‎Musicology‎

‎LONGY-MIQUELLE Renee‎

‎Principles of musical theory‎

‎Boston, Schirmer Music 1933 vii + 101pp. with numerous music examples in text + 2 plates out of text, 3rd printing, 25cm., in the "Concord series" no.12, publisher's hardcover in green cloth with some traces of use, 2 library stamps, text in good condition, M95180‎

Bookseller reference : M95180

‎Longo, Marina - Michelassi, Nicola‎

‎Teatro e spettacolo nella Mirandola dei Pico (1468-1711).‎

‎cm. 17 x 24, 282 pp. con 6 figg. n.t. Studi pichiani In questo studio si sono per la prima volta presi in esame i luoghi e le forme del teatro a Mirandola sotto il dominio dei Pico, grazie a una ricerca condotta principalmente su fonti inedite e d?archivio, raccolte in una vasta appendice documentaria. Le vicende teatrali di Mirandola si rivelano preziose per cogliere attraverso i secoli le tinte dominanti della civilt? dello spettacolo tra Umanesimo Rinascimento e Barocco. As a result of research carried out chiefly on archive and unpublished sources collected in a vast documentary appendix this is the first study that examines theatrical places and forms in Mirandola during Pico?s dominion. Over the centuries Mirandola?s theatrical events prove essential for the comprehension of the prevailing features of performing arts from the Renaissance to the Baroque period. 515 gr. 282 p.‎

‎Lonsdale, Steven H.‎

‎DANCE AND RITUAL PLAY IN GREEK RELIGION‎

‎Book is fine. DJ has minor edgewear. ; In private and in public life, the ancient Greeks danced to express divine adoration and human festivity. They danced at feasts and choral competitions, at weddings and funerals, in observance of the cycles of both nature and human existence. Formal and informal dances marked the rhythms of life and death. In Dance and Ritual Play in Greek Religion, Steven Lonsdale looks at how the Greeks themselves regarded the act of dance, and how dance and related forms of ritual play in Greek religious festivals served a wide variety of functions in Greek society. The act of worship, he explains, often implied engaging in collective rites regulated by playful behavior, the most common forms of which were group hymns and choral dances. ; Ancient Society and History; 384 pages‎

‎LOOS Michael‎

‎Wilhelm Furtwänglers symphonisch konzipierte Kammermusik‎

‎[Bayreuth], 2010 247pp., 21cm., softcover, text in German, Doctoral Dissertation (Universität Bayreuth, 2009), stamp on title page, text is clean and bright (looks unread), M111115‎

Bookseller reference : M111115

‎LOPEZ POVEDA, Alberto.‎

‎Andrés Segovia Sintesis biografica.‎

‎Linares, 1987, 240x170mm, 43 páginas, libro en rústica. Con un autografo del autor, ejemplar numerado. Datos biograficos, dimension y alcance de su obra, honores y distinctiones. Muy buen estado.‎

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Bookseller reference : 9316

‎LORENZEN Hermann‎

‎Der Cantor Heinrich Grimm (1593-1637) Sein Leben und seine Werke mit Beiträgen zur Musikgeschichte Magdeburgs und Braunschweigs‎

‎Hamburg, 1940 93pp., 23cm., text in German, Doctoral dissertation (Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Hänsischen Universität Hamburg), stamp at verso of title page, small label on cover, text is clean and bright, good condition, M109030‎

Bookseller reference : M109030

‎LORENZEN Hermann‎

‎Der Cantor Heinrich Grimm (1593-1637) Sein Leben und seine Werke mit Beiträgen zur Musikgeschichte Magdeburgs und Braunschweigs‎

‎93pp., 23cm., text in German, Doctoral dissertation (Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Hänsischen Universität Hamburg), stamp at verso of title page, small label on cover, text is clean and bright, good condition, M109030‎

‎LOUYS DE MOY (JAPE Mijndert, introd. & SCHREURS Eugeen, ed.)‎

‎Louys de Moy ; Le Petit Boucquet, Pour toucher du luth join deux violes de gambas par-my les vois‎

‎Peer, Alamire 1987 22pp. (introduction in English) + [135] pp. facsimile-edition of the original 1631-edition ; "Le Petit Boucquet, de frise orientale contenant quelques chansonnettes musicales, pour toucher du luth join deux violes de gambas par-my les vois ; et autres padvanes pour le luth & violons communs avec diverses pieces faciles pour toucher du luth seul", publisher's hardcover, 25cm., good condition, M95099‎

Bookseller reference : M95099

‎LOURIE, Arthur.‎

‎Profanation et sanctification du Temps. Journal musical, Saint-Pétersbourg - Paris - New York, 1910 - 1960.‎

‎Paris, Desclée de Brouwer 1966, 195x125mm, 211pages, broché. Bel exemplaire.‎

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Bookseller reference : 115060

‎LOW Helmut Aloysius‎

‎Die Improvisation im Klavierwerk L. van Beethovens‎

‎Saarbrücken, 1962 175pp., with some music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultät der Universität des Saarlandes), stamp at verso of title page, text is clean and bright, good condition, M108984‎

Bookseller reference : M108984

‎Lualdi Adriano‎

‎Il rinnovamento musicale italiano‎

‎In-8°, pp. (6), 106, (2), brossura editoriale con alette. Fioriture alla brossura. Buon esemplare. Prima edizione. Quaderni dell'Istituto Nazionale Fascista di Cultura. Serie terza, 4-5. Italiano‎

‎Lucien Malson‎

‎Histoire du jazz moderne‎

‎Paris, La Table ronde, 1961, in-8°., Broché, 254 pages. Bon état.‎

Bookseller reference : 5829

‎Luciane Beduschi‎

‎Padre Martini's Closed and Enigmatic Canons with Solutions by Luigi Cherubini. A 19th-Century Guide into Renaissance Music Riddles‎

‎, Brepols, 2024 Hardback, 336 pages, Size:210 x 270 mm, Illustrations:76 b/w, 6 tables b/w., 95 pages of musical scores, Language: English. ISBN 9782503608471.‎

‎Summary Every chapter of the three volumes of Giovanni Battista Martini's Storia della Musica begins and ends with an enigmatic canon: 72 puzzle canons, which formed the subject of debate in the 18th and 19th centuries. Luigi Cherubini proposed solutions for all canons, forming a pedagogical collection designed to reveal the secrets of the enigmatic canons practice to 19th-century musicians. Cherubini explained in detail how each proposed solution was reached. The resolutions are all based on a 'Table of Latin words', a list of enigmatic expressions. For each expression, Cherubini gives an explanation detailing how they must be interpreted in order to find the resolution of the riddles. Practically 56 expressions from Cherubini's 'Table of Latin words' can be identified in Renaissance treatises. Until the first half of the 16th century, a canon was a formula that musicians would put into action to create one or more parts of music ? the 'canon' was just the formula and not the music itself. Explanations of such formulas were compiled in Renaissance music treatises. It is this journey ? the one enigmatic expressions took as they travelled from the Renaissance into the 19th century ? that Luigi Cherubini's complete edition of proposed solutions to Padre Martini's enigmatic canons seeks to illustrate. TABLE OF CONTENTS Acknowledgements Introduction The 72 Enigmatic Canons of Padre Martini's Storia della Musica Luigi Cherubini's Solutions: A Pedagogical Work A Table of Enigmatic Expressions Renaissance Sources for Padre Martini's List of Motti o Enigmi Pietro Aaron, Libri tres de institutione harmonica, Bologna, 1516 Heinrich Glarean, Dodecachordon, Basel, 1547 Hermann Finck, Practica musica, Wittenberg, 1556 Pietro Cerone, El melopeo y maestro, Naples, 1613 Giovanni Battista Rossi, Organo de cantori, Venice, 1618 Camillo Angleria, La regola del contraponto?, Milan, 1622 Giovanni Andrea Angelini Bontempi, Historia Musica, Perugia, 1695 Reception of Martini's and Cherubini's Works in the 19th Century Pierre-Louis Ginguen , Encyclop die m thodique, Paris, 1791 Fran ois-Joseph F tis, Trait du contrepoint et de la fugue, Paris, [1824] Padre Martini's List of Motti o Enigmi (Reproduced in Cherubini's Collection) and the Understanding of the Renaissance Practice of (Puzzle) Canons during the 19th Century Comparative Tables Table 1. Luigi Cherubini's Table des mots latins, que les anciens compositeurs pla aient souvent en t te des canons, avec l'explication du sens nigmatique qu'ils renferment, afin d'obtenir plus ais ment la v ritable solution d'un canon ferm Table 2. Cherubini's Table of Latin Words vs. Martini's Lists of Motti o Enigmi and Vocaboli Italiani, Latini e Greci Table 3. Padre Martini's Sources for his Motti o Enigmi Table 4. Martini's Esemplare vs. Finck's Practica musica Table 5. Finck's Expressions not Cited by Martini Table 6. Cherubini's and Ginguen 's Translations of Martini's List of Motti o Enigmi Table 7. Fran ois Joseph F tis's Table des Devises ou Inscriptions des Canons nigmatiques avec leur Explication Padre Martini's Closed and Enigmatic Canons with Solutions by Luigi Cherubini List of Canons in Cherubini's Collection Letter Sent by the French Musicologist Henry Expert (1863-1952) to the Administrator of the National Library in Paris on 10 June 1924 Plates Critical Notes Bibliography Index of Names‎

Bookseller reference : 63429

‎LUCA CERCHIARI‎

‎MILES DAVIS. DAL BEBOP AL JAZZ-ROCK (1945-1991)‎

‎DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. FONDO DI MAGAZZINO PARI AL NUOVO. GRAFFIETTI/SEGNI DEL TEMPO ALLA COPERTINA, PER IL RESTO PERFETTO. Miles Davis (1926-1991) è uno dei massimi protagonisti del jazz moderno e contemporaneo, e in senso generale di tutto il Novecento sonoro. Non c'è novità stilistica che non l'abbia visto fra i principali protagonisti, se non fra gli ideatori. Davis è stato un maestro della tromba, che suonava con lirismo incomparabile, e un improvvisatore di genio assoluto; un uomo dal talento sconfinato ma anche dal carattere difficile, ambizioso ed esigentissimo; un collezionista di donne bellissime e intense, ma anche una persona profondamente legata alle sue radici afroamericane. È stato un punto di riferimento della vita jazzistica, e più in genere musicale e sociale, dal dopoguerra all'epoca della collaborazione con Gil Evans e John Coltrane, dagli anni del jazz-rock alla sua finale assunzione in una sorta di pantheon mediatico. Questo libro è lo strumento ideale per carpirne i segreti, apprezzando tutte le sfumature del suo talento e della sua straripante umanità. Miles Davis (1926-1991) is one of the greatest stars of modern jazz and contemporary, and in a general sense of the 20th century. There is no stylistic innovations that haven't seen between the main protagonists, if not among the originators. Davis was a master of the trumpet, playing with incomparable lyricism, and an improviser of absolute genius; a man of boundless talent but also difficult, ambitious and extremely demanding character; a collector of beautiful women and intense, but also a person deeply tied to its African roots. It was a landmark of the jazz life, and more generally the musical and social, since the war at the time of collaboration with Gil Evans and John Coltrane, from the years of jazz-rock to its final intake in a kind of pantheon. This book is the perfect tool to learn their secrets, appreciating all the nuances of his talent and his overflowing with humanity. Descrizione bibliografica Titolo: Miles Davis. Dal bebop al jazz-rock (1945-1991) Autore: Luca Cerchiari Editore: Milano: Arnoldo Mondadori, 2001 Lunghezza: 312 pagine; 22 cm ISBN: 8804549416, 9788804549413 Collana: Volume 252 di Oscar storia Soggetti: Biografie, Musica, Storia musicale, Musicologia, Compositori, Musicisti, Band, Jazzisti, Generi musicali, Evoluzione, Grandi maestri, Capolavori, Canzoni, Melodie, Note musicali, Spartiti, Swing, Rock, Aneddoti, Elettronica, Tromba, Trombettisti, Afroamericani, Cultura nera, Neri, Cool, Dischi, Discografia, Solisti, Fusion, Modale, Kind of Blue, Carisma, Elettrico, Tendenze musicali, Versace, Cultura pop, Spettacolo, Concerti, In a Silent Way, Bitches Brew, Teo Macero, Jimi Hendrix, Capolavori, Riferimento, Consultazione, Saggistica, Hollywood Walk of Fame, Musicisti jazz, Etichette, Industria, Produzione, Grammy, Charlie Parker, Dizzy Gillespie, Juliette Gréco, Tossicodipendenza, Droga, Cultura americana, Suoni, Ritmo, Anni Cinquanta, Anni Sessanta, Anni Settanta, Anni Ottanta, Anni Novanta, Dig, Blue Haze, Bags' Groove, Sordina Harmon, 'Round Midnight, Ascensore per il patibolo, Ascenseur pour l'échafaud, Something' Else, John Coltrane, Sax tenore, Red Garland, Paul Chambers, Contrabbasso, Philly Joe Jones, Jimmy Cobb, Giant Steps, Gil Evans, Seven Steps to Heaven, My Funny Valentine, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, Circle, Filles de Kilimanjaro, Betty Mabry, Cicely Tyson, Sly & the Family Stone, The Old Thing, Steve Grossman, Keith Jarrett, Note, Principe delle tenebre, Scrittura, Orchestra, Genealogia, Bibliografia, Album, Battute, Assolo, Libri Vintage Fuori catalogo, Freepop, Biographies, Music, Musical history, Musicology, Composers, Musicians, Bands, Jazzmen, Musical genres, Evolution, Great masters, Masterpieces, Songs, Melodies, Musical notes, Scores, Anecdotes, Electronics, Trumpet, Trumpeters, African Americans, Black culture, Blacks Cool, Records, Discography, Soloists, Charisma, Electric, Music Trends, Entertainment, Concerts, Masterpieces, Reference, Consultation, Nonfiction, Musicians, Labels, Industry, Production, Drug addiction, Drug, American culture, Sounds, Rhythm, Fifties, Sixties, Seventies, Eighties, Nineties, Lift to the gallows, Double bass, Notes, Prince of darkness, Writing, Genealogy, Bibliography, Album, Jokes, Solo, Out of print books Parole e frasi comuni accordi afroamericana armonico artistica ascoltare assolo basso batteria battute bebop bianco Blue blues brani capacità Charlie chitarra elettrica Cinquanta citato colleghi Coltrane Columbia Sony Music continua contrabbasso critica davisiana dimensione disco discografica elementi elettrico espressiva europea Evans facendo fiati figura forma genere George Gil Evans gioco gruppo Hancock improvvisazioni incisioni jazz jazzistica John lascia libera linea melodica momento mondo musicale nero New York newyorkese note Parker passaggio passato periodo personalità pianista piano pianoforte presenza pubblico rapporto registrazione riferimento rispetto ritmica rock ruolo sassofonista scelta serie Shorter solisti sonora spazio stile strada strumentale strumenti struttura studio successivo suono sviluppo tecnica tema tematica tipico tromba trombettista vivo‎

‎LUDWIG Emile‎

‎Beethoven, vie d'un conquérant.‎

‎Paris, Flammarion, 1945. 15 x 21, 300 pp., quelques illustrations en N/B, broché, non rogné, bon état.‎

‎"Traduit de l'allemand par Jean Longeville; édition originale, N° 349 sur 1100 exemplaires numérotés sur beau vélin."‎

Bookseller reference : 95123

‎LUIGI PESTALOZZA‎

‎IL GIOCO E LA GUERRA NOTE AUTOBIOGRAFICHE 1935 - 1943‎

‎1976 111 pp. SEGNI DEL TEMPO FRONTE RETRO ALLA COPERTINA, PER IL RESTO ECCELLENTI CONDIZIONI. PROBABILMENTE MAI SFOGLIATO.‎

‎LUPO T., COPRARIO I., DAMAN W. & GIBBONS Orlandus (RASCH Rudolf, introd.)‎

‎XX Konincklycke Fantasien, om op 3 fioolen de Gamba en ander Speel-tuigh te gebruycken. Gestelt door de konstige Engelse Speel-meesters T.Lupo, I. Coprario, W. Daman. En noch IX fantasien, etc., door Orlando Gibbons, oragnist en zang-meester, van de Konick van Engeland. [Facsimile edition]‎

‎Peer, Alamire 1987 Facsimile-edition of the original 1648-edition by Paulus Matthysz in Amsterdam, 3 volumes (one for each voice): 11,[56] + [56] + [48] pp., 22cm., softcovers, in publisher's cart. slipcase, ISBN 90-6853-025-9, good condition, [volume 1 also contains an introduction in English], M95239‎

Bookseller reference : M95239

‎LUSSY Mathis‎

‎"Traité de l'expression musicale; accents, nuances et mouvements dans la musique vocale et instrumentale. Grammaire de l'exécution musicale."‎

‎Paris, Librairie Fischbacher, 1904. 18 x 28, 184 pp., nombreuses notations musicales, broché, bon état.‎

‎8e édition revue, corrigée et augmentée.‎

Bookseller reference : 97336

‎Luzzi, Cecilia‎

‎Poesia e musica nei madrigali a cinque voci di Filippo di Monte (1580-1595).‎

‎cm. 17 x 24, viii-404 pp. con 1 fig. n.t., es. mus. e tabelle n.t. Historiae Musicae Cultores - Biblioteca Filippo di Monte (1521-1603), il compositore pi? prolifico nella storia del madrigale Cinquecentesco ? a torto poco studiato ? risulta aggiornatissimo sulle tendenze della produzione poetica e musicale italiana, nonostante viva a lungo lontano dall?Italia. L?autrice esamina qui fonti e stile della poesia nei ventidue libri di madrigali pubblicati dopo il 1580 e le relazioni tra stile poetico e stile musicale negli ultimi dieci libri a cinque voci (1580-1595). Filippo di Monte (1521-1603) was the most prolific composer of sixteenth-century Italian madrigals, yet has received little scholarly attention. Although he spent much of his life outside Italy (he was Kapellmeister at the imperial courts of Prague and Vienna), he was always up-to-date on the latest trends in Italian music and poetry. The author examines the poems in the last twenty-two books of madrigals (1580-1603) and analyzes the relation between poetic and musical style in the last ten books for Five Voices (1580-1595). 739 gr. viii-404 p.‎

‎LYR René‎

‎Les musiciens impressionnistes. Série française, N° 20.‎

‎Bruxelles, Editions de l'I. N. R., 1938. 14 x 21, 32 pp., nombreuses illustrations, broché, bon état.‎

Bookseller reference : 101.468

‎Lüning, O‎

‎Franz Liszt. Ein Apostel des Idealen.‎

‎Zürich, Orell, Füssli und Comp., 1896. Gross-8°. 25 S. Mit 1 gest. Portrait von Robert Leemann. Orig.-Broschur + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 27251A = "Neujahrsblatt der Allgemeinen Musikgesellschaft Zürich", Nr. 84.‎

‎Durchgehend leicht gebräunt.‎

Bookseller reference : 27251AB

‎M. NAZMI ÖZALP.‎

‎Türk mûsikîsi beste formlari.‎

‎Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 505 p., musical scores. Forms of composition in Turkish classical music. Türk mûsikîsi beste formlari.‎

‎MAAS C.J.‎

‎Geschiedenis van het meerstemmig Magnificat tot omstreeks 1525‎

‎208pp. + 2pp. stellingen, met muziekvoorbeelden in tekst, 24cm., gebroch., Doctoraal proefschrift (Universiteit van Amsterdam), stempeltje, tekst helder, goed, M109022‎

‎MACHOVER Tod‎

‎"Quoi ? Quand ? Comment ?; la recherche musicale. Collection : Musique/Passé/Présent."‎

‎Paris, Christian Bourgois Editeur, 1985. 14 x 22, 296 pp., broché, bon état.‎

‎"Textes réunis et présentés par Tod Machover; traduction de Denis Collins, Emmanuel Gresset, Patrick Greussay, Martin Kaltenecker, Monique Lebailly et Tod Machover."‎

Bookseller reference : 70165

‎MACHABEY Armand‎

‎La musicologie. Collection : Que sais-je ?, N° 978.‎

‎Paris, Presses Universitaires de France (PUF), 1962. 12 x 18, 128 pp., broché, très bon état.‎

Bookseller reference : 97441