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Hausner, Bertha, Schauspielerin (geb. 1869).
Eigenh. Widmung mit U. O. O. u. D.
88 x 156 mm. Auf Trägerkarton. "Das Edle zu erkennen ist Gewinn- / Der nimmer uns entrissen werden kann. (Goethe)".
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Hausner, Bertha, Schauspielerin (geb. 1869).
Portraitphotographie mit eigenh. Widmung und U. O. O. u. D.
165:110mm. Aus dem Atelier des Photographen Krziwanek, Wien & Ischl, mit dessen gedr. Signet am unteren Rand des Trägerkartons. Mit Widmung "Allen die mich kennen, tausendfach was sie mir gönnen" und Unterschrift auf der Bildseite.
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Hausner, Rudolf, Maler und Grafiker (1914-1995)
Masch. Brief mit eigenh. U.
o.J. Wien, 2. VI. 1964, Fol. 1 Seite.
Referentie van de boekhandelaar : 52713
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Hausner, Rudolf, Maler und Graphiker (1914-1995).
Portraitphotographie mit eigenh. U. O. O. u. D.
189:131 mm.
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Hausrath, Adolf, evangelischer Theologe (1837-1909).
Eigenh. Postkarte mit U. Heidelberg, 24. VI. 1884.
1 S. Qu.-8vo. An den Studenten Eugen von Mor: "Macht ist vergänglich, nur das Schöne ist ewig". - Adolf Hausrath war Professor für Kirchengeschichte und neutestamentliche Exegese in Heidelberg. "Er veröffentlichte - zunächst unter Pseudonym - Romane aus der Kirchengeschichte (u. a. 'Klytia', 1883) und wurde vor allem durch seine Biographie 'Luthers Leben' (2 Bde., 1904/05) bekannt" (DBE). Als "George Taylor", so sein Pseudonym, gilt er "neben Felix Dahn und [Georg] Ebers als Hauptvertreter des sogenannten 'Professorenromans'" (Wikipedia).
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Hauss, Karl, Sänger (1892-1982)
Rollenbild mit eigenh. Beschriftung und U. sowie masch. Brief mit eigenh. U. und eigenh. Brief mit U.
o.J. Hannover, März 1950 bis 16. VIII. 1977, Verschied. Formate. Zus. ca. 3 Seiten.
Referentie van de boekhandelaar : 36976
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HAUSSONVILLE Comte d’
1843 - 1924. Écrivain et homme politique. Représentant en 1891 le comte de Paris auprès des comités monarchiques. Académie française en 1888. L.A.S.
Billet en réponse à une demande d’autographe.
Referentie van de boekhandelaar : 4734
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Haussonville, Paul-Gabriel, comte d', historien, essayiste et homme politique (1809-1884).
Lot d'1 L.A.S. avec enveloppe et 1 P.A.S. [Paris], s. d.
3p½ In-8 et 2p In-12. Courriers adressés à Alfred de Foville concernant des médailles, la lettre à propos de renseignements données par Foville, le carton à propos de la vente de deux médailles par Haussonville. - Ancienne collection de Foville.
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Haussonville, Paul-Gabriel, comte d', historien, essayiste et homme politique (1809-1884).
Lot de 9 Courriers autographes à Paul Thureau-Dangin. [Paris], aucun n'est daté précisément (aucune année).
Il y a cinq L.A.S. in-8, de 1 à 4 pages, 12 pages en tout et quatre P.A.S., cartons in-12 R°/V°, soit 8 pages donc 20 pages de correspondance. Ancienne collection de Foville.
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HAUSWIRTH, Charles A. (ca. 1870s-?)
Typed Note Signed
Copper boom town Butte Montana notorious as a lawless town filled with bars and brothels began to turn around when this noted Butte merchant a progressive Republican was elected mayor in 1935 until 1941 and proclaimed in his inaugural address "It is doubtful if any city is in a more deplorable physical and financial condition" and set about to clean up the town. TNS 1p 8½" X 11" Butte MT 1940 August 2. Addressed to Samuel Tuzzo. Very good. On "City of Butte" letterhead noting "Office of Mayor" Hauswirth writes "It is with pleasure that I add my name to your list of signatures." He signs in full in bold green ink. Fun bit of unusual Old West history. unknown
Referentie van de boekhandelaar : 31968
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Hautecoeur, Louis
Histoire de l'art De la magie à la religion ; de la réalité à la beauté ; de la nature a l'abstraction
1959 Paris Flammarion éditeur 1959 3 forts volumes in8, brochés sous jaquettes, 684 ; 686 ;674p p.illustrées Bon état des ouvrages meme si les, jaquettes sont un peu usées, les trois tomes sont enrichis d'envois autographes (signés par Louis Hautecoeur)
Referentie van de boekhandelaar : 12787
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Hauth, Emil van, Maler (1899-1974)
2 eigenh. Briefe mit U.
o.J. München, 22. IV. 1964 und 25. IX. 1966, Fol. Zus. 2 Seiten.
Referentie van de boekhandelaar : 59660
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Hautsch, Hugo, Historiker (1895-1972).
2 Dankeskarten mit eh. U. Wien, [Februar 1955].
2 SS. Qu.-8vo und 120 x 70 mm. Mit 2 eh. beschr. Kuverts. Dankt Josef Wesely für Geburtstagswünsche.
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HAVARD, Henry.
La Hollande pittoresque. Le coeur du pays. Voyage dans la hollande méridionale, la Zélande et le Brabant. Illustré d'après les croquis de M. le baron de Constant- Rebecque et de l'auteur.
Paris, Plon et Cie, 1878 ; grand in-18°, demi-basane bleue nuit de l' époque, dos lise orné de filets dorés et à froid et pointillés dorés en place des nerfs, auteur et titre dorés; (6), 434, ( 1)pp et 8 gravures sur bois hors texte et 1 carte dépliante.Reliure frottée aux coiffes et charnières; piqûres ou taches jaunes.
Referentie van de boekhandelaar : c6847
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HAVEL, Vaclav - CABALLERO, CARUNCHO, etc.
LA TENTACIÓN - Madrid 1990 - Muy ilustrado - Serigrafías numeradas y firmadas
Madrid, Edit. Rowohlt, 1990. Edición de 221 ejemplares. El nuestro Núm. 20 de la edición de 175 ejemplares numerados y firmados por los artistas. Ilustraciones serigráficas y con protector transparente de José Caballero, Luis Caruncho, Alvaro Delgado, Carlos Evangelista, J.L. Fajardo, José M. Iglesias, Agueda de la Pisa y Salvador Victoria, numeradas y firmadas. 163p. 4º apaisado. Símil piel editorial algo rozada. Interior en perfecto estado. Buen ejemplar.
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Havel, Václav, Schriftsteller und Politiker (1936-2012).
Portraitphotographie mit eigenh. U. O. O. u. D.
130:183 mm. Hüftstück en face in S/W.
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Havemann, Gustav, Violinist, Leiter der Reichsmusikkammer (1882-1960)
Eigenh. Briefkarte mit U.
o.J. Ohne Ort (Darmstadt), 26. II. 1908, Qu.-Kl.-8°. 2 Seiten. Kartonblatt. Abgerundete Ecken..
Referentie van de boekhandelaar : 48818
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HAVEMYER, William F. (1804-74)
Autograph Letter Signed
This sugar refining mogul served as Democratic mayor of New York City 1845 1848; elected reform mayor in 1872 after helping uncover the "Tweed Ring." ALS 1p 7 3/4" X 9 3/4" New York NY 1845 August 5. Addressed to Cornelius W. Lawrence 1791-1861 collector of customs at the port of New York. Fine. Binding traces along left edge. Letter of recommendation for Jacob Arculasius "the son of one of our oldest and most respectable citizens." Integral address leaf in Havemyer's hand. Scarce. unknown
Referentie van de boekhandelaar : 15404
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HAVER June 1926 2005
Signature
Nickname "The Pocket Grable" this blonde starlet of the 1940s and '50s known for the 1953 film "The Girl Next Door"; wife of Fred MacMurray. Attractive signature heavy stock 5" X 3" card n.p. 1980 n.d. Fine. A handsome example in bold dark pink. unknown
Referentie van de boekhandelaar : 18171
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Haverkamp, Wilhelm, German sculptor (1864-1929).
Autograph signature. Friedenau-Berlin, 4. I. 1910.
Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau. - Awarded the Rome Prize of the Prussian Academy of Arts in 1890, Haverkamp spent two years in Italy where he created several of his most popular works, including "Knabengruppe" and "Bocksprung", before returning to Berlin, where he won several awards in the following years and became a teacher at the Kunstgewerbemuseum in 1901. - Small ink spots and creases; postmark on verso showing through. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
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Haverman, Hendrik Johann, Dutch painter and lithographer (1857-1928).
Autograph quotation signed. The Hague, 1. XI. 1917.
Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau: "Es wird mich sehr erfreuen Ihr Ansuch[en] einzuwilligen. In vorzuglichster [!] Hochachtung ganz ergebenst [...]". - Studying in Amsterdam and Brussels, Haverman specialized in portraiture, took study trips to France, Italy and Spain, and won several awards at exhibtions between 1879 and 1903. - A few small creases. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.
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HAVET (Mireille, de Soyecourt).
Arlequin. Image de Printemps. Récit d’Adieux. Dialogue. Narcisse (épopée). 5 poèmes tapuscrits. 1919-1921.
44 feuillets, format in-4. Sans date (1919-1921).Ensemble de 5 longs poèmes de la jeune Mireille Havet (1898-1932) en grande partie inédits. Promise à tous les succès dans les lettres, et soutenue par ses amis Colette, Cocteau, Paul Fort, Natalie Clifford-Barney, et l’entourage des salons mondains, ainsi que celui des premiers surréalistes, Mireille Havet avait été accueillie dans Les Soirées de Paris et qualifiée de manière élogieuse par Apollinaire comme « sa petite poyetesse ». Cette suite de poèmes est tapuscrite, avec quelques rares corrections de coquilles, dans un texte suivant une composition soignée. — Arlequin. S. d. (mai). 8 feuillets avec d’importantes variantes sur le texte qui sera publié dans les Écrits nouveaux de juin 1922. Il s’agit du poème le plus connu de Mireille Havet, inspiré de la trame de son roman autobiographique, Carnaval. — Image de Printemps. S. d. 4 ff. — Récit d’Adieux. S. d. 6 ff. — Dialogue. S. d. (mai). 7 ff. — Narcisse (épopée). 1919-1921. 19 ff.
Referentie van de boekhandelaar : 21111
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HAVET (Mireille, de Soyecourt).
Conte. Manuscrit autographe. à Marcelle Garros.
22 p. in-4 (la dernière effrangée en bordure sans atteinte au texte). St-Raphaël en Provence, commencé le mardi 7 septembre, terminé le mercredi 8 septembre (circa 1921). Nombreuses ratures et corrections. Les manuscrits de Mireille Havet sont d’une grande rareté, malgré l’ampleur de son œuvre découverte récemment (son Journal en cours de publication aux éditions Claire Paulhan comporte déjà cinq volumes), la plupart de ses papiers ayant disparu. Une partie seulement fut redécouverte au milieu des années 1990 dans les archives de Ludmila Savitzky, légataire de Mireille Havet, et déposée dans une collection publique. Conte très probablement inédit dédié à son amie Marcelle Garros, veuve de l’aviateur Roland Garros mort en 1918. C’est Jean Cocteau qui lui présentera Mireille Havet ; Marcelle Garros deviendra un temps son amante et l’initiera à l’opium, tout en la soutenant et l’encourageant dans sa création littéraire. Récit envoûtant et plein de sensualité, il évoque les soirées dans une fumerie d’opium avec tout son cérémonial et ses accessoires, entremêlé à une histoire d’amour saphique ressassée sans fin… (…) Vos amis aimaient votre maison, votre vie, votre beauté régulière qui dédaignait le luxe de la ville couchée dans la lumière et d’où vous êtes venue légère pour quelques saisons (…). Pour cette demeure silencieuse ou vous avez réussi l’atmosphère de conte, un songe aux yeux ouverts entre l’esprit et le corps docile d’une amie (…). Le récit se termine ainsi : Madame terminons ce mensonge je ne connais pas votre maison j ’ignore même si comme le dit la légende vous y habitez seule ou avec une amie vous savez mieux que moi que je n’y entrerai jamais et qu’il n’y a pas de terrasse. Tout ceci est une histoire. J ’ai rêvé devant une façade close aux livres que j ’aime… Et au verso de cette dernière page, cet envoi : Pour toi Marcelle, que j ’ai écrit cette histoire [que] tu m’as toi-même répétée, pour te distraire. Cette maison, nous l’avons vue hier en nous promenant. Tu m’as raconté ce qu’on disait autrefois sur la propriétaire mais tu sais bien que j ’ignore comme toi jusqu’au nom de cette femme.
Referentie van de boekhandelaar : 21112
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Havill, Juanita
EYES LIKE WILLY'S SIGNED by AUTHOR
New York: HarperCollins. Very Good in Very Good dust jacket. 2004. 1st Edition stated; Second Printing. Hardcover. 0688136729 . Book is Very Good. Signed by author on title page. Clean and unmarked text. Tight and sturdy binding with a light rear lean. Very light front cover top corner tip bump. Thin remainder mark top page ends. DJ is very good. Very light bumping and wear to DJ cover corners and edges with very light surface shelf wear. Small sticker remnant DJ near bottom spine end. ; Remainder; B&W Illustrations; 8vo 8" - 9" tall; 135 pages; Signed by Author . HarperCollins hardcover
Referentie van de boekhandelaar : 5563 ISBN : 0688136729 9780688136727
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HAWAD - CLAUDOT (Hélène) -
Testament nomade -
traduction du touareg et adaptation française de Hawad et Hélène Claudot - La Bouilladise : Edition Amara, 1989 - illustré de calligraphies de Hawad dans et hors texte en noir - deuxième édition avec un envoi autographe signé de l'auteur en touareg - bon état (sinon couverture légèrement frotté à la pliure du dos) -
Referentie van de boekhandelaar : 41437
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Hawel, Rudolf, Schriftsteller (1860-1923)
Eigenh. in Bleistift beschriftete Porträtpostkarte.
o.J. Linz, 13. XII. 1905, 1 Seite. Mit Adresse.
Referentie van de boekhandelaar : 43436
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Hawel, Rudolf, Schriftsteller (1860-1923).
2 eigenh. Briefe mit U. Wien, [1901] und 24.XI. 1903.
Zusammen 4½ SS. auf Doppelblättern. 8vo. Beide Briefe an einen Freund: “Die Streitaxt kann ich nicht begraben, da ich sie bereits zum alten Eisen geworfen habe [...] Direktor Gettke führt schon Ende Februar ‘Mutter Sorge’ auf und zwar mit Thaller und der Niese. Der 4. Akt gefällt ihm ganz außerordentlich. Das Stück wird auch ganz anders aussehen, als es bis jetzt in [se]iner verstümmelten Form ausgesehen hat [...]” (undat. Brief, vermutl. 1901). - Ernst Gettke (1841-1912) hatte von 1897-1907 die Leitung des Raimundtheaters in Wien inne; der Sänger und Schauspieler Willy Thaller (1854-1941) wurde nach einer abwechslungsreichen Laufbahn, die den gebürtigen Grazer u. a. in zahlreiche amerikanische Städte sowie nach Prag, Budapest und anderswohin führte, 1924 Ensemblemitglied des Wiener Burgtheaters; die Volksschauspielerin Hansi Niese (1875-1934), war seit 1900 am Theater in der Josefstadt engagiert. - Der zweite Brief betrifft die Aufführung von Hawels Komödie ‘Die Politiker’: “Betrachte es als meine Pflicht, Dich über den Stand der uns beide berührenden Angelegenheiten in Kenntnis zu setzen. Die ‘Politiker’ sind seit 14 Tagen ohne besonderen Schaden genommen zu haben, aus den Krallen der Censur entronnen. Die e[r]ste Aufführung erfolgt in der ersten Jännerwoche und zwar aus Rücksicht für [!] den großen Erfolg der ‘Liebesfreuden’ so spät [...]” (Br. v. 24.XI. 1903). - Der gebürtige Wiener Rudolf Hawel, Träger des Bauernfeld- (für ‘Mutter Sorge’) und des Raimundpreises (für ‘Die Politiker’) trat nach 1900 mit zahlreichen häufig und gern aufgeführten Volksstücken an die Öffentlichkeit. Vgl. Kosch II, 865f., Giebisch-G. 143, Öst. Lex. I, 482 und Czeike III, 99. - Beide Briefe im linken Rand gelocht (unbedeutender Buchstabenverlust), der undatierte Br. zudem im Längsfalz etwas eingerissen.
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Hawel, Rudolf, Schriftsteller (1860-1923).
Albumblatt mit eigenh. U. O. O. u. D.
1 S. Qu.-schmal8vo. Der gebürtige Wiener Rudolf Hawel, Träger des Bauernfeld- (für ‘Mutter Sorge’) und des Raimundpreises (für ‘Die Politiker’) trat nach 1900 mit zahlreichen häufig und gern aufgeführten Volksstücken an die Öffentlichkeit.
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Hawel, Rudolf, Schriftsteller (1860-1923).
Eigenh. Albumblatt mit U. O. O. u. D.
1 S. Qu.-kl.-8vo. "Jung is' halt allweil jung! (Mutter Sorge, II. Akt)". - Der gebürtige Wiener Rudolf Hawel, Träger des Bauernfeld- (für "Mutter Sorge") und des Raimundpreises (für "Die Politiker") trat nach 1900 mit zahlreichen häufig und gern aufgeführten Volksstücken an die Öffentlichkeit.
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Hawel, Rudolf, Schriftsteller (1860-1923).
Eigenh. Albumblatt mit U. Wien, 27. XI. 1909.
1 S. 4to. "Die Poesie | Ich wohn in einem dunklen Haus, | Geschlossen sind die Fenster | Und drinnen spukt in Nacht und Graus Unheimlich wirrer, toller Braus, | Die wilden Gedankengespenster. | Da kommt mein stilles Lied so sacht, | Die Laden aufzuzschließen, | Daß sich die holde Frühlingspracht | Blühend und funkelnd in die Nacht | Des Herzens kann ergießen". - Der gebürtige Wiener Rudolf Hawel, Träger des Bauernfeld- (für "Mutter Sorge") und des Raimundpreises (für "Die Politiker") trat nach 1900 mit zahlreichen häufig und gern aufgeführten Volksstücken an die Öffentlichkeit. - Stärkere Faltspur im Mittelfalz.
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Hawking, Stephen / Rocek, Martin (eds.).
Superspace and Supergravity: Proceedings of the Nuffield Workshop, Cambridge June 16-July 12, 1980. Cambridge, Cambridge University Press, 1981.
8vo (226 x 152 mm). Publisher's maroon cloth, lettered in silver on spine, original pictorial dustjacket. Author's presentation copy, inscribed on the title page in Hawking's own hand. This is a collection of densely mathematical papers given at a workshop on supergravity organized by Hawking. The dustjacket reproduces a blackboard covered with doodles by Martin Rocek and other attendees at the Nuffield Workshop, including a caricature of Hawking himself: the blackboard itself remained in Hawking's office in Cambridge until his death. A fine copy of the first edition. - Provenance: authorial inscription on title "Love from Stephen x x x"; Judy Fella (Hawking's first secretary and later PA and nursing co-ordinator: Fella typed up some of the manuscript for the work, and is depicted, as "one of the Fella's", in the cover artwork).
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Hawking, Stephen, theoretical physicist (1942-2018).
A Brief History of Time. From the Big Bang to Black Holes. New York, Bantam Books, 1988.
8vo (230 x 153mm). Text illustrations. Publisher's black quarter cloth, blue pictorial dustjacket. First American edition with authorial thumbprint of Hawking's bestselling science classic. A fine copy, 'signed' with an authorial thumbprint on front free endpaper. - Provenance: Judy Fella (Hawking's first secretary, and later PA and nursing coordinator: Fella worked with Hawking on the first draft of "A Brief History of Time").
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Hawking, Stephen, theoretical physicist (1942-2018).
Typed letter signed ("Stephen") to Charles W. Misner. Cambridge, 10. XI. 1970.
4to. (197:244 mm). 1 page. On headed "air letter" paper. One of Hawking’s students, Gary Gibbons, is to attend the meeting of the American Physical Society in New Orleans from 23-25 November, "where he will report on the British work on the design and construction of gravitational wave detectors. We think that, without the use of liquid helium, we can improve the sensitivity by a factor of 100. The first of these detectors should be operating before the end of the year, and the second one at Reading should follow soon after". Hawking hopes that Gary might stay on after the New Orleans meeting to attend the relativistic astrophysics conference in Austin, with a visit to the University of Maryland in between, and asks for Misner’s help in organising this visit: [Joseph] Weber will be too busy to show Gibbons around, but Hawking notes that Gary should really see Misner and [Dieter] Brill: "he is primarily a theoretician and is interested in the problem of how much gravitational radiation would be emitted by a collapsing object". Hawking also announces the birth of a little girl, "Catherine Lucy, though we will probably call her Lucy", born a little plumper than Robert, and very well behaved. - In 2016, over 45 years after Stephen Hawking’s hopeful mention in the present letter of the gravitational wave detectors being built in England - and one hundred years after Albert Einstein first predicted the existence of gravitational waves - scientists would finally have proof of these elusive ripples in space-time: the unmistakeable "ringing" as two black holes collides was heard at the Advanced Laser Interferometer Gravitational-Wave Observatory (LIGO) on 11 February 2016. When asked for comment, Hawking said that the discovery would "revolutionise" astronomy, noting also that it had proved his calculations of 1970 to be correct: "The observed properties of this system are consistent with predictions about black holes that I made in 1970 here in Cambridge". Hawking and his student Gary Gibbons would go on to collaborate in their research, lending their names to the "Gibbons-Hawking effect", "Gibbons-Hawking space", and the "Gibbons-Hawking ansatz". - Provenance: Charles W. Misner.
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Hawking, Stephen, theoretical physicist (1942-2018).
Typed letter signed (‘Stephen’) to Charles Misner. Cambridge, 21. XI. 1967.
4to. (203:254 mm). 1 page. On headed notepaper. Hawking encloses an improved version of a paper co-authored with George Ellis (the work, not present here, was ‘The Cosmic Black-Body Radiation and the Existence of Singularities in Our Universe’, The Astrophysical Journal, Vol. 152 (April 1968), p. 25], noting that the ‘calculations of the convergence condition have been redrawn’. Hawking enjoyed his visit to Maryland, which prompted some ideas about Misner incompleteness that he intends to put into a paper when he has time. He continues: ‘I heard Stan Deser outline his proof that mass is positive definite. He claims that a function whose only critical value is zero and which has a local minimum there is necessarily positive elsewhere. It seems to me that there are counter examples to this in finite dimensions – not to speak of the infinite dimensions case’. A reminder about payment for his last week at Maryland and travel expenses ends the letter, Hawking professing himself embarrassed, but mentioning it in case the cheque might be missing in the post. - Stephen Hawking first met the American physicist Charles W. Misner during the latter’s 1966-67 visit to Cambridge at the invitation of Hawking’s postgraduate supervisor Dennis Sciama; the two became close, and Hawking visited Misner at his own institution, the University of Maryland, at the end of 1967. Hawking’s work on singularity theorems, which he first published in his 1965 doctoral thesis, overlapped with the research Misner was undertaking on geodesical incompleteness, a notion at the centre of the concepts Hawking was developing with Roger Penrose (the ‘Penrose-Hawking singularity theorems’). Here, Hawking seemingly refers to a proof that another of their colleagues in the field, Stanley Deser, would publish the following year in the Physical Review Letters, in a paper entitled ‘Positive-Definiteness of Gravitational Field Energy’. - Provenance: Charles W. Misner.
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Hawkins, Sir Anthony Hope, English novelist and playwright (1863-1933).
Autograph lettercard signed ("AnthonyHHawkins"). [London], 24. IV. 1897.
Oblong small 8vo. 1 p. To C. A. Reiss, apologizes for not being able to attend the Balliol dinner.
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HAWTHORNE (Nathaniel) -
La Fille de Rappaccini et autres contes -
traduit de l'américain par Henri Parisot - Paris : Flammarion (Collection "L'Age d'Or"), 1972 - un volume in-8 (14x20cm) broché sous couverture illustrée en couleurs (dessin de Max Ernst), 142 pages - édition originale avec un envoi autographe signé de Henri Parisot adressé à Victor-Henri Debidour, critique au Bulletin des lettres -
Referentie van de boekhandelaar : 39458
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HAWTHORNE Nathaniel
L'Enterrement de Roger Malvin et autres contes étranges
Paris Flammarion - Collection "L'Age d'or". 1977 In-8 Broché Edition originale
Referentie van de boekhandelaar : 014203
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Hay, William, 18th Earl of Erroll, Scottish peer and politician (1801-1846).
Autograph letter signed. St. James' Square, London, "Friday".
4to. ½ page. With autograph address verso. To the architect Thomas Hamilton (1784-1858) with an addition to his friend's collection: "I send you another specimen for your friend's collection. Sir William Hamilton's autograph - and a cursedly cramp, kittle & confoundedly illegible specimen it is. Mr. Ferrier from whom I got it, could not find among a variety of letters, notes etc. a single one with Sir Wm's name signed at full length - only his initials: so we must not look the gift horse in the mouth - but be thankful to the giver. I hope to be able to get a few more for you of the autographies of our notables [...]". - With traces of former mounting on verso.
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HAYAKAWA, SI. (1906-92) S. I.
Signature
The educator who authored "Language in Thought and Action" became a conservative California senator 1977-83 and outspoken advocate for a measure to declare English as the official language of the U.S. Handsome signature and date in black ballpoint heavy stock 6" X 3¼" card n.p. 1988 February 19. Fine. Signed again with "Best wishes" on verso. unknown
Referentie van de boekhandelaar : 21988
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Hayashi Shihei
Rare Japanese Manuscript, One of the Earliest Desciptions of Korea. [Sangoku Tsuran Zusetsu.]
Exceedingly rare and historically significant manuscript complete with manuscript drawings, made circa 1792, transcribing the banned controversial work by Hayashi Shihei which attributed coveted geographical regions to non-Japanese sovereigns, and which led the author to house arrest and his works destroyed by the Shogun. This work centers largely around the indigenous Ainu people and the people living in the Joseon Dynasty (Korea), thus being a very early account of Korea. All text is in Japanese. Author-published. 89 pages in manuscript including title page and end leaf. Indication of once being string-stitched at spine, opening from left to right. Leafs measure approximately 19 x 26 cm. SIGNIFICANT AMOUNT OF WORM BURROWING, some leaves lightly fused together as a result, MAPS NOT PRESENT, nonetheless a valuable historic addition for any library, being an exceedingly scarce surviving manuscript of the famous "Sangoku Tsuran Zusetsu" by Hayashi Shihei. One of the earliest attempts to define Japan's outer boundaries, and distinguish it from the neighboring nations, the book deals with Joseon Dynasty (Korea) and the Kingdom of Ryukyu (Okinawa), and Ezo (Hokkaido) and the Ogasawara Islands (Bonin Islands). The content of this work is as controversial today as it was when it was released by the author 235 years ago. A statue of Hayashi Shihei stands in his honour, however, in Kotodai Park, Sendai. This work was emphatically criticized, immediately banned, and destroyed by the shogunate, all but a very scant few copies, that is, which were kept in hiding by scholars who took it upon themselves to secretly transcribe the important writings, with the original in hand. This is one of those surviving secret manuscripts, which were so very few in number and are exceedingly scarce. Hayashi Shihei (1738-1793) was a Japanese military scholar, political theorist, military strategist, writer, and a retainer of the Sendai Domain. He was a samurai of the Sendai clan issued in 1785 (Tenmei 5). His name is sometimes transliterated, according to the Sino-Japanese reading, as Rin Shihei’'. Hayashi is known as one of the "Three Excelling Men of the Kansei Period" (Kansei no san-kijin). Circa 1785 he wrote the highly controversial "Sangoku Tsuran Zusetsu" [Illustrated General Survey of the Three Countries] which consisted of five maps and one text volume which detailed the customs of Korea, Ryukyu Kingdom, and Ezo country (Hokkaido), recounting an exploratory geographical survey of the regions that were then the frontiers of Japan, including Korea, Hokkaido, and the Ryukyu Islands, also providing descriptions of the inhabitants, including the Ainu. It contained, among other repugnant content in the eyes of the shogun, the attribution of Korean sovereignty over the Dokdo / Takeshima / Liancourt archipelago, and secondly, Chinese sovereignty over the Senkaku Islands [Diaoyu Islands] instead of recognizing it as part of the Ryukyu Kingdom (which had been a vassal state of the Satsuma Domain of Japan with 'de jure' status since 1609). Not a single publisher dared to put their name on the work, for fear of retribution, and thus, Hayashi released it independently in the years of 1787-1791, at his own expense. In 1792 [Kansei 4], the Tokugawa shogunate evaluated the content of this book, declared it a delusion, and banned it. The printings of Sangoku Tsuran Zusetsu also became collateral victim of this banning. Almost all the original woodblock-printed versions of Sangoku Tsuran Zusetsu were collected and destroyed. In 1787, he had published a second work of enlightened perspective and concern, titled ???? "Kaikoku Heidan" [Military Defense of a Maritime Nation]. This was a 16-volume work which brought to light the potential inadequacy in the military defense of Japan during the Edo period, specifically highlighting the island's vulnerability from the sea, as well as the need for Japan to adopt Western military science for improved defenses along Japanese frontiers, and the re-education of the samurai. Hayashi believed the nation's crisis was due to the repeated arrivals of foreign ships. He complained of a lack of organized drill exercises, and stressed the importance of choren, or teamwork drill, rather than mere individual martial training. He gave technical descriptions about shipbuilding, cannons and other military designs. He was especially critical of the Shogunate's sakoku national isolation policy. The work generated great interest, but it too, was banned in May 1792, on the grounds that national security matters were being discussed without official consent. This work having been published a few years prior, it was impossible to locate and destroy all printed copies, but the woodblocks were seized and destroyed with those of Sangoku Tsuran Zusetsu. Simultaneously, as his two works were banned and destroyed, Hayashi was placed under house arrest. He died the following year, 28 July 1783, at the young age of 54. There were rumours of suicide and speculations of decapitation by authorities, but no evidence for either has surfaced. Ironically, shortly after Hayashi was punished, a Russian ship arrived in Nemuro, and the shogunate was forced to take measures to protect the coast, as had been suggested in Hayashi's "Kaikoku Heidan". In spite of the shogunate's best efforts, a scant few of 'Sangoku Tsuran Zusetsu' survived, thanks to a handful of audacious erudite men, and manuscript transcripts of his maps began to circulate covertly in learned Japanese circles. This book also went from Nagasaki to Holland and Germany through Katsuragawa Hoshu (1751-1809), who was a physician to the Shogun from 1777 and an Edan scholar in Edo; it was subsequently translated into European languages in Russia. In 1872, it was translated into French by the German Oriental scholar Heinrich Klaproth. Shugun Tokugawa Ienari, who suppressed and destroyed these works, and who exiled the author to his home, reigned from 1787-1837. In the first year of his reign there were rice riots in Edo and Osaka. Later tragedy, the Great Fire of Kyoto and the Tenpo famine took place. And in his strict fashion, in 1817 he ordered the expulsion of Titia Bergsma, the first European woman to visit Japan. The Dutch and Chinese were allowed to visit the country, but only for trade, and no women were permitted. Bergsma never saw her husband again. Credit to Pierre Joppen of Paulus Swaen Gallery, whose research on the subject is exhaustive and from whom some of the above content has been copied.
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HAYDAR RIFAT [YORULMAZ], (First Turkish translator of 'Das Kapital'), (1877-1942).
[ADS BY THE FIRST TURKISH TRANSLATOR OF MARX'S DAS KAPITAL] Autograph document signed 'Haydar Rifat', on a lawsuit related to a non-muslim Greek citizen's lands.
Very Good Turkish, Ottoman (1500-1928) Original manuscript autograph letter signed by Haydar Rifat Yorulmaz, on a lawsuit related to a non-muslim Greek citizen's lands. Handwritten corrections on letter. Postal stamped. A Greek note. 20,5x13,5 cm. In Ottoman script. 1 p. Foxing on stamps on paper. Otherwise a good and exceedingly rare ALS with Rifat's rare signature. Haydar Rifaat [sic. Rifat] Yorulmaz, (1877-1942), was a Turkish lawyer, author, translator. He translated the most important texts of the western world such as Karl Marx's Das Capital, Tolstoy's Resurrection, Daudet's Sappho, Lenin's works, and books on anarchism firstly in the Turkish literature. In addition he wrote more than 15 books such as "Sovyetizm ve demokrasi", "Bolseviklik alemi" and others between the years of 1922-1939. He's one of the most important figure in the last period of the Ottoman Empire and Republican Turkey in terms of the modernism and leftist movements.
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HAYDEN, Dorothy
Bid Better Play Better
New York: Harper & Row 1966. Hardcover. Small 4to. Red cloth dust jacket. xiii 196pp. Numerous diagrams. Near fine/near fine. First edition tight and bright. Harper & Row hardcover
Referentie van de boekhandelaar : 4098
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Haydn, Johann Michael, the "Salzburg Haydn", composer (1737-1806).
"Aus der Schöpfung von Herrn J. Haydn." Autogr. musical manuscript. Arnsdorf, 6 Oct. 1800.
Oblong folio. 5 pp. (4 ff., a full sheet folded twice). Four voices with lyrics. From part II of Joseph Haydn's oratorio: the trio "Zu dir, o Herr, blickt alles auf" ("Poco Adagio"), arranged by the composer's brother for his Arnsdorf male quartet. The caption as well as the postscript (with a statement of provenance) are added by the flautist and violist Georg Johann Schinn (1768-1833), a student and friend of Michael Haydn's: "Von Herrn M. Haydn für 4 Männerstimmen arrangirt zu Armsdorf am 6ten October 1800. Vom Herrn P. Werigand Rettensteiner Pfarrer in Armsdorf die Original Partitur davon erhalten als Hochzeitgeschenk im 2. Dezbr. 1802". - From 1763 onwards, Joseph Haydn's younger brother served for 40 years as leader of the orchestra of Sigismund von Schrattenbach, the Salzburg Archbishop. The Arnsdorfer Benedictine monk Rettensteiner was a close friend who prepared German lyrics, copies, and adaptations for the male choir. For Michael Haydn he also translated numerous pieces of Latin liturgical music into German and collected material on Haydn's life and works. Much of this was used for the earliest biography of Michael Haydn, published by Schinn in 1808 (in collaboration with F. J. Otter). - Traces of an old vertical fold. Untrimmed, the final two leaves remaining uncut.
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Haydn, Joseph, composer (1732-1809).
Autograph letter signed ("Joseph Haydn mppria"). Vienna, 17 Oct. 1804.
4to. ½ p. Framed and glazed. In Italian, to George Thomson in Edinburgh, a friend of Robert Burns and publisher of Haydn's song adaptations, inquiring about London performances of his "Creation" and announcing that he intends to write, before his death, another two or at least one dozen works specially for Thomson: "Stimatissimo Signor mio. Nell' ultima vostra lettera di Luglio m'avete fatto troppo Complimenti per la mia Creazione del Mondo. Mi stimo molto felice, che Iddio m'ha donato questo piccolo Talento per dar soddisfazione agli Amatori di Musica, tanto più, che per questa grazia Divina posso far del bene al prossimo mio, ed ai poveri: io vorrei dunque saper, se in Londra fu data la Creazione per i poveri, o per il Concerto professionale, e quanto denaro habbiano fatto; io ho fatto in Vienna con questi due pezzi di Musica, cioè colla Creazione, e con le quattro stagioni per le nostre povere Vedove di Musica, in tempo di tre anni quaranta mila fiorini: Se mi potete col tempo darmi una risposta sopra quel punto, mi fareste un gran piacere. - Vi mando dunque queste tredici Ariette con l'istessa speranza, che vi daranno piacere, io vorrei far ancora prima della mia morte venti cinque, o almeno dodici di queste Ariette, mà solamente per voi caro amico, perche cose più grandi non posso più sorprendere, la mia vecchiezza m'indebolisce sempre più [...]". With Thomson's autogr. note of contents on the reverse: "Dr. Haydn. With 13 more Airs to which he composed Symph.s and Accomp.ts and Enquiring whether the Creation had been perf.d in London for the benefit of the poor - and that he will yet do some more airs for me, and only for me!" - Traces of folds; slight tear at horizontal centerfold (touching text), otherwise immaculate. Provenance: in the collection of Emilie Schaup in 1931; later in a Vienna private collection. First published in German translation by Botstiber, Der Merker 1/19, 777; Italian text first printed by Leo Grünstein in: Das Alt-Wiener Antlitz (Vienna 1931) I, 138 (but recipient erroneously identified as Bridi). Dénes Bartha (ed.), Joseph Haydn. Gesammelte Briefe und Aufzeichnungen (Kassel 1965), p. 452, no. 357; H. C. Robbins Landon (ed.), The collected correspondence and London notebooks of Joseph Haydn (London 1959), p. 234f. Thomson's note was first published (with a departure) in: Eva Badura-Skoda, "Eine private Briefsammlung", in: Festschrift Otto Erich Deutsch (Kassel 1963), p. 280-290, at p. 283, with fig. 2.
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Haydn, Joseph, composer (1732-1809).
Autograph musical manuscript. Fragment of the insertion aria ("Dice benissimo") for Antonio Salieri’s opera "La scuola de' gelosi", HXXIVb:5. No place, [1780].
Two pages (207:300 mm). 14 bars on one six-stave system (bars 51-64 of the published edition) for voice, bass, two horns and strings, the text for the aria "Sono le femmine si maliziose [...] nessun per certo le troverà". A fragment of Haydn's "Dice Benissimo". Haydn composed two insertion arias for Antonio Salieri’s dramma giocoso of 1778, "La scuola de' gelosi": one is lost to us, while the present manuscript is a fragment of the aria created for the bass voice of the manservant Lumaca. One of Haydn's many responsibilities as Kapellmeister of the Esterházy family - by 1780 under Nikolaus I - was as director of the opera company, his patron's newest passion as of the mid-1770s. Esterháza Palace was transformed, at the behest of Prince Nikolaus, into an important fixture on the opera calendar, with its theatre routinely hosting multiple productions each year. Not only would Haydn direct and produce the performances, but he would compose his own works, as well as adapting those of other composers - usually choosing dramma giocoso - to suit the forces at his disposal. This often meant composing insertion arias - such as the present work - to suit the voice of a particular singer: around twenty such arias survive, dating from 1777 to 1789, although only a handful are written for bass or tenor. - Remnants of tape at upper, left-hand and bottom margins of recto. Provenance: Professor Theodor Dielitz (presentation and authentication inscription; Dielitz's substantial autograph collection was auctioned by Hartung in Berlin in January 1858), given to a Dr. Pribil as a duplicate, 1 January 1848. Last in the Metropolitan Opera Guild Collection. Not in Hoboken.
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Haydn, Joseph, Komponist (1732-1809)
Des Geistes Gesang, (The Spirit's Song) Gedicht von Shakespeare, mit Deutschem und Englischem Texte.
o.J. Wien, Im Verlage des Kunst- und Industrie-Comptoirs (PN 303), [1803], Qu.-Fol. (24 x 35 cm). 6 S. Ohne Einband.
Referentie van de boekhandelaar : 58021
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Haydn, Joseph.
Dr Haydn's VI Original Canzonettas, for the Voice with an Accompaniment for the Piano-Forte. London, printed for the author & sold by him at No. 1 Bury Street, St James's, at Messrs. Corri, Dussek & Co., [1794].
Folio (246 x 333 mm). 31, (1) pp. Engraved title-page and engraved music throughout, signed "Haydn mp" in ink in lower right comer of title-page. Bound with 31 other pieces, including another collection of six Haydn canzonettas. Paginated by a contemporary hand and bound in early 18th century half calf with gilt-lettered red morocco label "K. M. M. Saunders / Songs / Vol. II" to upper board. Manuscript index at rear. Edges sprinkled red. First edition, signed by the composer with his characteristic paraph, as in all copies. This first set of "Canzonette" was issued by Haydn from his lodgings during his final visit to London in 1794. lt must have been a commercial success, for a fair number of copies survive, and remains one of the few generally obtainable examples of an original signature of one of the 18th century masters of Viennese classicism. Two examples have appeared at auction before: both at Stargardt in Berlin, in 2004 and 2006, commanding €3,600 and €4,400 respectively. In both cases it was only the separate signed title-page (with the beginning of "The Mermaid's Song" on the verso) that was sold, having been removed from the 32-page score. - The present example is clear and unfaded, having been "in situ" since its early life, part of a bound collection of 31 similar pieces and collections from an Irish source, including many scarce examples of Dublin-printed songs, including Hime's very rare 1706 Dublin edition of Haydn's second set of Canzonettas, but also Mozart (1), Handel (4), Thomas Philipps (6), and J. A. Stevenson (3), all published ca. 1794 to 1803. - Binding worn but sound with a few professional repairs to hinges and spine. Minor soiling and small stains throughout, but a very good copy. Provenance: Katherine M. M. Saunders, probably of Dublin (her label to upper cover and ink name at head of several of the scores). Hoboken IX (1991) 1525. Hirsch III, 799. RISM H 2656.
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Haydter, Alexander, Baß-Bariton (1872-1919).
Kabinettphotographie mit eigenh. Widmung und U. O. O., Juni 1914.
3 Zeilen innerhalb des Portraits (162 x 228 mm, mit einbelichteter Signatur vom K. Winkler, Wien). Folio. An den k. k. Hofsekretär der Generalintendanz der Hoftheater Dr. Ludwig Winter (urspr. Storozynetz, 1872-1922): "Herrn Doctor Ludwig Winter in ganz besonderer Verehrung und Dankbarkeit". - Der gelernte Ledergalanteriewarenhändler Haydter studierte später Gesang bei Gänsbacher und Geiringer in seiner Heimatstadt Wien; 1896 debütierte er in Zürich als "St. Bris" in Meyerbeers "Hugenotten". Nach mehreren Jahren am Deutschen Theater in Prag wurde er 1905 an die Wiener Hofoper berufen, deren Mitglied er bis zu seinem Tode blieb.
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Hayek, Friedrich August von, Wirtschaftswissenschaftler und Nobelpreisträger (1899-1992)
Karte mit eigenh. U. "F. A. Hayek ".
o.J. Freiburg, 1979 (Poststempel), 10,5 x 14,5 cm. Umschlag.
Referentie van de boekhandelaar : 59147
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Hayek, Gustav von, Gymnasialprofessor und Ornithologe (1836-1911).
Eigenh. Brief mit U. Wien, 30. XII. 1886.
1 S. Folio. An einen namentlich nicht genannten Empfänger: "Hochgeehrter Herr! Ich erlaube mir, Euer Hochwohlgeborenen ein Tafelwerk zum Verkaufe anzubieten, und eine Tafel, um deren gütige Rückstellung ich jedenfalls bitte, zur Ansicht beizuschließen, das Werk soll in 60 Tafeln das ganze Thierreich umfassen, soweit dasselbe in Mittelschulen in Behandlung kommt, und durch Aufdruck der Bezeichnungen in allen Sprachen ein internationales werden. Ich beanspruche für jede Tafel, sofort nach deren Absendung 60 fl, und werde Alles übrige Euer Hochwohlgeboren überlassen. Für die zweite und jede folgende Auflage (2000 Exemplare als Auflage gerechnet) würde ich ein Autoren-Honorar von 1000 fl beanspruchen [...]". - Gustav von Hayek war ein Pionier der Ornithologie in Österreich und darüber dem begeisterten Ornithologen Kronprinz Rudolf von Österreich verbunden. Rudolf fungierte als Protektor des auf seine Anregung hin gegründeten internationalen ornithologischen Komitees in Wien und verfasste Beiträge zu dessen "Mittheilungen". - Bei der angepriesenen Publikation handelt es sich um den "Großen Handatlas der Naturgeschichte aller drei Reiche", der zuerst 1885 in Wien und Leipzig bei Perles erschienen ist und mehrere Neuauflagen erlebt hat. - Auf Briefpapier mit lithogr. Briefkopf des internationalen permanenten ornithologischen Komitees: "Protector: Seine kaiserliche und königliche Hoheit der durchlauchtigste Herr Erzherzog RUDOLF".
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