|
Lucian; Translated By Thomas Francklin; Title Page Portraits Of Lucian, By Isaac Taylor
The Works Of Lucian From The Greek Vol I And Ii Folio
London: T. Cadell 1780. 1st Edition 1st Printing. Hardcover. Very Good. X Xix 480 588 Pp. Original Quarter Calf Over Marbled Boards 5 Bands Spines Elaborately Gilt But Re-Backed With Remains Of Original Heavily Gilt Spines. All Edges Of Page Block Colored Red. Elaborately Marbled. Multicolor Endpapers Also Apparently Original As They Match The Worn And Faded Marbled Boards. Both Volumes With Elaborate Bookplates And Also Handwritten Name Signatures Of Paul Panton Esq. Who Is Named In The List Of Subscribers At The Beginning Of Volume I. Bindings Worn Except For Professional Re-Backing Material Hinges Tight Contents Fine Immaculate And Square. This First Edition Is Rare; Worldcat Shows Only Three Institutional Holdings Two In Uk One In Canada; All Copies Of This 1780 First Printing May Have Been Subscribers' Copies. <br/> <br/> T. Cadell hardcover
书商的参考编号 : 031157
|
|
|
LUCIANUS
LOUKIANOU SAMOSATEÔS HAPANTA. Luciani Samosatensis Opera. Cum nova versione Tiber. Hemsterhusii & Io. Matthiae Gesneri graecis scholiis ac notis omnium proximae editionis commentatorum additis Io.Brodaei Io. Iensii Lud. Kusteri Lamb. Bosii Hor. Vitringae Ioan. de la Faye Ed. Leedes aliisque ineditis ac praecipue Mosis Solani & I.M. Gesneri. Cujus priorem partem summo studio curavit & illustravit Tiberius Hemsterhusius. Ceteras inde partes ordinavit notasque suas adjecit Ioannes Fredericus Reitzius. And: Tib. Hemsterhusii Animadversionum in Lucianum Appendix. Ex schedis MSS. in Bibl. Lugd. Bat. servatis collegit disposuit et edidit Jacobus Geel.
Amsterdam Amstelodami Sumptibus Jacobi Wetstenii 1743. And: Leiden Lugduni Batavorum Apud S. et J. Luchtmans Academiae Typographos 1824. 4to. 3 volumes plus 1 additional volume: 1: XII including title and frontispieceLXXII882 p. 1 plate. 2: IV9531blank p. 3: IV860 p. 4: IV5003 errata1 blank p. Vellum. 26.5 cm Ref: STCN ppn 175754950; Hoffmann 2537/8; Dibdin 2193/4; Moss 2 263: 'A very elegant and excellent edition carefully compiled by 3 scholars whose abilities are well known'; Brunet 31207: 'Édition la plus estimée de cet auteur'; Graesse 4278; Ebert 12385 Details: 4 uniform volumes. Backs with 5 raised bands. Boards with blindstamped ornament within double fillet borders. Title pages printed in red and black. The frontispiece is produced by P. Tanjé and shows scenes from the work of Lucianus. An engraved printer's mark on the title depicting 2 sphinxes and 2 putti around a burin being sharpened on a whetstone Wetstein! around it the device: 'Terar dum prosim'. § Without the 'Lexicon Lucianeum' of Reitzius Utrecht 1743 often considered as a kind of 4th volume but with a supplementary 4th volume which contains Hemsterhuis' posthumously collected observations on Lucianus Condition: Vellum age-tanned. Boards slightly curved. Old references in ink on the front flyleaf of the first volume. Some marginal pencil annotations. Paper occasionally yellowing Note: 'This is not only the most beautiful but the most accurate and complete edition of Lucian'. Dibdin § The Greek author of Syrian descent Lucianus born ca. 120 A.D. in Samosata on the Euphrate and still alive in 180 was trained as a rhetorician won wealth and fame but nevertheless abandoned rhetoric and turned to philosophy. He then learned to contempt the philosophers of his time and pursued later in life a career as civil servant in Alexandria. His surviving works show that he was a witty and intelligent author who knew how to entertain his public. He amused his readers with his witty disgust for all forms of supernaturalism superstition and vanity. He is best known for his works on literary subjects such as 'How to write history' and for his romances 'A true story' and 'Lucius or the Ass' for his satirical dialogues and his quasi-philosophical treatises such as 'Dialogues of the Dead' which are 'curious and grimly funny little sketches the moral of which is usually the vanity of human pride and wealth'. H.J. Rose A handbook of Greek literature' London 1967 p. 419. § Renaissance enthusiasm revived Lucian. He was admired by humanist scholars for his supple style and his pure Attic vocabulary. 'Students of Greek found his colloquial style congenial and Renaissance wits strove to imitate his humorous vision of the world'. The Classical Tradition N.Y. 2010 p. 544 In the early 16th century the Dutch scholar Erasmus 'praised Lucian as a relentless persecutor of all superstition and many of his Latin Colloquia such as Charon 1529 draw inspiration from Lucianic dialogue'. op. cit. 545 Thomas More's Utopia 1515 is also indebted to the fantastic voyage in Lucian's 'True Story'. 'The Lucianic quest culminated in the philosophical 'conte' of the Enlightenment of which Voltaire's Candide 1759 is the most celebrated and influential example'. op. cit. 545 § The honour of reviving the study of Greek in the Netherlands belongs to the Dutch classical scholar Tiberius Hemsterhuis 1685-1766 who became professor Mathematics and Philosophy at the Athenaeum of Amsterdam at the age of 19. His great example was the English classical scholar Richard Bentley 1662-1742 Master of Trinity College Cambridge with whom he corresponded early in his career. In 1705 Hemsterhuis was promoted to a professorship in Harderwijk and in 1717 he was appointed professor of Greek at the University of Franeker. In 1740 he was finally called to Leiden. He produced an edition of Pollux 1706 'Luciani colloquia et Timon' 1708 the complete works of Lucianus 1743 and of the Plutus of Aristophanes 1744 a work which Gudeman calls 'epochemachend'. He contributed also notes to the editions of many other scholars. Sandys observes that 'the work of a Hemsterhuis was worth whole bundles of the mechanically manufactured products of a Burman'. Sandys 2451 Hemsterhuis was the founder of a Dutch school of criticism the so-called 'Schola Hemsterhusiana' which had disciples in Valckenaer Jacob van Lennep and David Ruhnken. The last one was the most famous of his pupils. 'Hemsterhuis has had the supreme felicity of being immortalised by 'laudator eloquentissimus' Ruhnken. The 'Elogium T. Hemsterhusii' delivered in 1768 by his pupil Ruhnken on resigning the office of Rector is one of the Classics in the History of Scholarship. It presents us with the living picture of the perfect critic'. Idem ibidem § This perfect critic produced the greater part of the first volume. It contains according to Dibdin a rich fund of the most curious and profound criticism relating to Lucian. The second and third volume was produced by the classical scholar of German origin Johann Friedrich Reitz 1695-1778 who had studied at Utrecht became conrector/rector of the local Schola Latina and was for the last 30 years of his life professor of History and Eloquence in the University of Utrecht. His younger brother Karel Koenraad Reitz then Rector of the Schola Latina of Gorcum compiled the erudite 'Lexicon Lucianeum' Utrecht 1746 which is often added as 4th volume to the 3 volumes Lucianus editions. The Latin translation of the German scholar Johann Matthias Gesner 1691-1761 is according to Sandys admirable He contributed also excellent notes and emendations. Sandys 3 p. 5 § Instead of the 'Lexicon Lucianeum' another 4th volume has been added to our set consisting of an Appendix of Hemsterhuis' notes and annotations. It was compiled by the Dutch classical scholar and librarian of the University of Leiden Jacob Geel 1789-1862. In the preface to the Appendix Geel explains that he collected and edited important observations that he found in Hemsterhuis' papers his correspondence and in the margins of his books residing in the University's library collections. He also thanks the firm of Luchtmans that they took the trouble to produce an edition similiar in appearance to the 'Lexicon Lucianeum' so that it may be considered a matching supplement to the edition of 1743/46. Praefatio leaf pi2 Collation: 1: pi4 -94 102; A-5S4 5T2 minus blank leaf 5T2 plate after p. LXII. 2: pi2 A-6D4 minus blank leaf 6B4 6E2 leaf 6E2 verso blank. 3: pi2 A-5Q4 minus blank leaves 5Q3 & 5Q4 4: pi2 A-6L2 Photographs on request Heavy set may require extra shipping costs hardcover
书商的参考编号 : 156880
|
|
|
LUCIANUS
LOUKIANOU SAMOSATEÔS HAPANTA. Luciani Samosatenis Opera. Ex versione Ioannis Benedicti. Cum notis integris Ioannis Bourdelotii Iacobi Palmerii a Grentemesnil Tanaquilli Fabri Aegidii Menagii Francisci Guieti Ioannis Georgii Graevii Iacobi Gronovii Lamberti Barlaei Iacobi Tollii & selectis aliorum. Accedunt inedita scholia in Lucianum ex Bibliotheca Isaaci Vossii. At the end: Scholia in volumen primum & secundum Luciani. Nunquam hactenus edita. Recensuit & notulas adjecit Johannes Clericus
Amsterdam Amstelodami Ex Typographia P. &. I. Blaeu Prostant apud Wolfgang Ianssonio-Waesbergios Boom a Someren & Goethals 1687. 8vo. 2 volumes: XXIV106018 index2 blank; IV92226 index; VIII462 blank;551 blank p. engraved frontispiece. Vellum 20 cm Ref: STCN ppn 853061254; Hoffmann 2537; Dibdin 2193; Moss 2262/3; Brunet 31207; Graesse 4278; Ebert 12384 Details: 6 thongs laced through both joints. Engraved frontispiece: Lucian seated at his desk surrounded by scenes from his writings. Woodcut printer's mark on both titles depicting a celestial sphere flanked by Hermes and Chronus the motto is 'Indefessus agendo'. Woodcut initials. 1 woodcut engraving. Greek text with facing Latin translation Condition: vellum slightly soiled. Old paper shelf number at the foot of the spines Note: This is a typical Variorum edition. It offers a 'textus receptus' which was widely accepted accompanied with the commentary and the annotations of various specialists taken or excerpted from earlier useful normative or renewing editions. Editions like these 'cum notis Variorum' were useful but never broke new ground. This edition was produced by Johann George Greffe or Graeve better known as Johannes Georgius Graevius 1632-1703 who was of German origin. He went to the Dutch republic to study classics. He later was appointed professor at Duisburg then at Deventer and finally at Utrecht where he was the last 42 years of his life a star of the first order which adorned its University. He limited his attention almost mainly to Latin prose. This 'Variorum' edition of Lucianus edited by Graevius seems to have escaped the attention of Sandys. Hoffmann & Brunet erroneously state that Johannes Clericus is the editor. Johannes Georgius Graevius himself however tells the reader in a 'Lectori' on p. XVII of vol. 1 about his 'modus operandi' in the production of this edition. He tells his readers that he produced this new edition of Lucian on request of the publishing firm of Blaeu. Graevius consulted the work of the best preceding editors and commentators like Bourdelotius Palmerius Faber and others including the not yet published notes of scholars like Menagius and Jacob Gronovius which they had sent to him. Graevius says he also used the editio princeps of 1496 the Aldus edition of 1503 and the Basel editions of 1555 & 1563 etc. For the Greek text and Latin translation Graevius follows the edition of Johannes Benedictus of 1619. At the end of the second volume have been added 46 and 55 p. with not yet published scholia. Graevius tells the reader that these scholia which were part of the manuscript collection of the Dutch classical scholar Isaac Vossius arrived just after the printing had been completed. These scholia have been edited by the Dutch scholar of Swiss origin Johannes Clericus 1657-1736. Clericus himself explains in his 'Bibliothèque Choisie' vol. 16 p. 400/1 that he certainly didnot produce this edition of Lucianus but that he only edited the scholia. There he also sneers at Graevius and complains about the mediocre quality of the scholia and tells that Vossius sold the printer a bad copy of the scholia for too high a price. See Moss 1263 Dibdin: 'Dr. Harwood calls it this edition of 1687 'a tolerably correct edition and greatly superior to all that preceded it' Provenance: From the library of Andrew Fletcher of Saltoun 1653-1716 a Scottish author and politician. He was leading the opposition against the 1707 Act of Union between Scotland and England. He also was an passionate book collector. A very fine set with the manuscript entry of Fletcher on the pastedown of both lower boards Collation: 8 24 A-3X8 3Y4 leaf 3Y4 blank; 2 A-3N8 3O2; 24 a-f4 leaf f4 blank; a-g4 Photographs on request hardcover
书商的参考编号 : 130406
|
|
|
Lucie DELARUE-MARDRUS
L'amour à la mer
Paris: Alphonse Lemerre 1926. Fine. Alphonse Lemerre Paris 1926 14 x 20.50 cm broché First edition one of 10 numbered copies on Holland paper ours bearing N°1 deluxe copy. Spine with some creasing and a small tear reglued at foot. Handsome full-margined copy. Alphonse Lemerre unknown
书商的参考编号 : 63164
|
|
|
Lucie DELARUE-MARDRUS
Le Far-West aujourd'hui
Paris: Fasquelle 1932. Fine. Fasquelle Paris 1932 14.50 x 19.50 cm broché First edition one of 15 numbered copies on Holland paper the only deluxe copies. Some light foxing affecting certain leaves at their margins. Work illustrated with photographic plates hors-texte. Rare and handsome copy. Fasquelle unknown
书商的参考编号 : 86348
|
|
|
Lucie DELARUE-MARDRUS
Passions américaines et autres
Paris: J. Ferenczi et fils 1934. Fine. J. Ferenczi et fils Paris 1934 12 x 19 cm broché First edition one of 50 numbered copies on bibliophile vellum the only deluxe copies. Handsome copy. J. Ferenczi et fils hardcover
书商的参考编号 : 63165
|
|
|
Lucie FAURE
Les passions indécises
Paris: Julliard 1961. Fine. Julliard Paris 1961 12 x 19 cm broché First edition one of 30 numbered copies on pur fil du Marais paper the only deluxe copies along with a few hors commerce. Inscribed by Lucie Faure. Spine very slightly faded without any gravity handsome copy. Julliard unknown
书商的参考编号 : 30134
|
|
|
Lucie FAURE
Variations sur l'imposture
Paris: Gallimard 1965. Fine. Gallimard Paris 1965 12.50 x 19.50 cm broché First edition one of 45 numbered copies on pure linen paper the only deluxe copies. Handsome copy. Gallimard unknown
书商的参考编号 : 59123
|
|
|
Lucie Marie Marguerite Monceau, dite Marguerite MORENO
Carte postale photographique signée de Marguerite Moreno
s. l.: S. n. 1934. Fine. S. n. s. l. 1934 9.50 x 13.50 cm une feuille verso Photographic postcard depicting Marguerite Moreno from the front taken in Pathé Natan's photographic studio. Nice copy. Dated and signed autograph of Marguerite Moreno at the foot of her portrait to Micheline Coppio. S. n. unknown
书商的参考编号 : 67319
|
|
|
Lucie PAUL-MARGUERITTE - Marcel FRANCOIS
Les confidences libertines
Paris: L'Edition 1922. Fine. L'Edition Paris 1922 14 x 22 cm broché First edition one of the numbered copies on laid paper the only issue after 12 Japan copies. Work illustrated with Art Deco vignettes in colors within the text and hors-texte by Marcel François. Handsome copy despite minor sunning and tears at head and foot of spine. L'Edition unknown
书商的参考编号 : 65446
|
|
|
Lucie VALORE
Maurice Utrillo mon mari
Paris: Joseph Foret 1956. Fine. Joseph Foret Paris 1956 14 x 19 cm broché First edition of which there were no deluxe copies. Manuscript gift inscription by the dedicatee at head of front cover light rubbing of no significance to spine Autograph inscription dated and signed by Lucie Utrillo Valore to Monsieur Mogenstrede. Joseph Foret unknown
书商的参考编号 : 86796
|
|
|
Lucien AUVRAY
Les manuscrits de Dante des bibliothèques de France
Paris: E. Thorin 1892. Fine. E. Thorin Paris 1892 16 x 23.50 cm broché First edition. Spine split at foot with a small loss at foot small ink stain on second cover. E. Thorin unknown
书商的参考编号 : 17790
|
|
|
Lucien AUVRAY
Louise de Bassompierre et les origines du transfert à Paris des religieuses de Sainte-Périne de Compiègne
s. l. Nogent le Rotrou Nogent-le-Rotrou: S. n. Imprimerie Daupelay-Gouverneur 1903. Fine. S. n. Imprimerie Daupelay-Gouverneur s. l. Nogent le Rotrou Nogent-le-Rotrou 1903 16 x 24 cm broché First edition printed in a limited number on laid paper by the Société de l'histoire de Paris et de l'Ile-de-France. Pamphlet with faded covers and a clear marginal dampstain. Signed autograph inscription from the author to E. Langlois on the front cover. First and last pages uniformly darkened. Rare. S. n.[ Imprimerie Daupelay-Gouverneur] unknown
书商的参考编号 : 31197
|
|
|
Lucien BECKER
L'homme quotidien
Lyon: M. Audin 1941. Fine. M. Audin Lyon 1941 14 x 21.50 cm agrafé First edition printed in 200 hors commerce copies. A rare and handsome copy. Autograph inscription dated and signed by Lucien Becker to Albert Béguin: "".en espérant qu'il reconnaîtra en ces poëmes quelques voix du ""passager de la terre""."" "".hoping that he will recognize in these poems some voices of the ""passenger of the earth""."" M. Audin unknown
书商的参考编号 : 75613
|
|
|
Lucien BECKER
Pas même l'Amour
Lyon: Marius Audin 1961. Fine. Marius Audin Lyon 1961 12 x 18.50 cm broché Rare first edition printed in a very small number of copies and strictly hors commerce. Light foxing to covers and very slight browning at margins. Autograph inscription from Lucien Becker to André Fraigneau Marius Audin unknown
书商的参考编号 : 77738
|
|
|
Lucien BIART
La baie de Santécomapan. Scènes de moeurs mexicaines. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1888. Fine. Extrait de La Revue des deux mondes s. l. Paris 1888 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
书商的参考编号 : 17580
|
|
|
Lucien BICHERON-SANGOR
Camargue taurine
Mâcon: J. Combier 1973. Fine. J. Combier Mâcon 1973 21.50 x 28 cm reliure de l'éditeur First edition illustrated with photographs one of 200 numbered and named copies. Publisher's full brown cloth binding smooth spine smooth spine. Handsome copy complete with its folding map at the beginning of the volume. J. Combier hardcover
书商的参考编号 : 79366
|
|
|
Lucien BLOCH
De l'autonomie du budget des Postes Télégraphes et téléphones
Paris: A. Rousseau 1905. Fine. A. Rousseau Paris 1905 16.50 x 25.50 cm broché First edition of this thesis submitted for the degree of Doctor of Law at the University of Paris. Spine sunned handsome interior condition. A. Rousseau unknown
书商的参考编号 : 17833
|
|
|
Lucien BODARD
La chasse à l'ours
Paris: Grasset 1985. Fine. Grasset Paris 1985 14 x 23 cm broché The first edition of which there were no deluxe copies. Small stains on fore edge otherwise handsome copy complete with dust jacket. Autograph inscription dated and signed by Lucien Bodard to Madame Devillers: "". en la remerciant de son travail si précis et si raffiné en la remerciant aussi de son infinie gentillesse. Très respectueusement."" "".thanking her for her work so precise and so refined thanking her also for her infinite kindness. Most respectfully."" Grasset unknown
书商的参考编号 : 81989
|
|
|
Lucien BODARD
La Duchesse
Paris: Grasset 1979. Fine. Grasset Paris 1979 14 x 23 cm broché First edition printed on ordinary paper. Spine very lightly sunned with small light halos. Autograph inscription dated and signed by Lucien Bodard to Jean-Louis Guillaud. Grasset unknown
书商的参考编号 : 79883
|
|
|
Lucien BODARD
La duchesse
Paris: Grasset 1979. Fine. Grasset Paris 1979 14 x 23 cm broché First edition on ordinary paper. Autograph inscription from Lucien Bodard to Dominique Desanti and her husband. Fine copy complete with its dust jacket. Grasset unknown
书商的参考编号 : 14213
|
|
|
Lucien BOUCHER - Pierre BENOIT
Axelle
Paris: Editions Mornay 1923. Fine. Editions Mornay Paris 1923 16.50 x 20.50 cm relié sous étui Edition decorated with color illustrations by Lucien Boucher one of 50 numbered copies on Japan paper deluxe issue after 3 old Japan copies. Full chocolate brown morocco binding spine with four raised bands gilt date at foot endpapers and pastedowns of marbled paper gilt fillet frame and double hazelnut brown mosaicked morocco fillet on pastedowns covers and spine preserved top edge gilt retaining deckled edges slipcase with chocolate brown morocco entry marbled paper boards hazelnut brown felt lining contemporary binding signed J. Van West. Handsome copy beautifully bound in full morocco by J. Van West. Our copy is exceptionally expanded with three original signed watercolors by Lucien Boucher with manuscript notes in pencil that served for the illustrations on pages 29 140 and 261. Editions Mornay hardcover
书商的参考编号 : 75337
|
|
|
Lucien BOUCHER - ANONYME
Guillaume au faucon et à sa suite : Le prêtre qui fut mis au lardier et Auberée la vieille maquerelle. Fabliaux du Moyen-Age transposés par Mario Meunier. - Les trois aveugles de Compiègne suivis des Trois chevaliers de La chienne Estula du Prêtre et du loup et de la vieille qui oingt la palme au chevalier. Fabliaux du Moyen-Age transposés par Mario Meunier. - Bérengier au long cul suivi du Plisson d'Hermelinde de la Bourse pleine de sens de Brunain la vache au prêtre et des braies du cordelier. Fabliaux du Moyen-Age transposés par Mario Meunier
Paris: Marcel Seheur 1921. Fine. Marcel Seheur Paris 1921-1925 19.50 x 24 cm 3 volumes brochés Illustrated editions with original woodcuts hand-colored by pochoir by Lucien Boucher one of 250 numbered copies on Arches paper the only printing with 1 vellum copy for each of the works. Each copy retains its duplicate suite of woodcuts on China paper as stipulated in the justification pages. Spines slightly sunned without consequence. Rare and handsome set. Marcel Seheur hardcover
书商的参考编号 : 48026
|
|
|
Lucien CABRIERE
Saint Paul et l'esclavage
Paris: H. Jouve 1892. Fine. H. Jouve Paris 1892 16.50 x 25 cm broché First edition of this thesis defended at the Protestant Faculty of Theology in Paris to obtain the bachelor's degree in theology. Very slight corner lacks without consequence to the first cover otherwise a handsome and rare copy. H. Jouve unknown
书商的参考编号 : 16625
|
|
|
Lucien CHANCEREL
Flore forestière du globe
Paris: Gauthier-Villars & Cie 1920. Fine. Gauthier-Villars & Cie Paris 1920 16.50 x 25.50 cm broché First edition. A very good copy. Gauthier-Villars & Cie unknown
书商的参考编号 : 37413
|
|
|
Lucien CLARE
La quintaine la course de bague et le jeu de têtes
Paris: Editions du C.N.R.S. 1983. Fine. Editions du C.N.R.S. Paris 1983 21 x 27 cm broché First edition. Autograph inscription from the author. A very good copy. Editions du C.N.R.S. unknown
书商的参考编号 : 9229
|
|
|
Lucien CLERGUE
Carte postale autographe signée adressée depuis Los Angeles à son amie Clémentine Bernard
Los Angeles: S. n. 1992. Fine. S. n. Los Angeles 1992 15.50 x 11 cm une page Autograph signed postcard from Lucien Clergue 10 lines addressed from Los Angeles to Clémentine Bernard. The postcard features a photograph of a dog in Paris by Richard Kalvar in 1975. ""Mon cher Bicou J'étais si heureux de te voir à Gréoux. Je suis à Los Angeles et sans doute près d'être à Arles quand tu recevras cette carte. Je t'embrasse très fort ainsi que Maryse et Edouard Lucien."" My dear Bicou I was so happy to see you in Gréoux. I am in Los Angeles and will probably be close to Arles when you receive this card. I embrace you warmly as well as Maryse and Edouard Lucien. S. n. unknown
书商的参考编号 : 87633
|
|
|
Lucien CLERGUE - Jean COCTEAU
Le testament d'Orphée
Monaco: Editions du Rocher 1961. Fine. Editions du Rocher Monaco 1961 13.50 x 19 cm reliure de l'éditeur First edition on ordinary paper illustrated with photographs by Lucien Clergue. Publisher's full grey cloth binding smooth spine front cover illustrated with a photographic vignette. Handsome copy. Editions du Rocher hardcover
书商的参考编号 : 85400
|
|
|
Lucien CLERGUE
Photographie originale comportant au verso un long envoi autographe signé présentant ses voeux pour l'année 1967
s. l.: S. n. 1967. Fine. S. n. s. l. s.d. 1967 7 x 20 cm une feuille Original photograph enhanced on its verso with an autograph inscription signed by Lucien Clergue 17 lines in blue colored pencil addressed to friends to present his wishes for 1967. Vintage silver gelatin print depicting a nude woman's body reflected in water. The photograph is mounted on cardboard three small foxing spots on the sheet. ""Pour 1967 voeux les meilleurs et les plus sincères de tes minettes Olivia Anne Eglantine Yoyo et Lucien"" For 1967 the best and most sincere wishes from your kittens Olivia Anne Eglantine Yoyo and Lucien S. n. unknown
书商的参考编号 : 87640
|
|
|
Lucien COMBELLE
Prisons de l'Espérance
Paris: E.T.L. 1952. Fine. E.T.L. Paris 1952 12 x 19 cm broché First edition of which there were no deluxe copies. Handsome copy given the fragility of this poor-quality paper. Autograph inscription signed by Lucien Combelle to Paul Sérant. E.T.L. unknown
书商的参考编号 : 87678
|
|
|
Lucien CORPECHOT
L'esprit de France
Paris: Editions du Monde nouveau 1924. Fine. Editions du Monde nouveau Paris 1924 12 x 19 cm broché First edition on ordinary paper false statement of third edition. Precious signed autograph inscription from Lucien Corpechot to Henri Béraud. Spine sunned. Provenance: from Henri Béraud's library in Ré. Editions du Monde nouveau unknown
书商的参考编号 : 51524
|
|
|
Lucien DAUDET
"Quelquefois je m'imagine ce que devrait être l'Académie Goncourt."" Signed autograph letter addressed to Lucien Descaves
Paris 1936. Fine. Paris 28 mai 1936 13.40 x 21 cm 2 pages sur un feuillet Autograph letter signed by Lucien Daudet addressed to Lucien Descaves; two pages written in black ink on a sheet of blue paper. Folds inherent to mailing. Fine letter discussing Alexandre Arnoux talent and the Prix Goncourt: ""Alexandre Arnoux est un écrivain comparable a Vallery sic Larbaud c'est-à-dire un homme remarquable à qui a manqué on ne sait quelle chance ou quelle ambition. . Quelquefois je m'imagine ce que devrait être l'Académie Goncourt dans son véritable esprit Goncourt et son prestige ici et en Europe si les Dix étaient vous mon frère Claudel Gide Max Jacob Cendrars Malraux Neveux etc."" ""Alexandre Arnoux is a writer comparable to Vallery sic Larbaud that is to say a remarkable man who lacked we know not what chance or what ambition. . Sometimes I imagine what the Goncourt Academy should be in its true Goncourt spirit and its prestige here and in Europe if the Ten were you my brother Claudel Gide Max Jacob Cendrars Malraux Neveux etc.""Alphonse Daudet Lucien's father was the first president of the Goncourt Academy in 1897. unknown
书商的参考编号 : 76136
|
|
|
Lucien DAUDET
"Vous moi quelques uns avons aimé Céline quand il avait un grand talent"" Unpublished signed autograph letter addressed to Lucien Descaves
Paris 1942. Fine. Paris 29 décembre 1942 13.60 x 17.90 cm 6 pages sur un double feuillet et un feuillet simple Autograph letter signed by Lucien Daudet addressed to Lucien Descaves; six pages written in black ink on a double sheet and a single sheet. Creases inherent to the mailing. Fine and long unpublished letter addressed to Lucien Descaves to whom Daudet had not given news for two years. He outlines broadly the tragic events that occurred since: ""Since that time I remained in Paris I witnessed the days of June 40 . I undertook to forget my life to write a life of my father . Then in August I understood that I was very ill . I was operated on reoperated on in November I was dying I knew nothing anymore then a phlebitis. . A month later I learned of my brother's death."" All these sad misadventures do not prevent him from thinking about the Goncourt Academy which he evokes at length in this missive. Indeed his brother Léon Daudet having died a few months earlier the academicians are seeking a successor and Lucien's name figures among the favorites: ""As soon as the newspapers mentioned my name for the Goncourt Academy I was very embarrassed."" He nevertheless states the reasons why he does not wish to join the ten: ""Because I could not appear my brother being dead to say 'my turn' . And finally it is difficult to write when one is the son of Alphonse Daudet but when in addition one is the brother of Léon Daudet . the game was lost in advance for me."" It is finally La Varende who will be elected on the recommendation of René Benjamin and Sacha Guitry and despite his certainties ""I would present myself one day or another to the Academy"" Lucien Daudet will never join the prestigious jury. Lucien has attached to his first letter another sheet in which he comments on Germaine Beaumont's latest novel: ""One must not have the slightest idea of what a novel is a true novel to not have understood that for years no one had written a novel of such density."" This literary consideration is the occasion for Daudet to address the Céline case who - still in France at this time - has just published his third pamphlet Les Beaux Draps: ""You I a few others loved Céline when he had great talent. And then all the imbeciles discovered him when he imitated himself and it was no longer anything but the waffle iron."" unknown
书商的参考编号 : 76137
|
|
|
Lucien DE LA HODDE
Correspondance des terroristes de 93 précédée de quelques mots sur la situation actuelle
Paris: Julien & Lanier & Cie 1851. Fine. Julien & Lanier & Cie Paris 1851 11.50 x 19 cm broché First edition. A tiny loss to foot of spine occasional worming otherwise a handsome copy. A small library label to foot of front cover. Julien & Lanier & Cie unknown
书商的参考编号 : 23673
|
|
|
Lucien DEMAY
De l'attribution des pièces ou objets saisis au cours des procédures criminelles
Paris: V. Giard & E. Brière 1909. Fine. V. Giard & E. Brière Paris 1909 16.50 x 25.50 cm broché First edition. Autograph inscription by Lucien Demay. Annotations and gift inscription by the dedicatee below the author's manuscript dedication. Spine and boards uniformly faded otherwise handsome copy. Rare. V. Giard & E. Brière hardcover
书商的参考编号 : 25609
|
|
|
Lucien DESCAVES
"Si j'aime Daumier et ses amis . Vous verrez cela ! "" Signed autograph letter addressed to a writer who recently wrote a biography of Honoré Daumier
Paris 1934. Fine. Paris 20 avril 1934 13.50 x 21 cm une feuille Autograph letter signed on letterhead of the periodical ""Le journal"" by Lucien Descaves 15 lines in blue ink probably addressed to Raymond Escholier who published at Floury in 1934 a biography of Honoré Daumier. Fold mark inherent to envelope insertion. ""20 avril 34 Cher ami. Je suis désolé de vous avoir oh ! bien involontairement contrarié mais je rendais compte de votre livre comme je parlerai de celui que vous allez m'envoyer et que j'attends avec impatience. Alors je dirai ce que Daumier vous doit et ne doit pas à Suarès. Si j'aime Daumier et ses amis . Vous verrez cela ! A bientôt cher ami le plaisir de dîner ensemble et cordialement vous. Lucien Descaves."" ""20 April 34 Dear friend. I am sorry to have oh! quite involuntarily upset you but I was reviewing your book as I will speak of the one you are going to send me and which I await with impatience. So I will say what Daumier owes you and does not owe to Suarès. If I love Daumier and his friends. You will see that! See you soon dear friend for the pleasure of dining together and cordially yours. Lucien Descaves."" unknown
书商的参考编号 : 83171
|
|
|
Lucien DESCAVES - Theophile Alexandre STEINLEN
Barabbas
Paris: E. Rey 1914. Fine. E. Rey Paris 1914 15.50 x 20 cm broché First edition on ordinary paper. Spine lightly sunned otherwise handsome copy. Work illustrated with 174 drawings by Steinlen. Rare signed autograph inscription by Théophile Alexandre Steinlen. E. Rey unknown
书商的参考编号 : 79124
|
|
|
Lucien DESCAVES - Maurice DONNAY
Oiseaux de passage
Paris: Eugène Fasquelle 1904. Fine. Eugène Fasquelle Paris 1904 12 x 19 cm broché First edition on ordinary paper. Inscribed by the authors to Marcel Prévost. Handsome illustrated cover. Spine slightly faded and split at foot. Eugène Fasquelle unknown
书商的参考编号 : 21230
|
|
|
Lucien DESCAVES - Pierre-Eugene VIBERT
Philémon vieux de la vieille
Paris: Georges Crès & Cie 1922. Fine. Georges Crès & Cie Paris 1922 14 x 22.50 cm broché New edition one of the copies on laid paper. Spine slightly sunned at head and foot with two small lacks. Work illustrated as frontispiece with a portrait of the author by Pierre-Eugène Vibert. Autograph inscription dated and signed by Lucien Descaves to the Provençal writer caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob. Georges Crès & Cie unknown
书商的参考编号 : 81166
|
|
|
Lucien DOUBLE
Histoire d'un amour
Paris: Typ. de C. Meyrueis 1870. Fine. Typ. de C. Meyrueis Paris 1870 7.50 x 11 cm broché First edition printed in 100 numbered copies on Holland paper. Internal worming. Rare. Typ. de C. Meyrueis unknown
书商的参考编号 : 15762
|
|
|
Lucien DOUBLE
Promenade à travers deux siècles et quatorze salons
Paris: Imprimerie de Ch. noblet 1878. Fine. Imprimerie de Ch. noblet Paris 1878 17.60 x 27.60 cm relié First edition illustrated with numerous engraved plates of salons furniture and paintings on heavy paper. Portrait of Rembrandt in double state. Armorial copy possibly from the Amaudric du Chaffaut or Bouffard de l'Espinay family. Purpure a dove holding a golden branch in chief three silver leaves on gold the whole surmounted by a count's coronet and flanked by two unicorns with the motto Fidelitas. Contemporary full camel morocco binding signed on the pastedown L. Petit. Raised-band spine decorated with blind-tooled compartments arms at foot. Brown morocco title-label. Double blind fillet frame on covers large arms stamped at centers. Wide and rich inner dentelle. All edges gilt. At top of upper cover strip slightly lighter. Baron Léopold Double's collection was sold from May 30 to June 4 1881 on rue Louis Le Grand. It was one of the most celebrated of its time for its quality and scope and constituted the first great collection of decorative arts objects or furniture of prestigious provenance particularly Marie-Antoinette who was a true obsession for the collector. Lucien Double the Baron's son gave in this work a glimpse of his father's magnificent collections which included at least a dozen salons of various periods all furnished in the diverse styles of the time including an eighteenth-century salon that had no equal except the salon des Singes attributed to Watteau at Chantilly. These salons were reconstituted during the sale and the author gives a precise description of them. Alongside the description of paintings objects or furniture the gray pencil price of the adjudication also under each of the plates with the sale number. The sale brought in 2600000 Francs as attested by a slip of paper pasted before the title page. Imprimerie de Ch. noblet unknown
书商的参考编号 : 74320
|
|
|
Lucien DUBECH
Poèmes
Paris: A la Cité des Livres 1928. Fine. A la Cité des Livres Paris 1928 15 x 21.50 cm broché First edition one of 5 numbered copies on Japan paper deluxe issue. Handsome full-margined copy despite two small traces of sunning at head and foot of spine. Autograph inscription signed by Lucien Dubech to historian Jean Longnon: "". en souvenir affectueux de nos voyages à l'été de 1928."" ""in affectionate memory of our travels in the summer of 1928."" A la Cité des Livres unknown
书商的参考编号 : 78183
|
|
|
Lucien DUBECH
Poèmes pour les Ombres
Paris: A la Cité des Livres 1922. Fine. A la Cité des Livres Paris 1922 14.50 x 21 cm broché First edition one of 10 lettered and named copies on Japan paper deluxe issue. Fine full-margined copy. Autograph inscription signed by Lucien Dubech to historian Jean Longnon in the form of a quatrain. A la Cité des Livres unknown
书商的参考编号 : 78187
|
|
|
Lucien FABRE - Paul VALERY - Edouard VUILLARD
Connaissance de la déesse
Paris: Nrf 1924. Fine. Nrf Paris 1924 13 x 18.50 cm broché First edition one of 1035 numbered copies on simili cuve vellum ours one of 35 hors commerce copies numbered in Roman numerals the only deluxe copies after 25 old tinted Japan paper. Work illustrated as frontispiece with a portrait of the author by Edouard Vuillard. Foreword by Paul Valéry. Handsome copy. Nrf hardcover
书商的参考编号 : 53404
|
|
|
Lucien FABRE
Dieu est innocent et Notes sur un tragique et une tragédie par Paul Valéry
Paris: Nagel 1955. Fine. Nagel Paris 1955 12 x 19 cm broché First edition review copy. Signed autograph of Fabre Roger Caillois: "". tribute of great cultural and literary sympathy ."" Nagel unknown
书商的参考编号 : 56456
|
|
|
Lucien FABRE
Le rire et les pleurs
Paris: Nrf 1929. Fine. Nrf Paris 1929 12 x 19 cm broché First edition one of 697 numbered copies on pur fil paper the only deluxe copies with 109 reimposed. Fine autograph inscription signed by Lucien Fabre. Our copy is enhanced with an original photograph of the author in swimwear posing by the sea pasted on an endpaper. Furthermore the dedicatee has also pasted press clippings about the author and adorned an endpaper with a handwritten quote from Chamfort and finally annotated certain passages of the work in the margins. Nrf unknown
书商的参考编号 : 40577
|
|
|
Lucien FABRE
Les théories d'Einstein
Paris: Payot 1921. Fine. Payot Paris 1921 12 x 19 cm broché First edition. Preface by Albert Einstein. One tear without loss to page 58. Payot unknown
书商的参考编号 : 13343
|
|
|
Lucien FONTANAROSA - Charles DE COSTER
Aventures héroïques joyeuses et glorieuses de Thyl Ulenspiegel
Paris: Union Latine d'Edition 1969. Fine. Union Latine d'Edition Paris 1969 19 x 24.50 cm 3 volumes en reliures de l'éditeur sous étuis Edition illustrated by Fontanarosa one of the numbered copies on pure thread paper. Publisher's full brown leather bindings faded spines with four raised bands front covers enhanced with Gothic lettering and a border of stylized floral motifs owls stamped in blind on rear covers top edges gilt. Some small dark spots on the spines. Handsome complete set with slipcases. Union Latine d'Edition hardcover
书商的参考编号 : 71402
|
|
|
Lucien FONTANAROSA - Michel CIRY - Bernadette KELLY
Romans
Paris: Gallimard 1967. Fine. Gallimard Paris 1967 18 x 23 cm reliure de l'éditeur Collected edition printed on fine paper the only issue. Publisher's boards bound according to the original design by Hollenstein. Work decorated with original illustrations by Tibor Csernus Bernadette Kelly Lucien Fontanarosa Michel Ciry. Handsome copy complete with its glassine wrapper. Gallimard hardcover
书商的参考编号 : 45394
|
|
|
Lucien GACHON
Henri Gouttebel instituteur
Clermont-Ferrand: G. de Bussac 1971. Fine. G. de Bussac Clermont-Ferrand 1971 14.50 x 22.50 cm 2 volumes brochés sous étui First edition one of 100 numbered copies on pure Lafuma thread paper deluxe copy. Fine copy complete with publisher's slips. G. de Bussac unknown
书商的参考编号 : 35512
|
|
?????????
?????PDF???
RSS feed
??
