|
Colonna,Maurizio. Gambale,Franck.
Imagery Suite. For guitar - Standard notation & tablature.
<br/> STATO: USATO, COME NUOVO.<br/> TITOLO: Imagery Suite. For guitar - Standard notation & tablature. <br/> AUTORE: Colonna,Maurizio. Gambale,Franck.<br/> CURATORE: Trascizioni di Vince Carpentieri.<br/> EDITORE: Playgame Music Ed.<br/> DATA ED.: 2002,<br/>
|
|
|
Colonne Jean
The evening hour
Banks & Sons Stonegate York 1918. Paper covers. V.g./No Jacket. Spine perforated sl. foxing to fore edge otherwise near fine. Banks & Sons, Stonegate, York unknown
Bookseller reference : 2231
|
|
|
COLONNE (Edouard)
Photographie de la collection Félix Potin (4 x 7,5 cm) représentant : Edouard Colonne, musicien.
- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
Bookseller reference : 50111
|
|
|
Colonne, Eduard, französischer Dirigent (1838-1910).
Eigenh. Brief mit U. Paris, 7. XI. 1902.
4 SS. 8vo. "Mon avis est qu'il ne faudrait pas changer si indicalement le programme déjà annoncé - Il suffirait, je crois de changer la symphonie de Saint-Saëns en la remplaçant par celle de Franck, beaucoup plus importante […]". - Auf Briefpapier mit gedr. Briefkopf.
|
|
|
Colonne, Édouard, Dirigent (1838-1910).
Eigenh. Brief mit U. („Ed. Colonne“). Paris, 28. I. 1896.
2 SS. auf Doppelblatt. 8vo. An einen Monsieur Topart (?) über Terminschwierigkeiten. Es sei ihm nicht möglich, die Aufführung der „Verdammnis“ auf den 9. zu verschieben, aber vielleicht könne er (der Adressat) ja sein Konzert auf den 16. verlegen: „Il m’est malheureusement pas possible de reporter ma Damntaion au 9 – toutes les disposititons étant prises maintenant pour le 2 – Mais vous-même ne pourriez-vous remettre votre concert au 16 [...]“. – Édouard Colonne war erster Violinist des Orchesters der Opéra de Paris und gründete 1873 das „Concert National“, woraus 1874 die „Association artistique“ wurde, deren Konzerte zunächst im Théâtre de l’Odéon, später im Châtelet stattfanden. „Insgesamt brachte Colonne einige tausend Werke von fast zweihundert Komponisten zur Aufführung. Sein Name bleibt vor allem eng verbunden mit der wahrhaft großartigen Interpretation der Werke von Hector Berlioz. Diese, die zu Lebzeiten des Komponisten vom Publikum oft abgelehnt wurden, fanden in Colonne einen begeisterten und fähigen Dirigenten, der ihnen zu dauerhaftem Erfolg verhalf“ (MGG XV, 1553). Zu den zahlreichen französischen Komponisten, die ihm viel verdanken, gehören u. a. Camille Saint-Saëns, Jules Massenet, Gabriel Fauré, Vincent d’Indy, Marc-Antoine Charpentier, Claude Debussy, Maurice Ravel, Charles-Marie Widor, Paul Dukas und Emmanuel Chabrier. „Daneben wurden in Vergessenheit geratene Werke wie ‚Fausts Verdammnis’ von Hector Berlioz wiederentdeckt, auch die Werke ausländischer zeitgenössischer Komponisten wie Richard Wagner und Richard Strauss kamen auf den Spielplan. Das Orchester lud große Dirigenten wie Felix Mottl und Felix Weingartner ein, und Komponisten wie Gustav Mahler, Peter Tschaikowski, Claude Debussy, Edvard Grieg, Richard Strauss und Sergei Prokofjew kamen, um ihre Werke aufzuführen“ (Wikipedia, Abfrage v. 5. X. 2008). – Auf Briefpapier mit gedr. Briefkopf der „Association artistique | Concerts Colonne“ und Adreßstempel.
|
|
|
Colonne, Édouard, Dirigent (1838-1910).
Eigenh. Brief mit U. („Ed. Colonne“). Paris, 4. XI. 1881.
3 SS. auf Doppelblatt. Kl.-8vo. An den Musikologen und Komponisten Julien Tiersot (1857–1936), dem er gesteht, daß er vor den Schwierigkeiten, die der Text des Meisters (wohl Berlioz’ „Lélio“, von dem er später spricht) bietet, einen Rückzieher gemacht habe. Aus dem mitgeschickten Programm könne er aber ersehen, wie er mit der Hilfe eines Gleichgesinnten in Sachen Berlioz, Léon Kerst, versucht habe, die Schwierigkeiten zu umgehen. Sollte das Werk Erfolg haben, werde er sich an dem Gedicht versuchen und die Abschnitte so wählen, wie er es in seinem Brief vorschlage: „Je suis heureux d’avoir en vous un passionant de notre Berlioz. Il est vrai, j’ai reculé devant les impossibilités du texte du maître […] Vous verrez […] comment avec l’aide d’un de nos frères en Berlioz, Léon Kerst, j’ai essayé de tourner la difficulté. Si l’œvre a du succès, comme je l’espère, peut-être tenterai-je le poëme avec des coupures dans le sens iniqué dans votre lettre. A ce sujet et puisque vous connaissez bien Lélio à fond, faites-moi donc l’amitié de m’indiquer les coupures comme vous les entendez [...]“. – Édouard Colonne war erster Violinist des Orchesters der Opéra de Paris und gründete 1873 das „Concert National“, woraus 1874 die „Association artistique“ wurde, deren Konzerte zunächst im Théâtre de l’Odéon, später im Châtelet stattfanden. „Insgesamt brachte Colonne einige tausend Werke von fast zweihundert Komponisten zur Aufführung. Sein Name bleibt vor allem eng verbunden mit der wahrhaft großartigen Interpretation der Werke von Hector Berlioz. Diese, die zu Lebzeiten des Komponisten vom Publikum oft abgelehnt wurden, fanden in Colonne einen begeisterten und fähigen Dirigenten, der ihnen zu dauerhaftem Erfolg verhalf“ (MGG XV, 1553). Zu den zahlreichen französischen Komponisten, die ihm viel verdanken, gehören u. a. Camille Saint-Saëns, Jules Massenet, Gabriel Fauré, Vincent d’Indy, Marc-Antoine Charpentier, Claude Debussy, Maurice Ravel, Charles-Marie Widor, Paul Dukas und Emmanuel Chabrier. „Daneben wurden in Vergessenheit geratene Werke wie ‚Fausts Verdammnis’ von Hector Berlioz wiederentdeckt, auch die Werke ausländischer zeitgenössischer Komponisten wie Richard Wagner und Richard Strauss kamen auf den Spielplan. Das Orchester lud große Dirigenten wie Felix Mottl und Felix Weingartner ein, und Komponisten wie Gustav Mahler, Peter Tschaikowski, Claude Debussy, Edvard Grieg, Richard Strauss und Sergei Prokofjew kamen, um ihre Werke aufzuführen“ (Wikipedia, Abfrage v. 5. X. 2008). – Auf Briefpapier mit gedr. Briefkopf der „Association artistique“; ohne das erwähnte Programm.
|
|
|
Colonne, Édouard, Dirigent (1838-1910).
Eigenh. Brief mit U. („Ed. Colonne“). Wohl Paris, o. D.
1 S. auf Doppelblatt. Kl.-8vo. An den Komponisten Léo Delibes (1836–1891), dem er für seinen Brief und den ihn betreffenden liebenswerten Inhalt dankt und dem er seine Freude über dessen wohlverdienten Erfolg zum Ausdruck bringt: „J’ai communiqué ce matin à ces messieurs votre lettre qui a été chaleureusement applaudi. Merci en ce qu’elle contient d’aimable pour moi et croyez-moi bien heureux de votre succès qui a été très franc[?] est très mérité [...]“. – Édouard Colonne war erster Violinist des Orchesters der Opéra de Paris und gründete 1873 das „Concert National“, woraus 1874 die „Association artistique“ wurde, deren Konzerte zunächst im Théâtre de l’Odéon, später im Châtelet stattfanden. „Insgesamt brachte Colonne einige tausend Werke von fast zweihundert Komponisten zur Aufführung. Sein Name bleibt vor allem eng verbunden mit der wahrhaft großartigen Interpretation der Werke von Hector Berlioz. Diese, die zu Lebzeiten des Komponisten vom Publikum oft abgelehnt wurden, fanden in Colonne einen begeisterten und fähigen Dirigenten, der ihnen zu dauerhaftem Erfolg verhalf“ (MGG XV, 1553). Zu den zahlreichen französischen Komponisten, die ihm viel verdanken, gehören u. a. Camille Saint-Saëns, Jules Massenet, Gabriel Fauré, Vincent d’Indy, Marc-Antoine Charpentier, Claude Debussy, Maurice Ravel, Charles-Marie Widor, Paul Dukas und Emmanuel Chabrier. „Daneben wurden in Vergessenheit geratene Werke wie ‚Fausts Verdammnis’ von Hector Berlioz wiederentdeckt, auch die Werke ausländischer zeitgenössischer Komponisten wie Richard Wagner und Richard Strauss kamen auf den Spielplan. Das Orchester lud große Dirigenten wie Felix Mottl und Felix Weingartner ein, und Komponisten wie Gustav Mahler, Peter Tschaikowski, Claude Debussy, Edvard Grieg, Richard Strauss und Sergei Prokofjew kamen, um ihre Werke aufzuführen“ (Wikipedia, Abfrage v. 5. X. 2008). – Auf Briefpapier mit gedr. Briefkopf der „Association artistique“; papierbedingt etwas gebräunt.
|
|
|
Colonne, Édouard, French conductor (1838-1910)
Autograph letter signed. Paris, 13. I. 1890.
12mo. 1 p. on bifolium. With autograph envelope. To the soprano Marie-Berthe de Montalant (1865-1937) concerning the programming of a concert: "Mon petit Oiseau, Venez tantot à 5h, je vous prie et prenez note que je mets sur le programme de dimanche les 2 mélodies de Berlioz. Milles compléments a vous deux et bons souhaits à Madame de Montalant [...]". - With his orchestra "Association Artistique des Concerts Colonne", founded in 1873, Édouard Colonne focused on contemporary French composers like Camille Saint-Saëns, Jules Massenet, Gabriel Fauré, Marc-Antoine Charpentier, Claude Debussy and Maurice Ravel. Colonne was also noted for his interest in Hector Berlioz and popularized important works such as "La damnation de Faust", which had not been performed since its unsuccessful première in 1846. - On stationery with lithographed letterhead of the "Association Artistique".
|
|
|
Colonne, Édouard, French conductor and violinist (1838-1910).
Autograph visiting card. Villerville, no date.
Visiting card format. 1 page. Expressing "milles remerciements et cordial souvenirs". - With traces of former mounting verso.
|
|
|
Colonne, Éduard, French conductor and violinist (1838-1910).
Autograph manuscript signed. Villerville, 19. IV. 1906.
8vo. 4 pp. in purple ink, mounted as individual leaves within a half-leather 4to volume (200 x 280 mm), with a wood-engraved portrait of Colonne mounted on the green marbled upper cover. The full manuscript of Colonne's preface to the book "Les symphonies de Beethoven" by the French musicologist Jacques-Gabriel Prod’homme (1871-1956), published by Delagrave in 1906. A beautifully presented literary contribution in which Colonne expresses "la joie émue, la tendresse profunde, l'admiration sans réserve qui me courbent, humble et pieux fidèle devant Beethoven, ce maître suprême, le plus grand peut-être, parmi les Dieux qui peulent l'Olympe musical. Bien jeune encore, j'ai sacrifié sur son autel, et son culte a été la religion de toute ma vie [...]". - Prod’homme's work received the Prix Charles-Blanc of the Académie Française for 1907.
|
|
|
COLOQUIO ARTES. Revista trimestral de artes visuais musica e bailado
Coloquio Artes. Marzo 1984 N.60
Lisboa: Fundacao Calouste Gulbenkian 1984. Brossura wrappers. Ottimo Fine. Director José-Augusto França. Scritti di Jean Clarence Lambert Prague le collage et Hoffmeister Luis de Pablo Autorretrato uno Fernando Alvarenga O impressionismo em Alberto Caeiro Alice Bellony-Rewald Balthus ou le theatre de la vie Didier Arnaudet Sculptures 1966-1969: un art pauvre J. França Joacquim Rodrigo ou o ''pintor certo'' et al. Diverse ill. in nero e a colori. Testo in francese e portoghese. 4to. pp. 84. Ottimo Fine. . Fundacao Calouste Gulbenkian, unknown
Bookseller reference : 62988
|
|
|
Colosimo Monica
Metti la magia nella tua vita! Fiabe, storie ed esercizi per liberare la fantasia ed essere felici
br. Le fiabe ci parlano di noi, di ciò che si agita nel nostro profondo, ci mostrano strade interiori dove vivono personaggi che rappresentano aspetti della nostra psiche. E ci offrono chiavi di lettura preziose, capaci di sciogliere nodi emotivi anche molto delicati, se solo potessimo connetterci con la forza benevola di cui le storie ci raccontano dalla notte dei tempi, una forza che accende intuizioni e che ci permette di trovare punti di equilibrio sempre nuovi. L'idea del libro è di utilizzare le fiabe, la scrittura autobiografica, la meditazione e altri esercizi creativi come strumenti di crescita personale. Attraverso storie semplici e continui stimoli alla fantasia, l'autrice ci guida in un percorso per conoscerci meglio, per vivere sempre felici, alla scoperta di quel mondo incantato che ci attende quando ci affidiamo alla saggezza che risiede nel nostro cuore, il luogo più magico che si possa trovare. Il testo vuole offrire a ognuno di noi spunti per elaborare le proprie fiabe, ma può essere anche uno strumento utile per chi svolge professioni nelle relazioni d'aiuto, per gli insegnanti e gli educatori.
|
|
|
COLPI (Henri).
Défense et illustration de la musique dans le film.
Lyon Société d'Edition, de Recherches et de Documentation Cinématographiques, coll. "Panoramique" 1963 1 vol. relié petit in-4, cartonnage de l'éditeur, 455 pp., reproductions en noir et musique notée hors-texte, importants index. Edition originale sur papier vergé de cette étude s'attachant à répertorier, analyser et mettre en valeur la musique de film, cette "parente pauvre du cinéma". Carton publicitaire annonçant la parution du livre joint. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Bookseller reference : 112001
|
|
|
COLPI (Henri).
Défense et illustration de la musique dans le film.
Lyon Société d'Edition, de Recherches et de Documentation Cinématographiques, coll. "Panoramique" 1963 1 vol. relié petit in-4, cartonnage de l'éditeur, 455 pp., reproductions en noir et musique notée hors-texte, importants index. Edition originale sur papier vergé de cette étude s'attachant à répertorier, analyser et mettre en valeur la musique de film, cette "parente pauvre du cinéma". Carton publicitaire annonçant la parution du livre joint. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Bookseller reference : 112001
|
|
|
Colt Freddy
L'astro di Pippo Barzizza. Vita e opere del «Re del jazz» italiano
br. In un'Italia combattuta fra provincialismo e modernizzazione emerge, negli anni Venti del Novecento, la figura artistica di un musicista ligure con solide basi classiche ma aperto alle innovative sonorità americane. Si chiama Pippo Barzizza e diventerà uno dei più popolari direttori d'orchestra radiofonica fra la metà degli anni Trenta e tutti gli anni Cinquanta. Pioniere del jazz, primo arrangiatore italiano, grande scopritore di talenti e personaggio carismatico, ha composto anche colonne sonore per film di Totò, Macario e Gassman. Nel libro, arricchito da un'ampia discografia curata da Roberto Berlini, vengono narrate per la prima volta le vicende biografiche e la carriera artistica del «Re del jazz» italiano. Prefazione di Dario Salvatori. Presentazione di Renzo Barzizza.
|
|
|
Coltrane John
JOHN COLTRANE OMNIBOOK FOR E FLAT INSTRUMENTS
Hal Leonard. Near Fine. 2013. Plastic comb binding. Couple of dings to the rear cover. ; 4to 11" - 13" tall; 288 pages . Hal Leonard unknown
Bookseller reference : 67378 ISBN : 1458422127 9781458422125
|
|
|
Coltrane John; Sickler Don transcribed by; Porcellik Bobby Editor
The Artistry of John Coltrane - Eight Compositions and Solos Transcribed from Two Classic Blue Note Albums
USA: United Artists Music. Paperback. 42 pages. Discography. Includes sheet music for the following songs: Blue Train; Moment's Notice; Lazy Bird; Locomotion; Nita; Just for the Love; Omicron; We Six. Please note that most songs include sheet music for Tenor Sax and Trumpet. Some also include trombone music. Please ask us if you need details for specific songs. Average wear. Minimal markings. Prior owner's name atop title page otherwise unmarked. A sound copy. . Good. 1979. Second Printing. United Artists Music paperback
Bookseller reference : 659c9575
|
|
|
Coltrane, John, American jazz saxophonist and composer (1926-1967).
"Ballads". Album with autograph inscription signed. No place or date (between 1963 and 1967).
|
|
|
COLTURATO ANNARITA
La Raccolta Foà-Giordano della Biblioteca Nazionale Universitaria di Torino.
in 4°, br. edit., pp. 174, (2), alcune ill.n.t.
|
|
|
COLUCCI Raffaele.
La gioventu di Cimarosa. Studio drammatico. Napoli, Stab. Tip. del Poliorama, 1852.
16°, br. coeva, pp. 106.
|
|
|
Coluccia Francesco
Folk book. Antologia di brani del Sud Salento
brossura Questo libro è rivolto a tutte le persone appassionate di musica popolare salentina. All'interno vi è una raccolta di brani, dove vi troverete la trascrizione per fisarmonica (ma utilizzabile anche da altri strumenti), il testo con gli accordi e la traduzione dei brani. Come da prassi, la musica popolare fa parte della cultura definita orale, non scritta, quindi non definita, ma costretta con il tempo a cambiare ed evolversi; caratteristica essenziale di questa musica. Trascrivere i brani e scriverne i testi potrebbe significare la fine di questo processo,come una condanna a non evolversi più. Ma questa pubblicazione non ha affatto intenzione di definire o creare dei confini, ma vuole che sia possibile, per tutti gli appassionati, poter conoscere ed eseguire un saggio del repertorio popolare.
|
|
|
Coluccino, Osvaldo, e Franco Guerzoni
Manto
Prima edzione. Esemplare 29 di soli 30 numerati da 1 a 30, in stato di nuovo. Splendido libro d’artista realizzato in sole 41 copie variamente numerate (una prova per l’archivio della stamperia, dieci I-X con due grafiche originali e trenta 1-30). Raccolta inedita di poesie di Osvaldo Coluccino, poeta e compositore nato nel 1963. Accompagnano i versi due scritti in prosa, «Un dinamismo percettivo», del poeta, e «Sfogliare» dell’artista Franco Guerzoni che compone cinque grafiche e la copertina, combinando tecniche calcografiche con la stampa litografica.
|
|
|
Colum Padric & M. Cabell Eds
Between Friends
New York: Harcourt Brace & World 1962. 304 pp. Name on fep Dw torn. First Edition. Cloth. Good/Fair. 8vo - over 7�" - 9�" tall. Harcourt, Brace & World Hardcover
Bookseller reference : 6272
|
|
|
Columbano Marco
Una finestra sul mistero. La vita e la morte nel canto di Fabrizio De André, La Maddalena, Paolo Sorba Editore, 2010
La Maddalena, 2010; br., pp. 184.
|
|
|
Columbia
Catalogue of Columbia Records 1951-52
London: Columbia. G : in Good condition without dust jacket. Cover rubbed and soiled. Page edges browning. 1951. First Edition. Blue card cover. 180mm x 120mm 7" x 5". 224pp. . Columbia unknown
Bookseller reference : e0984c
|
|
|
COLUMBIA
Sélection de 700 disques. Columbia. 1938.
Couverture souple. Broché. 47 pages. 11 x 17 cm.
Bookseller reference : 60026
|
|
|
Columbia -
Hauptkatalog. Populares Repertoire. 1950.
Wien, 1949, 16mo br. pp. 36.
|
|
|
Columbia Artists' Management Inc.
Lily Pons: Queen of Song
NY: Columbia Artists' Management Inc. 1950. USA No date a guess at 1950. No markings 1/4" tear to head and foot of psine otherwise Very Good. Paper cover with colour illustration of Lily Pons surrounded by cherubim side-stapled 18pp B&W photos of Pons in USO uniform entertaining troops in WWII photo of Pons in costume in operatic roles Pons in the Movies and on Radio. There are old newspaper clipping some dating from 1953 on Pons laid into the booklet. 1.33 JM FO 50/4. Staple Bound. Very Good. 4to - over 9�" - 12". Columbia Artists' Management Inc. Paperback
Bookseller reference : 73890
|
|
|
COLUMBIA CONCERTS CORPORATION
ARTISTS ALMANAC SEASON 1932-1933: WORLD FAMOUS INSTRUMENTALISTS VOCALISTS & ATTRACTIONS AVAILABLE.
NEW YORK: COLUMBIA CONCERTS CORP. G IN FLEXIBLE GREEN LEATHERETTE WITH GILT LETTERING. Pages: 212. . 1932. HARDCOVER. LIGHT STAINING AT HEAD & HEEL. LIGHT RIPPLING AT HEAD THROUGHOUT. PAGES LIGHTLY TONING. TEXT BLOCK CLEAN & TIGHT. . COLUMBIA CONCERTS CORP. hardcover
Bookseller reference : MASTER176081I
|
|
|
Columbia College Center for Black Music Research
Lenox Avenue. A Journal of Interartistic Inquiry. Volumes 1-3
Columbia College Center for Black Music Research 1995. Price HAS BEEN REDUCED by 10% until Monday June 29 sale item Volumes 1-3 partly bound minor library markings else text clean & bindings tight Columbia College Center for Black Music Research unknown
Bookseller reference : ZB643007
|
|
|
Columbia Concerts Corporation.
PRESENTING THE WORLD'S MOST DISTINGUISHED CONCERT ARTISTS: FAMOUS VOCALISTS INSTRUMENTALISTS AND ATTRACTIONS AVAILABLE FOR CONCERTS RECITALS ORCHESTRAS OPERA RADIO AND OTHER ENGAGEMENTS.
New York: Columbia Concerts Corporation 1935. 1935. Good. - Quarto 13 inches high by 10 inches wide spiral-bound in black boards backed with black cloth and titled in gilt on the front cover & spine. The binding is rubbed with the paper torn at the corners. The titling on the spine is faded and the head & tail of the spine are chipped. 67 unnumbered pages. Profusely illustrated with portraits of musicians many of them full-page. Good. <p>A sumptuously illustrated book of portraits of musicians with color borders and backgrounds. Many of the portraits are full-page including those of Heifetz Menuhin Lotte Lehmann Iturbi Albert Spalding Rose Bampton Harold Bauer Milstein Piatigorsky Szigeti Segovia Gigli Robert Casadesus Brailowsky and Toscha Seidel. <p>Limited edition of 1000 numbered copies. New York: Columbia Concerts Corporation, 1935. hardcover
Bookseller reference : 34376
|
|
|
Columbia Music Inc.
London`s Underworld
Spring Books. Used - Very Good. Very Good condition. Good dust jacket. Owner's name on endpage. Spring Books unknown
Bookseller reference : N21B-02856
|
|
|
Columbia Pictures
Easy-To-Play Speed Music TV Tunes 146
Columbia Pictures Publications 1984. Book. Very Good. Soft cover. Very good soft cover. Music clean and unmarked. Includes Theme From Star Trek Hill Street Blues Cheers Happy Days Love Boat Charlie's Angels and much more. We have the largest selection of accordion and polka music on the internet. Columbia Pictures Publications Paperback
Bookseller reference : 010487
|
|
|
Columbia Pictures
The 3rd Top 25 Pop of 1987 - Easy Piano
Columbia Pictures 1987. Staple-bound soft cover has to cover and spine. Several pages have notes/marks in pencil. Binding is tight and secure. Ships today or next business day. Our books are carefully described and packaged in boxes not envelopes. A gift card and personalized message can be included upon request. Soft Cover. Good. 12x9. Columbia Pictures Paperback
Bookseller reference : 218956
|
|
|
Columbia Records
Bob Dylan
CBS Inc 1988. Softcover. Very Good Condition. Size: Large Book - between A4 and A3. Binding is tight covers and spine fully intact bar chips to top and/or bottom section of spine. Edges neat intact and free of foxing but a bit dusty. General shelfwear to covers and edges. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Music; #84314; ISBN: 0452274958. ISBN/EAN: 9780452274952. Pictures of this item not already displayed here available upon request. Inventory No: 39827. . 9780452274952 CBS, Inc paperback
Bookseller reference : 39827 ISBN : 0452274958 9780452274952
|
|
|
Columbia Records
Columbia New Process Records December 1923
Toronto: Columbia Graphophone Company 1923. CAD No markings Fine. Paper covers with colour illus of puppet dancers on stage side-stapled 20pp with records issued since 1923 catalogue. B&W photos of musicians and singers 0.9 JM FO 26/3. Staple Bound. Fine. 12mo - over 6�" - 7�" tall. Columbia Graphophone Company Paperback
Bookseller reference : 63020
|
|
|
Columbia Records
COLUMBIA RECORDS A Complete Catalog October 1940
Bridgeport CT: Columbia Recording Corporation. 1940. Softcover. Very Good with no dust jacket; Edges worn. One page bottom has a tear. Pages yellowing ; B&W Illustrations; 317 pages . Columbia Recording Corporation paperback
Bookseller reference : 38047
|
|
|
Columbia Records
Columbia New Process Records. Complete Catalogue up to and including supplement N° 149. 1929.
London: Columbia Gramophone Company Ltd, 1929 in-12, 260 pages. Broché, pages cornées, pages 239-240 déchirée sur 9 cm avec manque de texte.
Bookseller reference : 1106124
|
|
|
Columbia School of Music Chicago Ill.
Columbia School of Music Chicago 1921
2018. Softcover. New. Lang: - eng Pages 78. Reprinted in 2018 with the help of original edition published long back 1921.This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible. Hope you will like it and give your comments and suggestions. paperback
Bookseller reference : PB1111015185320
|
|
|
Columbia School of Music Chicago Ill.
Columbia School of Music Chicago 1921 Hardcover
2018. Hardcover. New. Lang: - eng Pages 78. Reprinted in 2018 with the help of original edition published long back 1921. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible. Hope you will like it and give your comments and suggestions. hardcover
Bookseller reference : 1111015185320
|
|
|
Columbia University Department of Music
Current Musicology number 7 / 1968
New York: Columbia University 1968. Soft cover. Near Fine. 137 pp softcover. A near fine copy. Pictures on request. <br/> <br/> Columbia University paperback
Bookseller reference : 005841
|
|
|
Columbia:
Columbia Marsch. Gecomponeerd door S. Spiero. Op. 53. Opgedragen aan den Heer A.H.A. Bakker, importeur der Columbia Records voor Nederland. Voor piano. Edition facile
3 p. Edges frayed. Titelillustration.
|
|
|
Columbian Conservatory of Music Toronto Ont.
The Columbian Conservatory of Music Toronto 1912-1913 1912 Leather Bound
2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1912. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng Pages 54. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover
Bookseller reference : LB1111001432792
|
|
|
Columbian Conservatory of Music Toronto Ont.
The Columbian Conservatory of Music Toronto 1912-1913 1912 Hardcover
2020. Hardcover. New. Lang: - eng Pages 54. Reprinted in 2020 with the help of original edition published long back 1912. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Bookseller reference : 1111014814649
|
|
|
Columbian Conservatory of Music Toronto Ont.
The Columbian Conservatory of Music Toronto 1912-1913 1912
2020. Paperback. New. Lang: - eng Pages 54. Reprinted in 2020 with the help of original edition published long back 1912. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
Bookseller reference : PB1111001432792
|
|
|
Columbian Conservatory of Music Toronto Ont.
The Columbian Conservatory of Music Toronto 1912-1913 1912 Hardcover
2020. Hardcover. New. Lang: - eng Pages 54. Reprinted in 2020 with the help of original edition published long back 1912. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
Bookseller reference : 1111001432792
|
|
|
Columbini, Francesco:
Laudate Dominum für Sopran, zwei Tenöre, achtstimmigen Chor, zwei Violinenund Generalbass (W. Fürlinger Hrs.)
Partitur. 12 S. 4°. OKart.
|
|
|
Columbro,Marta.
La raccolta di libretti d'opera del teatro San Carlo di Napoli.
L’archivio del Teatro San Carlo conserva un’interessante raccolta di libretti di opere e balli ottocenteschi perlopiù relativi a rappresentazioni in teatri napoletani (San Carlo, Fondo, Nuovo) del periodo 1825-60. Ben documentati risultano in particolare i diversi aspetti dei balli teatrali dell’epoca, con schede che riportano nel dettaglio anche le informazionirelative alla successione dei ballab <br/> STATO: NUOVO.<br/> TITOLO: La raccolta di libretti d'opera del teatro San Carlo di Napoli. <br/> AUTORE: Columbro,Marta.<br/> EDITORE: LIM Libreria Musicale Italiana<br/> DATA ED.: 1993,<br/> COLLANA: Coll.Ancilla Musicae,3.<br/> EAN: 9788870960624
|
|
|
COLUZZI Daniele -
Le luci della centrale elettrica. Canzoni ai tempi dei licenziamenti.
Roma, Arcana, 2018, 8vo (cm 20 x 15) brossura con copertina illustrata a colori, pp. 143 con illustrazioni in nero nel testo.
|
|
|
Colvin Clare
Masque of the Gonzagas Signed by Author
London: Arcadia. 2000. Very Good condition. Corners a little rubbed. Signed by the author on the title page. Robust professional packaging and tracking provided for all parcels. 285 pages. Set in Mantua at the beginning of the 17th century . Reprint Edition. Softcover. Arcadia paperback
Bookseller reference : BIB211291 ISBN : 1900850257 9781900850254
|
|
Receive by email
Download as PDF document
RSS feed
Permanent link
