciales - ""Madame ces gants sont trop larges!.""‎

‎Paris: Chez Aubert 1853. Fine. Chez Aubert Paris s. d. 1853 28 x 36.20 cm une feuille Original black and white lithograph created for Le Charivari and printed on heavy paper. Signed on the plate. Delteil 1804 Monogrammed stamp ""AB"" from the collection of Dr Albert Bloch on the reverse of the plate. Good condition. Chez Aubert unknown‎

Riferimento per il libraio : 74668

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Ces Bons Parisiens - ""On a beau dire.il n'y a rien de tel que la campagne pour bien se divertir""‎

‎Paris: Chez Aubert 1857. Fine. Chez Aubert Paris 1857 26.50 x 35.50 cm une feuille Original black and white lithograph in second state created for Le Charivari and printed on heavy paper. Signed on plate. Delteil 956 Some light foxing. Chez Aubert unknown‎

Riferimento per il libraio : 74670

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Les Bohémiens de Paris - ""Les Comédiens de Province""‎

‎Paris: Chez Aubert 1842. Fine. Chez Aubert Paris 1842 25.70 x 34.30 cm une feuille Original black and white lithograph second state created for Le Charivari and printed on heavy paper. Signed on the plate. Delteil 851 Light tear to right margin not affecting the image. Chez Aubert unknown‎

Riferimento per il libraio : 74657

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Proverbes de Famille- ""Ah! monstre vous vous permettez de dire que je suis un vieux melon.""‎

‎Paris: Chez Aubert 1840. Fine. Chez Aubert Paris s. d. 1840 25.70 x 34.10 cm une feuille Original lithograph in black and white created for La Caricature and printed on heavy paper. Signed on plate. Delteil 369 Some light foxing. Chez Aubert unknown‎

Riferimento per il libraio : 74690

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Naïvetés - ""Pardon monsieur le directeur je viens vous dire que ma famille est absolument forcée de s'absenter pendant trois jours.""‎

‎Paris: Chez Aubert 1859. Fine. Chez Aubert Paris s. d. 1859 27.30 x 36.20 cm une feuille Original black and white lithograph third state created for Le Charivari and printed on heavy paper. Signed on plate. Delteil 2133 Monogrammed stamp ""AB"" from the collection of Dr. Albert Bloch on verso of plate. Some pale foxing. Chez Aubert unknown‎

Riferimento per il libraio : 74693

‎Honore DAUMIER‎

‎Lithographie originale en couleurs - Bohêmiens de Paris - ""Le ravageur""‎

‎Paris: Chez Aubert 1842. Fine. Chez Aubert Paris s. d. 1842 24.90 x 33 cm une feuille Original lithograph heightened in colors and gummed in second state printed on thick paper. Delteil 839 Plate uniformly darkened. Chez Aubert unknown‎

Riferimento per il libraio : 74792

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - ""L'empire c'est la paix""‎

‎Paris: Chez Aubert 1870. Fine. Chez Aubert Paris s. d. 1870 23.40 x 31 cm une feuille Original black and white lithograph in second state for Le Charivari printed on heavy paper. Signed in the plate. Delteil 3426 Some foxing and a tear 1cm at bottom of left margin not affecting the image. Chez Aubert unknown‎

Riferimento per il libraio : 74703

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Mœurs Conjugales - ""Je l'aurais parié.au lieu de lui faire voir Séraphin.""‎

‎Paris: Chez Aubert 1841. Fine. Chez Aubert Paris s. d. 1841 25.70 x 34.10 cm une feuille Original black and white lithograph third state created for La Caricature and printed on heavy paper. Delteil 347 Some pale foxing. Chez Aubert unknown‎

Riferimento per il libraio : 74694

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Les Cinq Sens - ""Le Toucher""‎

‎5 chromolithographs: p.38: 1 pl. enamel by Jean Fouquet; 2 pl. LL-AAA Melun diptych; p.102: 1 pl. FFF Boccaccio of Munich; p.116: 1 pl. III Tullia; : Title pages 15 pl.: p.i: preface; p.1: notice; p.9: life and work; p.38: enamel of the Louvre; Melun diptych; p.73: hours of Master Estienne Chevalier p. 92: office of the Virgin; office of the Passion; saints and female saints; readings and meditations; p.94: Boccaccio of Munich; p.105: Jewish antiquities by Flavius Josephus; p.113: decades of Livy; p.117: Fouquet presumed works; p.168: table of contents. 1 steel engraving. . Fine. "Chez Aubert Paris s. d. 1839 34.30 x 26.40 cm une feuille ff.: Publisher's announcements. Plates: Title pages (15 pl.): p.i: preface; p.1: notice; p.9: life and work; p.38: enamel of the Louvre; Melun diptych; p.73: hours of M unknown‎

Riferimento per il libraio : 74643

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Bohémiens de Paris - ""La marcheuse""‎

‎Paris: Chez Aubert 1841. Fine. Chez Aubert Paris s. d. 1841 26.20 x 34.80 cm une feuille Very rare original black and white lithograph second state for La Caricature printed on heavy paper. Signed on the plate. Delteil 405. Very rare. Some foxing to margins. Chez Aubert unknown‎

Riferimento per il libraio : 74749

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Caricaturana - ""Abus de l'article 34 du code civil""‎

‎Paris: Chez Aubert 1837. Fine. Chez Aubert Paris s. d. 1837 26.90 x 35.90 cm une feuille Original black and white lithograph first state created for Le Charivari and printed on heavy paper. Delteil 1040 Some light foxing. Chez Aubert unknown‎

Riferimento per il libraio : 74650

‎Honore DAUMIER‎

‎Lithographie originale en couleurs - ""Que diable! Macaire te voilà à la tête d'un bureau de charité est-ce que tu vas tout garder pour toi""‎

‎Paris: Chez Aubert Galerie Vero-dodat 1837. Fine. Chez Aubert Galerie Vero-dodat Paris s. d. 1837 26.40 x 33.70 cm une feuille Original lithograph heightened in colors and with gum arabic highlights second state for Le Charivari printed on heavy paper. Delteil 1021 Plate uniformly shaded some foxing and lack to right corner of upper margin. Chez Aubert, Galerie Vero-dodat unknown‎

Riferimento per il libraio : 74788

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Mœurs Conjugales - ""Ma femme m'a dit: attends moi cinq minutes je monte chez ma couturière.""‎

‎Paris: Chez Aubert 1842. Fine. Chez Aubert Paris s. d. 1842 24.80 x 32.90 cm une feuille Original black and white lithograph second state created for Le Charivari and printed on heavy paper. Signed on the plate. Delteil 2105 Some pale foxing more pronounced on verso. Chez Aubert unknown‎

Riferimento per il libraio : 74698

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Ces Bons Parisiens - ""Ah! Théophile j'en apprends de belles sur ton compte.""‎

‎Paris: Chez Aubert 1853. Fine. Chez Aubert Paris s. d. 1853 28 x 36.20 cm une feuille Original black and white lithograph in first state created for Le Charivari and printed on heavy paper. Signed on plate. Delteil 961 Some worming to right margin. Chez Aubert unknown‎

Riferimento per il libraio : 74669

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Les 12 Mois - ""Le Jour de l'An Mois de Janvier""‎

‎Paris: Chez Aubert 1838. Fine. Chez Aubert Paris s. d. 1838 34.10 x 25.70 cm une feuille Original black and white lithograph third state created for La Caricature and printed on heavy paper. Signed on the plate. Delteil 384 Some light foxing and very slight lack to lower right corner Chez Aubert unknown‎

Riferimento per il libraio : 74654

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Les beaux jours de la vie - ""Le vin de propriétaire.""‎

‎Paris: Chez Aubert 1846. Fine. Chez Aubert Paris s. d. 1846 26.10 x 33.50 cm une feuille Original black and white lithograph second state for Le Charivari printed on heavy paper. Signed on the plate. Delteil 823 Some pale foxing and left margin clumsily trimmed. Chez Aubert unknown‎

Riferimento per il libraio : 74768

‎Honore DAUMIER‎

‎Lithographie originale en noir et blanc - Les Bons bourgeois - ""Ne l'effraye pas Eudoxie.il va se poser.il prend mon nez pour une rose !""‎

‎Paris: Chez Aubert 1846. Fine. Chez Aubert Paris s. d. 1846 25.30 x 34 cm une feuille Original lithograph in black and white second state created for Le Charivari and printed on strong paper. Signed on the plate. Delteil 855 Some light foxing. Chez Aubert unknown‎

Riferimento per il libraio : 74658

‎Honore DAUMIER‎

‎Lithographie originale en couleurs - ""Robert-Macaire devant ses juges""‎

‎Paris: Chez Aubert Galerie Vero-dodat 1837. Fine. Chez Aubert Galerie Vero-dodat Paris s. d. 1837 26.20 x 34.60 cm une feuille Original lithograph heightened in colors and gum arabic highlights in first state for Le Charivari printed on heavy paper. Delteil 1019 Plate uniformly shaded. Chez Aubert, Galerie Vero-dodat unknown‎

Riferimento per il libraio : 74785

‎Honore de BALZAC‎

‎"Aussitôt que j'ai été arrivé à Tours j'ai été lancé sur les côtes de la Bretagne par l'envie la mieux conditionnée qui jamais ait empoigné un homme de fermer l'atmosphère de Paris et ses idées en allant courir sur les beaux rochers qui bordent la mer en Bretagne et là parvenu y suis resté quinze notables jours les plus délicieux du monde courant sur les baies sur les goémons ramassant des pucelages qui sont en grand nombre sur le sable marin au rebours de la rue Vivienne."" • Unpublished signed autograph letter‎

‎Tours 1830. Fine. Tours 23 juin 1830 13.20 x 19.90 cm une feuille Unpublished autograph letter: “As soon as I had arrived in Tours I was thrown on the coasts of Brittany by the best conditioned desire that had ever seized a man to shut off the atmosphere of Paris and its ideas by going to run on the beautiful rocks that border the sea in Brittany” Tours 23 June 1830 13.2 x 19.9cm one leaf Unpublished handwritten letter signed by Honoré de Balzac one and a half pages written in black ink on a leaf of white paper. Transversal folds and ink a little faded at the bottom of the first page without making it difficult to read. The man from Tours poetically recounts his wanderings on the Breton coast during a trip he took in the company of Madame de Berny. Together they sailed up the Loire in a boat all the way to Le Croisic: “As soon as I had arrived in Tours I was thrown on the coasts of Brittany by the best conditioned desire that had ever seized a man to shut off the atmosphere of Paris and its ideas by going to run on the beautiful rocks that border the sea in Brittany and there once arrived I stayed a fortnight the most delicious in the world running on the bays on the kelp collecting the pucelages that are in large numbers on the sea sand in reverse of the rue Vivienne.” The “pucelages” here are shellfish so named because of their vulvoid shape allowing Balzac an allusion to the prostitution – very popular at the time – that occupied the Galerie Vivienne. This amusing letter is addressed to one of the editors of La Silhouette magazine as evidenced in particular by the sign off at the end of the letter mentioning the founder of the periodical: “A thousand good friendships do not forget to give a large part to our friend Victor Ratier.” Balzac also mentions several articles: “I am writing to give you a sign of life proof of interest and of friendship but I write to you briefly because I have twenty letters to answer and I promise you a letter for.1st July which will contain the end of the charlatan issue 2 la bella dona and finally the articles that will have passed through my head and with which you will be furnished so as to not ask anything of me for a month or two and so that around August you will be my publisher.” We have not found any trace of said letter in the writer's correspondence no more besides than the continuation of the Charlatan the first part of which was published in the second issue of La Silhouette. No article under the title of “Bella Dona” appears in the following issues either although Balzac emphasizes in his letter the desire to provide other texts “given that the charms of the Loire must not make him forget that he is the poorest of those who live on a quill pen.” A beautiful and spicy unpublished letter. unknown‎

Riferimento per il libraio : 77791