‎Musicology‎

‎HUYS Bernard‎

‎Trésors musicaux de la Bibliothèque Royale Albert 1er (1220-1800), catalogue.‎

‎Bruxelles, Bibliothèque Royale Albert 1er, 1975. 18 x 25, 49 pp., nombreuses notations musicales, broché, très bon état.‎

Bookseller reference : 93017

‎Höckner, Hilmar‎

‎Die Musik in der deutschen Jugendbewegung. Entwicklungsgeschichtlich dargestellt von Hilmar Höckner.‎

‎Wolfenbüttel, Kallmeyer, 1927. 8°. 22 x 16 cm. VIII, 214 Seiten. Original-Karton.‎

‎1. Auflage. Einband lichtrandig, teils knickspurig und mit leichten Randläsuren. Untere Falz ca. 3 cm eingerissen, Rücken knickspurig und mit kleiner Fehlstelle am unteren Kapital. Wenige Blätter leicht braunfleckig. Gutes bis sehr gutes Exemplar.‎

Bookseller reference : 62860BB

‎Igor Contreras Zubillaga, Helena Mart n Nieva (eds)‎

‎Music and Resistance: From 1900 to the Present‎

‎, Brepols - Harvey Miller, 2023 Hardcover ,Pages: xxi + 407 p.ages. Size:270 x 215 x 28 mm.Illustrations:30 b/w, 16 musical examples.dustjacket Language(s):English. ISBN 9782503602912.‎

‎Music and Resistance: From 1900 to the Present Resistance is a relevant topic today, driven by recent global social movements such as Black Lives Matter, fourth-wave feminism and the fight for recognition of LGBTIQ+ rights. In the academic arena, resistance has been the subject of increasing attention in disciplines such as sociology, anthropology, geography, political sciences and cultural and literary studies. In music, the notion of resistance has frequently been mobilised by popular music genres (hip-hop is a notable example) and, in general, in situations of political opposition. The relationship between music and resistance is, however, much richer and more complex. Through the study of specific cases from a variety of genres covering a broad period of time from 1900 to today, this volume analyses many types of resistance in which music has been involved, including various geographic and historical contexts, and also twentieth-century dictatorships and contemporary social movements. It asks how the relationship between music and resistance is established, and how music can be understood as an act of resistance. It also examines the meaning of resistance in musical terms and how we can determine if a piece of music in a certain time and space functioned as resistance to a power system.‎

Bookseller reference : 60697

‎Ikebe, Shin-ichiro [Shin'ichiro]‎

‎Ego Phano: Symphony III [SIGNED BY COMPOSER]‎

‎SIGNED BY COMPOSER with DEDICATION dated March 1986 to the renowned Israeli conductor Uri Segal (b.1944), who, among his other posts, founded in 1990 the Century Orchestra in Osaka, Japan, and was its chief conductor through 1998, subsequently becoming the its Laureate Conductor. RARE orchestral score of Symphony No.3, titled "EgoPhano", composed in 1984 by the eminent Japanese composer of contemporary classical music Shin-ichiro Ikebe (b.1943), also renowned for the scores for many films by Akira Kurosawa and other Japanese film directors (Kurosawa's 'Kagemusha', 'Dreams', 'Rhapsody in August', 'Madadayo'; Masahiro Shinoda's 'MacArthur's Children', Shohei Imamura's 'Warm Water Under a Red Bridge'). The symphony was commissioned by the Nihon Symphony Foundation, and premiered on May 25, 1984 by the New Japan Philharmonic Orchestra, conducted by Michiyoshi Inoue, in Tokyo Bunka Kaikan. 360x260mm. 79 pages. Softcover. Cover slightly rubbed and slightly wrinkled. Cover corners and spine wrinkled. Spine edges and hinges rubbed. Composer's signed dedication on front inner cover. [SUMMARY]: This extremely rare orchestral score of a symphony by an important contemporary Japanese, signed with dedication to an Israeli eminent conductor, is in good condition.‎

‎ILDIKO EMBER‎

‎"La musique dans la peinture; la musique en tant que symbole dans la peinture européenne, de la Renaissance et du Baroque."‎

‎Budapest, Ildiko Ember/Corvina, 1989. 21 x 24, 36 + 48 pages + 48 planches en couleurs, quelques illustrations en N/B, reliure d'édition + jaquette, très bon état.‎

Bookseller reference : 103.100

‎IMBERTY Michel‎

‎Entendre la musique: Sémantique psychologique de la musique‎

‎Dunod, Psychismes, 1979, 236 pp., broché, bon état. Bibliothèque Guy Rosolato.‎

‎IMMLER, J. W.‎

‎- L’ami du chant. Méthode théorique et pratique pour enseigner l’art de chanter accompagnée de chants à une, à deux, à trois et à quatre voix. Partie théorique.- L’ami du chant. Première section. Chants à une ou à deux voix. Dans un ordre méthodique, sur des textes religieux, moraux et patriotiques, exactement mesurés.‎

‎Berne, Impr. Haller 1849, 175x135mm, 99 + 54pages, demi-reliure. Plats papier marbré. Pièces de titre manuscrite collées sur les couvertures supérieures. En deux volume. Plats du deuxième volume abimé.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 48365

‎IMMLER, J. W.‎

‎L’ami du chant. Méthode théorique et pratique pour enseigner l’art de chanter accompagnée de chants à une, à deux, à trois et à quatre voix. Partie théorique.‎

‎Berne, Impr. Haller 1849, 175x140mm, 99pages, demi-reliure. Plats papier marbré. Etiquette de titre manuscrite collée sur la couverture supérieure. Bel exemplaire.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 48366

‎INDY Vincent d'‎

‎Beethoven, biographie critique. Collection : Les musiciens célèbres.‎

‎Paris, Henri Laurens, 1952. 14 x 20, 151 pp., 14 illusrations hors texte, reliure rexine rouge, très bon état.‎

Bookseller reference : 95053

‎INGELBRECHT D.-E.‎

‎Le chef d'orchestre et son équipe.‎

‎Paris, René Julliard, 1949. 14 x 19, 239 pp., reliure pleine rexine rouge, bon état (dos insolé).‎

‎Envoi de l'auteur à la page de faux-titre, mais le nom du dédicataire a été découpé.‎

Bookseller reference : 97975

‎Introduction et notes par André Gauthier.‎

‎Debussy. Documents iconographiques.‎

‎Genève, Pierre Cailler, 1952, Broché, 205 documents. Bon état.‎

Bookseller reference : 13124

‎Isabella Abbonizio‎

‎Music and Colonialism in Fascist Italy. Identity, Propaganda, and Ethnographic Representation‎

‎, Brepols, 2026 Hardback, Pages: 292, Size:210 x 270 mm, Illustrations:39 b/w, 8 tables b/w., Language: English. ISBN 9782503624686.‎

‎Summary This book offers the first comprehensive investigation of the role of music within the context of Italian imperial expansion in Africa, with a particular focus on the Fascist period. While Italy's colonial project spanned approximately sixty years, it was during the final decades - under Mussolini's regime - that music emerged as a subtle yet potent instrument of propaganda. Despite its importance, the intersection of Italian music and colonial politics has remained critically underexplored, often eclipsed by postwar narratives that sought to deny or obscure cultural complicity. Drawing on archival sources, colonial newspapers, Italian and international press, published and unpublished scores, and personal accounts, the book examines four domains of entanglement between music and imperial ideology: the projection of Italian cultural identity in Libya through opera houses and concert programming; the colonial staging of Arab musical and dance traditions to satisfy orientalist appetites; the overlooked field of Italian musical ethnography in colonial settings, marked by flawed methodology and rare sonic documentation; and the creation of propagandistic works endorsing imperial ambitions. Special attention is given to Libya under Governor Italo Balbo, including Radio Tripoli's role in circulating local music, and to compositions by Adriano Lualdi and Alfredo Casella that engaged with imperial themes. These case studies show how music was mobilized to affirm nationalism, legitimize domination, and shape perceptions of the Other. By reintegrating music into the historiography of Italian colonialism, this study reclaims a neglected dimension of twentieth-century culture, challenging enduring silences in both musicological and postcolonial scholarship. TABLE OF CONTENTS Foreword by Gianpaolo Chiriac Preface Chapter One. Introduction Chapter Two. Music and Cultural Hegemony in Libya: Theatres as Instruments of Empire Introduction Italian Colonialism in Libya in Context The Politics of Cultural Life in Colonial Libya Cultural Institutions in Tripolitania and Cyrenaica Modernity and Local Traditions: The Music Programming of Radio Tripoli Chapter Three. Musical Ethnography and Colonial Discourse Introduction Early Colonial Musical Ethnography and its Later Dissemination Colonial Knowledge and Musical Ethnography during the Fascist Period Case Studies: Key Figures and Contributions Sonic Representations of the Other: Sound Collection and the Display of Musical Traditions from the Overseas Territories Chapter Four. Italian Composers and Imperial Propaganda: Between Artistic Autonomy and Political Control Introduction Awards and Competitions The 'Spontaneous' Response of Composers Colonial Narratives on Stage Aural Traces of Italian Colonialism in Postcolonial Italy Epilogue Bibliography Index of Names‎

Bookseller reference : 70492

‎ISHIKAWA Yoichi‎

‎Madrigalkompositionen im Umfeld der Habsburger Höfe um 1600‎

‎iii + 192 + 222pp. (of which 222pp. with music scores), 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M108938‎

‎ISING Hartmut‎

‎über die Klangerzeugung in Orgelpfeifen‎

‎82pp., with illustrations in text, 21cm., softcover, text in German, Doctoral dissertation (Dissertation zur Verleihung der akademische Würde Doktor-Ingenieur, Fakultät für Elektrotechnik der Terchnische Universität Berlin), text and interior are clean and bright, good condition, M108971‎

‎J.-F. Borsarello et A. Robert‎

‎LE PSYCHISME ET LA MUSICOTHERAPIE DES CHINOIS‎

‎1983 / 182 pages. Broché Editions de la maisnie‎

‎Trés bon état.‎

Bookseller reference : MED021M

‎J.BURGMEIN, A.MONTALTI, F.FONTANA‎

‎ALMANACCO DELLA GAZZETTA MUSICALE DI MILANO 1885, 12 FRAMMENTI CARATTERISTICI PER PIANOFORTE DI J. BURGMEIN‎

‎20,8x14,6 cm; IV pp. e 12 tavole doppie, a colori che rappresentano a colori i mesi dell'anno illustrati da bellissimi disegni di Montalti e pezzi musciali di Ricordi. Brossura editoriale con piccolo rinforzo al dorso e piatti illustrati e colorati. Non comune ed in buono stato di conservazione.‎

‎JACOB H. E.‎

‎Joseph Haydn, son art, son époque, sa gloire.‎

‎Paris, Editions Corrêa, 1950. 14 x 19, 289 pp., reliure rexine rouge, très bon état.‎

‎"Préface de Thomas Mann; traduit par M. Buchet."‎

Bookseller reference : 102.947

‎JACOBS Rémi‎

‎La symphonie. Collection : Que sais-je ?, N° 1633.‎

‎Paris, Presses Universitaires de France (PUF), 1976. 12 x 18, 128 pp., broché, très bon état.‎

Bookseller reference : 97446

‎Jacques Chailley‎

‎Précis de musicologie‎

‎Presses Universitaires de France 1958 431 pages in8. 1958. broché. 431 pages. Le 'Précis de musicologie' dirigé par Jacques Chailley est un ouvrage collectif publié aux Presses Universitaires de France offrant un guide et un panorama de la science musicologique. Il vise à donner l'essentiel de la matière pour orienter les étudiants et chercheurs avec des références utiles‎

‎Très bon état certaines pages non coupées‎

Bookseller reference : 12687

‎Jacoviello Stefano‎

‎La rivincita di Orfeo. Esperienza estetica e semiosi del discorso musicale‎

‎brossura‎

‎Jadassohn, Salomon‎

‎Melodik und Harmonik bei Richard Wagner.‎

‎Berlin, Harmonie, 1899. 8°. 28 S. Orig.-Broschur. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7642CB|7642CB_2 [2 Warenabbildungen]‎

‎Mit Gebrauchsspuren mit Klebstreifen. Papier gebräunt und stockfleckig.‎

Bookseller reference : 7642CB

‎JAHIER Enrico.‎

‎Il "Repertoire International des Sources Musicales" (RISM).‎

‎Roma, Fratelli Palombi Editori, 1961, in-8, br. editoriale, pp. 8, [1]. Estratto.‎

‎JAKOB Friedrich‎

‎La percussion. Collection : Instruments de musique.‎

‎Lausanne, Payot, 1977. 19 x 21, 108 pp., 86 illustrations en couleurs et en N/B, reliure d'édition carton imprimé, très bon état.‎

Bookseller reference : 97331

‎James Garratt‎

‎Music and the Politics of Censorship From the Fascist Era to the Digital Age‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: xvi + 464 pages, Size:210 x 270 mm, Illustrations:15 b/w, 1 tables b/w., Language:English, *new. ISBN 9782503618463.‎

‎In relation to music, the word censorship immediately calls to mind the totalitarian regimes of the twentieth century, in particular those of Nazi Germany and the USSR. But music censorship is arguably even more prominent and pervasive in our own age, not only in authoritarian states but also in Western liberal democracies. This book aims to enhance our understanding of censorship practices, the social and political values they serve, and the governmental and legal frameworks that have enabled them to flourish. Its twenty chapters ? written by a team of international scholars ? explore both historical case studies and the new forms of censorship that have emerged in the digital age. It evaluates different theories and models for understanding censorship, applying the concept not only to top-down government controls but also to the measures that cultural institutions, the media, and global corporations have put in place to police music and musicians. Crucial too is the exploration of how music censorship relates to other forms of political action, including cancelling, critique, and performative activism. The book also reveals the diverse strategies that musicians and listeners have employed to circumvent censorial control and to march to a different beat. TABLE OF CONTENTS James Garratt, Music and the Politics of Censorship: An Introduction Theories and Models Beate Kutschke, Five Strictures on Music Censorship James Garratt, Rethinking Music Censorship under Neoliberalism Naomi Waltham-Smith, Silenced Music, Civil Liberties, and Human Rights Law Classical Music under Censorship in the Fascist Era and Cold War Alison Minkus, Censorship at the New York Philharmonic during World War Two Thomas Radecke, Subversive Institutional Censorship: The Reluctant Dispersal of the Allgemeine Deutsche Musikverein by the National Socialist Regime, 1933-1937 Isabella Abbonizio, Theatre Censorship in Italo-Turkish Diplomatic Relations: Lodovico Rocca?s Monte Ivn r (1938-1939) R?ta Stanevi?i?t?, (Self-)Censorship in Soviet Lithuanian Music during the Stalinist Period Michal ??ep n, Censorship Practices in Music during the Totalitarian Regime in Slovakia Bel n P rez Castillo, The Said and the Unsaid: Luis de Pablo, Xenakis, and Hispanic-French Relations Arising from Two Uncomfortable Concerts at the Beginning of the 1970s Policing Subversive and Transgressive Music and Musicians Iv n Iglesias, Rethinking Popular Music Censorship: Jazz in European Dictatorships (1925-1948) Robert Gyorgyi, Whose Cziffra? Cultural Diplomacy in the Cold War and the Political Value of a Dissident Artist Marie Josephine Bennett, Frankly, the Hypocrisy over the Censorship of This Single Horrifies Me : Scott Walker?s ?Jackie? (1967) Mara Favoretto, Censorship in Rock Music in Argentina, 1976?1983: The Case of Luis Alberto Spinetta Raffaella Bianchi, Is Morality the New Nationalism? Shifting Paradigms for Music Censorship in T rkiye Music Censorship in Contemporary Neoliberal and Authoritarian Regimes Andrew Holden, Censorship of Opera in the Twenty-First Century: The Discontents of a Transnational Art Form Edwin K. C. Li, Hermeneutic Mischief and the Affect of Sonic Remainders Thiago Cazarim, Brazilian Rap Music, Censorship, and the Economy of Performativity: The Fiction/Reality Relation on Trial Audrey Amsellem, Listening as Silencing: Sonic Data, Extraction, and Surveillance Rachel Griffin, The Politics of Algorithmic Censorship: Automated Moderation and its Regulation Abstracts and Biographies Index of Names‎

Bookseller reference : 67444

‎James Holland‎

‎Percussion‎

‎HATIER 1980 287 pages in8. 1980. broché. 287 pages. Cet ouvrage de James Holland publié chez Hatier en 1980 offre un vaste panorama des instruments de percussion avec descriptions diagrammes et informations historiques. Il est conçu comme un guide de référence pour un public large incluant musiciens et musicologues‎

‎Bon état‎

Bookseller reference : 13875