‎Musicology‎

‎J.BURGMEIN, A.MONTALTI, F.FONTANA‎

‎ALMANACCO DELLA GAZZETTA MUSICALE DI MILANO 1885, 12 FRAMMENTI CARATTERISTICI PER PIANOFORTE DI J. BURGMEIN‎

‎20,8x14,6 cm; IV pp. e 12 tavole doppie, a colori che rappresentano a colori i mesi dell'anno illustrati da bellissimi disegni di Montalti e pezzi musciali di Ricordi. Brossura editoriale con piccolo rinforzo al dorso e piatti illustrati e colorati. Non comune ed in buono stato di conservazione.‎

‎JACOB H. E.‎

‎Joseph Haydn, son art, son époque, sa gloire.‎

‎Paris, Editions Corrêa, 1950. 14 x 19, 289 pp., reliure rexine rouge, très bon état.‎

‎"Préface de Thomas Mann; traduit par M. Buchet."‎

Bookseller reference : 102.947

‎JACOB, H. E.‎

‎Haydn. Son art, son epoque, sa gloire. Preface de Thomas MANN.‎

‎Paris, Correa, 1950. in-12, 286 pages, broche, couverture illustree‎

‎Bon etat. [CA29-3-couv salie]‎

Bookseller reference : 23901

‎JACOBS Rémi‎

‎La symphonie. Que sais-je ?, N° 1633.‎

‎Paris, Presses Universitaires de France, PUF,1976. 11 x 18, 126 pp., broché, bon état (1 cachet de librairie).‎

Bookseller reference : 65900

‎Jacques Chailley‎

‎Histoire musicale du Moyen-Age‎

‎Paris, PUF, 1950, in-8, Broché, 355 pages. Index. Bon état.‎

Bookseller reference : 6651

‎Jadassohn, Salomon:‎

‎Melodik und Harmonik bei Richard Wagner.‎

‎Berlin, Harmonie, 1899. 8°. 28 S. Orig.-Broschur.‎

‎Mit Gebrauchsspuren mit Klebstreifen. Papier gebräunt und stockfleckig.‎

Bookseller reference : 7642CB

‎JAHIER Enrico.‎

‎Il "Repertoire International des Sources Musicales" (RISM).‎

‎Roma, Fratelli Palombi Editori, 1961, in-8, br. editoriale, pp. 8, [1]. Estratto.‎

‎JAKOB Friedrich‎

‎La percussion. Collection : Instruments de musique.‎

‎Lausanne, Payot, 1977. 19 x 21, 108 pp., 86 illustrations en couleurs et en N/B, reliure d'édition carton imprimé, très bon état.‎

Bookseller reference : 97331

‎James Grier‎

‎Office of the Holy Trinity at Saint Martial de Limoges during the Eleventh Century‎

‎, Brepols, 2020 Paperback, lxxiv + 131 pages, Size:210 x 297 mm, Illustrations:16 tables b/w., 68 musical examples, Languages: English, Latin. ISBN 9782503574561.‎

‎Summary The Holy Trinity forms a cornerstone of Christian belief, and references to it abound in the liturgy. Every Psalm ends with the invocation of the Father, the Son and the Holy Ghost in the Doxology supplied as the final verse. But around the turn of the tenth century, clerics decided to devote the first Sunday after Pentecost to the veneration of the Trinity. They created a new liturgy for the day, and evidence suggests that Stephen, Bishop of Li ge (? 920) revised an earlier form of the Office into the version that saw wide dissemination in the Latin West from the end of the tenth century. The abbey of Saint Martial in Limoges exhibited considerable enthusiasm for the feast and its Office beginning in the early eleventh century. Its scriptorium prepared no fewer than five copies of the Office, including four fully neumed versions between ca. 1010 and 1050, including the earliest extant transcribable copy with music in the hand of Ad mar de Chabannes, musician, scribe, homilist and historian. This edition presents a critical text of the Office as it was practised at Saint Martial during the first half of the eleventh century, beginning with Ad mar's version, but also considering the other witnesses from the abbey. It includes full critical and explanatory commentary with an Introduction that discusses the role of Stephen of Li ge in the authorship of the Office, the witnesses from Saint Martial and their relationship to other early witnesses of the Office, and its musical and literary style. TABLE OF CONTENTS Introduction with discussion of the contribution of Bishop Stephen of Li ge to the authorship of the Office, the witnesses, liturgical considerations, editorial principles and the musical styles of the melodies as transmitted at Saint Martial. The edition itself, with comprehensive commentary. Appendix with liturgical lections from Matins. Indices.‎

Bookseller reference : 65573

‎JANETZKY Kurt, BRÜCHLE Bernhard‎

‎"Le cor; aperçu de son histoire et de son usage. Collection : ""Instruments de musique""."‎

‎Lausanne, Editions Payot, 1977. 19 x 21, 112 pp., nombreuses illustrations en N/B et en couleurs, quelques notations musicales, reliure d'édition carton illustré, très bon état.‎

Bookseller reference : 98456

‎JANKELEVITCH Vladimir‎

‎Ravel. Collection : Microcosme, Solfèges, N° 3.‎

‎Paris, Editions du Seuil, 1956. 12 x 18, 191 pp., nombreuses illustrations et notations musicales, broché, très bon état (couverture légèrement défraîchie).‎

Bookseller reference : 95407

‎JANSSENS Remy‎

‎Begrippen van Gregoriaanschen Zang‎

‎116pp., 18cm., originele omslag, wat roestplekjes, verder in goede staat, M97755‎

‎Jaques Dalcroze Emile; Di Segni-Jaffé L. (cur.)‎

‎Il ritmo, la musica e l'educazione‎

‎br. Compositore, direttore d'orchestra e didatta ammirato da alcune delle personalità più importanti dell'ambiente artistico e intellettuale della prima metà del Novecento - Appia, Stanislavskij, Max Reinhardt, Diaghilev, Nijinsky ira gli altri - Emile Jaques-Dalcroze (Vienna 1865 - Ginevra 195O) ha lasciato una traccia indelebile nella pedagogia moderna. Contro l'arido grammaticalismo e nozionismo della didattica ottocentesca, ha per primo rivendicato la centralità del corpo come fucina, laboratorio in cui la musica prende forma e senso, a cominciare dal ritmo. Nella ritmica, o euritmica (questo il nome che Dalcroze diede al suo sistema), il corpo è coinvolto per intero, nel ventaglio delle sue funzioni: respirazione, controllo della tensione muscolare, equilibrio, pratica di movimenti diversi compiuti con le diverse membra; acquisizioni che si rivelano preziose anche per l'insegnamento degli strumenti. L'interesse per queste idee non si limitò al mondo musicale, e Jaques-Dalcroze, oltre ad aver esercitato un influsso determinante sul teatro, è considerato uno dei principali innovatori della danza del XX secolo. Questo libro, pubblicato per la prima volta a Parigi nel 1919, raccoglie alcuni degli scritti fondamentali di Jaques-Dalcroze, e rappresenta la migliore via d'accesso a un pensiero e a un metodo che mantengono intatta la loro attualità.‎

‎Jared C. Hartt, Tamsyn Mahoney-Steel, Benjamin Albritton (eds)‎

‎Manuscripts, Music, Machaut: Essays in Honor of Lawrence Earp‎

‎, Brepols, 2022 Paperback, 628 pages, Size:178 x 254 mm, Illustrations:7 b/w, 73 col., 38 tables b/w., 76 music examples, Language: English. ISBN 9782503602998.‎

‎Summary This multidisciplinary volume celebrates the scholarship and career of Lawrence Earp, whose work has profoundly shaped the fields of Machaut studies, musicology, codicology, and fourteenth-century studies in general. For over four decades, Earp's meticulous scholarship and generosity in collaboration have been a constant inspiration for medieval scholars, students, and colleagues alike. The twenty-six innovative essays herein gratefully acknowledge his influence and showcase a variety of fresh approaches. Recognizing both the breadth and depth of Earp's work, the sections of this book are devoted to bibliography, historiography, literature, art history, and several musicological topics. Many of the chapters focus on the oeuvre of Guillaume de Machaut, but readers will also find explorations on Hildegard of Bingen, Philippe de Vitry, child performers in medieval theater, notation, genre, motets from the late thirteenth to the early fifteenth centuries, and polyphony in Italy and England. Made possible by Earp's foundational and guiding work, this amply illustrated volume invites future interdisciplinary research. TABLE OF CONTENTS Introduction Jared C. Hartt, Tamsyn Mahoney-Steel, Benjamin L. Albritton Guiding Research 1. A Guide to Research: 'je vous tiens pour ma guide', Helen J. Swift 2. Guillaume de Machaut: The Greatest Fourteenth-Century Poet and Composer of the Twenty-First Century, Tamsyn Mahoney-Steel 3. The Impact of Hildegard of Bingen's Bibliographers and Catalogers, Jennifer Bain 4. Child Performers on the Medieval French Stage: A Review of the Published Evidence, Julie Singer (Re)examining and (Re)assessing the Fourteenth Century 5. Guillaume de Machaut and Yolande of Flanders, Andrew Wathey 6. Ex historia Guillelmi di Mascandio: Machaut in the Annales Hannoniae of Jacques de Guise, Benjamin L. Albritton 7. The Fourteenth-Century Polyphonic Mass Ordinary: A Nascent Meta-Genre, Kevin N. Moll 8. Classical Vitry/Romantic Machaut, Anna Zayaruznaya Reading Machaut 9. Machaut's Dit dou Vergier and Prologue: Some Thoughts, R. Barton Palmer 10. Machaut as Poet Figure in the Prise d'Alexandre, Kevin Brownlee 11. The Poetics of destour and ordenance in Machaut's Lyrico-Narrative dits, Anne-H l ne Miller 12. Silencing the Sirens and Rethinking Masculinity in Machaut's Voir dit, Deborah McGrady Image and Illumination 13. Fine Feathered Friends, or, Machaut and the Magicians, Kathleen Wilson Ruffo 14. Notes on Reconstructing the Pictorial Program in a Mutilated Machaut Manuscript, Domenic Leo 15. Seeing Sens: A Picture of Two Guillaumes and Two Brothers?Elizabeth Eva Leach Machaut Musicology 16. Singing from the Source: Performance Markings in Machaut Manuscript G, Uri Smilansky 17. Machaut on the Loose in Italy: Two Case Studies, Yolanda Plumley and Anne Stone 18. Making Song Speak: Machaut's ars nova Word Setting, David Maw 19. To See or Not to See: Machaut's Motet 11, Dame, je sui/ Fins cuers dous/ Fins cuers dous, Jacques Boogaart Motets and Chant 20. Polyphony from and for Refrains in Dance-Song Motets, Catherine A. Bradley 21. Another Look at Vos/Gratissima, Richard Dudas 22. Dolor meus: Competing Visions of Suffering in a Pair of Motets, Alice V. Clark 23. Two 'Textless' Elaborations of Chant from the Ivrea Codex, Michael Scott Asato Cuthbert Music in Medieval England 24. Tempus, Tempo, and Insular Semibreves, Karen Desmond 25. Washington, Library of Congress, M2.1 .C6 1400 Case: A Neglected English Fragment, Margaret Bent 26. A Missing Middle-Voice Melody: Reconstructing the Tenor of A solis ortus/Salvator mundi Domine, Jared C. Hartt Bibliography General Index Index of Manuscripts‎

Bookseller reference : 64567

‎JAROCINSKI Stefan (& JANKELEVITCH Vladimir, preface)‎

‎Debussy impressionnisme et symbolisme‎

‎200pp., 21cm., brochure originale, bon état, peu commun, M95115‎

‎Jazz‎

‎Jazz classique/Jazz moderne (2 volumes).‎

‎Casterman, 1971. 21 x 24, 261 + 256 Pages, feuillets sous chemise carton illustrée, très bon état.‎

Bookseller reference : 95126

‎Jean Starobinski‎

‎Le incantatrici‎

‎Brossura commerciale, traduzione di Carlo Gazzelli, volume non numerato di collana; copertina in cartoncino ingiallita e con parziale scollatura del patinato ai bordi, ingiallimento e macchie da umido ai tagli, alone da liquido nelle pagine dalla n. 225 alla n. 232 con conseguente ondulatura, le restanti pagine sono in buono stato con disegni di Karl-Ernst Hermann su tavole fuori testo. N. pag. XXVI (26) + 315. Totale n. 341. USATO‎

‎JEAN-AUBRY, G.‎

‎La musique française d'aujourd'hui. Préface de M. Gabriel Fauré.‎

‎Paris, Librairie Académique Perrin et Cie. 1916, 190x120mm, XIII - 306pages, broché. Bon état.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 106289

‎JEGO Bernard, et alii‎

‎Musée de Montmartre : Images musicales : Jolivet, Milhaud, Honegger, Casadesus, Satie (exposirion du 1er mars 1995 au 31 mai 1995).‎

‎Paris, Société d'Histoire et d'Archéologie Le Vieux Montmartre, 1995. 21 x 30, 47 pp., quelques illustrations dont certaines en couleurs, broché, très bon état.‎

Bookseller reference : 77604

‎JELIC Vinko (& VIDAKOVIC Albe, ed.)‎

‎Vinko Jelic (1596-1636?) i njegova zbirka duhovnih koncerata i ricercara "Parnassia Militia" (1622)‎

‎xciii + 148pp.+ 9 plates out of text, 32cm., publisher's hardcover, copy from the collection of the Belgian musicologist prof.dr. René Lenaerts (with his ex-libris tipped in), in the series "Jugoslavenska Akademija Znastoti i Umjetnosti. Spomenici Hrvatske Muzicke Prosloti" Knjiga 1, very good condition, [Contains the life and work of the Croatian composer Vinko Jelic, as well as in unabridged form his collection 'Parnassia militia' prepared for practical execution. Text in Croatian, with sumary in German, English and French], M94149‎

‎Jens Henrik Koudal‎

‎For Town and Country: The Civic Music System in Denmark, 1660-1800‎

‎, Brepols, 2019 Paperback, 340 pages, Size:190 x 290 mm, Illustrations:23 b/w, 7 col., 13 tables b/w., 6 maps b/w, 26 music examples, Language: English. ISBN 9782503585727.‎

‎Summary The employment of civic musicians was a practice in most European countries in early modern Europe, all the way from London and Venice to small Danish towns. This study's objective is to lay out which kinds of civic musicians (stadsmusikanter) Denmark had, and to examine what that came to signify for musicians and music, as there has not been a study in depth of civic musicians' employment in Denmark until now. It has been a particular objective of this study to illuminate the Danish situation in relation to some other European countries. Compared to Germany, the civic music system in the kingdom of Denmark developed some clear characteristics in the period 1660-1800 because it had to fulfil the requirements of both the absolute monarchy and the municipal authorities. It is particularly interesting that the system was regulated by royal licenses which applied across both towns and the countryside. The book's first main section goes through the background to the absolute monarchy's civic music system, including the conditions of employment. The second main section shows what the social consequences of the Danish system were for both licensed and unlicensed musicians. The third section is about the instruments and the music. We find examples of the entire repertoire of the Danish civic musicians, from ambitious artistic ensemble music to virtuoso solo sonatas with continuo and single part music for everyday use. The civic musicians exercised a marked influence on the unlicensed players in villages. One can speak of a cultural battle between the professional civic musicians' music and the traditions of the country fiddlers. Civic musicians in Denmark had international contacts with colleagues and played a prolific role as promoters of music.‎

Bookseller reference : 65984

‎JERICHO Georg Conrad‎

‎Die Motive in den hessischen Volksliedern‎

‎79pp., 22cm., Doctoral Dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der königlichen Universität Greifswald), ex-library copy (stamp, two labels at spine), text clean and bright, M109346‎

‎Jeunesses Musicales du Congo Belge‎

‎"Jeunesses Musicales du Congo Belge, section de Léopoldville (4 fascicules); 1 : Premier concert, 6 mai 1953; 2 : Deuxième concert, 3 juin 1953; 3 : Troisième concert, 15 juin 1953; 4 : Quatrième concert, 21 août 1953."‎

‎Léopoldville, Imprimerie du Pourquoi Pas ?, 1953. 13 x 21, 4 fascicules, 130 pp., broché, bon état (couvertures légèrement défraîchies).‎

Bookseller reference : 65651

‎Joelle Caullier‎

‎C'est ainsi que l'on crée - A propos de La Main Heureuse d'Arnold Schoenberg‎

‎Villeneuve d'Ascq Septentrion 2003 In4 carré ( 21 x 21 cm ) - 314 pages + un cahier central d'illustrations couleur + 1 Compact Disc -‎

‎Bon‎

Bookseller reference : 257Ff

‎Johnstone, Mary A.‎

‎The Dance in Etruria. A comparative study.‎

‎cm. 12,5 x 17,5, xii-164 pp. con 12 tavv. e 14 figg. Pocket Library of Studies in Art Inglese 180 gr. xii-164 p.‎