‎Théâtre‎

‎The Society for Theatre Research:‎

‎Theatre Notebook: A Journal of the History and Technique of the British Theatre: Volume 35 Number 3‎

‎The Society for Theatre Research 1981 . Theatre journal black and white illus. very good condition ARTICLESAn Elegy on the Death of Mr Joseph Haines 1701J. W. RobinsonAdditional Entries to Arnold Hare The Georgian Theatre in Wessex 1958M. E. KnappThomas Holden in AthensTheodore Hadjipantazis The Society for Theatre Research, 1981 unknown‎

Riferimento per il libraio : 20642

‎The Society for Theatre Research:‎

‎Theatre Notebook: A Journal of the History and Technique of the British Theatre: Volume 56 Number 2‎

‎The Society for Theatre Research 2002 . Theatre journal black and white illus. very good condition ARTICLESPunch and JoanGeorge SpeaightPlaywrights with Foresight: Staging Resources in the Elizabethan PlayhousesTim FitzpatrickThe End of Charles Kean's Directorship of the Windsor TheatricalsM. Glen Wilson and Daniel BarrettThe French Play in London: The Comédie-Française at the Gaiety Theatre 1879Richard Foulkes The Society for Theatre Research, 2002 unknown‎

Riferimento per il libraio : 20627

‎The Society for Theatre Research:‎

‎Theatre Notebook: A Journal of the History and Technique of the British Theatre: Volume 32 Number 1‎

‎The Society for Theatre Research 1978 . Theatre journal black and white illus. very good condition 48pp. ARTICLESPlayers and Playing at Thetford and Nearby 1498-1540Richard BeadleTate Wilkinson's Costume NotebookJulia CurtisSome Comic Circus EntréesGeorge SpeaightDion Boucicault and Benjamin WebsterChristopher CalthropIrving and ChaliapinJames Leggio The Society for Theatre Research, 1978 unknown‎

Riferimento per il libraio : 20665

‎The Society for Theatre Research:‎

‎Theatre Notebook: A Journal of the History and Technique of the British Theatre: Volume 42 Number 1‎

‎The Society for Theatre Research 1988 . Theatre journal black and white illus. very good condition 48pp. ARTICLESMoney on Audiences: The Impact of Shakespeare's GlobeAndrew GurrSummer Theatre in London 1661-1694William J. BurlingJohn Rich and the Reopening of Lincoln's Inn FieldsDenise Elliott ShaneA View of the New Theatre Royal BristolHugh F. B. MaguireThe Spanish Dramatist Moratin and the London Theatres 1792-3Charles David LeyA Footnote to Fratricide PunishedKathleen M. D. Barker The Society for Theatre Research, 1988 unknown‎

Riferimento per il libraio : 20656

‎The Society for Theatre Research:‎

‎Theatre Notebook: A Journal of the History and Technique of the British Theatre: Volume 17 Number 3‎

‎The Society for Theatre Research Spring 1963 . Theatre journal black and white illus. very good condition ARTICLESSheridan and Whitbred at Drury Lane 1809-18152. Sheridan and Whitbread 1809-1815Quentin SkinnerStrindberg in England: A Checklist of Productions up to 1947Margery M. MorganScotland's First Dramatic Periodical: The Edinburgh Theatrical CensorCarl J. Stratman CSVNotes on a Copy of William Capon's Plan of Goodman's Fields Theatre 1786-1802 and on a copy of one of the ceiling paintings in the Folger Shakespeare LibraryLaetitia Kennedy-SkiptonThe Monmouth and Portsmouth TroupesKenneth M. Cameron The Society for Theatre Research, Spring 1963 unknown‎

Riferimento per il libraio : 20673

‎The Society for Theatre Research:‎

‎Theatre Notebook: A Journal of the History and Technique of the British Theatre: Volume 47 Number 3‎

‎The Society for Theatre Research 1993 . Theatre journal black and white illus. very good condition EDITORIALIntroduction of "Briefly Noted" items.ARTICLESThe Witts Illustration 1662John H. AstingtonComputer Analysis of Restoration Staging II: 1671-1682Dawn LewcockNew Light on LimelightM. Lindsay LambertE. W. Goodwin's Articles on "The Architecture and Costume of Shakespeare's Plays"John Boyes-WatsonRobert Eddison as a CollectorWilliam W. AppletonCasting and the Manager's Role in Sheridan's A Trip to ScarboroughAmy Elizabeth Smith The Society for Theatre Research, 1993 unknown‎

Riferimento per il libraio : 20708

‎The Society for Theatre Research:‎

‎Theatre Notebook: A Journal of the History and Technique of the British Theatre: Volume 40 Number 3‎

‎The Society for Theatre Research 1986 . Theatre journal black and white illus. very good condition ARTICLESThe Theatre Royal LeicesterRichard LeacroftThe Opera House Petition of 1799Kevin Pry"To the Oak to the Oak!" The Finale of The Merry Wives of WindsorPeter EvansAn English Influence on Russian Revolutionary FestivalsRobert RussellThespis's Poorest Chilcren: Penny Theatres and the Law in the 1830sJohn Russell StephensA North of England Marionette Theatre in the 1860sGeorge Speaight The Society for Theatre Research, 1986 unknown‎

Riferimento per il libraio : 20638

‎Windmill Theatre Piccadilly Circus:‎

‎Revudeville Souvenir nos. 115-130‎

‎London . Revudeville coloured souvenir booklet. black and white photographs. good condition. 24pp. stamps from original owner London unknown‎

Riferimento per il libraio : 19878

‎Windmill Theatre Piccadilly Circus:‎

‎Revudeville Souvenir nos. 146-150 13th Edition‎

‎London . Revudeville coloured souvenir booklet. black and white photographs. good condition. 24pp. stamps from original owner London unknown‎

Riferimento per il libraio : 19891

‎Windmill Theatre Piccadilly Circus:‎

‎Revudeville Souvenir nos. 76-84 6th Edition‎

‎London . Revudeville coloured souvenir booklet. black and white photographs. good condition. 24pp London unknown‎

Riferimento per il libraio : 19873

‎Windmill Theatre Piccadilly Circus:‎

‎Revudeville Souvenir nos. 41-50 3rd Edition‎

‎London . Revudeville coloured souvenir booklet. black and white photographs. good condition. 24pp London unknown‎

Riferimento per il libraio : 19875

‎Association of British Theatre Technicians:‎

‎Recommendations and Proposed Standards for Wiring Requirements in a New Theatre‎

‎London:ABTT April 1969 . information sheet produced by the ABTT very good condition 16pp. with wiring diagrams. London:ABTT, April 1969 unknown‎

Riferimento per il libraio : 4035

‎FILIPPO COLINI PRIMO BARITONO NEL TEATRO COMUNALE DI FORLI‎

‎Invita il colto Pubblico Forlivese e l'inclita Guarnigione alla recita . la tanto applaudita Opera del Maestro Verdi: LUISA MILLER . e l'intero terzo atto dell'Opera Torquato Tasso del Maestro Donizzetti‎

‎Forlì 1850. Piccolo volantino di cm 20 x 268 due timbri di polizia in testa Forlì unknown‎

Riferimento per il libraio : 110245

‎TEATRO CARLO FELICE‎

‎Programma Ufficiale - Stagione lirica 1936. A cura dell'amministr. del Teatro. Profili biografici e testi di E. Canesi‎

‎Genova Bozzo e Coccarello data. In 8° bross. pp. 28 con ill. n. testo Genova, Bozzo e Coccarello unknown‎

Riferimento per il libraio : 82070

‎TEATRO UNIVERSALE‎

‎Raccolta enciclopedica e scenografica pubb. da una Soc. di Librai Italiani‎

‎Torino Balbino/Pomba/Fontana.e altri editori date. In 4° cartonati muti non recenti numerose illustrazioni nel testo anche a piena pagina. Disponiamo delle seguenti annate: 1834 anno primo e 1835 rilegati insieme -1836 - 1837 - 1838 alcuni "disegni" a matita - 1839. TUTTI Torino, Balbino/Pomba/Fontana...e altri editori unknown‎

Riferimento per il libraio : 59124

‎TEATRO DE LA OPERA‎

‎Empresa Amelia Pasi De Ferrari. Temporada 1898‎

‎Buenos Aires Litografia Blanchi. Granzini y Volante 1898. In 8° massimo brossura in cromolitografia con belle immagini ai due piatti. Pp. 12 con al centro la composizione nominativa per palchi degli abbonati e la composizione nominativa dell'orchestra del Teatro dell'Opera. Le pagine sono una grande miniera di notizie sulla vita commerciale di Buenos Aires sono infatti tutte pubblicità di vario formato alcune con figure di negozi e aziente della città Buenos Aires, Litografia Blanchi. Granzini y Volante unknown‎

Riferimento per il libraio : 120815

‎TEATRO DEL COLLEGIO S. CARLO - MODENA‎

‎Carnevale 1920. Il Boscaiuolo e la dama. Azione mimo - coreo - danzante in 5 quadri del M° S. Galli‎

‎Soc. Tip. Modenese. In 8° pp. 4 con fregi e Argomento e distribuzione delle danze Soc. Tip. Modenese unknown‎

Riferimento per il libraio : 105667

‎COMUNE DI REGGIO EMILIA - TEATRO MUNICIPALE R. VALLI (A CURA DI)‎

‎Questo mondo di rugiada. Le forme e le arti della cultura giapponese. Reggio Emilia 4 giugno - 6 luglio 1983‎

‎Reggio Tecnostampa data. In 4° bross. pp. 70 6 n.n. figure bicolore nel testo. Introd. di Yasumoti Gubgji. Sull'arte del Kabuki Reggio, Tecnostampa unknown‎

Riferimento per il libraio : 109172

‎TEATRO ALLA SCALA‎

‎Stagione lirica 1949 - 50. Falstaff. Commedia lirica in tre atti di A. Boito musica di G. Verdi. Direttore V. De Sabata‎

‎Milano data. In 8° bross. pp. 84 con immagine degli interpreti e delle scene Milano unknown‎

Riferimento per il libraio : 83195

‎Drury Lane Theatre‎

‎Souvenir Programme Given by the Theatrical & Musical Professions as a Tribute to Miss Ellen Terry on the Occasion of Her Jubilee Tuesday Afternoon June 12th 1906‎

‎Paperback. New. paperback‎

Riferimento per il libraio : B9781376689884 ISBN : 137668988x 9781376689884

‎Firesign Theatre‎

‎The Further Adventures of Nick Danger Third Eye‎

‎Paperback / softback. New. paperback‎

Riferimento per il libraio : B9780881455090 ISBN : 0881455091 9780881455090

‎Dixey, Henry E. (1859-1943). American actor & theatre producer.‎

‎PLAYFUL AUTOGRAPH QUOTE "I NEVER WAS BORN / I WAS QUARRIED" SIGNED by the American Actor HENRY E. DIXEY.‎

‎September 18th 1886. 1886. Very good. - A quote alluding to his role as the statue of Adonis which comes to life in the burlesque musical of the same name "I never was born / I was quarried" signed by the American stage and screen actor Henry E. Dixey. The quote penned on 3-3/8 inch high by 4-1/2 inch wide paper is dated "Sept 18th / 86". The paper is mounted in glue from the verso onto heavier stock which was once mounted into an album. The top right corner is diagonally clipped though not affecting the text. Very good. <p>Born in Boston the American actor and theatre producer Henry E. Dixey 1859-1943 joined the cast at the Howard Athenaeum when only 9 years old playing the child character Peanuts in Augustin Daly's "Under the Gaslight". He went on to perform in many plays and musicals and was best known for his role in the burlesque musical "Adonis" from 1883 to 1885. Dixie played the title role of a handsome male statue that comes to life and finding the ways of man unpleasant chooses to turn back into stone. Dixie went on to perform other roles on stage and in silent movies. He was one of the group of "gentlemen" invited by Robert Emmet Odlum to witness his fatal jump from the Brooklyn Bridge and was the one who timed the jump with his gold stopwatch. September 18th, 1886. unknown‎

Riferimento per il libraio : 96337

‎(Commedia dell'Arte; Theatre of the Grotesque; Fo, Dario; Perlini, Meme; et al). Kirby Michael; editor.‎

‎THE DRAMA REVIEW: Italian Theatre Issue. Volume 22 Number 1 T-77 March 1978.‎

‎New York: New York University School of the Arts 1978. 1978. Very good. - Octavo softcover bound in decorative white wrappers. The wraps are slightly bumped with some very light foxing to the front edge of the front cover. 120 & 2 pages plus ads. Black-and-white illustrations. Near fine. <p>Among the contents of this special issue are an interview with Dario Fo and articles on Adriani Lazzi of the Commedia dell'Arte Giuliano Vasilico's "Proust" the theatre of Meme Perlini Group Altro's "ICS" Spazio Zero's "To Salvatore Giuliano" and Ouroboros' "The Death of Geometry". New York: New York University School of the Arts, 1978. paperback‎

Riferimento per il libraio : 23905

‎Stevens, Roger L. (1910-1998). American theatre producer and arts administrator. Founding chairman of the Kennedy Center for the‎

‎An apologetic TYPED LETTER SIGNED by the American Theater Producer ROGER L. STEVENS as Chairman of the Kennedy Center for the Performing Arts apologizing to Jean Dalrymple who was apparently upset about being left out of the loop in the production of a Revival.‎

‎New York February 19 1983. 1983. Fine. - Over 220 words typed on 11 inch high by 8-1/4 inch wide creamy white "John F. Kennedy Center for the Performing Arts" stationery with the center's logo and title printed in teal & green at the top. Responding to his friend City Center producer and ANTA's executive director Jean Dalrymple who was upset at being left out of the loop in decisions made in staging a revival of "On Your Toes". Stevens begins by saying that "I am distressed by your letter. I had no intention of upsetting you." He goes on to describe how the project had "started off on a very small scale and somehow ballooned into a monster." Though most of the money was put up by the Kennedy Center ANTA the American National Theater and Academy still had substantial funding involved. He explains that "From the beginning we ran into a beehive of problems not the least of which was Makarova's shocking injury; and with it all we never really sat down and thought very clearly about the relation of ANTA and the Kennedy Canter." To appease her Stevens hopes to have her attend the first preview with him and offer her opinion. ".the first preview is on Tuesday March 1 and I very much hope that you will attend that with me and Delly and give us your opinion." Signed "Roger". Folded for mailing else fine. <p>The ballerina Natalia Makarova was injured by falling scenery during a performance of "On Your Toes" and was replaced in the role by Valentina Kozlova. The Virginia Theater opening was delayed and re-scheduled for March 6. Delly to whom Stevens refers is Alfred de Liagre the executive producer for ANTA.<p>Roger L. Stevens 1910-1998 was an American theatrical producer arts administrator and real estate executive. He was the founding chairman of both the Kennedy Center for the Performing Arts 1961 and the National Endowment for the Arts 1965. He produced more than a hundred plays and musicals over his career including "West Side Story" "Cat on a Hot Tin Roof" and "Bus Stop". He became known for introducing plays by such adventurous writers as Harold Pinter Arthur Kopit and Tom Stoppard.<p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostelanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. New York, February 19, 1983. unknown‎

Riferimento per il libraio : 96514

‎Stevens, Roger L. (1910-1998). American theatre producer and arts administrator. Founding chairman of the Kennedy Center for the‎

‎TYPED LETTER SIGNED by the American Theater Producer ROGER L. STEVENS as Chairman of the Kennedy Center for the Performing Arts responding to Jean Dalrymple's request for his thoughts on a book she is compiling.‎

‎New York October 30 1978. 1978. Fine. - Over 110 words typed on 11 inch high by 8-1/4 inch wide creamy white "John F. Kennedy Center for the Performing Arts" stationery with the center's logo and title printed in teal & green at the top. Responding to his friend City Center producer Jean Dalrymple's letter Stevens apologizes for the delay in replying "In cleaning up my desk after having neglected it for awhile due to some travelling and putting together several plays I came across your letter of August 9th." Stevens continues "I am not really very knowledgeable about music so probably would not have had any worthwhile thoughts for the book you are compiling." Signed "Roger". Folded for mailing else fine. <p>Roger L. Stevens 1910-1998 was an American theatrical producer arts administrator and real estate executive. He was the founding chairman of both the Kennedy Center for the Performing Arts 1961 and the National Endowment for the Arts 1965. He produced more than a hundred plays and musicals over his career including "West Side Story" "Cat on a Hot Tin Roof" and "Bus Stop". He became known for introducing plays by such adventurous writers as Harold Pinter Arthur Kopit and Tom Stoppard.<p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostelanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. New York, October 30, 1978. unknown‎

Riferimento per il libraio : 94948