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SEFA KAPLAN.
Türk yazarlarinin gözüyle dünya kentleri.
New New English Original bdg. Dust wrapper. 4to. (32 x 24 cm). In Turkish. 293 p., color and b/w ills. Türk yazarlarinin gözüyle dünya kentleri. World cities through the eyes of Turkish authors.
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Edited by FILIZ ÖZDEM.
Sirti dag, yüzü deniz: Mersin. Photograps by Günes Karabuda.
New New English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In Turkish. 349 p., ills. with color and b/w photos. Sirti dag, yüzü deniz: Mersin. Photograps by Günes Karabuda. Yapi Kredi Monography Series; Mersin.
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Curated by LEVENT ÇALIKOGLU - ÇELENK BAFRA.
Plurivocality: Visual arts and music in Turkey.= Çok sesli: Türkiye'de görsel sanatlar ve müzik. Edited by N. Can Kantarci. [Exhibition catalogue]. 27 Haziran - 27 Kasim 2014.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 178 p., color and b/w ills. Within the scope of its 10th year, Istanbul Modern presents "Plurivocality", an exhibition investigating the interrelations between auditory and visual arts through a selection of contemporary artwork in Turkey. Exploring the close bond the visual arts have established with sound and music from past to present, "Plurivocality" reveals the special personal and social roles music plays in artistic processes. The exhibition features current works by artists that treat the visual and the auditory not as distinct disciplines, but rather as two fields that work in tandem. The paintings, sculptures, videos, and installations in the exhibition render sound and music visually as a theme, concept, or issue, using different forms of music and sound as metaphors and means of expression. The exhibition also serves as a source for understanding the cultural and sociopolitical role sound and music play in Turkey and how various music trends have influenced visual art practices. A research area at the entrance of the exhibition hall, "Repertoire" explores the intersections between music and the visual arts in Turkey as well as past collaborations between actors in the two fields. "Repertoire" is an initiative that examines Turkey's sociocultural history from the late Ottoman era to the 1980s via its reflections in the visual arts and music.
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Edited by SEYIT ALI KAHRAMAN.
Evliya Çelebi. Hac yolu. Prep by Mustafa Aksoy.
New New English Original binding with dust wrapper. In special slip-case. 4to. (33 x 24 cm). 248 p. In Turkish. Color and b/w ills. Evliya Çelebi. Hac yolu. Prep by: Mustafa Aksoy.
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ALTAN ÇILINGIROGLU.
Urartu tarihi.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [4], 150 p., ills., 1 map. Urartu tarihi. History of Urartu.
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MEHMET GÜLTEKIN.
Toroslarda bilinmeyen bir ülke: Homonada. (Sedasa / Sedaseis - Marla / Marula).
New English Paperback. Pbo. Demy 8vo. (21 x 15 cm). In Turkish. 152 p., ills. Toroslarda bilinmeyen bir ülke: Homonada. (Sedasa / Sedaseis - Marla / Marula). Homonada land in Taurus Mt. An archaeological history.
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HASAN YELMEN.
Kazliçesme'de 50 yil.
Fine English Paperback., Fine., 23 x 16 cm., 340 p., "Kazliçesme'de 50 yil.", Hasan Yelmen, Ezgi Kitabevi Yayinlari, Ist., 1992.
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TAHIR HAFIZOGLU.
Kirk vezir hikayeleri.
Fine English Paperback., Fine., 21 x 14 cm., 235 p., "Kirk vezir hikayeleri.", Tahir Hafizoglu, Selis Kitaplar, Ist., 2002.
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OKTAY ARAS.
Ülkemizin gurur kaynagi insanlarindan bir kesit: Galatasaray Liseli mezun, okumus, ögretmen, idareci yazarlar ve kitaplar. 4 volumes set. (A-Z.; Additional volume).
New English Paperback. Pbo. 4to. (29 x 22 cm). In Turkish. 4 volumes set (1445 p.), b/w and color ills. Ülkemizin gurur kaynagi insanlarindan bir kesit: Galatasaray Liseli mezun, okumus, ögretmen, idareci yazarlar ve kitaplar. 4 volumes set. (A-Z.; Additional volume). Bibliography of authors and their publications, who graduated from the prestigious Galatasaray Highschool.
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KUZGUN ACAR, (1928-1976).
Kuzgun Acar. [Exhibiton catalogue]. 14 Nisan - 30 Haziran 2004, Kibele Sanat Galerisi. Edited by Murat Ural. Texts by Ferit Edgü, Levent Çalikoglu, Murat Ural.
New English Paperback. Pbo. 4to. (30 x 24 cm). In Turkish with a large English summary. 297 p., color and b/w ills. Kuzgun Acar. [Exhibiton catalogue]. 14 Nisan - 30 Haziran 2004, Kibele Sanat Galerisi. Edited by Murat Ural. Texts by Ferit Edgü, Levent Çalikoglu, Murat Ural.
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Edited by CEM ILERI.
Memory and scale: 15 artists of modern Turkish sculpture; [Ali Hadi Bara, Zühtü Müridoglu, Sadi Çalik, Ilhan Koman, Kuzgun Acar, Ali Teoman Germaner, Saim Bugay, Mehmet Aksoy, Seyhun Topuz, Meriç Hizal, Ferit Özsen, Koray Aris, Osman Dinç, Azade Köker, Rahmi Aksungur].= Bellek ve ölçek: Modern Türk heykelinin 15 sanatçisi. [Exhibition catalogue]. Curated by Hasim Nur Gürel, Ali Akay, Levent Çalikoglu.
Fine English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 313, [3] p., color and b/w ills. Memory and scale: 15 artists of modern Turkish sculpture; [Ali Hadi Bara, Zühtü Müridoglu, Sadi Çalik, Ilhan Koman, Kuzgun Acar, Ali Teoman Germaner, Saim Bugay, Mehmet Aksoy, Seyhun Topuz, Meriç Hizal, Ferit Özsen, Koray Aris, Osman Dinç, Azade Köker, Rahmi Aksungur].= Bellek ve ölçek: Modern Türk heykelinin 15 sanatçisi. [Exhibition catalogue]. Curated by Hasim Nur Gürel, Ali Akay, Levent Çalikoglu.
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Edited by AMY SINGER, CHRISTOPH K. NEUMANN, NINA ERGIN.
Feeding people, feeding power: Imarets in the Ottoman Empire.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 312 p., b/w and color ills. Feeding people, feeding power: Imarets in the Ottoman Empire. Imarets have long been recognized as one signature institution of the Ottoman Empire. These public kitchens were typically located in mosque complexes or multi-structured complexes, which included some or all of the following buildings: mosque, medrese, mekteb, tomb, caravansaray, sufi tekke (or tekye) , hospital, bath, market, and other structures associated with the social, economic, and cultural life of the population, usually in an urban setting. Studying imarets is yet another way to explore the Ottoman vision of conquest, empire-building, and imperial rule. The imarets were part of the multiple Ottoman provisioning systems supporting the imperial palaces, military campaigns, cities, and the annual hajj caravan to Mecca and Medina. The public kitchens operated in a society where the state and beneficent institutions held a continual and considerable role in contributing to the daily subsistence of all kinds of individuals. Ultimately, the Ottoman sultan's preoccupation with food was in part an outgrowth of his political and military capacities, and his general responsibility to provide for his subjects. Although the precise dynamic of the emergence of imarets as a distinct institutional form is a process that remains to be traced, it was clearly a confluence of historical practices, together with the demands placed on the early Ottoman sultanate, that gave rise to the particular form of the imaret. Evliya Celebi remarked that in all his travels he saw "nothing like our enviable institution." At least one architectural historian claims that no earlier structures have been found that are analogous and certainly none are described in general books on Islamic architecture. The particular Ottoman origin of the imaret as a distinct architectural form is also attested by its presence throughout the Ottoman lands, Anatolia, the Balkans, and the Arab provinces, regions that did not necessarily share institutions in the pre-Ottoman period. Entirely unexplored remains the impact of Byzantine practices of charity on the Ottoman imarets. The daily distribution of cooked meals to large numbers of urban dwellers year-round from a special building designed for that purpose thus appears to have been an Ottoman innovation, at least outside the holy cities of Mecca and Medina, and of Hebron.
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Edited by AMY SINGER, CHRISTOPH K. NEUMANN, NINA ERGIN.
Feeding people, feeding power: Imarets in the Ottoman Empire.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 312 p., b/w and color ills. Feeding people, feeding power: Imarets in the Ottoman Empire. Imarets have long been recognized as one signature institution of the Ottoman Empire. These public kitchens were typically located in mosque complexes or multi-structured complexes, which included some or all of the following buildings: mosque, medrese, mekteb, tomb, caravansaray, sufi tekke (or tekye) , hospital, bath, market, and other structures associated with the social, economic, and cultural life of the population, usually in an urban setting. Studying imarets is yet another way to explore the Ottoman vision of conquest, empire-building, and imperial rule. The imarets were part of the multiple Ottoman provisioning systems supporting the imperial palaces, military campaigns, cities, and the annual hajj caravan to Mecca and Medina. The public kitchens operated in a society where the state and beneficent institutions held a continual and considerable role in contributing to the daily subsistence of all kinds of individuals. Ultimately, the Ottoman sultan's preoccupation with food was in part an outgrowth of his political and military capacities, and his general responsibility to provide for his subjects. Although the precise dynamic of the emergence of imarets as a distinct institutional form is a process that remains to be traced, it was clearly a confluence of historical practices, together with the demands placed on the early Ottoman sultanate, that gave rise to the particular form of the imaret. Evliya Celebi remarked that in all his travels he saw "nothing like our enviable institution." At least one architectural historian claims that no earlier structures have been found that are analogous and certainly none are described in general books on Islamic architecture. The particular Ottoman origin of the imaret as a distinct architectural form is also attested by its presence throughout the Ottoman lands, Anatolia, the Balkans, and the Arab provinces, regions that did not necessarily share institutions in the pre-Ottoman period. Entirely unexplored remains the impact of Byzantine practices of charity on the Ottoman imarets. The daily distribution of cooked meals to large numbers of urban dwellers year-round from a special building designed for that purpose thus appears to have been an Ottoman innovation, at least outside the holy cities of Mecca and Medina, and of Hebron.
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MUALLIM ISMAIL HAKKI.
Türk musikisi. Nota, usul, makamat ve solfej metodu.
Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 114 p., musical scores. Türk musikisi. Nota, usul, makamat ve solfej metodu. First Edition.
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ZAFER ARACAGÖK.
Atopolojik sapmalar: Deleuze ve Guattari.
New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 76 p. Atopolojik sapmalar: Deleuze ve Guattari.
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CAROL HANISCH, REDSTOCKINGS, HANIFE ALIEFENDIOGLU, A. NAZAR ERISKIN.
Kisisel olan politiktir. Radikal feminizm üzerine.
New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. [viii], 64 p. Kisisel olan politiktir. Radikal feminizm üzerine.
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REDA BENSMAIA, GILLES DELEUZE, FELIX GUATTARI.
Kafka efekt. Minör bir edebiyat nedir? Translated by Baris Tanyeri.
New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 32 p. Kafka efekt. Minör bir edebiyat nedir? Translated by Baris Tanyeri.
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TURHAN BAYTOP.
Eczâhâne'den Eczane'ye. Türkiye'de eczaneler ve eczacilar, 1800-1923. Edited by Gökhan Akçura.
Very Good English Original bdg. HC. 4to. (31 x 25 cm). In Turkish. 133 p., b/w and color ills. Revised Second Edition. Eczâhâne'den Eczane'ye. Türkiye'de eczaneler ve eczacilar, 1800-1923. Edited by Gökhan Akçura. History of pharmacy and pharmacists in the Ottoman Empire and Turkey from beginning of 19th century to Republican Turkey.
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IBRAHIM DEMIREL.
Ibrahim Demirel. Lonely trees, in solitude yet free.= Tek agaçlar, yalniz ama özgür. [Exhibition catalogue]. Edited by Ayla Demirel.
Fine English Original bdg. HC. In publisher's special slip-case. 4to. (27 x 27 cm). In English and Turkish. 132 p., color photos. Ibrahim Demirel. Lonely trees, in solitude yet free.= Tek agaçlar, yalniz ama özgür. [Exhibition catalogue]. Edited by Ayla Demirel. "The Ibrahim Demirel Exhibition in Ankara (April 30 - May 18, 1985), with its lonely but free trees, points at the problems of personality that the individual has within the frameworks of nature and society. Although the raw-material of the exhibition is drawn directly from nature, the art of photography has made it possible the transformation of this natural material, into an exposure of problems which relate to the social existence of individuals struggling for freedom.". (From Sargut Sölçün's Preface). 1000 copies were printed.
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Edited by RIFAT GÜNALAN, SINAN SÜMBÜL.
Osmanli belgelerinde Beykoz.
New New English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In Turkish. 528 p., b/w ills. Osmanli belgelerinde Beykoz. Beykoz (Beicos) based on the Ottoman archival documents. A very heavy volume.
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MOULOUD GAID.
L'Algérie sous les Turcs.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. 239, [1] p., 14 b/w plts. L'Algérie sous les Turcs. Contents: Situation du Maghreb à la veille de la conquête Turque - Apparition des Turcs dans le Maghreb (Les frères Barberousse - Action et gouvernement des Beylers-beys: Hassen Pacha) - Les Pachas triennaux, 1586-1659 - Le Gouvernement des Aghas, 1659-1671 - L'etat Algérien: gouvernement des Deys, (1671-1830).
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ENDER ÖZISIK.
Bodrum black & white. Testimony of a genial and buoyant town at the end of 20th century.= Adi Halikarnas. 20. yüzyil sonunda siyah ve beyaz fotograflarla bir kent belgeseli.
Fine English Paperback. Pbo. Oblong large 8vo. (22 x 24 cm). In English and Turkish. 323 p., fully b/w photos, 1 color map. Bodrum black & white. Testimony of a genial and buoyant town at the end of 20th century.= Adi Halikarnas. 20. yüzyil sonunda siyah ve beyaz fotograflarla bir kent belgeseli.
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F[ERNAND] BRAUDEL, F. COARELLI, M. AYMARD.
Akdeniz. Mekân ve tarih. Translated by Necati Erkurt.
Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 144 p. Some underlined words. Akdeniz. Mekân ve tarih. Translated by Necati Erkurt. First Turkish Edition. [= Mediterranee, l'êspace et l'histoire arts.].
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GIORGIO MORANDI, (1890-1964).
Acqueforti di Giorgio Morandi.= Giorgio Morandi'nin gravürleri. [Exhibition catalogue]. Istanbul, Museo d'Arte Moderna, 22 Giugno - 31 Juglio, 1990. Preface by Belkis Mutlu, Teodoro Cutolo, Michele Cordaro.
Fine English Paperback. Pbo. 4to. (28 x 20 cm). In Italian and Turkish. 131, [2] p., many b/w unnumbered plates. Acqueforti di Giorgio Morandi.= Giorgio Morandi'nin gravürleri. [Exhibition catalogue]. Istanbul, Museo d'Arte Moderna, 22 Giugno - 31 Juglio, 1990. Preface by Belkis Mutlu, Teodoro Cutolo, Michele Cordaro. Contents; Morandi artista Europeo = Avrupa sanatçisi Morandi., Federica Di Castro.; Morandi e l'incisione in Italia = Morandi ve Italya'daki gravür sanati., Fabio Fiorani.; Giorgio Morandi incisore all'acquaforte = Islak kazi gravür sanatçisi Morandi., Luigi Ficacci.; Catalogo = Katalog.; Apparati = Belgeler., A cura di Federica Di Castro, Luigi Ficacci, Giuseppe Trassari Filippetto.; Antologia critica = Elestiri antolojisi.; Biografia = Özgeçmisi.; Procedimento tecnico dell'incisione all'acquaforte = Islak kazi teknigi islemleri.
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ESEN ONAT.
Architecture, form and geometry.= Mimarlik, form ve geometri.
Very Good English Paperback. Pbo. Oblong small 4to. (19 x 27 cm). In English and Turkish. [6], 92 p., 100 numerous b/w plts. First Edition. Architecture, form and geometry.= Mimarlik, form ve geometri. Contents; Introduction.; he basic forms of space geometry.; The pure or processed use of basic forms.; Deductions / diminutions in the processing of basic forms., Lateral decutions, Deductions from the top, Comprehensive deductions.; Additions in the processing of basic forms. Lateral additions, Additions onto the top, Combined additions.; The combined application of deductions and additions. Lateral applications, Top surface applications, Comprehensive applications.; Division of the basic forms. Division without deforming the basic form, The deformation of the basic form.; The integration of basic forms. Attaching, Linking, Interlocking.; Organizational approaches in the use of basic forms. Nodal organizations, Clustered organizations, Linear organizations, Enveloping organizations, Radial organizations, Branched organizations, Gridiron organizations.
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ESEN ONAT.
Architecture, form and geometry.= Mimarlik, form ve geometri.
New English Paperback. Pbo. Roy. 8vo. (24 x 16 cm). In English and Turkish. 104 p., b/w ills. Second Edition. Architecture, form and geometry.= Mimarlik, form ve geometri. Contents; Introduction.; he basic forms of space geometry.; The pure or processed use of basic forms.; Deductions / diminutions in the processing of basic forms., Lateral decutions, Deductions from the top, Comprehensive deductions.; Additions in the processing of basic forms. Lateral additions, Additions onto the top, Combined additions.; The combined application of deductions and additions. Lateral applications, Top surface applications, Comprehensive applications.; Division of the basic forms. Division without deforming the basic form, The deformation of the basic form.; The integration of basic forms. Attaching, Linking, Interlocking.; Organizational approaches in the use of basic forms. Nodal organizations, Clustered organizations, Linear organizations, Enveloping organizations, Radial organizations, Branched organizations, Gridiron organizations.
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Edited by M. SINAN GENIM.
From Konstantiniyye to Istanbul. Photographs of the Rumeli Shore of the Bosphorus from the mid-XIXth to the XXth century.= Konstantiniyye'den Istanbul'a. XIX. yüzyil ortalarindan XX. yüzyila Bogaziçi'nin Rumeli Yakasi fotograflari. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. [xx], [1], 145 p., b/w photos. Fifth Edition. From Konstantiniyye to Istanbul. Photographs of the Rumeli Shore of the Bosphorus from the mid-XIXth to the XXth century.= Konstantiniyye'den Istanbul'a. XIX. yüzyil ortalarindan XX. yüzyila Bogaziçi'nin Rumeli Yakasi fotograflari. [Exhibition catalogue]. The exhibition showcased works by masters of photography, who practiced their art in Istanbul from the end of the XIXth to the early years of the XXth century. Comprised from a selection of photographs from the Suna and Inan Kiraç Foundation Photograph Collection and from private collections, it revealed the magnificent structures, daily life and intriguing personalities of an Istanbul past. Istanbul has evolved into an industrial city, an enormous metropolis: its silhouette, architecture, vehicles, bridges, quays, streets and public spaces have attained an entirely different appearance. Masters such as Ali Sami Aközer, Félice Beato, Guillame Berggren, Abdullah Biraderler, Gülmez Biraderler, Ernest Edouard de Caranza, Sebah & Joaillier, Maurice Meys, Ali Enis Oza, James Robertson and Elisa Pante Zonaro document the nostalgic images of the city during their time, taking us on a pleasurable journey through the photographs they took in the difficult and challenging techniques of the time.
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SEDAT LAÇINER.
Turkey and the world. A complete bibliography of Turkey and Turks in English.= Türkiye ve dünya. Ingilizce Türkiye ve Türkler bibliyografyasi.
New English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In English and Turkish. 446 p. This study is a bibliography attempt on Turkey, Ottoman Empire and the Turks. It aims to cover all the books, chapters in the books, journal articles, thesis and even some selected paper articles on Turkey written in English language during the last millenium. All these studies are categorised in Ottoman History, Republican History, Politics, Nationalism, Religion, Foreign Policy, Political Economy and Legal Studies main titles. There are over 50 entry including dictionaries and bibliographies.
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NECATI INCEOGLU, TAN GÜRER, ELÂ ÇIL.
Düsünme ve anlatim araci olarak eskizler.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 125 p., numerous b/w and color plts. Düsünme ve anlatim araci olarak eskizler. First Edition. ARCHITECTURE Contemporary architecture Sketch Urbanization.
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PROF. KEMAL AHMET ARÛ.
Türk kenti. Türk kent dokularinin incelenmesine ve bugünkü kosullar içinde degerlendirilmesine iliskin yöntem arastirilmasi.
Very Good English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 288 p., color and b/w ills. and photos. Türk kenti. Türk kent dokularinin incelenmesine ve bugünkü kosullar içinde degerlendirilmesine iliskin yöntem arastirilmasi. ARCHITECTURE Turkish and Islamic arts Urbanization Turkish / Ottoman cities.
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DIKMEN GÜRÜN.
Tiyatro benim hayatim. Yildiz Kenter'in hayat hikâyesi. Edited by Fahri Güllüoglu.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 312 p., b/w and color photos. Tiyatro benim hayatim. Yildiz Kenter'in hayat hikâyesi. Biography and memoirs of Yildiz Kenter, (1928 -), Turkish theater actress.
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ÜMIT GEZGIN.
Seydi Murat Koç resminin kendi izlegindeki serüveni. [With 1 original drawing]. [Catalogue of artist].
New English Paperback. Pbo. Demy 8vo. (20 x 16 cm). In Turkish. 62 p., fully color and b/w ills. Seydi Murat Koç resminin kendi izlegindeki serüveni. [Catalogue of artist]. Signed and inscribed by painter. First and Only Edition. 1 original drawing inside the book. TURKISH PAINTING Modern painting Artist.
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ÜMIT GEZGIN.
Exhibition dreaming of its museum.= Müzesini düsleyen sergi. [Exhibition catalogue]. Preface by Ömer Faruk Batirel.
New New English Paperback. Pbo. Dust wrapper. 4to. (30 x 24 cm). In English and Turkish. 127, [1] p., color and b/w ills. Exhibition dreaming of its museum.= Müzesini düsleyen sergi. [Exhibition catalogue]. Preface by Ömer Faruk Batirel. Exhibition catalogue of original prints of Marmara University The Faculty of Fine Arts Collection from Aliye Berger [Boronai] to Bedri Rahmi Eyüboglu, Tan Oral. 1000 copies were printed. TURKISH PAINTING Contemporary / Modern painting Original print.
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CEM BEHAR.
Osmanli / Türk musikisinin kisa tarihi.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 202 p. Osmanli / Türk musikisinin kisa tarihi. Collected articles of the author on history of Ottoman / Turkish classical music. MUSIC Ottoman culture History of art Turkish classical music.
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SEYFI BASKAN.
Karamanogullari dönemi Konya mezar taslari.
Fine English Paperback. Pbo. 4to. (28 x 20 cm). In Turkish. [x], 88 p. Color and b/w ills. Karamanoghulsi tombstones in Konya. An important study on gravestones in Anatolia at the period of The Principalities. (before Ottoman Empire).
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YILDIRIM TILAVER.
Amadeo Preziosi, 1842-1882. For the love of Istanbul.= Aus liebe zu Istanbul.= Istanbul askina. [Exhibition catalogue]
New English Paperback. Pbo. 4to. (29 x 21 cm). In English, German and Turkish. 79 p. Color ills. Amadeo Preziosi, 1842-1882. For the love of Istanbul.= Aus liebe zu Istanbul.= Istanbul askina. [Exhibition catalogue]. A biographical study and selected paintings of the orientalist painter Preziosi, (1816-1882).
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M. UGUR DERMAN.
Medresetü'l-Hattâtin yüz yasinda.
New New English Original bdg. Dust wrapper. 4to. (32 x 23 cm). In Turkish. 224 p., ills. Medresetü'l-Hattâtin yüz yasinda. History of Ottoman / Turkish calligraphers' school.
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Prep. by MUHITTIN SERIN.
Hulûsi Efendi'nin ta'lik mesk murakkai.
New English Paperback. Pbo. 4to. (32 x 21 cm). In Turkish. [32] p., ills. Hulûsi Efendi'nin ta'lik mesk murakkai. Taliq mashq morakka of calligrapher Hulusi Efendi, (1868-1940). TURKISH & ISLAMIC ARTS Traditional Ottoman calligraphic art History of art Calligraphy.
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DILEK BEKTAS.
Nomads in the Ottoman Empire.= Osmanli döneminde konar-göçerler.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 310 p., ills. Nomads in the Ottoman Empire.= Osmanli döneminde konar-göçerler. The Turks migrated originally from Central Asia to Anatolia between the eleventh and thirteenth centuries. Most of them were sedentary communities. However, a significant portion was nomads, called Oghuz, or Türkmen, at that time. These nomads used to move between regions identified as summer pasturages and winter quarters in order to graze their animals. Therefore, their lifestyle was substantially different from sedentary life. Even after Anatolia was brought under Ottoman rule by the end of the first quarter of the 16th century, they continued their traditional lifestyle. During the Ottoman conquests, these nomads migrated to the Balkans in accordance with the policy pursued by the state. The nomads in the Balkans were generally organized as military units. During the Ottoman period the nomads were known by the names of Türkmen and Yörük or Yürük. These names were generally used to describe their way of life, rather than their ethnic origin. However, these terms were often sed interchangeably. At the same time, various other words were used for the nomads, such as 'Konar-göçer', 'Göçebe', 'Göçer-yörük', 'Göçerler', and 'Göçer-evliler'. The most common one among these was 'Konar-göçer'. All of these words are found in Ottoman archival documents and carry only the meaning of 'nomad'. Geographically, the nomads of the Ottoman period spread from Anatolia to the Balkans and formed an important portion of the Ottoman population. Despite this fact, research remains insufficient regarding the nomadic peoples. The reason for this has been keener isterest by historians in Turkey concerning the foundation of the Turkish Republic and political and administrative issues rather than nomadism. Research in Ottoman social history was not popular among these historians. However, as research on Ottoman social history grew, so did interest in nomadic populations.
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Edited by YAVUZ BALKAN.
Gelibolu'nun silinmez izleri.
New English Paperback. Pbo. 4to. (30 x 25 cm). In Turkish. 116 p., color and b/w ills. Gelibolu'nun silinmez izleri. A collection for Anniversary of Gallipoli, 1915. Texts include diaries of Anzac, British and Turkish soldiers. Full of b/w photos of medals, soldiers, ranks, personal military objects, documents, caricatures and news from periodicals in period, swords, guns etc.
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Prep. by MÜMIN ISOV.
Plovdiv. Translated by Fatma Rodoplu.
New English Original bdg. HC. Oblong large 8vo. (22 x 25 cm). In English and Bulgarian. 180 p., fully b/w and color ills., 1 folding b/w panoramic photograph with huge size (21 x 105 cm). "Plovdiv (Filibe) was one of the most significant Ottoman settlements on the Balkans. It was conquered in 1364 by an army commanded by Lala Sahin Pasha. During the next decade the infrastructure and architecture of the city were changed in accordance with the Ottoman urban tradition. New trade - economic center was created and monumental public buildings were built. Evliya Çelebi who visited the city in 1652 described it in the following way; 'Among the cities in the Rumelia region. first comes Edirne. followed by Thessaloniki. then comes Serres, Larissa, Sofia, the city resembling the Paradise Belgrade, the Muslim defensive fortress of Buda, the rich city of Sarajevo, the wonderful forttified city of Skopje, and finally comes Plovdiv, which is the most beautiful one. it has nine bluish and steep tepes (hills).; Chanla (Çanli) Tepe, Boz Tepe, Cambaz (Dzhambaz) Tepe, Saray Tepe, Nobet Tepe, Saat Tepe, Pinarcik Tepe, Gözcü Tepe and Valeli Tepe. Among the ravines and hills with bluish stone, as well as on their tops one can see beautiful one and two - story palaces and houses covered with red tiles, vineyards and gardens. [The city] has twenty three Muslim, and seven Latin, Serbian, Bulgarian, Jewish and reek [neighborhoods]. there are approximately 8000 palaces and other houses. There are f,fty-three mosques and masjids. The Ulu Mosque located at the market.". BALKANS Bulgaria Plovdiv Filibe Ottoman culture Architecture Social life Travel Urban history.
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MEHMET AKIF KOÇ.
Isnad verileri çerçevesinde erken dönem tefsir faaliyetleri (Ibn Ebî Hâtim tefsiri örneginde bir literatür incelemesi).
Fine English Paperback., Fine., 21 x 14 cm., 182, [4] p., "Isnad verileri çerçevesinde erken dönem tefsir faaliyetleri (Ibn Ebî Hâtim tefsiri örneginde bir literatür incelemesi).", Mehmet Akif Koç, Kitâbiyât, Ist., 2003. ISLAM Commentary.
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Edited by R. BARIS KIBRIS.
Sultans, merchants, painters. The early years of Turkish-Dutch relations.= Sultanlar, tüccarlar, ressamlar. Türk-Hollanda iliskilerinin baslangici. [Exhibition catalogue]. Translator: Kemal Atakay.; Consultants: Eveline Sint Nicolaas, Laura van Hasselt.
New English Paperback. Pbo. 4to. (28 x 24 cm). 196 p. In Turkish and English. B/w and color ills. "Pera Museum in collaboration with the Amsterdam Museum is organizing an exhibition exploring the commencement of four hundred years of fruitful cooperation between Turkey and the Netherlands. It was on 14 March 1612 during the ruling of the Ottoman Empire that the first Ambassador of Dutch Republic, Cornelis Haga, arrived in Constantinople. The year 2012 marks the four hundredth year of this diplomatic relations. In collaboration with several other leading partners, including the Rijksmuseum in Amsterdam, Nationaal Archief in The Hague and Museum Boijmans van Beuningen in Rotterdam, the exhibition aims to spread knowledge about historical and contemporary links between Amsterdam and Istanbul. The exhibition explores the historical and contemporary relations between two world cities and through these cities, implicitly also the two countries. 'Pioneers' and 'image (-forming)' are among the prominent themes. The exhibition is not intended as a complete survey of four centuries of diplomatic ties, but rather provides an attractive insight into the historical ties between Amsterdam and Istanbul, from 1612 to the present day. The exhibition is historical and social in approach, yet it also features important art works as well. A key section of the exhibition is a reconstruction of the Levantse Handel (Levant Trade) chamber that was based in the Town Hall (Palace on Dam Square) from the early 17th to early 19th century. A detailed inventory exists of the paintings and charts that were displayed on the walls of this powerful commercial office in Amsterdam. Many of these items, including an extensive series of portraits by Vanmour, from the collection of Amsterdam's Rijksmuseum will also be exhibited".
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MÜFIDE FERIT TEK.
Pervaneler.
Fine English Paperback., Fine., 21 x 13 cm., 176 p., "Pervaneler.", Müfide Ferit Tek, Kaknüs Yayinlari, Ist., 2002. TTURKISH LITERATURE.
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HASAN AKTAS.
Edebî sanatlar.
Fine English Paperback., Fine., 22 x 14 cm., [xii], 260 p., "Edebî sanatlar.", Hasan Aktas, Çizgi Kitabevi Yayinlari, Konya, 2002. TURKISH LITERATURE Literary arts.
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BIROL ÇETIN.
Osmanli Imparatorlugu'nda barut sanayi, 1700-1900.
Fine English Paperback. Roy. 8vo. (24 x 16 cm) In Turkish. [xiv], 274 p., b/w ills., Osmanli Imparatorlugu'nda barut sanayi 1700 - 1900.", Birol Çetin, TC Kültür Bakanligi, Ank., 2001. OTTOMAN HISTORY Military history Gunpowder Industry Late period of the Ottoman Empire.
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HÜSEYIN SARI.
Orta Asya'dan Anadolu'ya Türk yönetim tarihi.
Fine English Paperback., Very good., 23 x 16 cm, [iv], 161 p., "Orta Asya'dan Anadolu'ya Türk yönetim tarihi.", Hüseyin Sari, Abant Izzet Baysal Üniversitesi Yayinlari, Bolu, 1998. TURCOLOGY Rule State History of Turks Central Asia Anatolia Political history.
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ZEYYAT HATIBOGLU.
Bir iktisatçinin mesru müdafaasi.
Fine English Paperback., Fine., 21 x 15 cm., [viii], 76 p., "Bir iktisatçinin mesru müdafaasi.", Zeyyat Hatiboglu, Lebib Yalkin Yayimlari, Ist., 1999. TURKISH REPUBLIC Economy Economic theory Memoir Apologia.
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MILLÎ PRODÜKTIVITE.
Türkiye'de toprak koruma ve arazi iyilestirme çalismalarinin etkenlestirilmesi.
Fine English Paperback., Fine., 23 x 16 cm., 64 p., "Türkiye'de toprak koruma ve arazi iyilestirme çalismalarinin etkenlestirilmesi.", Milli Prodüktivite Merkezi Yayinlari, Ank., 1998. TURKISH REPUBLIC Law Land reform.
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NURAY YILDIZ.
Eskiçagda yazi malzemeleri ve kitabin olusumu.
Fine English Paperback., Fine., 24 x 16 cm., [viii], 329, [76] p., b/w ills.,"Eskiçagda yazi malzemeleri ve kitabin olusumu. ", Nuray Yildiz, Türk Tarih Kurumu Basimevi, Ank., 2000. ARCHEOLOGY Ancient period Book Script materials Social history.
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