‎Make-up‎

‎ANONIMO.‎

‎PINTORES FLAMENCOS EN EL MUSEO DEL PRADO.‎

‎23x17. Spp. Fotogr. Es una agenda. Cortes dorados. Enc. Guaflex ed.‎

‎CATALOGO.‎

‎DE EL BOSCO A TIZIANO. ARTE Y MARAVILLA EN EL ESCORIAL. MADRID, PALACIO REAL. SEPTIEMBRE 2013-ENERO 2014.‎

‎29x24. 319p. Fotogr.‎

‎CATALOGO.‎

‎JUAN CORREA. TAPICES DE ARENA. MARLBOROUGH MADRID. 20 DE NOVIEMBRE DE 2008-3 DE ENERO DE 2009.‎

‎29x24. 27p. Fotogr.‎

‎HAUSER Gayelord‎

‎BEAUTE A LA CARTE, Mirror, Mirror en the wall.‎

‎PARIS, Buchet/Chastel - 1961 - 426 pages. - Gravures dans le texte Petit In-4° Broché. Propre. Traduit de l'américain par Michèle CAUSSEARIS, Buchet/chastel‎

‎Collins, Amy Fine ; White, Antoinette‎

‎Hair style by Amy Fine Collins ; preface by Liz Tilberis ; edited by Antoinette White ; designed by Toshiya Masuda‎

‎Large folio in white color photo illus DJ; 158 p. : ill. (some col.) ; 37 cm. Beauty operators -- Biography. Hairdressing. Hairstyles.‎

‎Cohen Ragas, Meg; Kozlowski, Karen‎

‎Read my lips : a cultural history of lipstick‎

‎Red-white octavo (red-white spine); 120 p, color illus (some color) ; 21 cm. Lipstick; Beauty -- History.‎

‎ARNOLDI, Frank.‎

‎Met pijp en stift. Handleiding voor de grimeerkunst. Vierde druk. Met vele illustraties en een tweetal uittrekvellen van grimeringen in serieverband.‎

‎In-8, 134 pp., zw/w ills. En foto's (sommige uitslaand), ingenaaid, geïllustreerde papieromslag. Zeer goed ex./ VG + [EN-7]‎

‎GHOZLAND, F.‎

‎Cosmetiques. Être et paraître. Textes ecrits en collaboration avec J.-P. FORESTIER.‎

‎in-4 carre, 108 pages entièrem. illustre en n/b et en couleurs, relie cartonnage ed., jaquette illustree plastifiee. Savon, shampoing, vernis ou teinture, rouge a lèvres, lotion capillaire et antirides, epilation, maquillage ou produits de soins... leur histoire a travers la publicite. Bel exemplaire. [PLG-5/6*] Bel exemplaire.‎

‎BITTERLIN, A.‎

‎L'Art de faire sa beauté. Suivi d'une etude de la peau et des soins à lui donner.‎

‎in-12, 208 pages, planches hors texte, broche, couverture illustree Bon etat (Defauts d'us.) [DV-1]‎

‎BAISSE, G. et ROBIN, J.‎

‎Maquillages et perruques au théâtre.- Préface de Jean-Louis Barrault.‎

‎petit in-4°, 198 pages. Photographies couleurs et noir hors texte en pleine page, nombreux dessins en noir. Bon état. [P-25]‎

‎PERIER, Anne-Marie (du Magazine Mademoiselle Age Tendre)‎

‎BELLES, BELLES, BELLES.‎

‎in-16, 283 pages, illustrations, broche, couverture illustree Etat correct (défauts d'us.) [LP-3]‎

‎McFarlane, Leslie; Thomas, Martha Banning; Higson, Kit; Annixter, Paul; Baxter, A. Beverley; King, Mackenzie; Manion, R.J.; Woodsworth, J.S.; Blackmore, J.H.; Edwards, Frederick; Dustan, Gordon; Cochrane, H.G.; McKnight, F. W.; Shipley,Nan; Ashbery,H‎

‎Maclean's - Canada's National Magazine, 15 March, 1940 - Cover Photo of Air Vice-Marshal G.M. Croil, A.F.C.‎

‎68 pages. Features: Fantastic two-colour full-page photo ad for International Trac-Tractor roadbuilding equipment; Wakeville Awake! - Part 1 of a serial by Leslie McFarlane; Parker Pen ad; The Stars Hang High (fiction); Lord Tweedsmuir's Vision of a New World; Mackenzie King, R.J. Manion, J.S. Woodsworth and John Blackmore comment on the nation's war effort; Five Wee Wimmen - another Donald Mackellen story (fiction); Canada's Fighting Forces - Part 6 - Pay and Records - article with photos; Bats in the Belfry - Dr. Harold B. Hitchcock studies bats - photo sequence; Feud on High Plateau (fiction); Gordon Dunstan's Quiz #12; Hudson Six ad; Frigidaire Fridge ad; War on the Parasite - the new institute of Parasitology at Ste Anne de Bellevue, Quebec; Rare article and photos of hockey on Cape Breton - the Glace Bay Miners, North Sydney Vics and Sydney Millionaires - with photos of McGibbon,k Squarebriggs, Larabie, Clifton, Craig and Bill Hannon, Van Daele, Langille and Bill Gill - very rare!; GMC Truck (van) ad; Plymouth ad; Dodge car ad; Dodge truck ad; Sensational colour photo centerfold ad for Studebaker cars; Interesting drawn ad for Kleenex attempts to convince readers to adopt the Kleenex habit (it seems to have worked); Photo ad for Tangee make-up "Will He Kiss You Tonight?"; Cartoon strip-style ad for Hinds hand cream featuring beauty advisor "Honey"; Nice Fargo truck ad features photo of a Charlottetown, P.E.I. unit with snowplow mounted on front; Skis for Planes - the Elliott brothers' workshop in Sioux Lookoutk, Ontario - article with photo; *Fantastic* two-page election ad for "Fighting Bob" Manion takes aim at Mackenzie King; Ford V-8 ad inside back cover; Nice colour ad for canned lobster on back cover. Moderate wear. Unmarked. A wonderful vintage issue. Book‎

‎Brown, Carlton; Talmey, Allene;‎

‎Vogue (American) Incorporating Vanity Fair (Magazine), May 1, 1939 - New York World's Fair Issue‎

‎140 pages. Features: Iconic Benito cover illustration welcomes visitors to New York and the World's Fair; Welcome to New York; Invitation to the Fair; Dress Sense of a Queen; From Queen Alexandra's Day; The Queenly Figure; Mrs. Vincent Astor; Coats for the "Yankee Clipper"; World's Fair in the "Nineties"; Fruit from Paris - colour illustrations of fruity headwear; Polynesia in Print; Summer Preview in New Orleans; Southern Innocents; Land of Cotton; Vogue's Spot-Light; 5 PM to 2 AM - at the Fair; Photos of French doll Madeleine de Baine, purchased in Paris in 1868; A Wardrobe for visiting the Fair; Town Ginghams; Mr. and Mrs. Gilbert Miller's house; and more. Ads include: Wamsutta Supercale sheets color photo inside front cover; Tiffany & Co; Fromm Bros. silver pedigreed fox fur fashions; Best & Co; Bergdorf Goodman; International Silk Guild; Henry Bendel; McCallum Stockings; Fantastic one-page color ad for Shalimar perfume; Luxite Pantie-girdles; Bonwit Teller; Jaeckel; Van Raalte undergarments; Lord & Taylor; Stetson Tailorite Shoes; Nice one-page color illustrated ad for SeaMolds swimsuits by Flexees; Wallace Silversmiths; One-page color ad for Red Cross Shoes; S.H. Camp & Company - featuring large illustration of the Camp Transparent Woman; Macy's - Parade of Pants and Petticoats; "Lastex" Yarn; Dupont's Scuffless "Pyraheel" for shoes; Biberman Bros. - feminine frocks; Gansborough Snoodets hair nets; Vanity Fair Silk Mills; Pacific Mills; Enka Rayon; Laros Undergarments - lovely one-page color-illustrated; Everfast - one-page color-photo of model in Guatemalan print; Jacqueline Shoes; Pakables Hats; Vassarette foundations - nice one-page two-color ad; Kedettes Shoes - nice one-page color ad; Talon Placket Fasteners - featuring motorcycle cop photo; Saks Fifth Avenue; Frances Denney Make-up; Elizabeth Arden - nice one-page, two-color ad; Max Factor; Heel Latch Shoes; Daniel Green Comfy Slippers; Grace Ashley; Dobbs Hats; Jane Engel; Gorgeous color-illustrated Italian Line ad inside back cover shows charming passengers on deck; Back cover color-photo ad for Lucky Strike cigarettes features tobacco auctioneer Joe Cuthrell - plus dozens of additional smaller ads. Complete and unmarked with no address label. Moderate wear. Binding sound. Short openings at each end of backstrip. A quality copy of this magnificent vintage issue. Book‎

‎Dalla Palma, Diego‎

‎Come si cambia‎

‎Trovare il proprio stile con pochi soldi ed in pochi minuti.‎

‎Motherwell, Robert; McKendry, John J.; Kelder, Diane‎

‎Robert Motherwell's A La Pintura: The Genesis of a Book‎

‎Exhibition catalogue. Wear and stains to cover. 7"w x 9"h. Black and white illustrations. "Robert Motherwell's A la pintura (To Painting) is a sumptuous artist's book of aquatint images and letterpress texts, and one of the most important examples of this genre." [J. Paul Getty Museum]‎

‎Litherland, Janet‎

‎Clown Ministry Handbook‎

‎A clean, unmarked book with a tight binding. 104 pages."A clown is asexual, interracial and ageless. He [sic] can touch, at one time, all ages, all intellects, all strata of society, the living and the dying. Instant communication."‎

‎LEONARDO DE MANGO, (1843-1930).‎

‎Leonardo de Mango: An orientalist from Beyoglu.= Leonardo de Mango: Beyoglu'nda bir oryantalist. [Exhibition catalogue]. Project coordinator: Erol Makzume, Veysel Ugurlu, Ömer Faruk Serifoglu.‎

‎New English Paperback. Pbo. 4to. (29 x 21 cm). In English and Turkish. 208 p., color ills. "An Orientalist painter who lived almost half a century in Istanbul up to his death, Leonardo de Mango is described by the art commentator Thalasso as, a painter through whom the East spoke. De Mango was born on 19 February 1843, the eldest child of a large family in the town of Bisceglie near Bari in Italy, where he honed his native talent for drawing up to the age of nineteen. In 1862, under the patronage of an aristocratic family of Bari, he entered the Academy of Fine Arts of Naples and studied there for eight years under Filippo Palizzi and of Domenico Morelli. Morelli was also a painter who treated exotic orientalist themes. During this period de Mango also worked with Saverio Altamura, Bernardo Celentano, Raffaele d'Auria, Federico Maldarelli, Raffaele Postiglione and Giuseppe Mancinelli. In 1883 De Mango settled in Istanbul during the reign of Sultan Abdul Hamid II, where he is known to have set up, and taught for some time at, the oil painting department of the School of Fine Arts. Forced to leave Istanbul briefly in 1911 during the Tripolitanian War, the artist returned to the city following the Treaty of Ouchy on 15 October 1912. De Mango was among the artists who, at the initiative of Alexander Vallaury, a teacher in the architecture department of the School of Fine Arts, and Regis Delbeuf, manager of the Istanbul daily Le Stamboul, organized the first painting and sculpture exhibition at Beyoglu in 1901, dubbed the 'Pera Exhibitions in the Passage Oriental', an arcade owned by the French merchant Bourdon. With 27 works, De Mango was the most well represented artist in the exhibition, as he was again in the 1920 exhibition when he was one of 36 artists, participating with 33 of his own paintings. De Mango also had 16 paintings in the last of the Pera exhibitions, which was held in 1903. He painted in the open air and in his workshop at Beyoglu, reflecting the daily life of the different districts of Istanbul until his death in 1930.". Contents: Erol Makzume "The 75th anniversary of the death of an orientalist painter from Pera, Leonardo de Mango"; Roberta Ferrazza "Leonardo de Mango and the Italian community in Istanbul"; Bianca Consiglio "Portrait Painter Leonardo de Mango"; Piero Consiglio - Giacinto La Notte "Leonardo de Mango stages in a life divided between East and West"; Catalogue.‎

‎MURAT AKAGÜNDÜZ.‎

‎Murat Akagündüz. Vertigo. [Exhibition catalogue]. Edited by Süreyyya Evren, Ilkay Baliç.‎

‎New English Paperback. Pbo. 4to. (31 x 24 cm). In English and Turkish. 112 p., b/w and color ills. Murat Akagündüz. VErtigi. [Exhibition catalogue]. Edited by Süreyyya Evren, Ilkay Baliç. Murat Akagündüz's exhibition Vertigo brings together 13 paintings from the "Kaf" series. In this new series the artist depicts some of world's highest mountain peaks as seen on Google Earth. How is the act of painting transformed once we rely upon the mediation of digital data to depict an actual physical landscape? The exhibition thus refers to the ontological consequences of such digital mediation in our relationship to the Earth and its implications in terms of vision and image production. While the series, named after the Kaf Mountain, emphasises a mythological narrative, each painting in the "Kaf" series takes its title from the latitude and longitude values defining the position of the images on Google Earth. Akagündüz offers us views over the peaks of the Alpide Belt, spreading across three continents, and provides us with the coordinates of the Kaf Mountains at the same time. In juxtaposing mathematical exactitude with the perceptually challenging monochromatic use of the colour white, Akagündüz's intention is to explore the minimal conditions of visual representation. The "Kaf" series, in its search for a language using different shades of white, winnows down the minimal conditions of pictorial representation to a bare-bones relationship between light and shade and approaches the threshold of visual perception. In the "Kaf" paintings, the line of the horizon is either invisible or it escapes the eye by merging with the upper corner of the canvas. Adopting a satellite view of the Earth the paintings represent a vertical, groundless perspective. As the horizon is nowhere to be found, our sense of being grounded in space is unsettled and a sense of vertigo sets in. This vertigo effect is also echoed in the spatial construction of the exhibition through a subtle intervention on the walls delineating the first floor of Arter. The "Kaf" paintings bring the process of emergence of image to the eye and to memory, between appearance and disappearance, through reverberations in time. At first sight, these appear to be abstract fragments that are difficult to read in terms of their relationships of scale to the reality they were cut off from. The even distribution of light on the entire surface and its movements through various shades of white, by evading the eye, catch and hold the gaze. The stains, which slip away and alter the moment we think we have caught an image, are contiguous with the void and create a silent space of tension. Vertigo denotes the dizziness and loss of balance felt when a subject or the objects surrounding them appear to be moving in space. As reflected through Murat Akagündüz' "Kaf" series, vertigo is a relational phenomenon, it points both to a spatial disorientation on psychological and physiological levels, and to an uncertainty regarding subject-object relationships as perceived within space. By opening up a space for silent contemplation, the paintings invite the viewer to sense the new possibilities found in this loss of ground and thus produce a new perception of the world.‎

‎TÜRKKAYA ATAÖV.‎

‎Fikret Moualla. Turkish painters.= Les peintres Turcs.‎

‎Fine English Original bdg. HC. Oblong large 8vo. (22 x 23 cm). In English and French. 88 p., color and b/w ills. Fikret Moualla. Turkish painters.= Les peintres Turcs.‎

‎A. SÜHEYL ÜNVER.‎

‎Ressam Levnî. Fatih Sultan Mehmed ve babasi ile oglu. Resimlerini yapan ressam Levnî ve biyografisi.‎

‎Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 26 p., 1 color plate, 8 b/w plts. Ressam Levnî. Fatih Sultan Mehmed ve babasi ile oglu. Resimlerini yapan ressam Levnî ve biyografisi. A study on Sultan Mehmet II and Abdulcelil Çelebi Levni (was an Ottoman court painter and miniaturist).‎

‎SITKI M. ERINÇ.‎

‎Ercümend Kalmik, 1908-1971. [Artist catalogue].‎

‎Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 22 cm). In English, French, and Turkish. [6], 250 p., color plts. 2000 copies were printed. Ercümend Kalmik, 1908-1971. [Artist catalogue]. Ercümend Kalmik, (1908-1971), known for his work in understanding the lyrical-abstract Turkish painters. n 1928, Academy of Fine Arts in the Department of Painting by entering the first Nazmi Ziya's, then Ibrahim Calli 's was a student. In 1937, after graduation time in various newspapers and magazines and worked. Previously, impressionistic understanding Kalmik employees, located in Europe at the time of cubism was interested. Braque 'la Picasso 's, then Fernand Léger and Henri Matisse's figures were impacted by understanding. After returning to Turkey maintained a distinct outer line of figurative abstraction and had a strong sense of pattern. In the 1960s, fishermen, boats and sailboats in front of an abstract landscape imagery began funding. With solid color stain, which highlights the contours of a lyrical expression in the works of this period are seen. As well as the etching Kalmik also makes the picture in the 1960s in the figurative sense of the prints that are dominant. As well as objects and natural appearance of the figure given the place and occupancy of the space in this building has been used in a balanced manner. Domestically and abroad, participated in many group exhibitions, solo exhibitions opened.‎

‎TÜLAY DURAN.‎

‎Portraits of Ottoman Empire's sultans.= Padisah portreleri.‎

‎Fine English Original bdg. HC. 4to. (28 x 20 cm). In English and Turkish. 315, [4] p., color and b/w ills. Portraits of Ottoman Empire's sultans.= Padisah portreleri.‎

‎DR. A. SÜHEYL ÜNVER.‎

‎Ressam Nigâri. Hayati ve eserleri.‎

‎New English Paperback. 4to. (30 x 21 cm). In Turkish. 24, [4] p., 4 full page color plts. Ressam Nigâri. Hayati ve eserleri. The reigns of Suleyman the Magnificent, (1520-1566) and especially Selim II, (Selim the Yellow -Sari-) (1566-1574) in the second half of the 16th century were the golden age of the Ottoman miniature, with its own characteristics and authentic qualities. Nakkas Osman (often known as Osman the Miniaturist) was the most important miniature painter of the period, while Nigari developed portrait painting. TURKISH AND ISLAMIC ARTS Traditional art Portrait Ottoman culture History of art Sari Selim Sultan Miniature Biography.‎

‎NURULLAH [CEMAL] BERK, (1904-1982).‎

‎Nurullah [Cemal] Berk. Texts by Nurullah Berk, Turan Erol, Ayla Dirilten Yilimaz.‎

‎New New English Original bdg. Dust wrapper. Oblong large 8vo. (23 x 25 cm). In English and Turkish. 156 p., color and b/w ills. Nurullah [Cemal] Berk. Texts by Nurullah Berk, Turan Erol, Ayla Dirilten Yilimaz. Artist catalogue. TURKISH PAINTING Modern - Contemporary art Painter Artist.‎

‎Texts by PHILIPPE DAGEN, RICHARD LEYDIER, MARIE MAERTENS, PHILIPPE PIGUET, THIBAUT DE RUYTER.‎

‎Beautiful painting is behind us.= La belle peinture est derriere nous.= Güzel resim geçmise aittir. Preface by Bernard Emie. Artists: Ronan Barrot, Julien Beneyton, Romain Bernini, Katia Bourdael et alli.‎

‎New English Paperback. 4to. (29 x 25 cm). In French, English, and Turkish. [110], [1] p., color and b/w ills. Beautiful painting is behind us.= La belle peinture est derriere nous.= Güzel resim geçmise aittir. Preface by Bernard Emie. Artists: Ronan Barrot, Julien Beneyton, Romain Bernini, Katia Bourdael et alli. TURKISH PAINTING French art Modern painting Contemporary art.‎