Servius Maurus Honoratus; Georg Thilo & Hermann Hagen [Georgius Thilo Et Hermannus Hagen] (Eds. )
SERVII GRAMMATICI QUI FERUNTUR IN VERGILII CARMINA COMMENTARII. VOL III: QUI FERUNTUR IN VERGILII BUCOLICA ET GEORGICA COMMENTARII & APPENDIX SERVIANA: Ceteros Praeter Servium Et Scholia Bernensia Vergilii Commentatores Continens
Minor shelfwear. Scholar's name to inner cover (J. C. McKeown). 1 corner lightly bumped. ; Unchanged reprint of 1887 Edition. 360 & 540 pages. ; 2 Volumes in 1; Vol. 3
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Menander; Christianus [Christian] Jensen
MENANDRI [MENANDER] RELIQUIAE IN PAPYRIS ET MEMBRANIS SERVATAE Edidit Christianus Jensen
Minor shelfwear. Scholar's bookplate to inner cover (G. P. Goold). ; Lxxvi, 184 pp ; Bibliothecae Graecae Et Latinae Auctarium Weidmannianum Volumen I; 184 pages
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Menander; W. G. Waddell (Ed. )
SELECTIONS FROM MENANDER
Endpapers browned. Small tears to spine ends. Spotting to boards. Minor spine slant. ; Xxxvi, 182pp. ; 182 pages
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Menander; Carlo Diano (A Cura Di)
MENANDRO: DYSKOLOS OVVERO SIA IL SELVATICO Testo E Traduzione
Scholar's bookplate to inner cover (G. P. Goold). Foxing to top of textblock. Spine a bit sunned. ; Proagones: Collezione Di Studi E Testi. Testi 1; 142 pages
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Menander; G. Zuntz
INTERPRETATION OF A MENANDER FRAGMENT (Fr. 416 Koerte = 481 Kock) D. M. Adriani Heringa
Minor shelfwear. ; 209-246 pp. From the proceedings of the british academy, volume XLII ; Philological Monographs of the American Philological Association Number XXIV; 37 pages
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Wiles, David
THE MASKS OF MENANDER Sign and Meaning in Greek and Roman Performance
Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Minor shelfwear. ; 1.06 x 9.33 x 6.26 Inches; 287 pages; This book provides a detailed analysis of the conventions and techniques of performance characteristic of the Greek theatre of Menander and the subsequent Roman theatre of Plautus and Terence. Drawing on literary and archaeological sources, and on scientific treatises, David Wiles identifies the mask as crucial to the actor's art, and shows how sophisticated the art of the mask-maker became. He also examines the other main elements which the audience learned to decode: costume, voice, movement, etc. In order to identify features that were unique to Hellenistic theatre he contrasts Greek New Comedy with other traditions of masked comedy, and shows how different Roman conventions of performance rest upon different underlying assumptions about religion, marriage and class. David Wiles offers theatre historians and classicists a radical new approach to reading play texts. His book will also be useful to archaeologists seeking to understand what masks mean and how Greek and Roman theatres were used.
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MENANDREA Miscellanea Philologica
Scholar's bookplate to inner cover (G. P. Goold). Pages tanned. Wraps browned. ; Università Di Genova - Facoltà Di Lettere 13; 219 pages
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Menander; Carlo Gallavotti
MENANDRO: DYSKOLOS Testo Critico E Interpretazione
Scholar's bookplate to inner cover (G. P. Goold). Minor Foxing. Creasing through upper corner of pages. DJ has chipping and small tears. ; Ricerche Filologiche Vol. 2; 117 pages
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Menander; Franz Stoessl (Hrsg. )
MENANDER: DYSKOLOS Kommentar [Zu Menander Dyskolos]
Scholar's bookplate to inner cover (G. P. Goold). Minor shelfwear with a bit of bumping to spine and a couple of corners. DJ has chipping and small tears. DJ spine browned. ; 275 pages
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Ovid; Paul Bradt
P. OVIDIUS NASONIS [OVID] DE ARTE AMATORIA LIBRI TRES. Erste Abt: Text Und Kommentar
Scholar's bookplate to inner cover (G. P. Goold). Spine a bit sunned. Lower corners a bit bumped. ; Xxiii, 255 pp. Unchanged Reprint of 1902 ed. ; 255 pages
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Ovid; Paul Bradt
P. OVIDIUS NASONIS [OVID] AMORUM LIBRI TRES. Erste Abt: Text Und Kommentar
Scholar's bookplate to inner cover (G. P. Goold). Spine a bit sunned. Front board a bit bowed. ; Unchanged Reprint of 1911 ed. ; 239 pages
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Diogenes Laertius; C. Gabr. Cobet & Ant. Westermanno [Westermann] & J. F. Boissonadio [Boissonade]
DIOGENIS LAERTII [DIOGENES LAERTIUS] DE CLARORUM PHILOSOPHORUM VITIS, DOGMATIBUS ET APOPHTHEGMATIBUS LIBRI DECEM . ..recensuit C. Gabr. Cobet....ant. Westermanno Et Marini Vita Procli J. F. Boissonadio Edentibus. Graece Et Latine Cum Indicibus.
Neatly rebound in black pebbled cloth with gilt lettering to spine. Scholar's bookplate to inner cover (G. P. Goold). ; Full title includes: "Accedunt Olympiodori ammonii, iamblichi, porphyrii et aliorum vitae platonis, aristotelis, pythagorae, plotini et isidori". 319 + 182 pp. Text in Greek and Latin; 4to 11" - 13" tall; 501 pages
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Heliodorus / Heliodoros; John William Birchall
HELIODOROS AITHIOPIKA I: A COMMENTARY WITH PROLEGOMENA Submitted for the Degree of Ph. D. in the University of London by John William Birchall
Appears to be self-published in blue vinyl wrappers. Faint crease through pages. Corrigenda tipped in. ; Thesis/dissertation; 4to 11" - 13" tall; 193 pages
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Desborough, V. R. D'A.
THE LAST MYCENAEANS AND THEIR SUCCESSORS An Archaeological Survey, C. 1200- C. 1000 B. C.
Ffep creased. Scholar's bookplate to inner cover (G. P. Goold). Bookplate of Oxford University Press library to ffep. DJ is browned with a few tears; 4to 11" - 13" tall; 288 pages; This book assembles for the first time the archaeological data for the whole of Greece and the Aegean - and for certain adjacent areas - during the twelfth and eleventh centuries B. C. With 24 b/w plates.
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Liebeschuetz, J. H. W. G.
CONTINUITY AND CHANGE IN ROMAN RELIGION
Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. DJ spine sunned. Minor chipping to DJ. DJ is price-clipped. ; 384 pages; This book, published in 1979 , surveys religious attitudes reflected in Latin literature from the late Republic to the time of Constantine. Liebeschuetz focuses on the development of the Roman public religion, particularly the relation between Roman religion and morality.
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Horsfall, Nicholas (Ed. )
VIR BONUS DISCENDI PERITUS Studies in Celebration of Otto Skutsch's Eightieth Birthday
creasing to lower corners of book. Spine a bit browned. ; Contents: Supplementum Bibliographicum; Otto Skutsch's Ennius: Sebastiano Timpanaro; The Clever and the Wise: Two Roman Cognomina in Context: E. Badian; Catulliana: Wendell Clausen; Some Literary Jokes in Ovid's Amores: E. Courtney; Kidney Trouble in Vindicianus: K. D. Fischer; On Editing Propertius: G. P. Goold; Observations on the Text of Ovid's Letters Ex Ponto: J. B. Hall; Seneca's Hecuba: E. Henry; Stylistic Observations on Two Neglected Subliterary Prose Texts: N. M. Horsfall; Studies in the Indirect Tradition of Plautus' Pseudolus. Ill The 'Archaising Movement', Republican Comedyand Aulus Gellius' Nodes Atticae: H. D. Jocelyn; Publilius Syrus and the Element of Competition in theTheatre of the Republic: E. J. Jory; Enn. Ann. 120 Skutsch (126 Vahlen2) : Scevola Mariotti; Notes on the Text and Interpretation of Juvenal: R. G. M. Nisbet; Some Textual Problems in Ovid's Ex Ponto: J. A. Richmond; The Date of Horace, Odes 2.13: E. A. Schmidt; Religiosis Viantium: Nota ad Apuleio, Florida 1: Mariateresa Scotti; Etyma Latina V (26-31) : Oswald Szemerényi; Is Bald Beautiful? The Etymology of Greek kalos, and Latin caluus Reconsidered: A. A. Thompson Clarke; The First Hellenistic Epigrams at Rome: John Van Sickle; Emendationum Tacitearum Heptas: J. Willis; Five Critical Notes: Eric Wistrand; Hidden Verses: E. W. Handley. Index Nominum et Rerum. Index Locorum. ; Institute of Classical Studies Bulletin Supplement 51; 199 pages
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Bremmer, Jan N. & N. M. Horsfall (Eds. )
ROMAN MYTH AND MYTHOGRAPHY
Front wrap has been excised and another blue front wrap has been taped into place. Light creasing to wraps. Gift inscription from Horsfall to G. P. Goold and Philippa Goold on ffep. ; Bulletin of the Institute of Classical Studies Supplement 52; 127 pages; Contents: Myth and Mythography at Rome; The Aeneas Legend from Homer to Virgil; Romulus, Remus and the Foundation of Rome; Caeculus and the Foundation of Praeneste; From History to Legend: M. Manlius and the Geese; Myth and Ritual in Ancient Rome: the Nonae Capratinae; Corythus Re-Examined; Slow Cybele's Arrival.
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Munari, Franco
CATALOGUE OF THE MSS OF OVID'S METAMORPHOSES
Wraps a bit tanned. ; Institute of Classical Studies Bulletin Supplement 40; 74 pages
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Winterbottom, Michael
PROBLEMS IN QUINTILIAN
Spine browned. Scholar's bookplate to inner cover (G. P. Goold). Bump to lower corner with minor creasing through pages. ; Main headings: The older Manuscripts of Quintilian; Orthography; Noctes Quintilianeae. ; Institute of Classical Studies Bulletin Supplement 25; 236 pages
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Turner, Eric G. (Ed. )
NEW FRAGMENTS OF THE MISOUMENOS OF MENANDER
Spine tanned and lower half reinforced with cellotape. Faint creasing to pages. ; Institute of Classical Studies Bulletin Supplement 17; 73 pages
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Theognis; Ernst Diehl & Douglas Young (Eds. )
THEOGNIS Ps. -Pythagoras -- Ps. -Phocylides --Chares -- Anonymi Aulodia -- Fragmentum Teliambicum. Post Ernestum Diehl ; Edidit Douglas Young. Indicibus Ad Theognidem Adiectis
Minor shelfwear. Scholar's bookplate to inner cover (G. P. Goold). Spine sunned and a bit spotted. ; Text in Greek; editorial matter in Latin. [2. Verbesserte aufl. ]; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 172 pages
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Gaius Lucilius; Fridericus [Friedrich] Marx (Ed. )
C. LUCILII CARMINUM RELIQUIAE Volumen Prius: Prolegomena, Testimonia, Fasti Luciliani, Carminum, Reliquiae, Indices & Volumen Posterius: Commentarius
Scratches and rubbing to spine labels with lettering mostly effaced. Spines a bit sunned. Upper corners of V1 A bit bumped. Scholar's bookplate to inner covers (G. P. Goold). Light pencil marginalia and underlining; Unchanged Reprint of 1904 Teubner Edition. V1: Cxxxvi, 169 pp. V2: Xxii, 437pp. ; 2 Volume Set COMPLETE
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Johnson, Walter Ralph
MOMENTARY MONSTERS: LUCAN AND HIS HEROES
Scholar's bookplate to inner cover (G. P. Goold). Light Foxing/dustsoiling to top of textblock. DJ spine sun bleached with part of DJ also sunned. ; A lively and provocative reading of the Roman poet Lucan which casts new light on the Pharsalia, his epic poem and only surviving work. Contents: Erictho and Her Universe; Cato: The Delusions of Virtue; Pompey: The Illusions of History; Caesar: the Phantasmagoria of Power. ; Cornell Studies in Classical Philology; 0.75 x 8.75 x 5.5 Inches; 160 pages
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Jones, Christopher P.
CULTURE AND SOCIETY IN LUCIAN
Foxing/dustsoiling to top of textblock. DJ has a couple of small tears. ; Examines Lucian's work, setting this brilliant writer in the social and intellectual context of an age that proved pivotal in Greco-Roman history. ; 0.89 x 9.59 x 6.49 Inches; 224 pages
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Robinson, Christopher
LUCIAN And His Influence in Europe
Light Foxing/dustsoiling to top of textblock. Minor shelfwear to book and DJ. DJ is price-clipped. ; General study of Lucian and his influence, the effect of his work on later writiers and the types of imitation he inspired and two literary case studies show Lucian's remote control on Erasmus and Fielding; 248 pages
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Baldwin, Barry
STUDIES IN LUCIAN
Book and Dustjacket have minor shelfwear and rubbing. ; Lucian of Samosata (c. AD 120 - after 180) was a rhetorician and satirist, writing in the Greek language, noted for his witty and scoffing nature. This book examines the evidence for Lucian's life, and reconstructs from contradictory and elusive data. Looks at Lucian the writer and careerist, rather than just his writing...casts new light on the development of culture in the Greek world under Roman domination. ; 123 pages
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Cichorius, Conrad
UNTERSUCHUNGEN ZU LUCILIUS
Scholar's bookplate to inner cover (G. P. Goold). Spine a bit sunned. ; 364 pages
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Lucian; Harry L. Levy
LUCIAN: SEVENTY DIALOGUES Introduction and Commentary
Some pencil notes with former owner's name to ffep (Goold). DJ has some rubbing and light chipping. ; Xxv, 316pp. ; American Philological Association Series of Classical Texts; 316 pages
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Perry, Ben Edwin
THE METAMORPHOSES ASCRIBED TO LUCIUS OF PATRAE Its Content, Nature, and Authorship
Pages and wraps tanned. ; Dissertation; 74 pages
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Staten, Henry
EROS IN MOURNING From Homer to Lacan
Minor shelfwear. Dustjacket is protected in mylar. ; Eros in Mourning begins with a reading of the Iliad that shows how Homer, not yet influenced by the ideology of transcendence, analyzes the structure of unassuageable mourning in a way that is as up-to-date as the latest poststructuralism. Then, in readings of Dante, Hamlet, La Princess de Clèves, Heart of Darkness, and Lacan, Staten depicts the "thanato-erotic" hysteria that is set off by the specter of the dead and decomposing body that is also the body of sexual love and which, in the "transcendentalizing" tradition, is more female than male. Yet, St. John, certain troubadours, and Milton offer glimpses of a more affirmative relation to "eros in mourning. " ; 9.5 x 1 x 6.5 Inches; 248 pages
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Snodgrass, Anthony
HOMER AND THE ARTISTS Text and Picture in Early Greek Art
Very minor shelfwear. ; This is a study of the works of art from early Greece that have long been presented as "illustrations to Homer, " but that are argued here to be nothing of the kind. Early Greek artists showed no preference for Homeric subjects and, when their interests did coincide with Homer's, treated his account as, at best, one of the possible variants. Close descriptive analysis of texts and pictures and of the artists' aims, together with statistical evidence, provide the basis for the argument. ; 0.43 x 8.29 x 5.91 Inches; 200 pages
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Thornton, Agathe
HOMER'S ILIAD: Its Composition and the Motif of Supplication
Creasing to 1 corner of wraps ; Hypomnemata. Heft 81; 182 pages
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Scott, William C.
THE ORAL NATURE OF THE HOMERIC SIMILE
Former owner's name on ffep. ; Anger is central to the Homeric epic, but few scholarly interventions have probed Homer's language beyond the study of the IliadOs first word: menis. Yet Homer uses over a dozen words for anger. Fighting Words and Feuding Words engages the powerful tools of Homeric poetic analysis and the anthropological study of emotion in an analysis of two anger terms highlighted in the Iliad by the Achaean prophet Calchas. Walsh argues that kotos and kholos locate two focal points for the study of aggression in Homeric poetry, the first presenting Homer's terms for feud and the second providing the native terms that designates the martial violence highlighted by the Homeric tradition. After focusing on these two terms as used in the Iliad and the Odyssey, Walsh concludes by addressing some post-Homeric and comparative implications of Homeric anger. ; Mnemosyne. Bibliotheca classica Batava. Supplementum; 212 pages
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Tsagalis, Christos C.
EPIC GRIEF Personal Laments in Homer's Iliad
As Tsagalis proclaims at the beginning of his study: `the Iliad begins with pain and suffering... And ends with pain and suffering'. Death is presented as a dynamic force and laments are an essential part of the narrative. This detailed study, which assumes a good knowledge of Greek, closely scrutinises selected passages from the Iliad to compare the style, language and dramatic devices of the laments and to discuss what they reveal about different approaches towards death. The personal laments of Agamemnon, Andromache, Thetis, Briseis, Achilles, Priam, Hecuba and Helen are discussed in particular detail. Extracts are presented in Greek and English but many individual quotes are not translated. ; Untersuchungen zur antiken Literatur und Geschichte, band 70; 231 pages
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Vivante, Paolo
THE EPITHETS IN HOMER A Study in Poetic Values
Faint foxing to textblock else book is fine. ; Looks at the noun-epithet phrases in Homer. ; 222 pages
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Vivante, Paolo
HOMERIC RHYTHM A Philosophical Study
In a follow-up to his previous Homeric studies, noted classicist Paolo Vivante explores Homer's verse, highlighting rhythm rather than metre. Rhythmical qualities, he argues, constitute the force of the verse? For example, in the way the words take position and in the way each pause hints suspense, producing an immediate sense of time. Vivante's main concern is not with the techniques or rules of the verse-composition, but more philosophically with verse itself as a fundamental form of human expression. This study will be of interest to both students and scholars. ; Contributions to the Study of World Literature 82; 176 pages
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Sissa, Giulia & Marcel Detienne; Lloyd, Janet
THE DAILY LIFE OF THE GREEK GODS
Dustjacket is protected in mylar. ; Despite the rousing stories of male heroism in battles, the Trojan War transcended the activities of its human participants. For Homer, it was the gods who conducted and accounted for what happened. In the first part of this book, the authors find in Homer s Iliad material for exploring the everyday life of the Greek gods: what their bodies were made of and how they were nourished, the organization of their society, and the sort of life they led both in Olympus and in the human world. The gods are divided in their human nature: at once a fantasized model of infinite joys and an edifying example of engagement in the world, they have loves, festivities, and quarrels. In the second part, the authors show how citizens carried on everyday relations with the gods and those who would become the Olympians, inviting them to reside with humans organized in cities. At the heart of rituals and of social life, the gods were omnipresent: in sacrifices, at meals, in political assemblies, in war, in sexuality. In brief, the authors show how the gods were indispensable to the everyday social organization of Greek cities. ; Mestizo Spaces; 0.71 x 8.5 x 5.56 Inches; 287 pages
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Seltman, Charles Theodore
MASTERPIECES OF GREEK COINAGE Essay and commentary
Endpapers tanned. Minor sunning to base of spine. Tanning to DJ panel. DJ has 1 small open tear to base of spine and a few other smal tears, light creasing. ; 127 pages
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Stanley, Keith
THE SHIELD OF HOMER Narrative Structure in the Iliad
Light bump to 1 corner. Faint foxing to top of textblock. Very light shelfwear to DJ. Dustjacket is protected in mylar. ; 1.25 x 9.75 x 6.75 Inches; 492 pages; In this masterly interpretation of narrative sequence in the Iliad, Keith Stanley not only sharpens the current debate over the date and creation of the poem, but also challenges the view of this work as primarily a celebration of heroic force. He begins by studying the intricate ring-composition in the verses describing Achilles' shield, then extends this analysis to reveal the Iliad as an elaborate and self-conscious formal whole. In so doing he defends the hypothesis that the poem as we know it is a massive reorganization and expansion of earlier "Homeric" material, written in response to the need for a stable text for repeated performance at the sixth-century Athenian festival for the city's patron goddess. Stanley explores the arrangement of the poem's books, all unified by theme and structure, showing how this allowed for artistically satisfying and practically feasible recitation over a period of three or four days. Taking structural emphasis as a guide to poetic discourse, the author argues that the Iliad is not a poem of "might"--as opposed to the Odyssean celebration of "guile"--but that in advocating social and personal reconciliation the poem offers a profound indictment of a warring heroic society.
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Rabel, Robert J. (Ed. )
APPROACHES TO HOMER, ANCIENT AND MODERN
faint foxing to top of textblock else book is fine. DJ spine a bit sunned. Dustjacket is protected in mylar. ; Ten new essays, from a distinguished cast of (mainly) North American scholars, approach Homer with insights gained from the modern disciplines of psychology and anthropology, narratology, oral theory and cognitive research. But the contributors also attend to ancient modes of approach to the Homeric poems: linguistic and narratological, ethical and psychological. The volume focuses both on literary technique in the poems, and on the portrayal of characters and peoples, central and marginal. ; 1.25 x 9.75 x 6.75 Inches; 240 pages
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Scodel, Ruth
LISTENING TO HOMER Tradition, Narrative, and Audience
Minor shelfwear. Dustjacket is protected in mylar. ; The Homeric poems were not intended for readers, but for a listening audience. Traditional in their basic elements, the stories were learned by oral poets from earlier poets and recreated at every performance. Individual nuances, tailored to the audience, could creep into the stories of the Greek heroes on each and every occasion when a bard recited the epics. For a particular audience at a particular moment, "tradition" is what it believes it has inherited from the past--and it may not be particularly old. The boundaries between the traditional and the innovative may become blurry and indistinct. By rethinking tradition, we can see Homer's methods and concerns in a new light. The Homeric poet is not naive. He must convince his audience that the story is true. He must therefore seem disinterested, unconcerned with promoting anyone's interests. The poet speaks as if everything he says is merely the repetition of old tales. Yet he carefully ensures that even someone who knows only a minimal amount about the ancient heroes can follow and enjoy the performance, while someone who knows many stories will not remember inappropriate ones. Pretending that every detail is already familiar, the poet heightens suspense and implies that ordinary people are the real judges of great heroes. Listening to Homer transcends present controversies about Homeric tradition and invention by rethinking how tradition functions. Focusing on reception rather than on composition, Ruth Scodel argues that an audience would only rarely succeed in identifying narrative innovation. Homeric narrative relies on a traditionalizing, inclusive rhetoric that denies the innovation of the oral performance while providing enough information to make the epics intelligible to audiences for whom much of the material is new. Listening to Homer will be of interest to general classicists, as well as to those specializing in Greek epic and narrative performance. Its wide breadth and scope will also appeal to those non-classicists interested in the nature of oral performance. ; 1.25 x 9.75 x 6.75 Inches; 248 pages
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Wilson, Donna F.
RANSOM, REVENGE, AND HEROIC IDENTITY IN THE ILIAD
Dustjacket is protected in mylar. ; Wilson examines the nature of compensation--ransom and revenge--in the Iliad, offering a fundamentally new reading of the quarrel between Agamemnon and Achilles. She presents a detailed anthropology of compensation in Homer, located in the wider context of agonistic exchange, to demonstrate how the struggle over definitions is a central feature of elite competition for status in the zero-sum and fluid ranking system of Homeric society. The study thus asserts the integral role of compensation in the traditional, cultural and poetic matrix of this foundational epic. ; 1.25 x 9.75 x 6.75 Inches; 250 pages
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Matthews, John
THE ROMAN EMPIRE OF AMMIANUS
Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Light shelfwear to DJ. ; 624 pages; The surviving books of Ammianus Marcellinus, covering in detail twenty-five years of the author’s adult lifetime (353-378), place him in the first rank of Classical historians. With their intense style and lively visual sense, their power and marvellous ability to portray character in action (as well as their occasional idiosyncrasy), the Res Gestae are essential reading for anyone concerned with the history of the later Roman Empire and with the survival of the Classical literary tradition in an age of cultural and religious innovation
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Salvini, Anton Maria; Rosario Pintaudi (A Cura Di)
MANETONE: DEGLI EFFETTI DELLE STELLE
Scholar's bookplate to inner cover (G. P. Goold). Pages tanned. Minor shelfwear. ; Italian text. ; Documenti Inediti Di Cultura Toscana Vol. 1; 167 pages
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Harrison, S. J. (ed.)
HOMAGE TO HORACE A Bimillenary Celebration
Very light shelfwear to book. DJ has 1 small tear. ; Contributors: C. O. Brink, Francis Cairns, I. M. Le M. Du Quesnay, D. P. Fowler, S. J. Harrison, Margaret Hubbard, H. D. Jocelyn, Antonio La Penna, R. G. Mayer, M. M. McGann, Frances Muecke, M. C. J. Putnam, H. P. Syndikus, R. J. Tarrant, L. C. Watson, David West, Gordon Williams. ; 392 pages; These seventeen new pieces by some of the world's leading classicists have been brought together to celebrate the bimillenary of the Horace's death. The contributions range from detailed treatments of particular poems to general issues about Horace's literary techniques, themes, biography, and reception in later times. An introduction sets the book in the context of contemporary scholarship on the poet.
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Aulus Persius Flaccus; W. V. Clausen (Ed. )
A. PERSI FLACCI [PERSIUS]: SATURARUM LIBER Accedit Vita
Foxing to inner covers. Long notes to first 2 free endpapers written in pencil (quoting? ) Otto Seel. 1 small note in pencil to text. Book has minor shelfwear and rubbing. DJ has chipping and small tears. DJ spine browned.
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Farquharson, A. S. L. & D. A. Rees (Ed. )
MARCUS AURELIUS His Life and His World
Scholar's bookplate to inner covers (G. P. Goold). Endpapers lightly browned. DJ spine browned. DJ has a bit of chipping and a few tears with a bit of loss to head of DJ spine. ; 8vo 8" - 9" tall; 154 pages
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Martial; J. A. Pott & F. A. Wright (Trans. )
MARTIAL: THE TWELVE BOOKS OF EPIGRAMS With an Introduction
Spine has been crudely reinforced with cellotape. Fraying to spine ends. Scholar's bookplate to inner cover (G. P. Goold). Else minor shelfwear. ; No date. Likely 1922-25; Broadway Translations; 402 pages
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Meleager; Walter Headlam
FIFTY POEMS OF MELEAGER With a Translation
Tears along joints of spine cover with some fraying to head of spine. 2 corners lightly edgeworn. Former owner's name to ffep. 2 small circle stamps of "Dominican Fathers Edinburgh". Scholar's bookplate to inner cover (G. P. Goold). Internally VG. ; 107 pages
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Rosen, Ralph
MAKING MOCKERY The Poetics of Ancient Satire
Very light shelfwear. ; Making Mockery explores the dynamics of comic mockery and satire in Greek and Roman poetry, and argues that poets working with such material composed in accordance with shared generic principles and literary protocols. It encourages a synoptic, synchronic view of such poetry, from archaic iambus through Roman satire, and argues that if we can appreciate the abstract poetics of mockery that governs individual poets in such genres, we can we better understand how such poetry functioned in its own historical moment. Rosen examines in particular the various strategies deployed by ancient satirical poets to enlist the sympathies of a putative audience, convince them of the justice of their indignation and the legitimacy of their personal attacks. The mocking satirist at the height of his power remains elusive and paradoxical--a figure of self-constructed abjection, yet arrogant and sarcastic at the same time; a figure whose speech can be self-righteous one moment, but scandalous the next; who will insist on the "reality" of his poetry, but make it clear that this reality is always mediated by an inescapable movement towards fictionality. While scholars have often, in principle, acknowledged the force of irony, persona-construction and other such devices by which satirists destabilize their claims, very often in practice--especially when considering individual satirists in isolation from others--they too succumb to the satirist's invitation to take what he says at face value. Despite the sophisticated critical tools they may bring to bear on satirical texts, therefore, classicists still tend to treat such poets ultimately as monochromatically indignant, vindictive individuals on a genuine self-righteous mission. This study, however, argues that that a far subtler analysis of the aggressive, poeticized subject in Classical antiquity--its target, and its audience--is called for. ; Classical Culture and Society; 312 pages
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