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‎Marc Honegger (Directeur de l'institut de musicologie de l'Université de Strasbourg)‎

‎Dictionnaire de la musique. Science de la musique; Formes, technique, instruments. 2 volumes (A-K et L-Z)‎

‎Deux in-6 reliés skivertex vert éditeur avec jaquette illustrée; dimensions 248 x 175 mm. Reliures en très bon état. Jaquettes avec salissures et usées aux coiffes et aux coins. Intérieurs très propres. 3,678 kg.‎

‎Bordas, Paris, non daté. Nombreuses illustrations N&B ou couleurs avec leurs tables en fin de chaque volume. XV-542 pp + VIII-(541-1111) pp.‎

Bookseller reference : PPP-936

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Le Livre en Pente
Lyon France Francia França France
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€50.00 Buy

‎Marc Honegger‎

‎Dictionnaire de la musique. En 2 volumes.‎

‎Paris, Bordas, 1990, in-4, Relié-Jaquette éditeur, 1200 pages. Bon état.‎

Bookseller reference : 10980

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Librairie Christian Chaboud
Bruxelles Belgium Bélgica Bélgica Belgique
[Books from Librairie Christian Chaboud]

€70.00 Buy

‎MARGOLIN Jean-Claude‎

‎Erasme et la musique‎

‎Paris, Vrin 1965 139pp. + 8 planches hors-texte, 25cm., brochure originale, dans la série "De Pétrarque à Descartes" volume IX, pages pour la plupart non coupées, bon état, M100806‎

Bookseller reference : M100806

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Antiquariaat Pieter Judo (De Lezenaar)
Hasselt Belgium Bélgica Bélgica Belgique
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‎MARGOLIN Jean-Claude‎

‎Erasme et la musique. Collection : De Pétarque à Descartes, IX.‎

‎Paris, Librairie Philosophique J. Vrin, 1965. 16 x 25, 137 pp., 8 planches, reliure dos/coins cuir, à 5 nerfs, 1 pièce de titre, couverture conservée (3 pièces), très bon état.‎

Bookseller reference : 97865

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Librairie Ausone
Bruxelles Belgium Bélgica Bélgica Belgique
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€23.00 Buy

‎Marie-Alexis Colin (ed)‎

‎French Renaissance Music and Beyond. Studies in Memory of Frank Dobbins‎

‎, Brepols, 2019 Paperback, 730 pages, Size:190 x 290 mm, Illustrations:227 b/w, 37 tables b/w., Languages: English, French, Italian. ISBN 9782503579603.‎

‎Summary This volume presents 34 studies (750p) in English, French, and Italian, assembled as a tribute by friends and former students from around the world to the late Frank Dobbins (1943-2012), distinguished scholar of the French chanson in early modern Europe. The book is built around studies of music in the Renaissance and Baroque periods (which form the core of the book), together with contributions about music composed between the second half of the eighteenth century and the twentieth centuries; these reflect both the wide-ranging variety of Frank's interests, and the range of his friendships. Secular, sacred, vocal, and instrumental music are all treated, while individual essays focus upon codicology, music printing and editing, music analysis, music theory, text-setting, biography, music and literature, music and theology, and both the reception and sociology of music. They include major discoveries about the diffusion of Jacques Moderne's choirbooks, Josquin's music, and musical and archival sources, while a number cast new light on different repertories. Contributors : C. Ballman, I. Bartlett, C. Cavicchi, D. Charlton, A. Coeurdevey, M. Cornaz, E. Corswarem. A. Di Profio, J. Duchamp, M. Egan-Buffet, D. Fabris, I. Fenlon, F. Fitch, M. M. Fontaine, G. Garden, O. Grellety Bosviel, J. Griffiths, L. Guillo, F. Guilloux, M. Ham, R. Jacob, T. Knighton, G. Mc Donald, F. de M dicis, P. Nicolas, L. Sawkins, A. Scarcez, K. Schiltz, M. Talbot, A. Tacaille, S. Thieffry, D. Trottier, H. Vanhulst, O. Wahnon de Oliveira, D. Wright, V. Zara. TABLE OF CONTENTS BIBLIOGRAPHICAL ABBREVIATIONS PREFACE ARTICLES Christine Ballman Le grand deul (B-Br Ms IV 90 et B-Tv Ms 94) : m thodologie d'une tentative de reconstruction Ian Bartlett Thomas Philips, Lord Chesterfield and the Enigma of a Popular Eighteenth-Century Ballad by William Boyce: a New Conspiracy Theory Camilla Cavicchi Sealed in an Envelope: Binchois and Du Fay on a Fragment from Fifteenth-Century Ferrara David Charlton The Politics of Payments: Rameau, Rousseau and the Op ra Inventory, 1749-1757 Annie Coeurdevey Les recueils manuscrits de c.1480 c.1540 : particularit s scripturales et organisationnelles Marie Cornaz La cantate italienne et fran aise au sein de la collection musicale des archives d'Arenberg : nouvelles perspectives milie Corswarem La chanson Li ge au XVIe si cle Alessandro Di Profio Mozart suo malgrado. Un proto-Don Giovanni a Parigi (1791) Jean Duchamp Passions lyonnaises : un unicum liturgique de Jacques Moderne M ire Egan-Buffet Music and Musicians in a French Provincial Salon 1922-1948 Dinko Fabris Il libro di liuto di Andrea Falconieri e Giuseppe Antonio Doni : trent'anni dopo Iain Fenlon Jacques Moderne's Choirbooks and the Iberian Trade Fabrice Fitch Du fragment de texte po tique consid r comme voix lacunaire : le rondeau d'Ockeghem Se vostre cueur Marie Madeleine Fontaine Musiques, danses et paroles. Leur pratique dans le Printemps d'Yver de Jacques Yver (1572) Greer Garden Mademoiselle de Menetou, 'grande musicienne' of the La Fert -Senneterre Family, and Her Airs serieux deux (Paris, 1691) Olivier Grellety Bosviel Mise en livre et n goce des imprim s parisiens de messes polyphoniques au XVIe si cle. Le cas des bi-feuillets de 1568 publi s par Nicolas Du Chemin John Griffiths Heteroclito Giancarli and His Composizioni musicali of 1602 Laurent Guillo et Alice Tacaille Les r ponses de Loys Bourgeois aux invectives de Simon Gorlier (Lyon, 1554) Fabien Guilloux Notes d'archives lyonnaises : les P nitents blancs du Confalon et le Recueil des Psalmes (1610) Martin Ham Attaingnant and the O Antiphons of the Liber septimus Roger Jacob Double-Choir Dialogue as an Expressive Medium in the Sixteenth-Century Eight-Voice French Chanson from Phinot to Lassus Tess Knighton Approaches to Text-Setting in Castilian-Texted Devotional Songs c. 1500 Grantley McDonald The Debate Over Church Music Between Jacob Andreae and Th odore de B ze at the Colloquy of Montb liard (1586) Fran ois de M dicis 'Une musique secou e de frissons, d' lans, d' treintes' : les gestes mim tiques dans l'oeuvre lyrique de Jules Massenet Patrice Nicolas La chanson A qui direlle sa pens e et ses d riv s : quelques r flexions la lumi re d'une attribution tardive Lionel Sawkins Some Observations on French Vocal Practice and Technique 1670-1750 Katelijne Schiltz Coins and Crosses: Cruciform Riddles in Cerone's Melopeo Michael Talbot 'Le plus habile compositeur qui soit Venise': Vivaldi's Reputation in Eighteenth-Century France Sandrine Thieffry La Soci t Schott Fr res et la SACEM : un pisode des relations ditoriales entre la Belgique et la France (fin XIXe- d but XXe si cle) Danick Trottier Monumentum pro Gesualdo di Venosa : quand Stravinski s'invite sa fa on dans la re-d couverte de la musique ancienne Henri Vanhulst et Alicia Scarcez Les ditions de musique polyphonique de Pierre Attaingnant retrouv es depuis 1969 Olivia Wahnon de Oliveira L on Jongen et la diffusion de la musique de Joseph Jongen en France David Wright Mechanized Music and the New Market for Musical Journalism Vasco Zara Du faux-bourdon aux tabul compositori : Ren Ouvrard et le secret pour composer en musique INDEX NOMINUM INDEX LOCORUM‎

Bookseller reference : 66103

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎MARNAT, Marcel.‎

‎Haydn. Collection Musiciens de tous les temps.‎

‎Paris, La Guilde du Livre 1967, 160x135mm, 191pages, reliure toile d'éditeur. Très bel exemplaire.‎

‎photos n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 19531

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Bouquinerie du Varis
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‎MARCILLAC F.‎

‎Histoire de la musique moderne et des musiciens célèbres en Italie, en Allemagne et en France depuis l'ère chrétienne jusqu'à nos jours.‎

‎Paris, Sandoz et Fischbacher, 1876. "14 x 22, 512 pp., 22 planches, reliure dos cuir, bon état (reliure : dos en très bon état, bords et coins émoussés; rousseurs sur les toutes premières pages)."‎

Bookseller reference : 84453

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Librairie Ausone
Bruxelles Belgium Bélgica Bélgica Belgique
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‎Marcillac, F.‎

‎Histoire de la musique moderne‎

‎1876 1876 Paris, Fischbacher 1876 1 In 12 Dos Reliure Demi-Basane dos à nerfs 502[pp]‎

‎Bon Etat, lecture agréable, Frais de port inclus vers France métropole au tarif normal, délai d'acheminement sous 72h, pour les commandes > à 80 euros et poids < 1kg. Disponibilité sous réserve de vente en Boutique. Frais de port inclus vers France métropole au tarif normal, délai d'acheminement sous 72h, pour les commandes > à 80 euros et poids < 1kg. Disponibilité sous réserve de vente en Boutique. Disponibilité sous réserve de vente en boutique, prix valable frais de port inclus pour commande > 90 € et poids < 1 Kg‎

Bookseller reference : LCI-1696

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Le Chef d'Oeuvre Inconnu
Lille France Francia França France
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€90.00 Buy

‎MARKEVITCH, Igor.‎

‎Introduction à la musique.Six causeries faites au studio de Radio-Lausanne.‎

‎Lausanne, Payot 1940, 190x125mm, 89pages, broché. Nom de possesseur. Bon état.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 63925

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Bouquinerie du Varis
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‎MARIE, Jean-Etienne‎

‎L'homme musical‎

‎1976 Librairie Arthaud, Paris - Collection "Notre Temps", N° 32 - 1946 - In-8 broché, couverture à rabats illustrée - 359 pages - Ouvrage contenant 184 exemples musicaux, 87 figures, 31 tableaux et 41 planches‎

‎Bon état - Très légers frottements au niveau des coiffes - Très légers frottements au niveau des tranches dont une petite déchirure sans manque au niveau de la tranche inférieure de la 4ème de couverture - Coin supérieur de la couverture légèrement frotté Bon‎

Bookseller reference : 123052

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Librairie Le Père Pénard
Lyon France Francia França France
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€30.00 Buy

‎MAROSSZEKI Solutor Rodolphe O.C.S.O.‎

‎Les origines du chant cistercien : recherches sur les réformes du plain-chant cistercien au XIIe siècle‎

‎Rome, Tipografia Poliglotta Vaticana 1952 xvi + 179pp., 25cm., reliure cart. (dos avec qqs. taches), publié dans "Analecta Sacri Ordinis Cisterciensis" Annus VIII (1952), [Ce volume contient également: GRIESSER Bruno O.C.S.O. "Registrum Epistolarum Stephani de Lexinton. Pars II: Epistolae ad tempus regiminis in Savigniaco pertinentes (1230-1239) (pp.181-378) & DUVERNAY Roger "Citeaux. Vallombreuse et Etienne Harding" (pp.379-495)], poids: 1.2kg., R118234‎

Bookseller reference : R118234

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Antiquariaat Pieter Judo (De Lezenaar)
Hasselt Belgium Bélgica Bélgica Belgique
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€100.00 Buy

‎Martine Clouzot‎

‎musicalit des images au Moyen ge. Instruments, voix et corps sonores dans les manuscrits enlumin s (XIIIe-XIVe si cles)‎

‎, Brepols, 2021 Paperback, 434 pages, Size:190 x 290 mm, Illustrations:142 col., Language: French. ISBN 9782503588551.‎

‎Summary Par les images, la musique est figur e de fa on inventive et tonnante dans les manuscrits enlumin s entre le XIIIe et le XIVe si cle, principalement en France et en Angleterre. C'est cette capacit d'invention des enlumineurs rendre visible ce qui est invisible, savoir les sons des instruments et les voix des chanteurs, qui retient l'attention. La d marche consiste se fonder sur les cadres g n raux de formation et de pens e des lettr s de l' poque : les arts lib raux et la th ologie. partir de cette culture savante commune, ce livre cherche comprendre les diff rents proc d s visuels labor s par les concepteurs d'images pour faire voir et entendre la musique sur le support mat riel et culturel particulier du manuscrit. Dans la soci t m di vale, le verbe et l'image sont aux fondements th ologiques et anthropologiques du corps et de l' me. Cette tude postule alors que les images du roi David, des jongleurs, des fous, des b tes, des hybrides, participent d'une double repr sentation culturelle et morale : celle du statut social des gens de savoir , initi s la musica, concepteurs des livres et des images l'usage des clercs, la cs et/ou nobles cultiv s ; celle du but ultime des savoirs des lettr s, et donc des livres enlumin s : la conversion des m?urs par la discipline des corps en vue du salut des mes. TABLE OF CONTENTS Pr face - Jean-Claude Schmitt Introduction 1 re partie. Les livres d votionnels : savoirs et pratiques sociales entre clercs et nobles 1. Statuts sociaux et circulation des livres : clercs et nobles la cs 2. Savoirs : arts lib raux et images de la musique 3. Figures rh toriques et motifs musiciens pour les sens et la m moire 2e partie. David, mod le de la musique dans les images 1. Les instruments et les gestes de David : harpe, orgue et cloches 2. Jouer d'un instrument : gestes, mouvements et corps sonores 3. Le son et l'oreille : objectivation, zoomorphisme et anatomies 3e partie. Pr dication, images et musicalit s : les passions des corps 1. Corps, gestes et voix des ma tres de la parole 2. Chants, paroles et voix : chantres et animaux 3. difier et convertir : des passions la R demption Conclusion Liste des manuscrits enlumin s Bibliographie Index‎

Bookseller reference : 65353

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎MARKEVITCH, Igor.‎

‎Point d’orgue.Entretiens avec Claude Rostand.‎

‎Paris, René Julliard 1959, 190x140mm, 195pages, broché. Bel exemplaire.‎

‎un portrait n/b en frontispice, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 63924

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Bouquinerie du Varis
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‎MAROSSZEKI Solutor Rodolphe O.C.S.O.‎

‎Recherches sur le chant cistercien au douzième siècle‎

‎Paris, 1951 x + 196pp., exemplaire original de la thèse de doctorat présentée devant la Faculté des Lettres de l'Université Catholique de Paris, signé avec dédicace autographe par l'auteur, 27cm., broché, texte en typoscript, bon état, R118251‎

Bookseller reference : R118251

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Antiquariaat Pieter Judo (De Lezenaar)
Hasselt Belgium Bélgica Bélgica Belgique
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€130.00 Buy

‎Mar a Encina Cortizo, Michela Niccolai (eds)‎

‎Singing Speech and Speaking Melodies. Minor Forms of Musical Theatre in the 18th and 19th Century‎

‎, Brepols, 2021 Hardback, xiv + 562 pages, Size:210 x 270 mm, Illustrations:25 b/w, Language(s):English, Spanish, French. ISBN 9782503595436.‎

‎Summary This volume addresses the complex variety of stage works with sung and spoken sections, such as vaudeville , singspiel , op ra-comique , zarzuela or operetta in different European countries from the eighteenth century to the beginning of the Twenties. Beyond a multifaceted perspective, twenty-one essays investigate the nature of these musical theatre forms, attending their origins, literary sources, relationships, vocality or cultural transfers, features that in some cases have made them become a mass phenomenon. The dissemination and adaptation of these genres through different national contexts, confirms the significance of the long-standing relationship between them and the contemporary dramatical and musical repertoire, revealing significant synergies, always conditioned by the market evolution. TABLE OF CONTENTS Mar a Encina Cortizo - Michela Niccolai Preface VAUDEVILLE and OP RA-COMIQUE Danielle L. Herrington Sensibilit , Self-Sacrifice, and the Sentimental: Examining Jacques-Marie Boutet de Monvel and Nicolas Dalayrac's Ideological Diversion Philippe et Georgette (1791) at the Salle Favart Bertrand Porot Un petit r citatif sans accompagnement : les vaudevilles l'op ra-comique, nouvelles perspectives Roberto Scoccimarro L'op ra-comique come creazione collettiva: La Prisonni re (1799),Bayard M zi res (1814), La Marquise de Brinvilliers (1831) William Osmond En Hollandais, s'il vous pla t! : Singing and Reciting French com die-vaudeville in Amsterdam (1830s) SINGSPIEL and Operetta Andrea Horz Johann Adam Hiller's Lottchen am Hofe: Contextualising Singspiel in French Traditions Marijana Kokanovic Markovic - Lada Durakovic The Place and Significance of the Opera Kuku?ka (Tatjana) in Franz Leh r's Opus Angeliki Kordellou The Contribution of Spiridon-Filiskos Samaras (1861-1917) to the Greek Operetta ZARZUELA and Vocality in Spain Luis Antonio Gonz lez Mar n Actrices o cantantes? Aspectos de la vocalidad en el teatro musical de Jos de Nebra Mar a Encina Cortizo The Spanish zarzuela in the 19th Century: French Patterns, Italian Harmonies and Theatrical Hispanic Tradition Ram n Sobrino The Emergence of the revista de actualidades and the sainete l rico: Main Patterns of the g nero chico in the teatro por horas in Spain (1868-1901) Andrea Garc a Torres Discursos literarios sobre el g nero chico: funcionamiento, recepci n y controversias ideol gicas entre el contexto local e internacional Zoila Mart nez Beltr n The Music of Spain (1918) by Carl Van Vechten.Focusing on Spanish Coloratura Singers Portuguese Musical Theatre Catarina Ribeiro Braga The Role of Amateur Societies in the Dissemination of Operetta and Music Theatre in Portugal in the Late Nineteenth Century David Cranmer Musical Theatre in Portugal and Brazil of the Ancien r gime Questions of Genre Jana Frankov From a Comedy to an op ra-comique: The Clandestine Marriage (1766) by Colman and Garrick and Its Adaptations in the 18th-Century Musical Theatre Adela Presas Zarzuela y opereta: formatos dram tico-musicales en un acto en la frontera cr tica del siglo xviii al xix Trevor Penoyer-Kulin Op rette, op ra-comique, and the Field of Operatic Production Francesc Cort s De Barcelona al Parnaso: traducciones y adaptaciones de peras bufas y operetas francesas en Barcelona V ctor S nchez S nchez La zarzuela en las compa as de opereta italiana Jos Ignacio Su rez Garc a Parodias espa olas sobre Tannha ser (1890) Sylvie Douche L'entre-deux d clamatoire ou le m lodrame fran ais du xixe si cle Abstracts and Biographies Index of Names‎

Bookseller reference : 65315

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Marie-Alexis Colin, Iain Fenlon, Matthew Laube (eds)‎

‎Theatres of Belief: Music and Conversion in the Early Modern City‎

‎, Brepols, 2022 Paperback, 312 pages, Size:178 x 254 mm, Illustrations:11 b/w, 12 col., 10 tables b/w., Language: English. ISBN 9782503598871.‎

‎Summary These eleven essays, all centrally concerned with the intimate relationship between sound, religion, and society in the early modern world, present a sequence of test cases located in a wide variety of urban environments in Europe and the Americas. Written by an international cast of acclaimed historians and musicologists, they explore in depth the interrelated notions of conversion and confessionalisation in the shared belief that the early modern city was neither socially static nor religiously uniform. With its examples drawn from the Holy Roman Empire and the Southern Netherlands, the pluri-religious Mediterranean, and the colonial Americas both North and South, this book takes discussion of the urban soundscape, so often discussed in purely traditional terms of European institutional histories, to a new level of engagement with the concept of a totally immersive acoustic environment as conceptualised by R. Murray Schafer. From the Protestants of Douai, a bastion of the Catholic Reformation, to the bi-confessional city of Augsburg and seventeenth-century Farmington in Connecticut, where the indigenous Indian population fashioned a separate Christian entity, the intertwined religious, musical, and emotional lives of specifically grounded communities of early modern men and women are here vividly brought to life. TABLE OF CONTENTS Introduction Marie-Alexis Colin, Iain Fenlon and Matthew Laube 1. Converting Tondalos: Musical Culture on a Lutheran Spiritual Pilgrimage of the Late Sixteenth Century Martin Christ (University of Erfurt) 2. Catholicising the City: Music, Ritual and Identity in Sixteenth-Century C rdoba Iain Fenlon (King's College, Cambridge) 3. Sound and the Conversion of Space in Early Modern Germany Alexander J. Fisher (University of British Columbia) 4. Music Books for Lima Cathedral and their Social Context in the Early Seventeenth Century: Black Slaves as a Guarantee for Producing a New Plainchant Library Mar a Gembero-Ust rroz (Consejo Superior de Investigaciones Cient ficas) 5. Land and Conversion: New Frameworks for Colonial American Hymnody Glenda Goodman (University of Pennsylvania) 6. Lutheranising through Music: Tracing the Confessional Soundscapes of Early Seventeenth-Century Wolfenb ttel and Braunschweig Inga Mai Groote (Zurich University) 7. Sound Conversion? Music, Hearing and Sacred Space in the Long Reformation in Ulm, 1531-1629 Philip Hahn (University of T bingen) 8. The Musical Cultures of Dissent and Anti-Catholicism in Counter-Reformation Douai Matthew Laube (Birkbeck, University of London) 9. A Jesuit Ceremony of Spiritual Exercises with Music in the Seventeenth Century: Devotional Connections between Perpignan, Barcelona, Madrid, Granada and Archbishop Palafox Emilio Ros-F bregas (Instituci n Mil y Fontanals, Consejo Superior de Investigaciones Cient ficas) 10. Bells, Confessional Conflict and the Dutch Revolt, c. 1566-1585 Andrew Spicer (Oxford Brookes University) 11. Music for an Endless Conversion: A Cycle of Offertories from Jesuit Paraguay Leonardo Waisman (University of C rdoba, Argentina)‎

Bookseller reference : 65064

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎MARTIN, Frank.‎

‎Un compositeur médite sur son art. Ecrits et pensées recueillis par sa femme. Collection Langages.‎

‎Neuchâtel, A la Baconnière 1977, 210x135mm, 293pages, broché. Couveture à rabats. Bel exemplaire.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 85850

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Bouquinerie du Varis
Russy Switzerland Suiza Suíça Suisse
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‎MARNAT, Marcel.‎

‎Vivaldi. Collection Musiciens de tous les temps.‎

‎Paris, La Guilde du Livre 1966, 160x135mm, 185pages, reliure toile d'éditeur. Très bel exemplaire.‎

‎photos n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 19530

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‎MARCHESI GUSTAVO‎

‎VERDI‎

‎NUM. TAV. F.T. B/N, LIEVI TRACCE D'USO ALLA SOVRACOP., BUONE CONDIZ.; COLLANA LA VITA SOCIALE NELLA NUOVA ITALIA N? 18‎

‎Marconi Luca‎

‎Musica espressione emozione‎

‎brossura‎

‎Marenco Carlo‎

‎La forma musicale. Ad uso dei conservatori degli istituti e licei musicali, dei corsi universitari ad indirizzo musicale. Con CD-ROM‎

‎br. Scopo di questo lavoro è la messa a punto di un testo volto ad approfondire, nell'ambito di un percorso espositivo trattato in chiave squisitamente storica, l'idea di forma musicale e i molteplici aspetti che la determinano, dai profili testurali emergenti (omofonia e polifonia) ai parametri linguistici di riferimento (melos, ritmo, sistemi sonori), dai principi costruttivi stanti alla base di una struttura sonora ai moduli architettonici che tendono a definirla, dai generi vocali, strumentali o vocal-strumentali che secolo dopo secolo si sono succeduti agli stili che li hanno attraversati. Al volume è allegato un CD-rom contenente numerosi esempi musicali (disponibili anche per il download) che hanno il compito di integrare quelli, già di per sé piuttosto nutriti, che compaiono nel testo scritto.‎

‎MARESCA Giovanna.‎

‎I grandi innovatori nel romanticismo musicale: Schumann, Liszt, Wagner. Roma, Maglione, 1938. 8°, br. fig., pp.224.‎

‎MARGOLIN Jean-Claude‎

‎Erasme et la musique‎

‎139pp. + 8 planches hors-texte, 25cm., brochure originale, dans la série "De Pétrarque à Descartes" volume IX, pages pour la plupart non coupées, bon état, M100806‎

‎Mario, E. A.‎

‎Francesco Paolo Tosti. (Conferenza tenuta nel salone dell'Accademia Chigiana il 16 marzo 1947).‎

‎cm. 17 x 24,5, 26 pp. Quaderni dell'Accademia Chigiana 70 gr. 26 p.‎

‎Marotta, Erasmo A cura di I. Calagna.‎

‎Mottetti concertati a due, tre, quattro e cinque voci (1635).‎

‎cm. 24 x 34, xxviii-148 pp. con 7 tavv. f.t. Musiche rinascimentali siciliane La ?Raccolta di mottetti del Marotta? contiene trentasette composizioni su basso continuo. La ?ben concertata armonia, egualmente dolce che divota? ? sempre densa e variegata, piena d?audaci dissonanze e cromatismi: straordinaria ? la capacit? immaginifica che rende con efficacia il senso delle parole. La sensualit? del ?Cantico dei Cantici? e d?altri testi biblici ? potenziata al massimo dalla musica, che riesce sempre a sublimarla. The ?Raccolta di mottetti del Marotta? contains 37 compositions on basso continuo. The ?well-concerted harmony, both sweet yet devout? is always dense and variegated, full of audacious dissonances and accidentals: having an highly imaginative capacity that effectively renders the meaning of the words. The sensuality of the ?Cantico dei Cantici? and other biblical texts is developed to its utmost by the music that always succeeds in sublimating it. 676 gr. xxviii-148 p.‎

‎Marsh, Graham; Callingham, Glyn‎

‎The Cover Art Of Blue Note Records. The Collection.‎

‎Zürich, Edition Olms, 2002. Klein-8°. 18 x 18 cm. 287 Seiten. Original-Klappenbroschur.‎

‎1. Auflage. Englischsprachige Ausgabe. Mit zahlreichen Abbildungen. Sehr gutes Exemplar. First edition. English language edition. With many illustrations. Original softcover. Fine copy.‎

Bookseller reference : 60380BB

Antiquariat.de

Antiquariat Lenzen
DE - Düsseldorf
[Books from Antiquariat Lenzen]

€24.00 Buy

‎Martellozzo Forin Elda.‎

‎“una Societas Musicorum “ Costituita a Padova nel 1555. (Estratto).‎

‎Soc. Cooperativa Tipografica,1967. In 8°pp.20n. con 5 Tavv.f.t. in b.n.‎

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Luigi Regina
NAPOLI, IT
[Books from Luigi Regina]

€20.00 Buy

‎Martoretta, Giandomenico A cura di M.A. Balsano.‎

‎Il secondo libro di madrigali cromatici a quattro voci (1552).‎

‎cm. 24 x 34, xxxvi-90 pp. con 6 tavv. f.t. Musiche rinascimentali siciliane 526 gr. xxxvi-90 p.‎

‎Massin Brigitte‎

‎Franz Schubert‎

‎Fayard 1978 14 2x6 6x22 2cm. 1978. Broché.‎

‎Bon état sans jaquette intérieur propre‎

Bookseller reference : 100122888

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Un Autre Monde
Val Couoesnon France Francia França France
[Books from Un Autre Monde]

€18.00 Buy

‎Massimiliano Sala (ed)‎

‎From Stage To Screen. Musical Films in Europe and United States (1927-1961)‎

‎, Brepols - Harvey Miller, 2012 hardcover, Pages: 338 pages, Size:210 x 270 mm, Language(s):English, Italian, Spanish *new. ISBN 9782503546148.‎

‎TABLE OF CONTENTS Massimiliano Sala, Preface Lauren Acton, Can?t Help Lovin? Dat Musical: 'Show Boat' in Films and Revivals? Beatrice Birardi, The Docu-Opera in the Italian Cinema of the 1940s: Another Way to See the Opera on the Screen? Antonio Caroccia, ?Camillo De Nardis e il cinema? ? Documenti inediti ? Maria ?iri?, Music in Ex-Yugoslav Cinematography 1945-1961: On the Road to Musical ? Jonathan De Souza, Film Musicals as Cinema of Attractions ? James I. Deutsch & Lauren R. Shaw, From 'Liliom' to 'Carousel' to 'Liliom' ? Alexandra Grabarchuk, The Finality of Stories Such as These: Exploring Narrative and Concept in Stephen Sondheim?s 'Into the Woods' ? Clara Huber, The Country Girl, the Emperor and Some Saltsticks: The Musical Film 'Spring Parade', Its Affinity to Viennese Operetta and the Changing Contexts of Its Screen Adaptations ? Ryan Patrick Jones, Copland on Wilder: Scoring Existential Theatre in Early American Film ? Raymond Knapp, Getting off the Trolley: Musical 'contra' Cinematic Reality ? Isabelle Le Corf ? C cile Vendramini, 'Carmen Jones', a Faithful Adaptation of Bizet?s Opera? ? Sergio Miceli, WYSIWYG (What You See Is What You Get). Movie Musical / Film musicale / Film di argomento musicale: necessario distinguere ? Matilde Olarte, El protagonismo femenino-masculino en los musicales de Fred Astaire y Gene Kelly: vigencia y actualidad ? Jaume Radigales & Isabel Villanueva, 'Carmen Jones': Between Opera and Musical ? Elena Redaelli, L?influenza del 'melodrama' ottocentesco da 'Showboat' a Sondheim ? Marida Rizzuti, 'Love Life e Trouble in Tahiti': rappresentazione della famiglia americana ? Delphine Vincent, Lippen schweigen, ?s fl stern Geigen: Hab mich lieb! Seduction, Powers Relations and Lubitsch?s Touch in 'The Merry Widow' ? Emile Wennekes, Betty Meets Cab: The Hi-De-Ho Man Animated ? Leanne Wood, Technology, Authenticity, and the Pastoral Ideal: Viewing Oklahoma! Through the Lens of Todd-AO ? Iryna Yaroshchuk, The Elusive Mary Poppins: Issues of Gender and Class in the Disney Version (1964) and Mosfilm?s Mary Poppins Goodbye (1983) Biographies ? Index of Names‎

Bookseller reference : 66952

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎MASSON Paul-Marie‎

‎L'opéra de Rameau.‎

‎Paris, Henri Laurens, 1930. 20 x 27, 595 pp., 16 planches, reliure pleine rexine rouge, très bon état.‎

‎Reliure solide en très bon état.‎

Bookseller reference : 97340

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Librairie Ausone
Bruxelles Belgium Bélgica Bélgica Belgique
[Books from Librairie Ausone]

€80.00 Buy

‎MASSIN, Brigitte. - MASSIN, Jean.‎

‎LUDWIG VAN BEETHOVEN.‎

‎Paris, Fayard 1976, 225x140mm, 845pages, reliure d'éditeur sous jaquette. Bel exemplaire.‎

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Bookseller reference : 48932

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Bouquinerie du Varis
Russy Switzerland Suiza Suíça Suisse
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€19.11 Buy

‎Massimiliano Sala (ed)‎

‎Luigi Cherubini, A Multifaceted Composer at the Turn of the 19th Century‎

‎, Brepols, 2021 Hardback, x + 493 pages, Size:210 x 270 mm, Language(s):English, Italian, French. ISBN 9782503591001.‎

‎Summary This volume investigates Luigi Cherubini with the aim of providing a picture of the various faces that a composer and his output could present to European society at the turn of the nineteenth century; a society in which the composer, no longer tied to a patron or a court, tried to integrate himself as a participant in the labor market by finding new, coexisting forms of subsistence, thereby becoming a pre-eminent figure in the industrial and commercial world of the time. Additionally, the volume aims to deepen understanding of the composer's output in light of the political and social upheavals that took place during his long life, from the French Revolution to the threshold of the Springtime of the People. TABLE OF CONTENTS Massimiliano Sala Preface Vocal and Sacred Music Bella Brover-Lubovsky Cherubini's Madrigal Ninfa crudel and the Legacy of the Scuola dei rivolti Michael Pauser Apart from the Masses: Luigi Cherubini's Other Sacred Music Galliano Ciliberti Luigi Cherubini e la Chapelle royale (1816-1830) Music Theatre Helen Geyer Komplex und ambivalent? - berlegungen zu strukturellen und sthetischen Eigent mlichkeiten in Cherubinis Opern der 1780er und 1790er Jahre Lorenzo Mattei Il Metastasio infranciosato di Marmontel e Cherubini Francesca Menchelli-Buttini Luigi Cherubini's Adriano in Siria (Leghorn 1782) Roberto Scoccimarro la foi savante et simple . I morceaux d'ensembles negli op ras-comiques di Cherubini in un atto: note su strutture formali e questioni drammaturgiche Heiko Cullmann Spielarten einer Komposition Luigi Cherubinis Les Deux Journ es Marco Beghelli Ali-Baba, il Falstaff di Cherubini Cherubini Pedagogue Luciane Beduschi Luigi Cherubini's Solutions for Padre Martini's Closed and Enigmatic Canons: An Unpublished (and Overlooked) Pedagogical Collection Fr d ric de La Grandville Cherubini, inspecteur de l'enseignement au Conservatoire de musique de Paris (1795-1815) Reception Matthieu Cailliez tude compar e de l'influence musicale et institutionnelle de Cherubini en France et dans le monde germanique entre 1787 et 1842 375 Giada Viviani A Sort of Palladio : Richard Wagner's Reception of Luigi Cherubini A Case Study Maria Teresa Arfini Il Capriccio o Studio in Do maggiore per fortepiano di Luigi Cherubini: un capolavoro o un esperimento accantonato? Abstracts and Biographies Index of Names‎

Bookseller reference : 65436

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎Massimiliano Sala (ed)‎

‎Music Publishing and Composers (1750-1850)‎

‎, Brepols, 2020 Hardback, 336 pages, Size:210 x 260 mm, Illustrations:30 b/w, Languages: English, Italian, French. ISBN 9782503588155.‎

‎Summary The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every facet of the music profession. The proliferation of publications substantially altered the conception of the musical work and the nature and extent of intellectual property. Increasingly this allowed composers to support themselves financially through the sale of their own works, or even to establish, or collaborate in, publishing houses. The needs of contemporary consumers of music and new approaches to the production and dissemination of the musical work conditioned, and were conditioned by, the ever-evolving spheres of public and domestic performance that, in turn, stimulated the emergence of new musical forms and genres. This book focuses on the role of music publishing within the daily life and activities of composers at the turn nineteenth century, and its impact on subsequent patterns of development that influenced the course of nineteenth-century music. TABLE OF CONTENTS Massimiliano Sala, Preface Composers, Editions and the Musical Work Nancy November, Beethoven's Symphonies Arranged for the Chamber by His Contemporaries Rainer Kleinertz, Werk und Zyklus. Zur Reihenfolge der Streichquartette in Haydns Opus 33 und Mozarts Opus 10 Maria Birbili, The Proliferation of Musical Sources in the 19th Century: An Abridged Editorial History of Rossini, Verdi, and Puccini's Italian Opera Myron Gray, What Is an Author of Early American Music? Die Zauberfl te and the Culture of Reprinting The Market, the Rights and Publishing Strategies David Rowland, Composers, Publishers and the Market in Late Georgian Britain Bianca Maria Antolini, Compositori, editori, fruitori: una rete di rapporti Giovanna Carugno, A chi apparteneva il Nabucco ? Note storiche sulla propriet dello spartito e sulla controversa tra gli editori Lucca e Ricordi Floris Meens, Eine heillose Geschichte! : The Discourse on Publishers in Dutch Music Journals (ca. 1839-1860) Circulation Henri Vanhulst, Compositeurs 'belges' de musique instrumentale dit s Paris au XVIIIe si cle: la qu te reconnaissance internationale Stephanie Klauk, Handschriftliche berlieferung von Streichquartetten im Rom des 18. Jahrhunderts Sarah Noemi Schulmeister, Musikverleger des 18. Jahrhunderts als international agierende Akteure des Transfers: Der Fall Antoine Huberty Elisabetta Righini, Disavventure editoriali e concertistiche di Giovanni Battista Cirri dal soggiorno londinese (1764-1775) al rientro in patria Repertoire and Public Maria Jo o Albuquerque, Music Printing and Publishing in Portugal (1750-1850): The Rise of a New Industry Francisco J. Gim nez-Rodr guez, Four Unknown Waltzes by Beethoven? The Beginnings of Sheet Music Publishing in Spanish Periodicals (1805-1834) Gloria Araceli Rodr guez Lorenzo, La Iberia Musical y Literaria (1842-1846): Connecting the Public and Private Sphere‎

Bookseller reference : 65755

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€115.00 Buy

‎Massimiliano Sala (ed)‎

‎Music and the Second Industrial Revolution‎

‎, Brepols, 2019 Hardback, xiv + 498 pages, Size:216 x 280 mm, Languages: English, French, Italian. ISBN 9782503585710.‎

‎Summary The Second Industrial Revolution, new industrial societies, and growing urbanization drastically changed the life of humankind at the turn of the nineteenth and twentieth centuries. This volume investigates how the articulated musical world of the time was influenced by industrialization, how urbanization and new forms of circulation affected everyday life, and how new possibilities of experiencing cities and their musical entertainments came to light. In which ways did new forms of circulation influence the life of theatres and concert halls, the growing of orchestras, and the related birth of new workers' organizations? One section will be devoted to the development of the making of musical instruments, the related world of universal exhibitions, and music publishing. This volume also investigates new forms of mechanical reproduction in music, together with their many applications within society. Through the analysis of selected works, the volume also examines aesthetic perceptions of technological impact and its projections in an imaginary future. TABLE OF CONTENTS Massimiliano Sala Preface New Urban Perspectives and Everyday Life Jenny Nex Edinburgh's Last International Exhibition and its Music tienne Jardin Une exposition musicale universelle. Palais du Trocad ro, 1878 Jo o Silva Portugal, Mechanised Entertainment, and the Second Industrial Revolution Gloria Araceli Rodr guez-Lorenzo Arte y tecnolog a: el impacto de la Segunda Revoluci n Industrial en la vida musical de Madrid (1870-1923) Mar a Encina Cortizo - Ram n Sobrino Main Changes in the Spanish Way of Life after the Second Industrial Revolution: Images of Modernity through the 'G nero Chico' (1870-1914) Carmela Bongiovanni La musica nel sociale. Societ di mutuo soccorso e musica in Italia (1850-1890 circa) The Development of Instruments Making and Music Publishing Malou Haine Donn es socio- conomiques sur les facteurs fran ais d'instruments de musique dans la documentation sur les expositions universelles du xixe si cle Arnold Myers - Jenny Nex The Development of Industrial Brass Instrument Making in Britain Francesco Carreras - Gianna Melloni La nascita dell'industria degli strumenti musicali a ?ato a Milano tra Ottocento e Novecento David Rowland Music Publishing in Britain ca. 1840-1900 The Impact on Theatrical Scene Paolo Bolpagni Una nuova luce per il teatro: Mariano Fortuny e la sua 'Cupola' J rgen Maehder Un ignoto libretto di fantascienza all'inizio del Novecento: L'utopia negativa nel libretto Il 3001 di Luigi Illica Modernism, Reproduction and the Machine Simone Ciolfi Alcuni aspetti del culto di Bach tra Ottocento e Novecento Irene Comisso Musica e pionierismo aviatorio agli esordi del Novecento Paulo F. de Castro Dionysian or Tectological? On the Cultural Meaning of the 'Machine Music' Topic in the Early Soviet Context George Brock-Nannestad The Industrial Substitute for Live Music Marita Fornaro Bordolli La mediatizaci n de la m sica en el Uruguay de la Segunda Revoluci n Industrial Emilio Audissino Behold the Newest Technological Sensation! With Music! : The Use of Music in the Silent Cinema Abstracts Biographies Index of Names‎

Bookseller reference : 65951

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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€125.00 Buy

‎Massenet - Brissaud Pierre (illustrateur)‎

‎Théâtre National de l'Opéra Comique. Saison 1930-1931 Programme pour MANON de Massenet‎

‎Paris, 1930, in-12, broché, env. 36 pages. Superbe couverture de Pierre Brissaud avec une impression à l'or.‎

Bookseller reference : 69734

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Librairie Christian Chaboud
Bruxelles Belgium Bélgica Bélgica Belgique
[Books from Librairie Christian Chaboud]

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‎Mascagni Pietro.‎

‎L’ Evoluzione Della Musica Nel Secolo Decimonono. (Conferenza).‎

‎S.L. né D. (Estratto). In 8°pp.da 407 a 431n. cop.muta.‎

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Luigi Regina
NAPOLI, IT
[Books from Luigi Regina]

€15.00 Buy

‎Massaro, Flavio (A Cura Di).‎

‎AGONI POETICO-MUSICALI NELLA GRECIA ANTICA. 3. SPARTA‎

‎Faint creasing to upper corners. Gift card from editor tipped in. ; Testi E Commenti 31. Certamina Musica Graeca 3; 240 pages‎

‎Massimo Mila‎

‎Breve storia della musica‎

‎Collana "Piccola Biblioteca Einaudi" Pubblicata per la prima volta nel 1946 questa "Storia" si è conquistata un posto nella cultura italiana moderna‎

‎MASSIN, B.‎

‎FRANZ SCHUBERT.‎

‎fort volume in-8 broché. Très bel exemplaire. [P-37]‎

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Pique-Puces
BELFORT, FR
[Books from Pique-Puces]

€25.00 Buy

‎Mastrocola, Giordano‎

‎Il primo libro dei madrigali a cinque voci di Geronimo Vespa da Napoli (Venezia 1570). Edizione e note biografico-critiche.‎

‎cm. 17 x 24, x-364 pp. con 4 tavv. f.t. Historiae Musicae Cultores - Biblioteca Le ultime acquisizioni documentarie e la nuova sistemazione biografica consentono di cogliere appieno la duplice natura del ?Primo libro de madrigali a cinque voci? (1570) di Geronimo Vespa da Napoli: composta come ?oblazione de vert? per le nozze della principessa di Urbino, Lucrezia d?Este della Rovere, intesa dunque a meritare al proprio autore una promozione professionale che avverr? lontano dall?ambiente partenopeo, essa, in realt?, si rivela ricca di rimandi alla produzione madrigalistica napoletana di met? Cinquecento. The most recent documentary evidence and revisions of the biography of Geronimo Vespa da Napoli allow us to understand more clearly the dual nature of his ?Primo libro de madrigali a cinque voci? (1570): composed as an ?offering of virtue? for the occasion of the wedding of Lucrezia d?Este della Rovere, Princess of Urbino, the collection was intended to earn professional advancement for its composer far from the milieu of Naples, while in reality it is full of references to Neapolitan madrigals of the mid-sixteenth century. 680 gr. x-364 p.‎

‎MATHIAS Thierry‎

‎Apprendre à jouer de la flûte. Collection : Apprendre.‎

‎Paris, Editions Josette Lyon, 1988. 18 x 24, 178 pp., nombreuses notations musicales, broché, très bon état.‎

Bookseller reference : 95712

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Librairie Ausone
Bruxelles Belgium Bélgica Bélgica Belgique
[Books from Librairie Ausone]

€18.00 Buy

‎MATTER Jean‎

‎Connaissance de Mahler, documents, analyses et synthèses.‎

‎Lausanne, L'Âge d'Homme, 1974. 15 x 23, 428 pp., broché, couverture à rabats, très bon état.‎

‎"Supplément thématique à ""Connaissance de Mahler"" de Jean Matter."‎

Bookseller reference : 96611

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Librairie Ausone
Bruxelles Belgium Bélgica Bélgica Belgique
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‎MATESIC Josip‎

‎Die Erlanger serbokroatische Liederhandschrift. Sprachliche Untersuchung‎

‎Erlangen, 1959 227pp. + 3 ills. out of text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation der Philosophischen Fakultät der Friedrich-Alexander-Universität zu Erlangen), stamp at verso of title page, label on frontcover, text is clean and bright, good condition, M108939‎

Bookseller reference : M108939

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Antiquariaat Pieter Judo (De Lezenaar)
Hasselt Belgium Bélgica Bélgica Belgique
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€35.00 Buy

‎MATTHEY, Jean-Louis.‎

‎Ernest Ansermet. Catalogue de l’oeuvre.‎

‎Lausanne, Bibliothèque cantonale et universitaire 1983, 240x170mm, 289pages, broché. Bel exemplaire.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 15553

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Bouquinerie du Varis
Russy Switzerland Suiza Suíça Suisse
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€38.23 Buy

‎MATTHEY, Jean-Louis.‎

‎Inventaire du fonds musical. CARLO BOLLER. Préface de Paul-André Gaillard. Frontispice: Carlo Boller. 1896 - 1952. Photographie de Gaston de Jongh, 1935. Bibliothèque Cantonale et Universitaire - Lausanne. Département de la Musique - Section des Archives musicales. Inventaire des Fonds manuscrits XI.‎

‎Lausanne, Bibliothèque cantonale et universitaire de Lausanne 1988, 210x150mm, 135pages, broché.‎

‎photos n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 65330

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Bouquinerie du Varis
Russy Switzerland Suiza Suíça Suisse
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€23.89 Buy

‎MATTHAI Sigrid‎

‎Rittertum und Adel in den englischen und scottischen Volksballaden‎

‎Berlin, 1958 109pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Grades eines Doktors der Philosophie der Philosophischen Fakultät der Freien Universität Berlin), stamp on verso of title page, text and interior are clean and bright, good condition, M109340‎

Bookseller reference : M109340

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Antiquariaat Pieter Judo (De Lezenaar)
Hasselt Belgium Bélgica Bélgica Belgique
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€30.00 Buy

‎Matteo Leonardi‎

‎Storia della lauda. Secoli XIII-XVI‎

‎, Brepols, 2021 Paperback, 511 pages, Size:178 x 254 mm, Illustrations:1 b/w, 6 col., Language: Italian. ISBN 9782503596273.‎

‎Summary La lauda, ovvero la poesia religiosa in volgare, soprattutto nella forma del canto collettivo di lode, di confessione e di supplica, un genere letterario-musicale di sfuggente classificazione. L'interpretazione che la vuole sempre arte popolare, priva di eloquenza formale, contraddetta da numerosi esempi di laude d'autore, da Guittone a Iacopone, da Bianco da Siena a Feo Belcari, da Leonardo Giustinian a Lorenzo de' Medici, di profonda raffinatezza intellettuale. Dopo la nascita in Italia centrale e settentrionale nel xiii secolo, nel quadro dei moti popolari penitenziali e alleluiatici e dell'espansione degli ordini mendicanti, la lauda non smette di accompagnare la storia della civilt italiana, generando una tradizione ininterrotta che interseca, nella molteplicit delle sue forme, la storie della letteratura, della musica e della spiritualit . Laude liriche e laude drammatiche, di corte e di piazza, meditative e pubbliche: la lauda si riveste d'abiti sempre nuovi, assecondando lo spirito mutevole dei tempi, capace d'intercettarne i gusti e le aspirazioni senza tradire la propria identit . Questo studio riannoda i fili della straordinaria storia della lauda, per apprezzarne la natura multimediale e proteiforme e la capacit dare voce anche a culture "di margine", dalla spiritualit dei laici a quella delle donne, costituendo una delle pi significative eredit consegnate dalla cultura medievale all'et moderna. TABLE OF CONTENTS 1. Introduzione 1.1 Gli studi sulla lauda, genere "multimediale" 1.2 I fili e la trama: per una storia della lauda 1.3 Nota filologica: il problema della "verit " del testo PARTE I. STORIA E GEOGRAFIA DELLA LAUDA 2. La lauda dal xiii al xvi secolo 2.1 La Preistoria: il retroterra monastico e confraternale 2.2. Da Montecassino all'Umbria: la fase "staminale" 2.3. Il secondo Duecento e la codificazione tra Disciplinati e Laudesi 2.4. La fioritura primotrecentesca: le direttrici di espansione della lauda 2.5. Il secondo Trecento: tra Gesuati, Bianchi e circoli cateriniani 2.6. Primo e pieno Quattrocento: tra Firenze e Venezia 2.7. Il secondo xv e l'inizio del xvi secolo: Savonarola, i Medici e i laudografi tosco-veneti 2.8. Serafino Razzi e la "rivoluzione Gutenberg" 2.9. Il secondo Cinquecento: la lauda "militante" dell'Oratorio 2.10. Le laude nelle scuole della Dottrina cristiana 2.11. L'illanguidimento del genere nel corso del Seicento PARTE II. LE GRAMMATICHE DELLA LAUDA 3. Il testo della lauda: una contaminazione di generi 3.1 Laudate Dominum: il retaggio biblico-liturgico 3.2 Vocazione volgare e osmosi con le letterature profane 3.3 La "predicazione" dello ioculator Domini. 3.4 La codificazione formale: ballata, modo pasquale e modo passionale 3.5 Lauda lirica e lauda drammatica: una categorizzazione sufficiente? 3.6. Le forme in movimento: sperimentazioni tre-quattrocentesche 3.7 Il "classicismo" primocinquecentesco e l'emergere di un "gusto nuovo" 3.8 La Parola in parole: l'irrisolta dialettica tra lauda e linguaggi profani 4. Laude "da vedere": l'intreccio tra parola, immagine e gesto 4.1 Levate gl'ochie et resguardate: il primato del senso della vista 4.2 Le miniature dei laudari di rappresentanza 4.3. L'ispirazione pittorica: la lauda come esegesi iconografica 4.4 "Parole dipinte" e "visibile parlare": la meditazione per immagini 4.5 Una "teologia dell'immagine"? 5. Laude "da cantare": bis orat qui bene cantat 5.1 La monodia due-trecentesca e l'adozione della ballata 5.2 Il pieno Trecento: la tradizione dei travestimenti spirituali 5.3 La nascita della lauda polifonica: tra ars e natura 5.4 Il secondo Quattrocento: fioritura frottolistica e "rassettatura" savonaroliana 5.5 Il primo Cinquecento: l'et del madrigale e la sintesi di Razzi 5.6. La lauda tridentina: le melodie "ariose e cantabili" 5.7 Musica angelorum o musica diaboli? 6. La teologia delle laude: una spiritualit esperienziale e affettiva? 6.1 Gustare e vedere Dio : cristocentrismo e nuove esigenze spirituali 6.2 Danza macabra : la spiritualit ascetico-penitenziale 6.3 Danza mistica : la spiritualit mistico-contemplativa 6.4 Dalla tradizione bonaventuriana alla devotio moderna 6.5 Orazione vocale e orazione mentale: tra formalismo e culto interiore 6.6 La lauda mariana: madonna Teologia 7. Fuori dal coro: voci di laici e di donne 7.1. Dopo lungo silenzio: voci nuove agli albori del basso Medioevo 7.2 L'ideologia delle confraternite: tra "liminalit " e renovatio 7.3 Spontaneit "dal basso" e istanze normative "dall'alto" 7.4 La stra-ordinaria emersione di una religiosit femminile 8. In conclusione Siglario Indice topografico dei manoscritti‎

Bookseller reference : 65319

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ERIK TONEN BOOKS
Antwerpen Belgium Bélgica Bélgica Belgique
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‎MATESIC Josip‎

‎Die Erlanger serbokroatische Liederhandschrift. Sprachliche Untersuchung‎

‎227pp. + 3 ills. out of text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation der Philosophischen Fakultät der Friedrich-Alexander-Universität zu Erlangen), stamp at verso of title page, label on frontcover, text is clean and bright, good condition, M108939‎

‎MATHIASSEN Finn‎

‎The Style of the Early Motet (c. 1200-1250) An investigation of the Old Corpus of the Montpellier Manuscript‎

‎212pp. + frontispiece, with music examples in text, 25cm., text in English, Doctoral Dissertation (Aarhus Universitet), stamp at verso of title page, text and interior are clean and bright, M109046‎

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