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‎Theodore MONOD - Bruno de MONES‎

‎Théodore Monod - Portrait 1‎

‎s. l. Paris: S. n. 1984. Fine. S. n. s. l. • Paris avril 1984 24 x 30.50 cm une feuille Original photograph. Vintage black and white gelatin silver print. Artist's proof signed on verso. Portrait of writer Théodore Monod. In 1983 Bruno de Monès began a regular collaboration with Le Magazine littéraire which would last until the mid-1990s. S. n. unknown‎

Referentie van de boekhandelaar : 84864

‎Theodore Pierre BERTIN‎

‎Curiosités de la littérature‎

‎Paris: J. Chaumerot 1810. Fine. J. Chaumerot Paris 1810 13.50 x 22 cm 2 volumes reliés First edition of the French translation based on the fifth English edition. Bradel binding in full cardboard covered with marbled paper smooth spine faded and decorated with double gilt fillets at head and foot hazel sheep title and volume labels two lower corners slightly bumped contemporary binding. A very pale dampstain at foot of the last two pages of the second volume otherwise handsome interior condition nearly free from foxing. Provenance: from the library of Anatole Cerfbeer who offered this copy to a member of his family bearing the name Lévistahl whose bookplate on an endpaper of the first volume remains legible. Rare. J. Chaumerot unknown‎

Referentie van de boekhandelaar : 19965

‎Theodore PRATT‎

‎L'obsédée‎

‎Paris: Flammarion 1957. Fine. Flammarion Paris 1957 12 x 19 cm broché First edition one of 30 numbered copies on alfa paper the only deluxe copies. Fine copy despite a marginal crease to the front cover. Flammarion unknown‎

Referentie van de boekhandelaar : 72797

‎Theodore PAVIE‎

‎Les Makouas récit de la côte de Madras‎

‎Paris: La Revue des deux mondes 1855. Fine. La Revue des deux mondes Paris 15 Janvier 1855 15.50 x 23 cm broché The first edition published in a small number of copies of this offprint. A minor marginal lack affecting the first cover which also bears pencil annotations otherwise a rare and handsome copy. La Revue des deux mondes unknown‎

Referentie van de boekhandelaar : 10972

‎Theodore ROUSSEAU‎

‎"je vais faire mon possible pour vous envoyer aujourd'hui mon tableau"" • Signed autograph letter‎

‎1850. Fine. s. d. 11.80 x 18.60 cm une feuille Signed autograph letter by the painter Théodore Rousseau one page on a folded sheet. “My dear Sir I shall do my utmost to send you my painting today; by early tomorrow morning it will be fully framed ready to hang. Believe me if I kept you waiting it was not out of vanity; I had a difficult task to complete in a limited time. until tomorrow morning and thank you for all the kindness I have experienced from the administration. Yours entirely devotedTh. Rousseau” unknown‎

Referentie van de boekhandelaar : 71234

‎Theodore REGNAULT - (MONTESQUIEU)‎

‎Tableaux analytiques de l'Esprit des Lois de Montesquieu‎

‎Paris: Chez l'auteurJanet et CotelleDelaunay et Ponthieu 1824. Fine. Chez l'auteur Janet et Cotelle Delaunay et Ponthieu Paris 1824 24.50 x 37 cm relié First edition. Contemporary binding in half red Russia morocco smooth spine damaged at headcap and rubbed at tail red cardboard-style paper boards showing some surface wear. Volume detached from its binding. Regnault here publishes an egalitarian manifesto of great audacity. The tabular presentation is employed for pedagogical purposes with the aim of comparing different types of governments while showing himself very unfavorable to monarchy. The author publishes this indictment under the pretext of making Montesquieu's text accessible to all. Chez l'auteurJanet et CotelleDelaunay et Ponthieu hardcover‎

Referentie van de boekhandelaar : 67152

‎THEODORE STEWART‎

‎1913 - 1923 ARCHIVE OF ORIGINAL MANUSCRIPT DIARIES AND WORK JOURNALS OF A POPULAR FARMINGTON MAINE ARCHITECT AND CARPENTER‎

‎FARMINGTON MAINE ME. Very Good. 1913. On offer is a super archive of ten 10 manuscript diaries handwritten by Theodore Stewart an architect and carpenter from Farmington Maine and who must have been very well thought of given he worked on so many houses and buildings in the area. He was born in 1841 making him in his 70's when he wrote these and he was drafted for the civil war on July 1st 1863. He had 5 children and was married to Lydia Baldwin for over 50 years until her death in 1916 which was caused by heart disease. A carpenter by trade he must have worked for everyone at one time or another including F Stanley Banks Drug Store E Hardey Dr Pratt Post Office Town Schools Town water pipes E E Flood H A Titcomb 1st National Bank People National Bank Tarbox Whittier D M Bonney Stoddard House New England Telephone Blacksmith Electric Light co and the Baptist Church just to mention a few. He worked on the floats and steamer house doors and the walks. He worked on the cabins and cottages in Oquossoc Haines Landing Rangeley and the Kemankege plus he did a lot of fishing. He also mentioned that one of the Titcombs was killed by an auto in 1915. Lydia died in 1916 and he kind of went downhill from there. Then he lost a daughter in 1918. Historians and researchers of the area will find his diaries a history of progress of the town and its inhabitants in the early 20th Century as he was constantly building throughout all of them; 1913 1914 1915 1916 1917 1918 1919 1920 1921 and 1923. All are full except the last one and that has entries in it until February 16th. He was 82 years old then. The books are 3¼" x 7½". Overall VG. ; 32mo - over 4" - 5" tall; KEYWORDS: OQUOSSOC HAINES LANDING MT. BLUE STATE PARK RANGELEY AND THE KEMANKEGE GREENACRES ESTATE FARMINGTON MAINE THEODORE STEWART ARCHITECT ARCHITECTURE BUILDING CONSTRUCTION DEVELOPMENT OF MAINE WRITER HOLOGRAPH SIGNED PERSONAL MEMOIR HANDWRITTEN HAND WRITTEN AUTOGRAPH AUTOGRAPHS SIGNED LETTERS DOCUMENT DOCUMENTS MANUSCRIPT MANUSCRIPTS WRITERS WRITER AUTHOR HOLOGRAPH TRAVEL PERSONAL ANTIQUITÉ CONTRAT VÉLIN DOCUMENT MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT MANUSKRIPT PAPIER OGGETTO D'ANTIQUARIATO ATTO VELINA DOCUMENTO MANOSCRITTO CARTA ANTIGÜEDAD HECHO VITELA DOCUMENTO MANUSCRITO PAPEL . unknown‎

Referentie van de boekhandelaar : 0001499

Biblio.com

Katz Fine Manuscripts Inc.
Canada Canadá Canadá Canada
[Books from Katz Fine Manuscripts Inc.]

€ 2.611,06 Kopen

‎Theodore Taylor; Jule Styne‎

‎Jule: The story of composer Jule Styne‎

‎New York: Random House 1979. 1st Edition 1st Printing. Hardcover. Near Fine/Near Fine. 293 Pp. Hardcover. First Edition Stated First Printing. Near Fine Book In Near Fine Dust Jacket. Inscribed By Jule Styne. <br/> <br/> Random House hardcover‎

Referentie van de boekhandelaar : 040050 ISBN : 0394412966 9780394412962

Biblio.com

Arroyo Seco Books
United States Estados Unidos Estados Unidos États-Unis
[Books from Arroyo Seco Books]

€ 58,04 Kopen

‎Theodore VERON‎

‎La légende des refusés questions d'art contemporain suivies de Rimes amères et rimes de combat‎

‎Paris & Poitiers: Chez Les principaux libraireschez l'auteur 1876. Fine. Chez Les principaux libraires chez l'auteur Paris • & Poitiers 1876 12 x 19 cm broché First edition. Split spine with small losses corner wear to boards interior without foxing. Rare but in this condition. Chez Les principaux libraireschez l'auteur hardcover‎

Referentie van de boekhandelaar : 19382

‎Theodore VILLARD - Charles COTARD‎

‎Le globe terrestre au millionième à l'exposition universelle de 1889‎

‎Paris: Imprimerie D. Jouaust 1889. Fine. Imprimerie D. Jouaust Paris 1889 18 x 25 cm broché First edition. Small tears and minor marginal lacks to boards which also show some fold marks. Notice preceded by a letter from Ferdinand de Lesseps. Imprimerie D. Jouaust hardcover‎

Referentie van de boekhandelaar : 86025

‎Theodore Wesley KOCH‎

‎Bibliothécaires d'antan‎

‎Paris: Edouard Champion 1922. Fine. Edouard Champion Paris 1922 13 x 17 cm broché First edition on ordinary paper one of the few copies called 'de passe' the only issue along with 250 copies on Arches paper. Edouard Champion unknown‎

Referentie van de boekhandelaar : 11180

‎THEODORETUS CYRRHENSIS‎

‎Theodoreti Opera Omnia graece et latine ex recensione Iac. Sirmondi denuo edidit Graeca e codd. locupletavit editiones antiquiores adhibuit versionem latinam recognovit et varias lectiones adiecit Io. Ludou. Schulze. Tomos II. Title completely in Greek‎

‎Halle En Chalêi têi Magdebourgikêi En tôi Tupographeiôi tou Orphanotropheiou Halae Sax. 1770. 8vo. 2 volumes: XXIV16942 blank p. Half calf. 22 cm 'Biblical exegesis' Ref: Hofmann 3494; Graesse 6/2118; Ebert 22796; Brunet 5786; not yet in VD18 Details: Backs with 5 raised bands. Marbled boards. Greek text and Latin translation in 2 columns. Volume two of five Condition: Bindings scuffed backs skilfully repaired and rubbed. One of the shields on the back of the first volume has gone. Corners bumped boards chafed. Paper foxed and yellowing. Lacking the volume 1 and 3/5 Note: Theodoretus 393-466 A.D. is one of the most successful writers of the Eastern Church. He was 'from 423 bishop of Cyrrhus Syria. From 428 he was involved in the Christological controversy between his friend Nestorius and Cyrill of Alexandria. He became Cyrill's leading critic. Deposed by the monophysite Council of Ephesus 449 he was rehabilitated at Chalcedon in spite of strenuous protests 451 but his attacks on Cyrill received posthumous condemnation under Justinian at the Council of Constantinople 553. His well-composed letters written in elegant prose are informative about both secular and ecclesiastical matters. His 'Graecarum Affectionum Curatio' is painstaking and thorough in contrasting Christianity and paganism. His 'Church History' from Constantine to 428 contains many invaluable documents. The 'Religious History' contains biographies of ascetics. The rest of his work is biblical exegesis and theological controversy both of which he conducted well'. OCD 2nd edition p. 1055 § Theodoretus' exegetical commentaries are according to Quasten among the finest specimens of the Antiochene School and remarkable for their combination of terseness and lucidity. In his interpretation of Holy Scripture Theodoretus adopts a middle course avoiding the radicalism of Theodore of Mopsuestia and his excessive literalness and allowing an allegorical and typological explanation whenever this appears preferable. Quasten 3539 § Theodoretus' 'Opera Omnia' was produced by the German scholars J.L. Schulze and J.A. Noesselt and reprinted in J.P. Migne 'Patrologia Graeca' volumes 80-84. The contents of this second volume was reprinted in volume 81 1864 of the 'Patrologia Graeca'. § This second volume contains: 'Explanatio in Canticum Canticorum; Succincta in Esaiam Prophetam interpretatio; In divini Jeremiae prophetiam interpretatio; Liber XI Baruch; Liber II Lamentationes Jeremiae; In divini Ezechielis prophetiam interpretatio; Commentarius in visiones Danielis Prophetae; Commentarius in Duodecim Prophetas; Enarratio in Hoseam Prophetam; Interpretatio Ioelis Prophetae; Commentarius in Amosum Prophetam; Interpretatio Abdiae Prophetae; Interpretatio Ionae Prophetae; Interpretatio Michaeae Prophetae; Interpretatio Nahumi Prophetae; Interpretatio Prophetae Habacuc; Interpretatio Sophoniae Prophetae; Interpretatio Aggaei Prophetae; Interpretatio Zachariae Prophetae; Interpretatio Malachiae Prophetae' Provenance: Small label on the front pastedown: 'Sold by William Brown130 Old Street London. Libraries purchased'. Brown specialized in Theology. In 'The Ecclesiastical gazette or Monthly register of the affairs of the Church of England' vol. VII June 1845 p. 280 we found an advertisement of him for a catalogue of books relating to 'Ecclesiastical History the Roman Catholic controversy' and a catalogue 'Foreign theological ecclesiastical and biblical literature' Collation: 8 b4; A-5O8 chi 1 after 2T6 = half title of volume 2; leaf 5O8 the last leaf is blank Photographs on request hardcover‎

Referentie van de boekhandelaar : 153707

Biblio.com

Antiquariaat Fragmenta Selecta
Netherlands Países Bajos Holanda Pays-Bas
[Books from Antiquariaat Fragmenta Selecta]

€ 90,00 Kopen

‎Theodule RIBOT‎

‎Les maladies de la volonté‎

‎Paris: G. Baillière & Cie 1883. Fine. G. Baillière & Cie Paris 1883 12 x 19 cm broché First edition. Small tears at foot of spine foxing slight marginal lacks to second cover. Rare. G. Baillière & Cie unknown‎

Referentie van de boekhandelaar : 11551

‎THEOPHILE‎

‎Les oeuvres‎

‎à Rouen: Chez Jacques Caillove 1651. Fine. Chez Jacques Caillove à Rouen 1651 10.50 x 16.50 cm relié New collected edition of the works of Théophile. The third part contains the pieces written during his imprisonment until his death. Text in italics. Contemporary full red morocco binding. Raised spine richly decorated. Red morocco title label. Edges gilt. Owner's initials in the tail compartment: BD these letters are found handwritten on the title leaf with the number 68. Joint widely cracked along the tail compartment without damage to the headcap. A hole of one cm in diameter on leaf 83 of the second part with the loss of one word over three lines. Leaf 115 with three restorations resulting in the loss of two letters. Foxing sometimes heavy. These Works are divided into three parts after Scudery's preface: The treatise on the immortality of the soul and the poetic work the tragedies and the last pieces his poetry written during his imprisonment. Chez Jacques Caillove unknown‎

Referentie van de boekhandelaar : 68297

‎Theophile Alexandre STEINLEN - (Edmond & Jules de GONCOURT)‎

‎"Bal de barrière"" - Lithographie originale sur Chine - L'Estampe Moderne‎

‎Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 34.50 x 21 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso some foxing. Lithograph inspired by an excerpt from Germinie Lacerteux by the Goncourts. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appear in total covering the major artistic movements of the late nineteenth century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints is published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also provides a confidential printing of very high luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a fine printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters amplifies at the beginning of the 1890s. Octave Uzanne to qualify this fever invents the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then becomes an art object and its ephemeral support becomes precious and devoted to conservation. Piazza decides to remove the poster from its advertising vocation and to elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composes a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown‎

Referentie van de boekhandelaar : 74859

‎Theophile Alexandre STEINLEN - Edmond & Jules de GONCOURT‎

‎"Bal de barrière"" - Lithographie originale sur Japon - L'Estampe Moderne‎

‎Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 19.50 x 36 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin with the numbered stamp of the deluxe issue on verso some foxing. Lithograph inspired by an extract from Germinie Lacerteux by the Goncourts. A magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of previously unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe issue: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomania."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. A handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown‎

Referentie van de boekhandelaar : 75859

‎Theophile GAUTIER‎

‎Abécédaire du salon de 1861‎

‎Paris: E. Dentu 1861. Fine. E. Dentu Paris 1861 11 x 18 cm relié First edition. Half red shagreen binding spine with four raised bands set with gilt fillets decorated with double gilt compartments enhanced at their corners with gilt typographical motifs marbled paper boards marbled endpapers and pastedowns speckled edges one corner slightly bumped contemporary binding. Some minor foxing of no consequence. E. Dentu hardcover‎

Referentie van de boekhandelaar : 49108

‎Theophile GAUTIER‎

‎Caprices et zigzags‎

‎Paris: Victor Lecou 1852. Fine. Victor Lecou Paris 1852 11.50 x 18 cm relié First edition for 8 of the 12 stories contained in this collection. Half tawny glazed calf binding with corners. Spine with raised bands decorated with grotesque compartments roulette at foot. Edges marbled to match the pastedowns. Split to upper joint at foot but without play the whole may have been reglued. Fresh throughout. Victor Lecou hardcover‎

Referentie van de boekhandelaar : 88152

‎Theophile Marion DUMERSAN - Noel SEGUR‎

‎Chansons nationales et populaires de France‎

‎Paris: G. de Gonet 1850. Fine. G. de Gonet Paris S.d. ca 1850 15.50 x 24 cm relié First edition. This edition is often mistakenly confused with the Garnier edition Chants et chansons populaires de la France in one volume and in several yet it is rigorously different both in illustration and content. It is illustrated with 48 steel-engraved plates printed in bistre after Gavarni Travies. and numerous wood engravings. Half brown shagreen. Spine with false raised bands decorated with thick and thin compartments. Wine-colored percaline boards. Edges gilt. Boards discolored in places borders. Joints of volume 1 rubbed in places. Tissue guards browned. Occasionally some foxing in margins or around tissue guards. Overall quite fresh and clean. The two volumes offer nearly 1400 songs covering all styles often accompanied by historical and literary notes. G. de Gonet hardcover‎

Referentie van de boekhandelaar : 37041

‎Theophile Marion DUMERSAN - COLLET‎

‎Chants et chansons populaires de la France‎

‎Paris: Garnier frères 1848. Fine. Garnier frères Paris 1848 18 x 28.50 cm relié Second edition by Garnier in a new expanded format after the first by Delloye in 1843 in 125 installments of 4 leaves comprising a notice the score and 4 recto-verso pages of steel engravings extraordinary compositions framing the song text in addition to three frontispieces. Illustrations by Trimollet Daubigny Meissonnier. The first edition by Delloye contained only 84 installments and songs. Printed on heavy laid paper. Half dark green morocco binding with corners signed Niedrée at foot. Spine with raised bands ornately decorated in grotesque style with stylized wavelets. Top edges gilt. Thin split to upper joint at head of volume 1 and at foot of volume 3. 2 corners of volume 3 slightly opened and pushed in. Some rare browning to margins of certain leaves. Handsome copy uncut. 39 songs in volume 1 32 in volume 2 54 in volume 3 making 125 installments and songs divided into war songs and patriotic songs burlesque satirical songs and laments and rondeaux. One of the finest Romantic illustrated works the material is abundant and rich full of imagination and verve. This volume is above all one of Trimolet's principal works as an illustrator whom Baudelaire particularly praises in his Curiosités esthétiques in the chapter on Caricaturists. Carteret compares this production to the finest illustrated works of the 18th century. Garnier frères hardcover‎

Referentie van de boekhandelaar : 40999

‎Theophile ROLLER‎

‎Cultivateurs et vignerons en Algérie. Extrait de la Revue des Deux Mondes‎

‎s. l. Paris: Extrait de La Revue des deux mondes 1886. Fine. Extrait de La Revue des deux mondes s. l. • Paris 1886 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown‎

Referentie van de boekhandelaar : 18671

‎Theophile Alexandre STEINLEN‎

‎Dans la vie‎

‎Paris: H. Piazza et CieSevin & Rey 1901. Fine. H. Piazza et Cie Sevin & Rey Paris 1901 15 x 20.50 cm broché First edition one of 100 numbered copies on Japan paper the only deluxe copies. Handsome copy. Work illustrated with 100 colored drawings by Théophile Alexandre Steinlen. H. Piazza et CieSevin & Rey unknown‎

Referentie van de boekhandelaar : 86266

‎Theophile DESDOUITS‎

‎De la liberté et des lois de la nature discussion des théories panthéistes et positivistes sur la volonté‎

‎Paris: E. Thorin 1868. Fine. E. Thorin Paris 1868 14 x 22.50 cm broché First edition. Spine cracked with small lacks small corner lacks to boards some light foxing. E. Thorin hardcover‎

Referentie van de boekhandelaar : 16675

‎Theophile GAUTIER‎

‎Emaux et camées • Enamels and Cameos‎

‎Paris: Eugène Didier 1852. Fine. Eugène Didier Paris 1852 8.50 x 14 cm relié First edition. Marbled sheep Bradel binding by Loisellier-Le Douarin spine with gilt cartouche and three mosaiced lozenges of red and beige morocco date at foot of spine covers with a frame of triple gilt fillets marbled pastedowns and endpapers all edges gilt an elegant binding. Rare autograph inscription from the author to Adolphe Nibelle very slightly shaved. This copy is additionally enhanced with three manuscript corrections by the author towards the end of the volume. Further a manuscript note signed by Nibelle has been mounted on guards at the beginning of the work detailing the desirable collectible features of the book. Scattered foxing. Eugène Didier unknown‎

Referentie van de boekhandelaar : 42940

‎Theophile GAUTIER‎

‎Emaux et camées‎

‎Paris: Eugène Didier 1853. Fine. Eugène Didier Paris 1853 9.50 x 15.50 cm relié Second edition first for some parts: augmented with two poems Contemporary black half shagreen over black paper boards spine in five compartments with triple gilt compartments double gilt fillet frame to covers marbled pastedowns and endpapers Rare autograph inscription from Théophile Gautier: ""A mon ami Clapet.To my friend Clapet"" A little spotting. Eugène Didier hardcover‎

Referentie van de boekhandelaar : 36659

‎Theophile d' AVANNES‎

‎Esquisses sur Navarre‎

‎Rouen: Imprimerie de Nicetas Périaux 1839. Fine. Imprimerie de Nicetas Périaux Rouen 1839 16 x 23.50 cm broché First edition. Lacking to spine some foxing to cover. The château of Navarre near Evreux was built by Joan of Navarre in 1330 then rebuilt by Louis XIII. Joséphine de Beauharnais stayed there for two years after her divorce. The château was destroyed in 1836. At the head of the work a folding plan of the château and gardens. The work draws upon all rare unobtainable or lost documents relating to the history of the château. Very rare. Imprimerie de Nicetas Périaux unknown‎

Referentie van de boekhandelaar : 3066

‎Theophile Alexandre STEINLEN‎

‎Exposition d'ouvrages peints dessinés ou gravés par Th.-A. Steinlen‎

‎Paris: Editions d'art Edouard Pelletan 1903. Fine. Editions d'art Edouard Pelletan Paris 1903 14.50 x 20.50 cm relié First edition of this exhibition catalogue held at 32 place Saint Georges in November–December 1903. Bound in contemporary chocolate brown morocco-backed marbled boards spine plain corners in matching morocco marbled endpapers gilt top edge original wrappers and spine preserved; signed binding by Lortic. Pasted on the rear pastedown is the invitation card to the exhibition illustrated by Théophile-Alexandre Steinlen. Preface by Anatole France. A handsome copy finely bound by Lortic son of Charles Baudelaire’s bookbinder. Editions d'art Edouard Pelletan hardcover‎

Referentie van de boekhandelaar : 74987

‎Theophile GAUTIER - Alexandre LUNOIS‎

‎Fortunio‎

‎Paris: Librairie des BibliophilesLibrairie ConquetL. Carteret 1898. Fine. Librairie des Bibliophiles Librairie Conquet L. Carteret Paris 1898 20.50 x 27 cm relié First printing of the illustrated edition. One of 100 deluxe copies on Japan or China paper here on China paper No. XLIII numbered by hand and justified. General printing of 600 copies. 24 engravings in 3 states line in black in colors totaling 72 illustrations. The stones as stipulated in the printing notice were destroyed. Contemporary half orange morocco binding with corners signed Strobants. Raised band spine decorated with mirror irons set in a succession of compartments roulettes at head and tail. Top edge gilt. Covers and spine preserved. Some foxing on the title page and in the margins but very rare. Engraved armorial bookplate by Malatesta: Bibliothèque de Monsieur H. Del Monte. Painter engraver and illustrator Alexandre Lunois remained renowned for his color lithographic washes. To interpret his own drawings he employs an almost forgotten process treating the stone with a brush dipped in lithographic ink in other words like a wash. The textures nuances color contrasts obtained distinguish his style. The result is a contrasted and violent style which perfectly illustrates orientalism as seen in Fortunio a true painter's book and one of his major productions. He delights in giving different states of his engravings whose deep blacks are remarkable. About an orientalist plate Edmond de Goncourt notes in his journal: ""A very remarkable plate is a lithograph by Lunois entitled Danseuses espagnoles dans la danse. A plate of the greatest character escaping Japanese imitation through the intensity of tones the raw blue of the background the yellow the frank red the blacks of nocturnal shadow in full figure."" Librairie des BibliophilesLibrairie ConquetL. Carteret unknown‎

Referentie van de boekhandelaar : 70932

‎Theophile GAUTIER - Alexandre LUNOIS‎

‎Fortunio‎

‎Paris: Librairie des Bibliophiles 1898. Fine. Librairie des Bibliophiles Paris 1898 20 x 27 cm relié Edition illustrated with 24 original color lithographs by Alexandre Lunois one of 500 numbered copies on vélin du Marais. Half blue shagreen binding spine with five raised bands gilt date at foot marbled paper boards one scratch to head of front board marbled endpapers and pastedowns original wrappers preserved top edge marbled. Handsome copy. Librairie des Bibliophiles hardcover‎

Referentie van de boekhandelaar : 58669

‎Theophile LAVALLEE‎

‎Géographie physique historique et militaire‎

‎Paris: G. Charpentier 1878. Fine. G. Charpentier Paris 1878 11.50 x 18.50 cm relié New edition partly in first edition as entirely revised corrected and expanded. Half dark green calf binding smooth spine decorated with gilt fillets and dots gilt friezes at head and foot marbled paper boards surface wear with a lack of leather on the front cover corners and edges bumped. Ink ownership inscription some foxing. G. Charpentier hardcover‎

Referentie van de boekhandelaar : 40821

‎Theophile GAUTIER‎

‎Honoré de Balzac‎

‎Paris: Poulet Malassis & De Broise 1859. Fine. Poulet Malassis & De Broise Paris 1859 12 x 19 cm relié First French edition partly first edition and published one year after the original one of 10 copies on Holland paper the only deluxe copies with 2 on China paper. Bradel binding in half cherry red cloth smooth spine decorated with gilt floral motif gilt date and double fillet at foot rubbed black morocco title label marbled paper boards original wrappers preserved top edge gilt binding cold-stamped signed Pierson. Precious and rare signed autograph inscription from Théophile Gautier to Jules Pelletier Secretary General of the Ministry of State to whom Gautier lent his pen. He thanked him by interceding with the Emperor who appointed him Officer of the Legion of Honor on August 7 1858. Our copy is complete as frontispiece with the portrait of H. de Balzac printed on China paper and etched by E. Hédouin as well as its 3 autograph facsimiles which are often lacking according to Clouzot. Poulet Malassis & De Broise hardcover‎

Referentie van de boekhandelaar : 39525

‎Theophile GAUTIER‎

‎Italia‎

‎Paris: Victor Lecou 1852. Fine. Victor Lecou Paris 1852 12.50 x 18 cm relié First edition Contemporary red half Russian morocco the spine with double gilt fillets corners very lightly rubbed. Presentation copy inscribed by Théophile Gautier to Monsieur Bufquin des Essarts on half-title. Victor Lecou unknown‎

Referentie van de boekhandelaar : 50036

‎Theophile GAUTIER - Adolphe LALAUZE‎

‎Jean et Jeannette‎

‎Paris: A. Ferroud 1894. Fine. A. Ferroud Paris 1894 16.50 x 25.50 cm relié Illustrated edition with 24 original compositions by Adolphe Lalauze one of 200 numbered copies on Japan paper or grand Arches vellum ours on Japan paper from the deluxe issue. Full floral fabric binding smooth spine sand morocco title-label covers and spine preserved contemporary binding signed by Champs. Preface by Léo Claretie. Handsome copy despite some light foxing. Our copy contains two states of the etchings by Adolphe Lalauze. A. Ferroud hardcover‎

Referentie van de boekhandelaar : 65047

‎Theophile GAUTIER‎

‎L'art moderne‎

‎Paris: Michel Lévy frères 1856. Fine. Michel Lévy frères Paris 1856 11 x 18 cm relié First edition. Half red shagreen binding spine with four raised bands set with double gilt fillets decorated with double blind-tooled compartments enhanced with gilt fleurons marbled paper boards marbled endpapers and pastedowns speckled edges contemporary binding. Fine copy handsomely bound. Michel Lévy frères hardcover‎

Referentie van de boekhandelaar : 49046

‎Theophile GAUTIER‎

‎L'Art moderne‎

‎Paris: Michel Lévy frères 1856. Fine. Michel Lévy frères Paris 1856 11 x 17.50 cm relié First edition. Contemporary binding in half midnight blue shagreen spine with four false raised bands decorated with blind fillets and gilt fleurons slight traces of rubbing on the joints marbled paper boards endpapers and pastedowns of marbled paper. Light foxing on the edges. Michel Lévy frères hardcover‎

Referentie van de boekhandelaar : 49422

‎Theophile Alexandre STEINLEN - Leon FRAPIE‎

‎L'institutrice de province‎

‎Paris: Fayard 1906. Fine. Fayard Paris s. d. 1906 17 x 24.50 cm relié Edition illustrated with drawings after watercolors by Steinlen. Publisher's full sea-green paper boards smooth spine. Handsome copy. Fayard hardcover‎

Referentie van de boekhandelaar : 19684

‎Theophile GAUTIER‎

‎L'orient‎

‎Paris: G. Charpentier 1877. Fine. G. Charpentier Paris 1877 11 x 18 cm 2 volumes reliés First edition. Contemporary half glazed blonde calf binding. Spine with raised bands decorated with 4 compartmentalized fleurons. Red shagreen title and volume labels. Combed edges. Spine lightened with areas of discoloration. Some scattered foxing. A handsome copy. Collection of the author's articles travels and studies on the Orient published in various journals and gathered in this work. Venice Turkey the Danube Greece Syria China Japan Persia Egypt Tunisia. Essays on Salammbo Persian poetry hashish Nerval's Journey to the Orient. One can distinguish a fantasized romantic Orient the vision of an aesthete and a painter. A first collection had appeared in 1848 in one volume under the title: Scenes from Oriental Life. G. Charpentier hardcover‎

Referentie van de boekhandelaar : 78380

‎Theophile GAUTIER‎

‎La comédie de la mort‎

‎Paris: Desessart 1838. Fine. Desessart Paris 1838 14.70 x 23.10 cm relié First edition. A frontispiece by Boulanger engraved by Lacoste. Copy extra-illustrated at the back of the half-title with an albumen photographic portrait ca 1865 mounted and trimmed to margin. Armorial copy of Charles de Mandre D'or à la fasce d'azur et D'azur à une bande d'or accompagnée de sept billettes du même posées quatre en chef et trois en pointe. Charles Demandre had in his youth some literary and poetic inclinations and throughout his life welcomed the writers and artists of his time to La Chaudeau. His library was sold in Paris Maison Silvestre 28 rue des Bons-Enfants salle n° 1 au premier from January 31 to February 9 1887. The catalogue was compiled by Lorédan Larchey: Catalogue des livres et autographes composant la bibliothèque de feu M. Ch. de Mandre Paris A. Claudin 1887 in-12 Desessart unknown‎

Referentie van de boekhandelaar : 77962

‎Theophile Marion DUMERSAN - Jean-Toussaint MERLE‎

‎La fête d'un bourgeois de Paris ou le jour et le lendemain comédie en trois actes et en prose‎

‎Paris: Chez Barba 1816. Fine. Chez Barba Paris 1816 12.50 x 20 cm broché First edition. Autograph inscription from one of the authors on the front cover. Marginal notes for the distribution of roles and one manuscript correction in the text. Some minor foxing as expected slight corner loss to front cover. Rare. Chez Barba unknown‎

Referentie van de boekhandelaar : 13894

‎Theophile GAUTIER‎

‎La mille et deuxième nuit. Jean et Jeanette‎

‎Paris: A. Ferroud 1894. Fine. A. Ferroud Paris 1894 - 1898 15.50 x 24 cm 2 volumes reliés The Thousand and Second Night illustrated with 9 plates by Lalauze. Copy on Arches vellum numbered 312 by hand. Limited edition of 500 copies. Title page in red and black. Curiously this copy although justified as simple Arches vellum is actually on Grand Arches vellum. Jean and Jeanette illustrated with 24 compositions by Lalauze. Copy on Arches numbered 331 by hand. Limited edition of 500 copies. Title page in red and black. Uniform bindings for these 2 works in half morocco with tender green corners. Spine with raised bands decorated in compartments. Titles and dates gilt. Ruled fillets on boards. Top edges gilt. Wrappers and spine preserved not the spine for The Thousand and Second Night. Spines uniformly faded. Light traces of rubbing particularly to corners. Paper perfectly fresh with some offsetting from the engravings in Jean and Jeanette. Full-margined copies uncut. Handsome copies. A. Ferroud hardcover‎

Referentie van de boekhandelaar : 74078

‎Theophile GAUTIER‎

‎La musique • Music‎

‎Paris: Charpentier 1911. Fine. Charpentier Paris 1911 15.50 x 19 cm relié First edition one of 15 numbered copies on Hollande paper the only grand papier deluxe copies. Half morocco covers and spine preserved binding signed by P. Goy & C. Vilaine. Shades on the first and last leaves. A nice copy with edges preserved. Charpentier unknown‎

Referentie van de boekhandelaar : 64497

‎Theophile GAUTIER - Gustave DORE‎

‎Le capitaine Fracasse‎

‎Paris: Charpentier 1866. Fine. Charpentier Paris 1866 19 x 27.30 cm relié First illustrated edition uncommon with 60 wood-engraved plates by Gustave Doré engraved by Huyot Jonnard. Edition with the first address: Quai de l'école preferable to the second. Half old red morocco binding with corners. Jansenist spine with raised bands bearing title author and date at foot. Series of double fillets on boards. Light traces of rubbing. Corners and boards rubbed. Paper superbly fresh of exquisite whiteness except for one signature lightly browned and a slight trace of dampstain to upper margin of one engraving and foxing to upper margin of table of contents. Rare condition in contemporary half morocco with beautifully fresh paper. ""A highly sought-after publication for its remarkable illustration it is of great rarity in first printing"" Carteret 259. One of the first works illustrated by the young Gustave Doré friend of Théophile Gautier. Charpentier hardcover‎

Referentie van de boekhandelaar : 84430

‎Theophile GAUTIER - Judith GAUTIER (Pref)‎

‎Le capitaine Fracasse‎

‎Paris: Jouaust Librairie des Bibliophiles 1884. Fine. Jouaust Librairie des Bibliophiles Paris 1884 13.50 x 21 cm 3 volumes reliés First printing of this edition illustrated with drawings by Delort engraved by Mongin. Small print run on vélin after 150 copies on deluxe paper. 14 plates on papier hollande. A frontispiece portrait. Preface by Judith Gautier. Full bordeaux roan binding signed Bonleu bottom of pastedown with unidentified initials stamped in gilt 2 interlaced English letters AC. Spine uniformly sunned now light brown. Numerous gilt-tooled motifs on spine ruled in gilt at head and foot of spine. Large inner dentelle numerously ruled and tooled in gilt. Traces of rubbing at heads of spine joints and corners. Some scuffing along the joints. Some leaves protruding in volume II. Handsome copy very fresh with almost no foxing except for 3 pages in volume 3 with small spots. Jouaust, Librairie des Bibliophiles unknown‎

Referentie van de boekhandelaar : 87211

‎Theophile GAUTIER‎

‎Le capitaine Fracasse‎

‎Paris: Charpentier 1863. Fine. Charpentier Paris 1863 12 x 18 cm 2 volumes reliés The rare and sought-after first edition according to Clouzot especially in contemporary binding Contemporary half black shagreen binding. Spine with raised bands decorated with 4 ornamental tools and various fillets dotted on the bands doubled at the headcaps in blind to delineate the compartments. Black morocco title label. A slight tear at foot with small lack. Traces of rubbing to headcaps and on boards and edges. Micro crack to lower joint at head over 1cm with tiny lack to headcap. Very fresh copy free from foxing with very white paper except for the first half-title and endpapers. Handsome copy. Charpentier hardcover‎

Referentie van de boekhandelaar : 68458

‎Theophile GAUTIER‎

‎Le capitaine Fracasse • Captain Fracasse‎

‎Paris: Charpentier 1863. Fine. Charpentier Paris 1863 12 x 18 cm 2 volumes reliés Rare and sought after first edition according to Clouzot especially in contemporary binding Bindings in half shagreen bottle green back with four nerves adorned with golden and black nets plates of marbled paper guards and counterplates of paper in the tank two slight scratches without gravity on the cuts bindings of the time. Very beautiful copy in a particularly desirable condition a fortiori enriched with a signed autograph shipment. Rare autograph shipment signed by Théophile Gautier to Mr. Achard. Charpentier unknown‎

Referentie van de boekhandelaar : 69131

‎Theophile GAUTIER‎

‎Le capitaine Fracasse • Captain Fracasse‎

‎Paris: Charpentier 1863. Fine. Charpentier Paris 1863 12 x 18 cm 2 volumes reliés Rare and sought-after first edition noted by Clouzot particularly desirable in a contemporary binding. Half brown shagreen bindings spines with four raised bands decorated with gilt fillets and double gilt panels strictly contemporary bindings. It seems the binder was not a regular reader of the great writer as he stamped ""T. Gaultier"" as the author on the spine. A very handsome copy in notably appealing condition. Charpentier hardcover‎

Referentie van de boekhandelaar : 54330

‎Theophile Alexandre STEINLEN - Rodolphe SALIS - Georges AURIOL‎

‎Le Chat noir N°141 de la troisième année du samedi 20 Septembre 1884‎

‎Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition. This issue consists of 4 pages and is illustrated with a full-page comic strip by Théophile Alexandre Steinlen ""Le chat et la grenouille"" ""The cat and the frog"". Literary contributions by Georges Auriol ""Fleur d'orange"" ""Orange blossom"" Rodolphe Salis Léo Niversac ""Bulletin du Chat Noir"" ""Chat Noir bulletin"" Jules Jouy. A few minor marginal tears of no consequence. Le Chat noir was a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it served as the memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the end of the 19th century centered around the bohemian lifestyle and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown‎

Referentie van de boekhandelaar : 81915

‎Theophile Alexandre STEINLEN - Alphonse ALLAIS - Rodolphe SALIS‎

‎Le Chat noir N°245 de la cinquième année du samedi 18 Septembre 1886‎

‎Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: ""Les mésaventures d'Auguste"". Literary contributions by Alphonse Allais ""L'avancement"" Maurice Mac Nab ""La vue de Naples"" Eugène Godin ""Ronds de cuir"". Fine copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it intended to be the record. It published texts declaimed during the performances. It is moreover an important literary and artistic testimony of the late nineteenth century around the bohemia and the Parisian effervescence that was its own. Au cabaret Le Chat noir unknown‎

Referentie van de boekhandelaar : 81973

‎Theophile Alexandre STEINLEN - COLLECTIF‎

‎Le Chat noir N°126 de la troisième année du samedi 7 Juin 1884‎

‎Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition. The issue is illustrated with a drawing by Théophile Alexandre Steinlen ""Au clair de la lune drame sombre"". Other contributions by Jules Jouy J. Chevalier Léopold Stapleaux ""Hugo ne mourra pas"". One fold to right margin of the third and final pages. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during performances. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown‎

Referentie van de boekhandelaar : 81999

‎Theophile RAYNAUD‎

‎Le moine marchand ou traité contre le commerce des religieux‎

‎à Amsterdam: Chez Pierre Brunel 1714. Fine. Chez Pierre Brunel à Amsterdam 1714 9.20 x 15.40 cm relié First edition of this French translation illustrated with a frontispiece containing 3 figures and a title vignette by Quinau. A first translation had appeared under the title Hipparchus in 1645; one could not say however that this new translation carried out by a Protestant is literal it is rather a free translation to which a pamphleteering charge has been added. Contemporary full blonde sheep binding. Richly decorated raised spine. Beige morocco title-label. Wormholes on spine with a lack to title-label. Handsome copy nevertheless. There would be according to the author both a reprehensible commerce and one that would not be so. Chez Pierre Brunel unknown‎

Referentie van de boekhandelaar : 36097

Aantal treffers : 48.404 (969 pagina's)

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