‎Musicology‎

‎Mann A.; Sanguineti G. (cur.)‎

‎Teoria e pratica della composizione. I grandi compositori come maestri e come allievi‎

‎br. All'origine di questo lavoro sta una grande intuizione: Mann ha compreso quale risorsa potesse rivelarsi per la comprensione storica della musica la documentazione su come il linguaggio musicale veniva trasmesso di generazione in generazione nei vari momenti della storia, ossia, come i musicisti imparavano (e a loro volta insegnavano) a comporre. Ciò che Mann ha visto tra i primi è quanto quei modi di trasmissione della pratica abbiano condizionato lo sviluppo del linguaggio stesso. Attraverso l'esame e il commento di una serie di documenti fino allora considerati di scarso significato, Mann ricostruisce il rapporto didattico che grandi compositori (che vanno da Händel e Bach fino a Berlioz o Cajkovskij, passando per Haydn, Mozart, Beethoven, o Schubert) ebbero sia con i loro maestri sia con i loro allievi. Mann può dimostrare in tal modo come solo in una certa fase della storia della musica, circa a partire dal primo ottocento, si sia venuta a creare la nozione di "teoria musicale" così come è intesa oggi, e come questa creazione, radicata sostanzialmente in un nuovo modo di produzione e di consumo della musica, abbia determinato una frattura fra norma e prassi che ha fortemente condizionato lo sviluppo del linguaggio musicale fino alle grandi scosse telluriche del '900. Mann analizza con una cura e una penetrazione instancabili il passaggio dall'insegnamento da uno a uno, da compositore a compositore.‎

‎Manniche, Lise‎

‎Music and Musicians in Ancient Egypt‎

‎240x170mm. 142 pages. Softcover. Cover slightly scratched. Sticker on cover. Cover corners bumped. Spine slightly wrinkled and stained. Spine edges slightly bumped. Stamp on whitepage. Pages slightly yellowing. Else in good condition.‎

‎MANSUR BILDIK.‎

‎Saz method: Saz (Baglama), Anatolian long-necked lute.= Saz-Schule: Saz (Baglama), Anatolische Langhalslaute.= Baglama metodu: Saz (Baglama).‎

‎New English Paperback. 4to. (29 x 21 cm). In English, German, and Turkish. 358 p., ills. and musical scores. Saz method: Saz (Baglama), Anatolian long-necked lute.= Saz-Schule: Saz (Baglama), Anatolische Langhalslaute.= Baglama metodu: Saz (Baglama).‎

‎Marcello Mazzetti (ed)‎

‎Basso Continuo in Italy. Sources, Pedagogy and Performance‎

‎, Brepols, 2023 Hardback, xxx + 345 pages, Size:210 x 270 mm, Illustrations:30 b/w, 70 musical examples, Language(s):English, Italian. ISBN 9782503608501.‎

‎Summary The volume explores the long-lasting phenomenon of basso continuo in the Italian peninsula, from its origins ? i.e. from the regole per suonare sopra il basso which collects and develops the contrappunto alla mente's legacy ? up to the late partimento pedagogy. In addition to a bibliographic update, the volume presents case studies providing the reader with new information on performative contexts and performance practice between the sixteenth and nineteenth centuries, and shedding new lights on sacred and secular genres and repertoires cultivated in churches, theatres, academies, noble chambers and domestic environments. Particular attention is given to the relationship between counterpoint, improvisation and instrumentation, to the analysis of primary sources in relation to book formats and the type of notation chosen to convey the accompaniment. Furthermore, a few chapters focus on peculiar issues of accompaniment pedagogy according to unpublished or neglected sources. TABLE OF CONTENTS Marcello Mazzetti, Introduction Performance Practice Issues: Stylistic Features and Historical Contexts 1. Naomi Matsumoto, Realising Arianna: The Problematic Accompaniments of Claudio Monteverdi's Lamento d'Arianna 2. Galliano Ciliberti, La pratica del basso continuo a S. Luigi dei Francesi a Roma nel Seicento 3. Giulia Nuti, Antonio Vivaldi's Use of Figures: Per li coglioni and Other Examples Sources, Formats, and Accompaniment Layout: Stylistic Features and Historical Contexts 4. Augusta Campagne, Basso Continuo: The Beginnings in Italy 5. Thomas Neal, Between Practice and Print: Performing Palestrina's Missarum liber quartus (1582) with Alessandro Nuvoloni's basso prencipale co'l soprano (1610) 6. Marina Toffetti, Fossil Traces of Vanished Voices: The Basso Continuo Part and the Reconstruction of Incomplete Polyphony 7. Marcos Krieger, Figured Bass and Figured Melody: Printed Figures in Italian Continuo Sources and Idiosyncratic Continuo Notation Practices as Found in Three 17th Century Italian Prints The Accompaniment between Pedagogy and Performance 8. Catherine Bahn - Giovanna Barbati, The Partimenti of Rocco Greco: Reconstructing the Pedagogical Tradition for the Early Violoncello 9. Peter van Tour, The Teaching of Counterpoint and Partimento in the School of Francesco Feo 10. Eric Boaro, Partimento Teaching at the Convent of Santi Marcellino e Festo in Naples: New Early Eighteenth-Century Sources of Realisations of Partimenti by Francesco Durante (c. 1707-1715) 11. Marco Pollaci, Vincenzo Bellini's Studio del Contrappunto Notebook: An Investigation of a New Source of Partimento and Counterpoint in Early Nineteenth-Century Italy Fundamental Issues: Counterpoint, Improvisation and Instrumentation 12. Edoardo Bellotti, Basso continuo e contrappunto nelle fonti seicentesche: un moderno approccio alla didattica musicale 13. Livio Ticli, Contrapunto alla mente or Basso Continuo? Agostino Agazzari and His Sonare sopra'l Basso Abstracts and Biographies Index of Names‎

Bookseller reference : 63245

‎Marie-Gabrielle Soret‎

‎Camille Saint-Sa ns, Le Carnaval des animaux Facsimile Edition of the Autograph‎

‎, Brepols 2018, 2018 Hardcover, dusjacket, 192 pages., 127 col. ills, 300 x 366 mm, English/Francais, Manuscript. Fine. ISBN 9782503581224.‎

‎The collection De main de ma tre showcases the facsimiles of the most prestigious scores of the Music Department of the National Library of France. Camille Saint-Sa ns? extremely long career as a virtuoso, as a brilliant pianist and organist (no fewer than seventy-six years of concerts) and his daunting catalogue of works (close to six hundred are known) have helped shape the image of him as a tutelary figure, omnipresent in the musical landscape of his time, the uncontested master of French music, showered with honours and glory, yet the champion of what was, in the young 20th century, an outmoded aesthetic. Such an image ignores, however, that from the outset of his career, at the end of the 1850s, until the 1890s, Saint-Sa ns was, on the contrary, regarded in the artistic world as an agitator, as a propagator of new ideas and as an intermediary between French and Germanic cultures. Republican from his earliest days, he was a major figure in musical life, involved in many concert societies, most notably the Soci t nationale de musique, which he founded in 1871. He was also a polemicist, whose quill was much feared and who used the press as his vehicle of choice, to disseminate his ideas, attract public attention, and conquer new audiences. Similarly, if the image of the ?official? Saint-Sa ns, at home with the stage and the institutions and their etiquette, has endured, that of the ?intimate? Saint-Sa ns, known by a faithful few for his sparkling conversation, his sharp humour and taste for puns, has been lost. If there is one work, in all of Saint-Sa ns? musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. Dedicated to the autograph manuscript of Camille Saint-Sa ns? famous Carnival of the Animals (1835-1921), this volume sheds a distinctive light on the musician?s personality. Completed in February 1886, The Carnival of the Animals was created for friends and performers close to Saint-Sa ns and was performed about fifteen times between 1886 and 1894 to a small audience. Because Camille Saint-Sa ns feared that his zoological fantasy would damage his reputation, the work was published in its entirety only after his death. Since then, its immense popularity has continued to grow, so much so that it is now enjoyed by music lovers and the general public alike. Presented by Marie-Gabrielle Soret, a specialist of Camille Saint-Sa ns, who provides a detailed description of the work and the context of its creation, the facsimile includes the fourteen pieces of The Carnival of the Animals. It reveals the composer's handwriting, all the performance directions as he noted them, but also to the playful animal drawings with which he decorated his score ? a fish for ?Aquarium?, the skeleton of a dinosaur for ?Fossiles?, the pale blue pencil silhouette of a swan to illustrate the famous Swan‎

Bookseller reference : 57188

‎MARGOLIN Jean-Claude‎

‎Erasme et la musique‎

‎Paris, Vrin 1965 139pp. + 8 planches hors-texte, 25cm., brochure originale, dans la série "De Pétrarque à Descartes" volume IX, pages pour la plupart non coupées, bon état, M100806‎

Bookseller reference : M100806

‎MARNAT, Marcel.‎

‎Haydn. Collection Musiciens de tous les temps.‎

‎Paris, La Guilde du Livre 1967, 160x135mm, 191pages, reliure toile d'éditeur. Très bel exemplaire.‎

‎photos n/b,‎

Bookseller reference : 19531

‎MARCILLAC F.‎

‎Histoire de la musique moderne et des musiciens célèbres en Italie, en Allemagne et en France depuis l'ère chrétienne jusqu'à nos jours.‎

‎Paris, Sandoz et Fischbacher, 1876. "14 x 22, 512 pp., 22 planches, reliure dos cuir, bon état (reliure : dos en très bon état, bords et coins émoussés; rousseurs sur les toutes premières pages)."‎

Bookseller reference : 84453

‎Martens Edith Van Sull Vincent‎

‎Osez la musique: Eveil des enfants au plaisir de la musique‎

‎Editions Labor 1992 16x1x23cm. 1992. Broché.‎

‎Bon état‎

Bookseller reference : 500084828

‎MARTIN, Frank.‎

‎Un compositeur médite sur son art. Ecrits et pensées recueillis par sa femme. Collection Langages.‎

‎Neuchâtel, A la Baconnière 1977, 210x135mm, 293pages, broché. Couveture à rabats. Bel exemplaire.‎

Bookseller reference : 85850

‎MARCHESI GUSTAVO‎

‎VERDI‎

‎NUM. TAV. F.T. B/N, LIEVI TRACCE D'USO ALLA SOVRACOP., BUONE CONDIZ.; COLLANA LA VITA SOCIALE NELLA NUOVA ITALIA N? 18‎

‎Marenco Carlo‎

‎La forma musicale. Ad uso dei conservatori degli istituti e licei musicali, dei corsi universitari ad indirizzo musicale. Con CD-ROM‎

‎br. Scopo di questo lavoro è la messa a punto di un testo volto ad approfondire, nell'ambito di un percorso espositivo trattato in chiave squisitamente storica, l'idea di forma musicale e i molteplici aspetti che la determinano, dai profili testurali emergenti (omofonia e polifonia) ai parametri linguistici di riferimento (melos, ritmo, sistemi sonori), dai principi costruttivi stanti alla base di una struttura sonora ai moduli architettonici che tendono a definirla, dai generi vocali, strumentali o vocal-strumentali che secolo dopo secolo si sono succeduti agli stili che li hanno attraversati. Al volume è allegato un CD-rom contenente numerosi esempi musicali (disponibili anche per il download) che hanno il compito di integrare quelli, già di per sé piuttosto nutriti, che compaiono nel testo scritto.‎

‎MARGOLIN Jean-Claude‎

‎Erasme et la musique‎

‎139pp. + 8 planches hors-texte, 25cm., brochure originale, dans la série "De Pétrarque à Descartes" volume IX, pages pour la plupart non coupées, bon état, M100806‎

‎Marotta, Erasmo A cura di I. Calagna.‎

‎Mottetti concertati a due, tre, quattro e cinque voci (1635).‎

‎cm. 24 x 34, xxviii-148 pp. con 7 tavv. f.t. Musiche rinascimentali siciliane La ?Raccolta di mottetti del Marotta? contiene trentasette composizioni su basso continuo. La ?ben concertata armonia, egualmente dolce che divota? ? sempre densa e variegata, piena d?audaci dissonanze e cromatismi: straordinaria ? la capacit? immaginifica che rende con efficacia il senso delle parole. La sensualit? del ?Cantico dei Cantici? e d?altri testi biblici ? potenziata al massimo dalla musica, che riesce sempre a sublimarla. The ?Raccolta di mottetti del Marotta? contains 37 compositions on basso continuo. The ?well-concerted harmony, both sweet yet devout? is always dense and variegated, full of audacious dissonances and accidentals: having an highly imaginative capacity that effectively renders the meaning of the words. The sensuality of the ?Cantico dei Cantici? and other biblical texts is developed to its utmost by the music that always succeeds in sublimating it. 676 gr. xxviii-148 p.‎

‎Martellozzo Forin Elda.‎

‎“una Societas Musicorum “ Costituita a Padova nel 1555. (Estratto).‎

‎Soc. Cooperativa Tipografica,1967. In 8°pp.20n. con 5 Tavv.f.t. in b.n.‎

‎MASSON Paul-Marie‎

‎L'opéra de Rameau.‎

‎Paris, Henri Laurens, 1930. 20 x 27, 595 pp., 16 planches, reliure pleine rexine rouge, très bon état.‎

‎Reliure solide en très bon état.‎

Bookseller reference : 97340

‎Masson Paul-Marie ( offert à )‎

‎Mélanges d'histoire et d'esthétique musicales offerts à Paul-Marie Masson 2 vol.‎

‎Richard-Masse éditeur, 1955, 194pp, 222pp, illustré n&b, pages jaunies, une petite déchirure en bord de couverture, bon état‎

Bookseller reference : 8549

‎Massenet - Brissaud Pierre (illustrateur)‎

‎Théâtre National de l'Opéra Comique. Saison 1930-1931 Programme pour MANON de Massenet‎

‎Paris, 1930, in-12, broché, env. 36 pages. Superbe couverture de Pierre Brissaud avec une impression à l'or.‎

Bookseller reference : 69734

‎Massaro, Flavio (A Cura Di).‎

‎AGONI POETICO-MUSICALI NELLA GRECIA ANTICA. 3. SPARTA‎

‎Faint creasing to upper corners. Gift card from editor tipped in. ; Testi E Commenti 31. Certamina Musica Graeca 3; 240 pages‎

‎MASSIN, B.‎

‎FRANZ SCHUBERT.‎

‎fort volume in-8 broché. Très bel exemplaire. [P-37]‎

‎MATHIAS Thierry‎

‎Apprendre à jouer de la flûte. Collection : Apprendre.‎

‎Paris, Editions Josette Lyon, 1988. 18 x 24, 178 pp., nombreuses notations musicales, broché, très bon état.‎

Bookseller reference : 95712

‎MATESIC Josip‎

‎Die Erlanger serbokroatische Liederhandschrift. Sprachliche Untersuchung‎

‎Erlangen, 1959 227pp. + 3 ills. out of text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation der Philosophischen Fakultät der Friedrich-Alexander-Universität zu Erlangen), stamp at verso of title page, label on frontcover, text is clean and bright, good condition, M108939‎

Bookseller reference : M108939

‎MATTHEY, Jean-Louis.‎

‎Inventaire du fonds musical. CARLO BOLLER. Préface de Paul-André Gaillard. Frontispice: Carlo Boller. 1896 - 1952. Photographie de Gaston de Jongh, 1935. Bibliothèque Cantonale et Universitaire - Lausanne. Département de la Musique - Section des Archives musicales. Inventaire des Fonds manuscrits XI.‎

‎Lausanne, Bibliothèque cantonale et universitaire de Lausanne 1988, 210x150mm, 135pages, broché.‎

‎photos n/b,‎

Bookseller reference : 65330

‎MATHIASSEN Finn‎

‎The Style of the Early Motet (c. 1200-1250) An investigation of the Old Corpus of the Montpellier Manuscript‎

‎Copenhagen, Dan Fog Musikforlag 1966 212pp. + frontispiece, with music examples in text, 25cm., text in English, Doctoral Dissertation (Aarhus Universitet), stamp at verso of title page, text and interior are clean and bright, M109046‎

Bookseller reference : M109046

‎MATHIASSEN Finn‎

‎The Style of the Early Motet (c. 1200-1250) An investigation of the Old Corpus of the Montpellier Manuscript‎

‎212pp. + frontispiece, with music examples in text, 25cm., text in English, Doctoral Dissertation (Aarhus Universitet), stamp at verso of title page, text and interior are clean and bright, M109046‎