EDWARDS EIGHTEENTH CENTURY COPPERPLATE ENGRAVINGS Edwards George illus.
The Peacock Pheasant from China.
London.: George Edwards. 1743- 1751. Hand colored copperplate engraving plate size approximately 10 1/4 x 7 1/2 inches on sheet 11 1/2 x 9 inches. A few light foxed spots and toning to edges. Signed in the plate. With text sheet. Plate # 67 from George Edwards "A Natural History of Birds Most of which have not been figured or described and others very little known." published in London between 1743 and 1751. This plate dated 1745 in the plate features a beautifully colored pheasant. Edwards a friend of Sir Hans Sloane and Mark Catesby is a pivotal figure in ornithological history. . George Edwards. unknown
Bookseller reference : 52623
|
|
EDWARDS EIGHTEENTH CENTURY COPPERPLATE ENGRAVINGS Edwards George illus.
The Pelican of America.
London.: George Edwards. 1743- 1751. Hand colored copperplate engraving plate size approximately 9 1/4 x 7 1/2 inches on sheet 11 1/2 x 9 inches. A few foxed spots to lower margin and toning to edges. Signed in the plate. With text sheet. Plate # 93 from George Edwards "A Natural History of Birds Most of which have not been figured or described and others very little known." published in London between 1743 and 1751. This plate dated 1746 in the plate features a gorgeous pelican on a rock surrounded by corals. Edwards a friend of Sir Hans Sloane and Mark Catesby is a pivotal figure in ornithological history. . George Edwards. unknown
Bookseller reference : 52630
|
|
EDWARDS EIGHTEENTH CENTURY COPPERPLATE ENGRAVINGS Edwards George illus.
The Red-Breasted Goosander.
London.: George Edwards. 1743- 1751. Hand colored copperplate engraving plate size approximately 9 1/4 x 7 1/2 inches on sheet 11 1/2 x 9 inches. A few light foxed spots. Signed in the plate. With text sheet. Plate # 95 from George Edwards "A Natural History of Birds Most of which have not been figured or described and others very little known." published in London between 1743 and 1751. This plate dated December 1745 in the plate features an attractive bird of middle size "between a Duck and a Goose". Edwards a friend of Sir Hans Sloane and Mark Catesby is a pivotal figure in ornithological history. . George Edwards. unknown
Bookseller reference : 52627
|
|
EDWARDS EIGHTEENTH CENTURY COPPERPLATE ENGRAVINGS Edwards George illus.
The Toucan or Brasilian Pye.
London.: George Edwards. 1743- 1751. Hand colored copperplate engraving plate size approximately 9 1/2 x 7 1/2 inches on sheet 11 1/2 x 9 inches. A few light foxed spots and toning to edges. Signed in the plate. With text sheet. Plate # 64 from George Edwards "A Natural History of Birds Most of which have not been figured or described and others very little known." published in London between 1743 and 1751. This plate dated 1745 in the plate features a gorgeous toucan or "The Bill Bird". Edwards a friend of Sir Hans Sloane and Mark Catesby is a pivotal figure in ornithological history. . George Edwards. unknown
Bookseller reference : 52624
|
|
Ehrenbreitstein (Festung) - BODENEHR, Gabriel
Ehrenbreitstein oder Hermanstein ein berühmtes Schloss und Festung auf einem hohen Felsen diesseits am Rhein, Coblenz gegenüber, dem Churfürsten von Trier gehörig, der unten am Felsen beym Rhein ein prächtiges Residentz Schloss hat. Kupferstichplan aus der Vogelschau.
(Augsburg). (Um 1720). Format ca. 13 x 15 cm
Bookseller reference : 138908
|
|
Eisler, Benita (ed.)
Lowell Offering, The: Writings By New England Mill Women 1840 - 1945
Book is in excellent condition with front upper corner slightly bumped as the only flaw. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Previous owner's name or sticker in front section of the book. Dust jacket is as new, now wrapped in clear protective cover. 223 pages.
|
|
ELIOT George. Introduced by Kathryn HUGHES. Engravings by George TUTE.
Felix Holt. The Radical.
The Folio Society. London. First edition. 1999. A very clean copy in slipcase. The Folio Society. London 1999 unknown
Bookseller reference : 82689
|
|
ELIOT George. Introduced by Bel MOONEY. Engravings by Ian STEPHENS.
The Mill on the Floss.
The Folio Society. London. First edition. 1999. Small neat ownership inscription otherwise a very clean copy in slipcase. The Folio Society. London 1999 unknown
Bookseller reference : 82687
|
|
Eliot George; introduction by Bel Mooney; wood engravings by Alyson MacNeill
The Mill on the Floss
London: Folio Society 1986. Hardcover. Fine condition in a fine slipcase. <br/><br/> Folio Society hardcover
Bookseller reference : 9013392
|
|
Eliot George; introduction by Bel Mooney; wood engravings by Alyson MacNeill
The Mill on the Floss
London: Folio Society 1986. Hardcover. Fine condition in a fine slipcase. <br/><br/> Folio Society hardcover books
Bookseller reference : 9013392
|
|
Elizabeth Clarke and engravings Richard Shirley Smith:
THE DARKENING GREEN
The Country Book Club London 1965 Vg no dj a very good clean copy with gilt titles on clean red cloth boards pencil signature front free endpaper contents unmarked and very tight light speckling to outside page edges 12mo 237pp. Decorated title page and chapter headings with wood engravings by Richard Shirley Smith. Farm and country life. The Country Book Club London 1965 hardcover
Bookseller reference : 38240
|
|
Elliott TJ.; Engravings by Gillian Tyler T. J.
A Medieval Bestiary
Boston: Godine 1971. Limited edition. Hardcover. Near Fine/Near fine. Limited edition this no. 368 of 900 copies 1971 hardcover with red and white cloth boards in dust jacket and original slipcase quarto unpaginated illustrated in b&w. Book near fine with hint of rubbing to boards binding tight text clean and unmarked. DJ near fine with toning to spine and edges. Slipcase VG with rubbing and mild shelfwear. Godine hardcover
Bookseller reference : B38137
|
|
Elliott T. J. Trans./Intro.; Tyler Gillian Wood Engravings
A MEDIEVAL BESTIARY
Boston: Godine 1971. First/Limited Edition. Approx. 8.5" x 11.75" VG hardcover in black quarter-leather with gilt lettering in VG dark denim blue slipcase with marbled olive/blue paper-covered sides. This copy is one in a Limited Edition of 100 quarter-leather bound by hand; the artist has SIGNED on the colophon and hand-numbered this copy #XVII. Rubbing to corners and spine ends of slipcase and boards with mild color loss to marbled sides of case. Interior clean and tight throughout. Shelve with Folio Society. Shelved Dupont Bookstore. <br/><br/> Godine hardcover
Bookseller reference : 9-57-1187927
|
|
Elliott T. J. Trans./Intro.; Tyler Gillian Wood Engravings
A MEDIEVAL BESTIARY
Boston: Godine 1971. First/Limited Edition. Approx. 8.5" x 11.75" VG hardcover in black quarter-leather with gilt lettering in VG dark denim blue slipcase with marbled olive/blue paper-covered sides. This copy is one in a Limited Edition of 100 quarter-leather bound by hand; the artist has SIGNED on the colophon and hand-numbered this copy #XVII. Rubbing to corners and spine ends of slipcase and boards with mild color loss to marbled sides of case. Interior clean and tight throughout. Shelve with Folio Society. 1187927. Shelved Dupont Bookstore. Godine unknown books
Bookseller reference : 1187927
|
|
EMBLEMATIC ENGRAVINGS - DREXEL, H.
Opera Omnia. In duos Tomos nunc distributa...Illustrata, Indicibus, Moralibus...Congestis et Compositis...sed...Studio ac labore R.P. Petri de Vos...2 Parts. Moguntiæ (Mainz), Godofr. Schonwetter apud Nicolaum Heistilium, 1651.
4to. Cont. marbled boards, somewhat worn. Engraved title with text on verso. 2 engraved allegorical titles with portrait of Drexel with the years 1638 and 1645. Having 50 (of 54) allegorical and symbolical engravings, numbered 1-54 (nos. 17,29,32 a. 41 lacks). Interfoliert. Some traces of use. A few tears repaired. At the title: FL = Johan F. Lindencrone.
Bookseller reference : 19361
|
|
EMBLEMATIC ENGRAVINGS DREXEL H.
Opera Omnia. In duos Tomos nunc distributa.Illustrata Indicibus Moralibus.Congestis et Compositis.sed.Studio ac labore R.P. Petri de Vos.2 Parts. Mogunti� Mainz Godofr. Schonwetter apud Nicolaum Heistilium 1651.
4to. Cont. marbled boards somewhat worn. Engraved title with text on verso. 2 engraved allegorical titles with portrait of Drexel with the years 1638 and 1645. Having 50 of 54 allegorical and symbolical engravings numbered 1-54 nos. 172932 a. 41 lacks. Interfoliert. Some traces of use. A few tears repaired. At the title: FL = Johan F. Lindencrone. hardcover
Bookseller reference : 19361
|
|
Engraved by J[OHN] DADLEY, (1767-1807).
[HANDCOLOURED COLOR ENGRAVING] A female bedouin of the desert, with her child. Plate XXVII.= Une femme bedouin du desert, avec son enfant. Planche vingt-septieme. Drawn by Octavien Dlvimart.
Very Good English Original hand-coloured engraved plate. Slightly chipped on paper. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "This may be considered as the companion of the last plat. The dress, though not elegant, is not uninteresting. The Arabian women of the desert wear a number singular ornaments; large metal rings in the ears, others of the same kind upon the ancles and arms, pieces of coral hung about hem, and also necklaces of all sorts. They sometimes even hang small bells to their hair, and the young girls fix them to their feet. And it is not an uncommon custom among the Bedouins, as with the more civilized Arabians, to puncture different parts of the body and insert a blue dye.". etc.
|
|
Engraved by J[OHN] DADLEY, (1767-1807).
[HANDCOLOURED COLOR ENGRAVING] A Turkish woman, in a provincial dress. Plate 4.= Une femme Turque, en habit de province. Planche quatrieme. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "No dress can possibly be better calculated to conceal the person, than that worn by the Turkish females, both in Constantinople and the country, whenever appear abroad. No woman is ever seen without her maharmah, which is generally formed of muslin; one part of which fastens under the chin, and encloses the head, the other crosses the mouth and nose, and admits only space enough to see from. They also constantly wear a feredje, which entirely envelops their whole person". = "Il n'est pas d'habillemet mieux invente pour se cacher, que celui que portent les femmes Turques, lorsqu'elles proîssen dans les rues de Constantinople, ou dans le campagne. On ne vot jamais de femme sans son maharmah, qui est ordinairement fait de mousseline. Une partie s'aatche sous le menton, et enveloppe le tête; l'autre traverse la bouche et le nez, et laisse a peine assez d'espace pour y voir. Elles portent aussi un feredje, dont elles s'enveloppent entierement".
|
|
Engraved by J[OHN] DADLEY, (1767-1807).
[HANDCOLOURED COLOR ENGRAVING] An inhabitant of the coast of Syria. Plate XXIII.= Un habitant de la côte de Syrie. Plance vingt-troisieme. [Ottoman janissarie of Syria]. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "This plate, which represents the dress of an inhabitant of the coast of Syria, is also very similar to that worn by the Asiatic Janissaries. It is highly picturesque, and very different from the janissaries of Constantinople. In many eastern countries the climate is very variable, and the inhabitants therefore are obliged to clothe themselves warmer than Europeans perhaps might think it necessary, and to put on several kinds of dress, one over the other, that they may either lay them aside or resume them at their pleasure, as the temperature of the atmosphere varies. The blue cloak thrown over the left shoulder is for that purpose". = "Cette planche represente le costume d'un habitant de la côte de Syrie. Il ressemble beaucoup a celui des Jannisaires Asiatiques. Il est tres pittoresque, et differe beaucoup du costumes des Jannisaires de Constantinople. Dans la pluspart des pays de l'orient le climat est res variable, et les habitans sont obliges par consequent de s'habiller plus chaudement que des Europeens ne le croiroient necessaire. Ils mettent divers habillemens l'un sur l'autre; il les otent, ou les remettent a volonte, selon les variations de l'atmsphere. Le manteau bleu sur l'epaule gauche est pour cet usage"."
|
|
Engraved by J[OHN] DADLEY, (1767-1807).
[HANDCOLOURED COLOR ENGRAVING] An inhabitant of the Isle of Simia. Plate XLI.= Une femme de 'lIsle de Simie. Plache quarante-unieme. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Slightly chipped on paper. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "Simia is one of the numerous islands scattered all over the Archipelago. It is at a very small distance from the Asiatic coast, and a little to the north of the island of Rhodes. Most of these islands were formerly the cause of frequent wars, and were sometimes subject to one power, sometimes to another, and many of them were often also independent of all. They have now, however, for a great length of time, been subject to the Turkish government, which derives an annual tribute from each of them. It has been remarked before, that the dress of the women in many of these islands was extremely picturesque and becoming. The present, perhaps, is only partially so, on account of the concealment of the lower part of the face; as well as on account of the form of the body, which is too undeterminate, and therefore appears ill-formed". = "Simie est une de ces isles qui sont repandues en grand nombre dans l'Archipel. Elle est fort pres de la côte d'Asie, et en peu au nord de l'isle de Rhodes. Ces isles ont ete jadis la cause de guerres frequente, et ont apartenues, tantôt a un pouvoir, tantôt a un autre; quelques une ont souvent aussi ete independentes. Il y a deja longtems cependant qu'elles sont sous la domination de l'empire Ottoman, qui tire un tribut chaqu'une d'elles...".
|
|
Engraved by JOHN DADLEY, (1767-1807).
[HANDCOLOURED COLOR ENGRAVING] A Bedouin Arab. Plate XXVI.= Un Arab de Bedouin. Planche vingt-sixieme. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "This singular body of Arabs never inhabit any town, but constantly live under tents...". etc.
|
|
Engraved by WILLIAM POOLE, (1803-1807).
[HANDCOLOURED COLOR ENGRAVING] A Turk in his chall, or shawl. Plate IX.= Un Turc dans son chale. Planche neuvieme. [An Ottoman Turk in his shal]. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "This is the dress of a Turk, whenever he ventures abroad on foot: but this, among the higher ranks, is never done in the streets of Constantinople. The clokes are generally ornamented with rich and valuable furs, and the châlls [sic. shals] or shawls, are also very richly worked. The male dress of the Turks is regulated by sumptuary laws, and is distinctive of the different classes, but the females are permitted to wear any sort of ornament they choose. The TUrks of any considerable rank in life consider it as a degradation to be seen walking; and they constantly go about the city on horseback, accompanied by a numerous train of servants on foot. Some very pompous and rich individuals have been known to have above an hundred in their train. These are always as richly dressed, and as numerous as possible at any of their feasts, particularly that of the Beyram (sic. Bayram)". = "Tel est l'habillement d'un Turc toutes les fois qu'il lui rrive de sortir a pied. Mais c'est ce que les gens de distinction ne font jamais dans les rues de Constantinople. Les mantaux sont generalement ornes de fourrures de tres grand prix, et les châles aussi sont tres richement brodees..." etc.
|
|
Engraved by WILLIAM POOLE, (1803-1807).
[HANDCOLOURED COLOR ENGRAVING] An Egyptian Arab. Plate XXII.= Une Arabe Egyptienne. Planche vingt-deuxiemme. [Egyptian women]. Drawn by Octavien Dalvimart.
Very Good English Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works by Baron de Tott, J. Dallaway, G.A. Olivier, M. Montague, J. Pitton de Tournefort, ?ouradgea d'Ohsson and others. Dalvimart's drawings have been used in similar albums and illustrated other travel accounts. Human types are precisely drawn and handsomely depicted in very real colors. "The varieties of female dress in most of the eastern nations can never be distinguished when they are in the streets, both form their veils and the long cloaks in which they are concealed. At Cairo they conceal the head and part of the body by a large black veil; and those who can afford rich habits, are always covered with a large wrapper. The veil, which is always the first concern with the women, for it is the very last part of their dress they would part with, is formed of a long triangular piece of linen cloth fitted to the head, and falling down before, so as to cover all the face except the eyes. At Cairo this is always black, and very large. All the oriental women wear drawers, and the poorer sort in Egypt wear little ese but these drawers, and a long blue shirt.". etc.
|
|
ENGRAVINGS SCHILLER Friedrich
Acht Umrisse zu Schiller's Fridolin / Eight Outlines to Schiller's Fridolin and Acht Umrisse zu Schiller's Fridolin oder der Gang dem Eisenhammer von Moris Resch. and a booklet with engraved scenes from the play
London and Stuttgart Und Tubingen: J. H. Bohte and in der J.G. Cotta'schen Buchhandlung 1824 and 1823. Three volumes within publisher's folder with paper title label. 10; 4 11pp 1; 8 full-page engravings. Two text volumes sewn with small cloth strip glued to spine the plates stitched as issued. Occasional spotting. The beautifully illustrated first illustrated edition of Schiller's 'Fridolin or the Road to the Iron Forge' - a ballad which the German poet Schiller 1759-1805 composed for a poetry competition against Goethe in 1797 with the text volume of the parallel German-English edition published in London by Bohte ‘foreign bookseller to his majesty’. The engravings by Moritz Retzsch 1779-1857 German painter and draughtsman were much praised: accompanied by the illustrations the ballad 'assumes a new and more exalted character' provided by Retzsch's ability to give them 'an airy dimness that softens what is beautiful and deepens all that is terrific' Monthly Review 1825 p.522. OCLC locates a single copy in the British Isles BL and three in North America. . Oblong quarto. J. H. Bohte [and] in der J.G. Cotta'schen Buchhandlung, 1824 [and] 1823. hardcover
Bookseller reference : AQ20609
|
|
Engravings
Caldecott Castle Monmouthshire And Noah's Sacrifice Original Antique Engravings
London: Rowney 1843. First Edition . No Binding. Near Fine. . Two Engravings Proofs On A Single Sheet From Rowney' Ladies' Annual For 1843. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. <br/> <br/> Rowney unknown
Bookseller reference : 038333
|
|
engravings
Chart showing the 1853 - 1854 track of the flagship U.S. Steam Frigate Mississippi of Commodore Perry's Expedition to Japan and the ports of call on the journey. Original < lithograph taken from Perry Expedtion to Japan Tucker printing 1856. Lithogr. by Ackerman. Size Image: 16 3/8" x 10 1/4
unknown
Bookseller reference : 58562
|
|
engravings
Children fighting for a shell: the teacher intervenes! Set of 4 nice French golden chromo about 1910
unknown
Bookseller reference : 63250
|
|
engravings
Crossing the Oho-E-Ga-Wa Province Suraga Original color lithograph taken from Perry Expedtion to Japan Tucker printing 1856. Lithogr. by Sinclair. Page Size: 29x43cm printing size cm 376 x H- 192. Reproduction of a Japanese color wood block print of a river crossing
unknown
Bookseller reference : 58553
|
|
Engravings By J. Matheus And I. Briot
Eight Engravings From "Les M�tamorphoses D'ovide Traduites En Prose Fran�oise
Paris: Augustin Courbe 1651. 1st Edition . No Binding. Very Good. Eight Engravings From The Text Trimmed To Margins And Mounted On Two Large Sheets. Small Loss At Lower Left Corner Of "Philemon Baucis" Plate. <br/> <br/> Augustin Courbe unknown
Bookseller reference : 038533
|
|
Engravings and Woodcuts
Engravings and Woodcuts of the XV and XVI Centuries
NY: M. Knoedler & Co. 1934-39. 1st wraps. Paperback. Very Good/None. 5 catalogs illust with black & white reproductions. 76-115 pages each. Previous owner's signature on front fly leaf. Paperback editions. Record # 65793 M. Knoedler & Co. paperback
Bookseller reference : 65793
|
|
Engravings Skelton Christopher Editor Eric Gill
Eric Gill - The Engravings
Boston: David R. Godine 1990. First American edition. Cloth. Near Fine/near fine. Large clothbound quarto in dustwrapper. 478 pp. This volume compiled by Gill's nephew contains Gill's complete oeuvre - from his religious subjects to his erotic fantasies. With hundreds of illustrations of the artist's engravings. Ever so slight shelfwear else a fine copy in patterned green cloth covers in a near fine unclipped dustwrapper. Terrific book on Gill. Stated first U.S. edition. A very large and heavy book. <br/><br/> David R. Godine hardcover
Bookseller reference : 26366
|
|
engravings
Fac-simile Japanese painting boat. Original color lithograph taken from Perry Expedtion to Japan Tucker printing 1856 . Lithogr. by Sinclair. Page Size: 29x43cm printing size cm 35.2 x H-21.9 Reproduction of a Japanese color wood block print of a boat
unknown
Bookseller reference : 58552
|
|
engravings
Fishing at Hakodadi. Original steel engraving taken from Perry Expedtion to Japan Tucker printing 1856. By a Heine' drawing. TThe full page size is approximately 8 1/4 x 10 1/2 inches. The print 6 x 5 inches. On the back one engraving entitled "Japanese Kago" from a drawing printed by Richardson Cox
unknown
Bookseller reference : 58548
|
|
engravings
From an original Japanese drawing obtained in Simoda. Original color lithograph taken from Perry Expedtion to Japan Tucker printing 1856. Lithogr. by Sinclair. The practice of crucifixion as capital punishiment in Japan
unknown
Bookseller reference : 58561
|
|
Engravings
FUN VOL.XXV
Jan 01 1877. Hardcover. Good. FIRST EDITION London T. Moffitt 1877. Tall hardcover in gilt-decorated embossed cloth boards. Vol XXV: Jan. 3 1877 - Jun 27 1877; 258 pages illustrated throughout with b/w wood engravings including some double-page of political and other current interest. Rare title in good overall condition with light soiling wear to boards owner name on front paste-down. NOT EX-LIBRARY frnc hardcover
Bookseller reference : 8O-HZD1-EK9Q
|
|
engravings
Hakodadi from the Bay. Original steel engraving taken from Perry Expedtion to Japan Tucker printing 1856. By a Heine' drawing. The full page size is approximately 8 1/4 x 10 1/2 inches. The print size is approximately 4 1/2 x 6 inches on the back a small view entitled "Kamida Creek Bay of Hakodadi
unknown
Bookseller reference : 58537
|
|
engravings
Japanese Kitchen Hakodadi. Original steel engraving taken from Perry Expedtion to Japan Tucker printing 1856. By a Heine' drawing. The full page size is approximately The full page size is approximately 8 1/4 x 10 1/2 inches. The print 6.75 x 5.25 inches
unknown
Bookseller reference : 58539
|
|
engravings
Journal de Conchyliologie 1852 - pl. VII. Size cm 15 x 17.
unknown
Bookseller reference : 63494
|
|
ENGRAVINGS DE MARE Tiburce. SCARRON Paul.
Le Roman comique . . . peint par J.ean-B.aptiste Pater et J.acques Dumont le Romain. . . .
Paris: P. Roquette Librairie 55 Passage Choiseul 55 1883. 4to. 9.25 x 12.5 in. 4 vii 1 34 pp unpaginated. Engraved frontisp. w/ tissue guard including 16 engravings. Original printed softcovers preserved in contemporary three-quarter morocco over marbled boards binding by Enry - Jose Pierson t.e.g. minor scuffing edgewear light wear to corners still VG copy w/ interior in NF condition. First edition thus of this beautiful series of engravings wonderfully executing Scarron’s picaresque novel relating the occasionally ribald adventures of a company of strolling players. Tiburce de Mare was a noted French portrait painter and engraver and son of Johannes de Mare who frequently contributed to the Gazette des Beaux Arts. P. Roquette Librairie, 55, Passage Choiseul, 55, hardcover
Bookseller reference : 56228
|
|
engravings
Map of "Island of Great Lew Chew". Okinawa. Original lithograph taken from Perry Expedtion to Japan Tucker printing 1856. Lithogr. by Ackerman. Width-16 Height-19.4 cm. Page size: Width-22.9 Height-28.8
unknown
Bookseller reference : 58610
|
|
Engravings by Edmund Evans
My Diary
Littlehampton Book Services Ltd. Used - Good. Shows some signs of wear and may have some markings on the inside. Littlehampton Book Services Ltd unknown
Bookseller reference : GRP105555434 ISBN : 0903937131 9780903937139
|
|
engravings
Nice lithograph from Journal de Conchyliologie 1869 - pl. XII. This plate depict 3 species described by Monterosato Homalogyra fischeriana Cerithium benoitianum and Helix doderleiniana. We add a pdf of the concerning article
unknown
Bookseller reference : 63287
|
|
engravings
Original coloured lithograph pl. 1 from Journal de Conchyliologie 1881 taken from Poirier J. Description de quelques esp�ces nouvelles du Cambodge appartenant aux generes Lacunopsis Jullienia et Pachydorbia. Size cm 15 x 17
unknown
Bookseller reference : 63107
|
|
engravings
Original lithographs taken from Alder J. On the distinctive characters of Jeffreysia and Chemnitzia published in Ann. Mag. Nat. Hist. vol. 7 1851. We add a laser printout of this interesting article on pyramidellids
unknown
Bookseller reference : 63081
|
|
engravings
Original lithograph taken from Charpentier J. Essai d'une classification naturelle des clausilies published in J. de Conchly. vol. 3 1852. We add a laser printout of this interesting article In 4to offp. pp.
unknown
Bookseller reference : 63089
|
|
engravings
Original lithograph taken from D'Orbigny A. Note sur le nouveau genere Hypotrema published in J. de Conchly. vol. 4 1853. We add a laser printout of this interesting article on this Jurassic bivalve
unknown
Bookseller reference : 63091
|
|
engravings
Original lithograph pl. 10 from Journal de Conchyliologie 1851
unknown
Bookseller reference : 63100
|
|
engravings
Original lithograph pl. 7 from Journal de Conchyliologie 1851. Size cm 15 x 17
unknown
Bookseller reference : 63106
|
|
engravings
Original lithograph from Journal de Conchyliologie 1853. Size cm 15 x 17
unknown
Bookseller reference : 63201
|
|
engravings
Original lithograph pl. 10 from Journal de Conchyliologie 1851
unknown
Bookseller reference : 63103
|
|