‎Musicology‎

‎Livio Ticli (ed)‎

‎Figured Bass Accompaniment in Europe‎

‎, Brepols, 2024 Hardback, xiv + 424 pages, Size:210 x 270 mm, Illustrations:43 b/w, 12 tables b/w., 75 musical examples, Language(s):English, Italian. ISBN 9782503608518.‎

‎Sixteen internationally-renowned scholars map the figured bass accompaniment in Europe through a wide timespan: from the early-seventeenth-century Germany to late continuo realisations by Johannes Brahms and Robert Franz. Summary At the very end of his new and charming chapter included in this volume, Thomas Christensen sensuously claims that for each generation, figured bass has something new to say, though it rarely gives up its secrets without a fight. This book, therefore, attempts to do justice to the fight lead by sixteen internationally-renowned scholars who ventured mapping the figured bass accompaniment in Europe through a wide timespan: from the early-seventeenth-century Germany to late continuo realisations by Johannes Brahms and Robert Franz. The volume also addresses several issues such as different ways to sketch and write extensively the instrumental accompaniment, its rendition into practice and how to teach and apply formulas for improvising (and realising) a contrapuntal texture over the bass. For the first time, counterpoint, basso continuo and partimento are put into dialogue, overcoming terminological antinomies and underlining the points of continuity amongst different accompaniment practices in France, Germany, England and Spain for over three centuries. Case studies shed some lights on accompaniment of specific instruments such as cello and guitar. TABLE OF CONTENTS Figured Bass Accompaniment in Europe Livio Ticli (ed.), 2023 Livio Ticli, Introduction: Figured Bass in the European Tradition: Continuities and Changes of a Practice Through Alps and Pyrenees To the Sea: Continuity and Discontinuity in Performance Practice 1. David Chung, The Significance of the Preludes with Figured Bass in F-Pn Vm8 1139 for Keyboard Pedagogy in Early Eighteenth-Century France 2. Clotilde Verwaerde, The Three-voice Texture in Eighteenth-Century French Continuo 3. Marie Demeilliez, The Encyclop die ou Dictionnaire raisonn des sciences, des arts et des m tiers (1751-1772): A Source for Basso Continuo Accompaniment in Eighteenth-Century France 4. Isaac Alonso de Molina, Acompa amientos con las llamadas del Baxo y lo que se puede tocar sobre cada uno de ellos : partimenti diminuiti in Manuscript M/1188 of the Biblioteca Nacional de Espa a (Madrid) 5. Michael Fuerst, Hieronymus Praetorius, Multiple-Bass Notation in Organ Parts, and Continuo Performance Practices of Polychoral Music in the Hanseatic Cities of Northern Europe Connected by Strings: Cello Accompaniment Performance Practice 6. John Lutterman, Partimento, German Thoroughbass Practice, and Improvised Solo Performance on the Cello 7. Hilary Metzger, National Styles in Lower String Accompaniment of Secco Recitative in the Late 18th and Early 19th Centuries From the Page to the Performance through Space and Time 8. Valeria Mannoia, Per ogni tradizione il suo basso. I bassi seguenti italiani in alcune antologie tedesche del Seicento 9. Francesca Mignogna, Il basso continuo nelle composizioni per i defunti di Pierre-Louis Pollio (1724-1796). Uso, notazione e problematiche relative all?edizione moderna della partitura 10. Anthony Abouhamad, The Principles of Partitura Playing: An Introduction to Basso Continuo Instruction and Practice in Eighteenth-Century Salzburg 11. Martin Ennis, Quod licet Bacho non licet Francisco : A New Perspective on the Continuo Realisations of Johannes Brahms and Robert Franz Basso Continuo and Partimento as a Pedagogical Tool Then and Now 12. Thomas Christensen, Figured Bass: Then and Now 13. Stephan Lewandowski, With regard to the Now Prevailing Taste in Music : The Music Theoretical Work of Johann Gottfried Vierling (1750-1813) 14. Matthew Mazanek, Improvisation Pedagogy in Nineteenth-Century Guitar Education 15. Justin Ratel, Repurpose and Transformation of an Educational Material: Figured Bass as a School Practice in the Early Years of the Paris Conservatory 16. Thomas Allery, Thorough Bass Made Easy: The Pedagogical Value of Figured Bass in Musical Education Today 17. Livio Ticli, Basso Continuo as a Concertato Practice: Vocal-Instrumental Improvisation, Ornamentation and Counterpoint‎

Bookseller reference : 63065

‎Lockwood, Lewis‎

‎The Counter-Reformation and the Masses of Vincenzo Ruffo.‎

‎cm. 16,5 x 24, 292 pp. con 1 tav. f.t. ed es. mus. n.t. Fondazione Giorgio Cini - Studi di musica veneta Inglese 475 gr. 292 p.‎

‎LONCHAMPT Jacques‎

‎DICTIONNAIRE PRATIQUE DES COMPOSITEURS ET DES OEUVRES MUSICALES .‎

‎Paris, Société Française de Diffusion Musicale et Artistique / JMF ( Journal Musical Français ) , 1955, format 270x215mm, cartonnage toilé vert de l'éditeur, 186 pages, exemplaire en bon état.‎

Bookseller reference : 9594

‎LONGO ALESSANDRO‎

‎CZERNYANA RACCOLTA DI STUDI2 FASCICOLI‎

‎LONGY-MIQUELLE Renee‎

‎Principles of musical theory‎

‎vii + 101pp. with numerous music examples in text + 2 plates out of text, 3rd printing, 25cm., in the "Concord series" no.12, publisher's hardcover in green cloth with some traces of use, 2 library stamps, text in good condition, M95180‎

‎LOOS Michael‎

‎Wilhelm Furtwänglers symphonisch konzipierte Kammermusik‎

‎[Bayreuth], 2010 247pp., 21cm., softcover, text in German, Doctoral Dissertation (Universität Bayreuth, 2009), stamp on title page, text is clean and bright (looks unread), M111115‎

Bookseller reference : M111115

‎LOPEZ POVEDA, Alberto.‎

‎Andrés Segovia Sintesis biografica.‎

‎Linares, 1987, 240x170mm, 43 páginas, libro en rústica. Con un autografo del autor, ejemplar numerado. Datos biograficos, dimension y alcance de su obra, honores y distinctiones. Muy buen estado.‎

Bookseller reference : 9316

‎LORENZEN Hermann‎

‎Der Cantor Heinrich Grimm (1593-1637) Sein Leben und seine Werke mit Beiträgen zur Musikgeschichte Magdeburgs und Braunschweigs‎

‎Hamburg, 1940 93pp., 23cm., text in German, Doctoral dissertation (Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Hänsischen Universität Hamburg), stamp at verso of title page, small label on cover, text is clean and bright, good condition, M109030‎

Bookseller reference : M109030

‎LORENZEN Hermann‎

‎Der Cantor Heinrich Grimm (1593-1637) Sein Leben und seine Werke mit Beiträgen zur Musikgeschichte Magdeburgs und Braunschweigs‎

‎93pp., 23cm., text in German, Doctoral dissertation (Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Hänsischen Universität Hamburg), stamp at verso of title page, small label on cover, text is clean and bright, good condition, M109030‎

‎LOUYS DE MOY (JAPE Mijndert, introd. & SCHREURS Eugeen, ed.)‎

‎Louys de Moy ; Le Petit Boucquet, Pour toucher du luth join deux violes de gambas par-my les vois‎

‎Peer, Alamire 1987 22pp. (introduction in English) + [135] pp. facsimile-edition of the original 1631-edition ; "Le Petit Boucquet, de frise orientale contenant quelques chansonnettes musicales, pour toucher du luth join deux violes de gambas par-my les vois ; et autres padvanes pour le luth & violons communs avec diverses pieces faciles pour toucher du luth seul", publisher's hardcover, 25cm., good condition, M95099‎

Bookseller reference : M95099

‎LOW Helmut Aloysius‎

‎Die Improvisation im Klavierwerk L. van Beethovens‎

‎Saarbrücken, 1962 175pp., with some music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultät der Universität des Saarlandes), stamp at verso of title page, text is clean and bright, good condition, M108984‎

Bookseller reference : M108984

‎Lualdi Adriano‎

‎Il rinnovamento musicale italiano‎

‎In-8°, pp. (6), 106, (2), brossura editoriale con alette. Fioriture alla brossura. Buon esemplare. Prima edizione. Quaderni dell'Istituto Nazionale Fascista di Cultura. Serie terza, 4-5. Italiano‎

‎Lucien Malson‎

‎Histoire du jazz moderne‎

‎Paris, La Table ronde, 1961, in-8°., Broché, 254 pages. Bon état.‎

Bookseller reference : 5829

‎LUCA CERCHIARI‎

‎MILES DAVIS. DAL BEBOP AL JAZZ-ROCK (1945-1991)‎

‎DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. FONDO DI MAGAZZINO PARI AL NUOVO. GRAFFIETTI/SEGNI DEL TEMPO ALLA COPERTINA, PER IL RESTO PERFETTO. Miles Davis (1926-1991) è uno dei massimi protagonisti del jazz moderno e contemporaneo, e in senso generale di tutto il Novecento sonoro. Non c'è novità stilistica che non l'abbia visto fra i principali protagonisti, se non fra gli ideatori. Davis è stato un maestro della tromba, che suonava con lirismo incomparabile, e un improvvisatore di genio assoluto; un uomo dal talento sconfinato ma anche dal carattere difficile, ambizioso ed esigentissimo; un collezionista di donne bellissime e intense, ma anche una persona profondamente legata alle sue radici afroamericane. È stato un punto di riferimento della vita jazzistica, e più in genere musicale e sociale, dal dopoguerra all'epoca della collaborazione con Gil Evans e John Coltrane, dagli anni del jazz-rock alla sua finale assunzione in una sorta di pantheon mediatico. Questo libro è lo strumento ideale per carpirne i segreti, apprezzando tutte le sfumature del suo talento e della sua straripante umanità. Miles Davis (1926-1991) is one of the greatest stars of modern jazz and contemporary, and in a general sense of the 20th century. There is no stylistic innovations that haven't seen between the main protagonists, if not among the originators. Davis was a master of the trumpet, playing with incomparable lyricism, and an improviser of absolute genius; a man of boundless talent but also difficult, ambitious and extremely demanding character; a collector of beautiful women and intense, but also a person deeply tied to its African roots. It was a landmark of the jazz life, and more generally the musical and social, since the war at the time of collaboration with Gil Evans and John Coltrane, from the years of jazz-rock to its final intake in a kind of pantheon. This book is the perfect tool to learn their secrets, appreciating all the nuances of his talent and his overflowing with humanity. Descrizione bibliografica Titolo: Miles Davis. Dal bebop al jazz-rock (1945-1991) Autore: Luca Cerchiari Editore: Milano: Arnoldo Mondadori, 2001 Lunghezza: 312 pagine; 22 cm ISBN: 8804549416, 9788804549413 Collana: Volume 252 di Oscar storia Soggetti: Biografie, Musica, Storia musicale, Musicologia, Compositori, Musicisti, Band, Jazzisti, Generi musicali, Evoluzione, Grandi maestri, Capolavori, Canzoni, Melodie, Note musicali, Spartiti, Swing, Rock, Aneddoti, Elettronica, Tromba, Trombettisti, Afroamericani, Cultura nera, Neri, Cool, Dischi, Discografia, Solisti, Fusion, Modale, Kind of Blue, Carisma, Elettrico, Tendenze musicali, Versace, Cultura pop, Spettacolo, Concerti, In a Silent Way, Bitches Brew, Teo Macero, Jimi Hendrix, Capolavori, Riferimento, Consultazione, Saggistica, Hollywood Walk of Fame, Musicisti jazz, Etichette, Industria, Produzione, Grammy, Charlie Parker, Dizzy Gillespie, Juliette Gréco, Tossicodipendenza, Droga, Cultura americana, Suoni, Ritmo, Anni Cinquanta, Anni Sessanta, Anni Settanta, Anni Ottanta, Anni Novanta, Dig, Blue Haze, Bags' Groove, Sordina Harmon, 'Round Midnight, Ascensore per il patibolo, Ascenseur pour l'échafaud, Something' Else, John Coltrane, Sax tenore, Red Garland, Paul Chambers, Contrabbasso, Philly Joe Jones, Jimmy Cobb, Giant Steps, Gil Evans, Seven Steps to Heaven, My Funny Valentine, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, Circle, Filles de Kilimanjaro, Betty Mabry, Cicely Tyson, Sly & the Family Stone, The Old Thing, Steve Grossman, Keith Jarrett, Note, Principe delle tenebre, Scrittura, Orchestra, Genealogia, Bibliografia, Album, Battute, Assolo, Libri Vintage Fuori catalogo, Freepop, Biographies, Music, Musical history, Musicology, Composers, Musicians, Bands, Jazzmen, Musical genres, Evolution, Great masters, Masterpieces, Songs, Melodies, Musical notes, Scores, Anecdotes, Electronics, Trumpet, Trumpeters, African Americans, Black culture, Blacks Cool, Records, Discography, Soloists, Charisma, Electric, Music Trends, Entertainment, Concerts, Masterpieces, Reference, Consultation, Nonfiction, Musicians, Labels, Industry, Production, Drug addiction, Drug, American culture, Sounds, Rhythm, Fifties, Sixties, Seventies, Eighties, Nineties, Lift to the gallows, Double bass, Notes, Prince of darkness, Writing, Genealogy, Bibliography, Album, Jokes, Solo, Out of print books Parole e frasi comuni accordi afroamericana armonico artistica ascoltare assolo basso batteria battute bebop bianco Blue blues brani capacità Charlie chitarra elettrica Cinquanta citato colleghi Coltrane Columbia Sony Music continua contrabbasso critica davisiana dimensione disco discografica elementi elettrico espressiva europea Evans facendo fiati figura forma genere George Gil Evans gioco gruppo Hancock improvvisazioni incisioni jazz jazzistica John lascia libera linea melodica momento mondo musicale nero New York newyorkese note Parker passaggio passato periodo personalità pianista piano pianoforte presenza pubblico rapporto registrazione riferimento rispetto ritmica rock ruolo sassofonista scelta serie Shorter solisti sonora spazio stile strada strumentale strumenti struttura studio successivo suono sviluppo tecnica tema tematica tipico tromba trombettista vivo‎

‎LUDWIG Emile‎

‎Beethoven, vie d'un conquérant.‎

‎Paris, Flammarion, 1945. 15 x 21, 300 pp., quelques illustrations en N/B, broché, non rogné, bon état.‎

‎"Traduit de l'allemand par Jean Longeville; édition originale, N° 349 sur 1100 exemplaires numérotés sur beau vélin."‎

Bookseller reference : 95123

‎Lunelli, Renato‎

‎Studi e documenti di storia organaria veneta.‎

‎cm. 16,5 x 24, 282 pp. con 24 tavv. f.t. Fondazione Giorgio Cini - Studi di musica veneta 515 gr. 282 p.‎

‎LUPO T., COPRARIO I., DAMAN W. & GIBBONS Orlandus (RASCH Rudolf, introd.)‎

‎XX Konincklycke Fantasien, om op 3 fioolen de Gamba en ander Speel-tuigh te gebruycken. Gestelt door de konstige Engelse Speel-meesters T.Lupo, I. Coprario, W. Daman. En noch IX fantasien, etc., door Orlando Gibbons, oragnist en zang-meester, van de Konick van Engeland. [Facsimile edition]‎

‎Facsimile-edition of the original 1648-edition by Paulus Matthysz in Amsterdam, 3 volumes (one for each voice): 11,[56] + [56] + [48] pp., 22cm., softcovers, in publisher's cart. slipcase, ISBN 90-6853-025-9, good condition, [volume 1 also contains an introduction in English], M95239‎

‎LUZIO ALESSANDRO‎

‎PER GIUSEPPE VERDI DISCORSO INAUGURALE DELLA MOSTRA VERDIANA ALLA PRESENZA DEL DUCE NELLA SEDE DELLA REALE ACCADEMIA D'ITALIA IL 4 GIUGNO 1940 XVIII‎

‎BUONE CONDIZ., CELEBRAZIONI E COMMEMORAZIONI N 38‎

‎Lyons, Stuart‎

‎MUSIC IN THE ODES OF HORACE‎

‎Corners very slightly bumped else book is fine. Light shelfwear to DJ. ; Viii, 204pp, illustrated. Following the success of Horace's Odes and the Mystery of Do-Re-Mi in which he proposed that Horace's Odes were truly carmina (songs) , Stuart Lyons further explores the orality of the Odes in both the Augustan Age and their early medieval reception. Challenging the perception of the Odes as purely literary works and drawing on extensive evidence in Horace and other ancient sources, Lyons argues that Horace's objective was to produce a unique type of performance art, a Latin re-interpretation of Greek lyric song to entertain the Roman elite. In post-Carolingian manuscripts, there are several instances of musical notation for the Odes. Some was to help students articulate their Latin, but other notation records performance works. Lyons shows that the arrangement for the Ode to Phyllis in the Montpellier manuscript and Guido d'Arezzo's do-re-mi mnemonic share a common ancestor. The long-hidden St Petersburg codex is a virtual songbook with sixteen melodies reflecting secular as well as monastic traditions. These and other manuscripts provide persuasive evidence that Horace was sung for entertainment as well as teaching. While there is no provable link between early medieval performance and Horace's own practice, Lyons argues that the Horace of the Odes was a musical innovator, songwriter and entertainer, as well as a literary craftsman, and sang much of his lyric poetry to the accompaniment of his own lyre. With 50 illustrations, 12 colour plates and a comprehensive set of indexes this book will stimulate and inform both classicists and musical historians. ; 8vo - over 7¾" - 9¾" tall; 204 pages‎

‎Lüning, O‎

‎Franz Liszt. Ein Apostel des Idealen.‎

‎Zürich, Orell, Füssli und Comp., 1896. Gross-8°. 25 S. Mit 1 gest. Portrait von Robert Leemann. Orig.-Broschur + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 27251A = "Neujahrsblatt der Allgemeinen Musikgesellschaft Zürich", Nr. 84.‎

‎Durchgehend leicht gebräunt.‎

Bookseller reference : 27251AB

‎M. NAZMI ÖZALP.‎

‎Türk mûsikîsi beste formlari.‎

‎Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 505 p., musical scores. Forms of composition in Turkish classical music. Türk mûsikîsi beste formlari.‎

‎MAAS C.J.‎

‎Geschiedenis van het meerstemmig Magnificat tot omstreeks 1525‎

‎208pp. + 2pp. stellingen, met muziekvoorbeelden in tekst, 24cm., gebroch., Doctoraal proefschrift (Universiteit van Amsterdam), stempeltje, tekst helder, goed, M109022‎

‎MACHOVER Tod‎

‎"Quoi ? Quand ? Comment ?; la recherche musicale. Collection : Musique/Passé/Présent."‎

‎Paris, Christian Bourgois Editeur, 1985. 14 x 22, 296 pp., broché, bon état.‎

‎"Textes réunis et présentés par Tod Machover; traduction de Denis Collins, Emmanuel Gresset, Patrick Greussay, Martin Kaltenecker, Monique Lebailly et Tod Machover."‎

Bookseller reference : 70165

‎MACHABEY Armand‎

‎La musicologie. Collection : Que sais-je ?, N° 978.‎

‎Paris, Presses Universitaires de France (PUF), 1962. 12 x 18, 128 pp., broché, très bon état.‎

Bookseller reference : 97441

‎MACHABEY Armand‎

‎Le Bel Canto. Collection : Formes, écoles et oeuvres musicales.‎

‎Paris, Librairie Larousse, 1948. 11 x 17, 124 pp., broché, très bon état.‎

Bookseller reference : 98305