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[HOLBEIN] - VAISSE (Pierre)
Tout l'oeuvre peint de Holbein le Jeune.
In-4, 112p. Contient 64 planches en couleurs et de nombreuses illustrations en noir. En parfaite condition.
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[HOLBEIN] VAISSE, Pierre (introduction) et GROHN, Hans Werner (documentation)
Tout l'oeuvre peint de HOLBEIN LE JEUNE. Traduit de l'italien par Simone DARSES.
Hardcover in-4° 112 pages, 64 planches en couleurs. Catalogue raisonne de 147 numeros decrits avec reproductions en noir, cartonnage toile grise, jaquette illustree en couleurs. Tres bel exemplaire, tres frais. [PLC-14]
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[HUGO Jean] HILAIRE Michel, HUDOWICZ Florence & al.
Jean Hugo, - Le regard magique entre ciel et terre
Belgique, Gand, Editions Snoeck, 2024, 25,5 x 30, 301 pages sous cartonnage éditeur illustré. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion des expositions présentées au Musée Fabre de Montpellier et au Musée Paul Valéry de Sète au cours de l'année 2024. du 1er février au 19 mai 2019. "Au niveau de notre territoire la métropole de Montpellier et la ville de Sète souhaitent rendre également hommage à l'artiste Jean Hugo, disparu depuis quarante ans, avec le désir de révéler l'ensemble de son oeuvre dans toute sa richesse et complexité. Cet hommage, qui advient pour les quarante ans de la disparition de l'artiste, a pour projet de présenter son oeuvre, à la fois dans toute sa diversité, ainsi que dans l'histoire culturelle qui l'accompagne, toutes deux d'une richesse exemplaire. Tour à tour décorateur, peintre, poète et écrivain, Jean Hugo a réalisé plus de 1000 peintures et 3000 dessins, collaboré à près d'une cinquantaine de mises en scène théâtrales ou dansées, et ce tout au long de son existence, largement contribué à plusieurs projets décoratifs, notamment autour des années Trente, et participé à de grands programmes artistiques à l'étranger. Illustrant les plus grands auteurs de son temps, il a également montré une grande invention dans sa relation féconde avec l'éditeur Pierre-André Benoît et écrit des Mémoires exquis, où l'humour le dispute à la poésie, d'après des carnets de notes scrupuleusement tenus "an par an" qui font de lui un témoin de son temps exceptionnel qui a traversé tout le XXe siècle ou presque, acteur reconnu et fin observateur de tous les mondes sociaux et culturels qui l'ont constitué, décennie après décennie."
Riferimento per il libraio : PEINTUREEE9152421124
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[HUGO Victor] COLLECTIF
La cime du rêve. les surréalistes et Victor Hugo
Paris-Musées, 2013, 12,5 x 21, 352 pages en deux volumes, cousues, sous chemise décorée. Iconographie noir & blanc et couleurs. Catalogue publié à l'occasion de l'exposition présentée à la Maison de Victor Hugo du 17 octobre 2013 au 16 février 2014.
Riferimento per il libraio : HUGO655623090724
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[HUET, Jean-Baptiste].
Le trésor des artistes et des amateurs des arts (...).
1810 Couverture rigide A Paris, chez Amable Costes, 1810. 3 volumes in-12, reliure veau raciné d'époque, dos lisse, caissons ornés de filets et de motifs dorés, titre doré, pièce de titre rouge et de tomaison verte, filets et chaînettes dorés encadrant les plats, reliures frottées. Tome I: petites épidermures sur les plats. Frontispice gravé, vij (titre, avertissement), 139 pages. Tome II: petits trous de vers sur les charnières du premier plat, mors supérieur du premier plat fendu; 3 feuillets non chiffrés(faux- titre, frontispice gravé, titre) 139 pages. Mouillure dans la marge supérieure des 100 premières pages. Tome III: Tâche brune sur le premier plat, manque le frontispice, 2 feuillets non chiffrés(faux-titre, titre) 132 pages. Présence de 2 timbres sur les contreplats des tomes II et III, édités à l'occasion de l'Exposition Internationale de 1914. Edition ornée de plus de 400 figures gravées, bon état des planches. Bel exemplaire.
Riferimento per il libraio : 351
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[HUMBLOT] - DUPLESSIS (Bertrand).-
Roger Humblot. Préface de Claude Roger-Marx. Légendes de Henri Petit.
P., SNPMD, sans date, grand in 8° carré broché, 64 pages, non chiffrées ; couverture illustrée ; très nombreuses reproductions en noir et en couleurs.
Riferimento per il libraio : 47706
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[HUGO (Victor)].-
Victor Hugo et les artistes romantiques. 23 Juin - 2 Septembre 1951.
P., Maison de Victor Hugo, 1951, petit in 8° broché, 136 pages ; 8 planches hors-texte.
Riferimento per il libraio : 31554
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[ILE-de-FRANCE] - COCTEAU (Jean).-
Guide à l'usage des visiteurs de la Chapelle Saint-Blaise des Simples (Milly La Forêt).
1960 Monaco, Editions du Rocher, 1960, petit in 4° broché, 30 pages ; couverture illustrée.
Riferimento per il libraio : 81554
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[IMPRESSIONISME].-
Centenaire de l'Impressionnisme. Exposition du Grand Palais 21 Septembre-24 Novembre 1974.
P., Editions des Musées Nationaux, 1974, grand in 8° carré, 277 pages.
Riferimento per il libraio : 47558
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[IMBERT (Jean-Claude)] - FEYT (Hendi).
Jean-Claude Imbert 1919-1993.
Aix-en-Provence, Amis de J.-Claude Imbert, 1997 ; in-4. 77pp.-1f. Pleine toile bleu-nuit d'éditeur, jaquette en couleurs. 32 reproductions en couleurs, gardes illustrées. Parfait état.
Riferimento per il libraio : 10003
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[INDIAN MINIATURE PAINTING].
Drawing of a Lion Hunting scene from an album with painted floral border designs
Mughal India mid-19th century possibly with later additions. . Single album page with drawing framed within multiple rulings and a wider floral border reverse with a few ownership markings else blank. Dimensions; 285 x 165mm 11¼ x 6½ inches.<br /> <br /> Mughal India, mid-19th century, possibly with later additions. unknown
Riferimento per il libraio : 112452
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[INDIAN MINIATURE PAINTING].
Illustration from a series of Hindu Deities
India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin 'Waravootaan' . light surface soiling 155 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
Riferimento per il libraio : 112780
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[INDIAN MINIATURE PAINTING].
Illustration from a series of Hindu Deities
India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin 'Rhamchunder' . light surface soiling 105 x 151 mm; house in modern card mount. Dimensions; 175 x 228mm 7 x 9 inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
Riferimento per il libraio : 112779
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[INDIAN MINIATURE PAINTING].
Illustration from a series of Hindu Deities
India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'boudaoutaar' . light surface soiling 150 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
Riferimento per il libraio : 112808
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[INDIAN MINIATURE PAINTING].
Illustration from a series of Hindu Deities
India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Rhayaoutuare' . light surface soiling 150 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
Riferimento per il libraio : 112805
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[INDIAN MINIATURE PAINTING].
Illustration from a series of Hindu Deities
India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Jackdoujie' . light surface soiling 150 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
Riferimento per il libraio : 112812
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[INDIAN MINIATURE PAINTING].
Illustration from a series of Hindu Deities
India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Badzarinaut' . light surface soiling 155 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
Riferimento per il libraio : 112806
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[INDIAN MINIATURE PAINTING].
Illustration from a series of Hindu Deities
India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Buldoo' . light surface soiling 150 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
Riferimento per il libraio : 112807
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[INDIAN MINIATURE PAINTING].
Illustration from a series of Hindu Deities
India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Buldoo' . light surface soiling 155 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
Riferimento per il libraio : 112800
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[INDIAN MINIATURE PAINTING].
Lady scribe with quill in hand writing a scroll with attendees in waiting
India possibly Malwa circa 1840. . Single single ink and gouache on paper heightened in gold depicting a female scribe writing a scroll with two female attendants 280 x 195 mm with red border c. 320 x 230 mm; mounted to paper with later red and yellow added border upper edge of border with inscription in Devangari script some light finger soiling and fading of pigment.<br /> The subject matter of this miniature painting is highly unusual: a female scribe in the process of writing a scroll. The gilt brocade robes of the main subject and the two female attendants suggest a female of high rank and status and the artistic focus of the piece lies almost entirely on their being set against a very simple backdrop of a palace veranda.<br /> India, possibly Malwa, circa 1840. unknown
Riferimento per il libraio : 106877
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[INDIAN MINIATURE PAINTING].
Portrait of Maharana Sangram Singh Ruler of Mewar 1508-1528.
Rajasthan India circa 1840. . Single illuminated miniature on card ink and gouache heightened in gold depicting the ruler standing proud with his sword and shield in the holster full leaf 298 x 215 mm miniature 235 x 150 mm; leaf double-ruled in black with borders painted red reverse blank a bright and attractive example.<br /> Maharana Sangram Singh also known as Maharana 'Sanga' 1482-1528 was an important ruler in sixteenth-century India. He was the ruler of Mewar from 1508 to 1528 and his territories included parts of present-day Rajasthan Gujarat and Madhya Pradesh. He is known for being a defiant leader turning Mewar into a formidable state in the eyes of the Indian subcontinent with the Fortress of Chittorgarh standing as a symbol of Rajput resilience and pride.<br /> Rajasthan, India, circa 1840. unknown
Riferimento per il libraio : 117474
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[INDIAN MINIATURE PAINTING]. [KESHAV DAS].
Rasikapriya a single illustration depicting a maiden stared outside a pavillion with an attendant in waiting numbered '37'
India Malwa circa 1630 AD. . Single leaf ink and gouache painting on paper image double-ruled and framed within red borders total leaf 200 x 175 mm; lightly faded with some chipping of paint with slight loss of pigmentation outer edges a little worn contemporary ink inscription to reverse in Sanskrit tipper-into card mount.<br /> Keshav Das d. 1601 was a renowned Indian court poet best known for the Rasikapriya which is considered a pioneering work of Hindu literature dealing with the classification of idealised types of male and female lovers nayakas and nayikas and their emotions and interactions. The work was compiled around the 1590s probably in Bundelkhand to the east of Malwa and the present painting is from a near-contemporary series of illustrations depicting scenes from the poems. Three leaves from the same series are housed in the Ashmolean Museum's collections these all dated c. 1630 also described as Malwa accession nos. EA2012.200 EA2012.202 EA2012.201.<br /> India, Malwa, circa 1630 AD. unknown
Riferimento per il libraio : 112940
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[INDIAN MINIATURE PAINTING].
Strongmen Acrobatics and a Wrestling match
Rajasthan circa 1820. . Single illuminated miniature on card ink and gouache on paper heightened in gold and silver depicting various figures wrestling performing actobatics and weightlifting reverse blank full leaf 255 x 180 mm miniature 148 x 102 mm; single text-block to upper edge of miniature with script in black devangari script against a yellow back-drop miniature framed within multiple rulings of navy and silver edges painted red some light singer-soiling one small worm-hole.<br /> <br /> Rajasthan, circa 1820. unknown
Riferimento per il libraio : 117476
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[INDIAN MINIATURE PAINTING].
The Prince Encounters a Village Girl at a Well from a fine Mughal Album
Mughal India possibly Murshidabad mid- to late-18th century. . Single miniature painting on card opaque pigments with gold depicting a scene with a Prince on horseback accepting a drink from a gold vessel from a village maiden miniature 282 x 179 mm full album page 394 x 255 mm; painting framed within multiple gilt rulings innermost frame painted with delicate pink and white flowers on a spiralling green vine set against a richly gilt background some very minor surface soiling overall in exceptionally bright and attractive condition framed and glazed.<br /> Scenes painted around imagined amorous encounters between the 'prince and village girl' were popular among artists during the late Mughal period in centres such as Delhi Lucknow and Murshidabad. The concept of 'love at first sight' was similarly echoed in the tradition of the courtly poets of the pan-European middle ages and can be seen echoed through their visual arts.<br /><br />The inspiration behind the theme in this painting was likely rooted in Persian literary sources the Nayrang'i Eshq The Charm of Love by Mughal Sufi poet Ghanimat Kunjahi d. 1695 AD being one such example. Written during a period of considerable Muslim-Hindu cultural interaction the poem was later absorbed into Sanskrit works and grew further in popularity. One notable section of the poem stanza 40.7 describes how in pursuit of a stag Shahid comes upon a village where he is struck by the sight of village girls at a well and is particularly struck by the beauty of Wafa the daughter of the village headsman see C. Shackle Persian Poetry and Q dir Sufism in Later Mughal India: Ghan mat Kunj h and his Mathnaw -yi Nayrang-i 'ishq in The Heritage of Sufism: Volume 3 Late Classical Persianate Sufism Boston 1999. <br /><br />In this painting a beautiful maiden leans across to offer the handsome stranger a drink from the well. Neither appears abashed and their eyes fix upon each other as if a spell has been cast. Of note is the way their hands come together around the vessel of water though they do not touch. The mono green background gives a prominence to this encounter watched by the other village girls. There are subtle details that give context to the scene – the stranger's courtly attire and jewelled ruby dagger. His companion's falcon hints at their noble status. By contrast the village girl's sari is tied in the style of a working women as she draws water from the well. For notable examples see Indian Painting 1600–1870 Oliver Forge & Brendon Lynch New York 2012 and Painting 91 in Domains of Wonder B.N Goswamy & C. Smith 2006.<br /> Mughal India, possibly Murshidabad, mid- to late-18th century. unknown
Riferimento per il libraio : 119661
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[INDIAN MINIATURE PAINTING]. [LAHARWI, Abd Al Hamid].
The Siege of Khandahar a scene from the Padshahnameh Book of Emperors
Post Mughal India probably late 19th century. . Single large illuminated miniature on paper ink and gouache on paper depicting the view of the Siege of Khandahar in modern-day Afghanistan total leaf 760 x 545 mm miniature 690 x 470 mm; miniature double-ruled in gilt framed decorated with spiraling florettes a few light surface smudges leaf a little cockled mounted to thick card.<br /> A very large and impressive view of the Siege of Khandahar the Mughal-Safavid war of 1649-1653 as presented in the Padshahnameh of Shah Jahan. <br /><br />The Padshahnameh is illustrated chronicle of the reign of Shah Jahan the fifth Mughal emperor commissioned during his reign as a propagandist celebration of his kingdom and dynasty. The text is a detailed chronological narrative of each day of the emperor's reign describing his daily activities court ceremonies as well as the significant events in Emperor Shah-Jahan's life such as the durbars lavish processions and glorious victories on the battlefield.<br /> Post Mughal India, probably late 19th century. unknown
Riferimento per il libraio : 114054
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[INDO-PERSIAN SILK PAINTING - after Ustad MANSUR].
Pair of peafowls.
1900. Ca. 107 x 74 cm. The silk canvas is mounted on a fibreboard panel of the same size. Painting on silk. Beautiful large and vibrantly coloured silk painting of a pair of peafowls painted after a watercolour attributed to the Mughal court painter Ustad Mansur master Mansur ca. 1590-1624. The intriguing work depicts a pair of peafowls in a rocky landscape. The peacock is captured in a natural pose running with a prey in its beak which draws the peahen's attention. The scene was most likely drawn from life. The peafowls themselves are painted in a Mughal fashion while the stylised background and floral border are reminiscent of Persian art. Unlike Mansur's watercolour which was painted on paper the present painted is painted on silk. It is also three times the size of Mansur's work.Mansur worked during what is considered the great age of Mughal art ca. 1580-1650 and was one of the favourite painters of Emperor Nuruddin Salim Jahangir r. 1605-1627. He received the rare title "Nadir-al-'Asr" unrivalled of his age from the emperor himself as he excelled in depicting plants and animals. Jahangir was particularly interested in nature and prided himself in being the first to direct artists to record it. And in this no one surpassed Mansur. He was known to paint birds and other animals unknown to the local population and is one of the very few artists to have painted a living dodo. His peafowl watercolour is one of the best known and most popular miniatures of the Mughal school.With holes and tears in the blue floral border and the peacock's tail the border is detached on the right side but still present a few small water stains on the left side and a trail of snail slime around the peacock's tail. Otherwise in good condition with colours that are still very vibrant.l Cf. MET SL.17.2011.36.1; Welch S. Imperial Mughal painting p. 91. unknown
Riferimento per il libraio : ABC_48573
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[INGRES]
Ingres. Vol 1: Pensées et écrits du peintre. Vol. 2: Ses contemporains, sa postérité.
2 volumes In-8, 270-199p. Avec quelques illustrations hors texte en noir. Bel exemplaire.
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[INGRES] - ALAIN
Ingres.
In-4, non paginé. Edition originale ordinaire (après 500 ex. num.) du texte d'Alain "Ingres ou le dessin contre la couleur". Illustré de 118 reproductions, dont 8 en couleurs. Inscription sur page de garde.
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[INGRES] - ALAIN
Ingres.
In-4, non paginé. Edition originale ordinaire (après 500 ex. num.) du texte d'Alain "Ingres ou le dessin contre la couleur". Illustré de 118 reproductions, dont 8 en couleurs. Ex-libris sur premier contreplat. Bel exemplaire.
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[INGRES] - NAEF (Hans)
Rome vue par Ingres.
In-4 à l'italienne, 143p. Edition hors commerce numérotée. Illustré de 83 planches dont quelques-unes en couleurs. Pellicule se fendillant au mors supérieur, sinon bel exemplaire.
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[INGRES] - PICON (Gaetan)
Ingres.
In-8 carré, 128p. Illustré de nombreuses reproductions en couleurs contrecollées. Index des noms cités et bibliographie en fin de volume.
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[ITALIE] - [BEAUX ARTS].-
Catalogue de la R. Galerie de Florence. 5e édition avec les numéros.
Florence, Imprimerie Cenniniana, 1871, deux parties en un volume relié demi-basane marron, dos lisse orné de doubles filets dorés, 75 et 183 pages ; qq. rousseurs ; dos de la reliure abimé.
Riferimento per il libraio : 31584
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[Jan Gossart and Bernart van Orley] FRIEDLÄNDER, Max J.
Early Netherlandish painting. Vol. VIII, Jan Gossart and Bernart van Orley. Comments and notes by H. Pauwels and S. Herzog. Translation by Heinz Norden
Leyden - Brussels, A. W. Sijthoff, éditions de la Connaissance 1972 In-4 28 x 21 cm. Reliure éditeur gris-bleu sous jaquette à l’identique, 134 pp., 142 planches en noir & blanc, sommaire, catalogues, notes bibliographiques, index des lieux.
Riferimento per il libraio : 107407
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[Jacques THEVENET] - ALLARD (Roger).-
Jacques Thevenet.
P., Sequana (Collection "Les Maîtres de Demain", III), 1943, petit in 12 broché, 32 pages et nombreuses planches hors-texte ; couverture illustrée.
Riferimento per il libraio : 58376
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[Japon ; Peinture] Collectif
KONPIRA-SAN, SANCTUAIRE DE LA MER, trésors de la peinture japonaise [présentée au musée des artsasiatiques Guimet du 15 ocotbre au 8 décembre 2008]
Kotohira-Gu 2008 In-4 broché 29,5 cm sur 22,5. 394 pages, couverture illustrée. Ouvrage illustré. Très bon état d’occasion.
Riferimento per il libraio : 109239
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[JAMES (Henry)] - PAVANS (Jean).-
Le musée intérieur de Henry James.
2016 Parisx, Le Seuil, 2016, in 8° broché, 203 pages ; illustrations en couleurs hors-texte ; couverture illustrée.
Riferimento per il libraio : 88490
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[JANMOT Louis] HARDOUIN-FUGIER Elisabeth
Louis Janmot, 1814-1892
Lyon, Presses Universitaires de Lyon, 1981, 15 x 22, 330-XXXII pages cousues sous couverture souple illustrée. Ouvrage enrichi de XXXII pages (cahier) d'illustrations noir & blanc.
Riferimento per il libraio : PEINTLYON49490125
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[JABACH Everhard] DUCOS Blaise, SAVATIER SJÖHOLM Olivia & al.
Un allemand à la cour de Louis XIV. De Dürer à Van Dyck, la collection nordique d'Everhard Jabach
Paris, Louvre Editions / Le Passage, 2013, 24,5 x 28, 208 pages cousues sous couverture rempliée illustrée. Iconographie couleurs. Ouvrage publié à l'occasion de l'exposition présentée à Paris au Musée du Louvre du 20 juin au 16 septembre 2013. "Les plus beaux tableaux et les plus beaux dessins du monde : ainsi pourrait-on décrire la collection d'un Allemand devenu l'un des grands serviteurs de la France au XVIIe siècle, Everhard Jabach (1618-1695). Les goûts de cet Européen aux réseaux artistiques, financiers et commerciaux remarquables l'ont porté vers l'Italie et vers le Nord - les Flandres et l'Allemagne principalement. Dürer, Cranach, Rubens, Van Dyck, Holbein répondaient, dans la collection Jabach, à Titien, Léonard de Vinci ou Pontormo, et c'est ainsi que ce collectionneur hors du commun, ambassadeur de l'art nordique auprès du roi et de ses peintres, contribua à forger le goût des amateurs français pour les écoles du Nord. Bien plus qu'un florilège de chefs-d'oeuvre, cet ouvrage propose une introduction à l'histoire de la curiosité dans un Paris devenu, au fil du siècle, le phare du goût à l'échelle de l'Europe. L'achat, par Louis XIV, de la collection Jabach fit basculer la collection royale française dans une dimension nouvelle, et le prestige du Louvre tient pour beaucoup, aujourd'hui encore, à la culture déliée de cet Allemand installé dans le royaume de France."
Riferimento per il libraio : PEINTTTT76760124
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[JACQUES HARTMANN]
JACQUES HARTMANN. PEINTURES et DESSINS. Préface de Michel Domon
P, Berggruen, 1985. Format in-12 oblong, environ 50 pp. avec 52 numéros au catalogue et une illustration par numéro. Cette plaquette est la 81° de la collection Berggruen.
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[Janus Press] Sappho | pulp painting by Claire Van Vliet and Catherine Hall
Broadside Sappho. "and night dropped black sleep on their lids
Newark VT: Jansu Press 1991. Broadside. Broadside. 20" x 14-3/8." Limited edition one of 100 copies. Pulp painted with masonite relief cut by Peter Schumann and text set in 8 line Clarendon Condensed wood type with colophon retreating into the pulp painting being set in 10 pt Trump Mediaeval italic. Fine copy. <br /> <br /> A beautiful broadside wonderfully designed using pulp painting by Van Vliet for the base. Schumann's cut at the bottom with the text stacked vertically. An engaging design with Sappho's evocative poetry here translated from the Greek by Johanna Prins. Fine Janus Press — Fifty Years p. 45-6. Jansu Press unknown
Riferimento per il libraio : 10453
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[Janus Press] Van Vliet, Claire and Katie MacGregor (pulp painting); commentaries by Rosemary Radford Ruether; translation by Ka
The Gospel of Mary
Newark VT: Janus Press 2006. Original Wrappers. Fine binding. Quarto. 40 4 pp. pop-up. Limited edition one of 150 numbered copies. Signed by Van Vliet Holden Miller-Brown. Bound by Audrey Holden in pulp-painted covers by Van Vliet and Katie MacGregor. who also created the pulp painting background for the centerpiece pop-up. Text is printed in Victor Hammer's American Uncial with wraparound commentary in Monotype Plantin by Andrew Miller-Brown. All housed in a paste-paper over boards clamshell with birch sides; boldly titled on the spine. A fine copy. <br /> <br /> A remarkable rendering of the 2nd century Gnostic Gospel. Van Vliet's edition is a wonderful marriage of early and modern printing: the design echoing early printing islands of text within a sea of commentary. Similarly the choice of American Uncial a typeface modeled by Hammer after early letterforms from a century near to the time of this gospel's composition recalls early books. But this is a remarkably modern printing with modern abstracted embellishments where we would expect to find illuminated illustration in an early manuscript. Every page of the scholarly edition is visually engaging—a rare marriage indeed! As if this exceptional design was not enough "the reader" in the words of John A. Buchtel "reaches the center of the book and unexpectedly the pop-up explodes out of the mottled purple and blue pulp painted page spread in the vivid multiple colors of Katie MacGregor's handmade papers. Its abstract design echoes the diagrams elsewhere in the book and its sense of rising expansiveness is reinforced by the radiating silver paper strips woven through the surface of the pulp painting. . . . The pop-up is emblematic perhaps of a sudden realization—an epiphany—as the soul moves 'upward from its bondage to the flesh and the lower world to its liberation in the higher celestial realm.'" p. 48. A stunning work. Buchtel John A. The Art of Paper: Claire Van Vliet and the Janus Press: Papermaking Collaborations 2024. Janus Press unknown
Riferimento per il libraio : 9783
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[JAPANESE SILK PAINTING].
A KINGFISHER BIRD ON A LOTUS FLOWER.
Japan n.d.ca 1900-1910.A silk backed color painting 21.2 x 35 cm.very clean a few tiny spots else immaculate 14 colors Washi handmade mulberry paper backed ready for matting and framing. UNIQUE HAND-PAINTED EXAMPLE . A lovely example shows a Kingfisher bird on a lotus pod looking into the river. Nice large lotus leaves and pink flowers. . Beautifully executed in a delicate hand. An excellent exampl of an early 19th century Japanese color painting on silk. . NOTE: Color scans are posted to our website. . . unknown
Riferimento per il libraio : 39042201
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[JAPANESE SILK PAINTING].
A PAIR OF SLEEPING DUCKS UNDER THE PINE AND PLUM TREES.
Japan n.d.ca.1900-1910.A silk backed color painting 20.6 x 34.5 cm. very clean a few tiny spots else immaculate12 colors Washi handmade mulberry paper backed ready for matting and framing. UNIQUE HAND-PAINTED EXAMPLE . A lovely and tender scene of a pair of ducks sleeping alongside the river bank. Above is the pine tree and also a fruit tree with red fruits. . Beautifully executed in a delicate hand. An excellent exampl of an early 19th century Japanese color painting on silk. . NOTE: Color scans are posted to our website. . . unknown
Riferimento per il libraio : 39042101
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[JAPANESE EROTIC COLOR PAINTING].
AN EROTIC JAPANESE PAINTING ON SILK: A BUDDHIST PRIEST MAKING LOVE TO A WOMAN
Japan ca. 1915. A color silk painting 30 x 20 cm. very clean and solid on very fine silk finely drawn & executed in color gouache. RARE ORIGINAL PAINTED ART WORK . . . AN ORIGINAL FINELY HAND-PAINTED . . . COLOR EROTIC SCENE . . . TAISHO PERIOD 1912-1926 . This work shows a Buddhist monk wearing a common Kimono with shaved head disguised as a commoner. He secretly visits his lover and willing bed partner. She appears to be a house wife obviously of another man. Buddhist priests never married though they carried on an erotic life style. . She wears an elaborate silk Kimono with period coiffure. Spreading her legs keeping her knees back welcoming her lover. Her feet express ecstasy curled and pointing upwards clutching her lover tight and close to her. The monk holds her back firmly and with his right hand grasping her knee keeping them up and back thus forcing her wide open. . She is flushed with excitement showing a pink facial flush eyes closed in ecstasy. There is a gray Furoshiki large silk scarf tied into a bag above the woman. It most likely contains the monks Buddhist robes. He thus avoids the attention of others when walking the streets. . CONDITION: The painting is flawlessly executed. Its very clean and solid no stain or other issues of importance. . The work was probably mounted on a stiff album page in its past. It has been expertly 'lifted' and shows the usual but minimal remains at the right and left edges which does not encroach on the painting. What little remains is easily matted out. There are a few small verso mends using period Washi handmade Japanese paper which will not be very visible from the front when mounted on white paper. . A very nicely executed example with good colors ready for matting and framing . Color photos are posted to our website. . REFERENCE: . Erotic books prints & paintings were "suppressed" by the Tokugawa Shogunate therefore the majority of these kinds of erotic sold on the 'black market' and not distributed openly. . These erotic paintings drawings and woodblock printed Shunga books & art remained on the 'fringe.' The Shogunate enforced stiff penalties for artists block cutters publishers & printers of erotica. The Shogunate and its sensors would not approve or provide Kiwame censor's seal for this category of art or books. Items without Kiwame were subject to confiscation and anyone involved with the items when distributed to the general public were often harshly punished with imprisonment. These remained in 'private collections' and were strictly & discretely sold traded and distributed 'under the table' during the Edo period 1603-1867. . REFERENCES: . BEURDELEY Michel. et al.: EROTIC ART OF JAPAN: The Pillow Poem. GICHNER Lawrence E.: EROTIC ASPECTS OF JAPANESE CULTURE. MANDEL Gabriele.: SHUNGA: Erotic Figures in Japanese Art. FAGIOLI Marco.: SHUNGA THE EROTIC ART OF JAPAN. RAWSON Philip.: EROTIC ART OF THE EAST: The Sexual Theme in Oriental Painting & Sculpture. ILLING Richard.: JAPANESE EROTIC ART: And the Life of the Courtesan. . . . unknown
Riferimento per il libraio : 21004101
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[Japanese painting]
Japanese Literati Paintings Softcover
New York: Sebastian Izzard 2005. First Edition. Softcover. First Edition. Catalogue published in conjunction with an exhibition held from March 30 through April 6 2005 at Sebastian Izzard in New York.<br /> <br /> About Fine in perfect-bound wrappers with French flaps. Sebastian Izzard unknown
Riferimento per il libraio : 166762
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[Japanese painting]
Masters of the Brush in Early Modern Japan First Edition
Tokyo: London Gallery 2006. First Edition. Softcover. First Edition. Published in conjunction with an exhibition held from March 28 through April 7 2006 at London Gallery.<br /> <br /> Fine in perfect-bound wrappers with French flaps. London Gallery unknown
Riferimento per il libraio : 166365
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[Jean-François Larrieu].
Centenaire Salon D'Automne 1903-2003.
Paris Association du Salon D'Automne 2003 1 Un très fort volume broché de format in 4° de 512 pp. sur beau papier couché. Couverture illustrée, à rabats. Peinture. Sculpture. Photographie. Gravure. Mobilier. Arts Décoratifs. Mosaïque; plusieurs centaines de reproductions d'oeuvres en couleurs le plus souvent.
Riferimento per il libraio : 16399
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[JEAN CORABOEUF PEINTRE]
PORTRAIT DE MAGDA FONTANGES (MADELEINE CORABOEUF) SA FILLE PAR JEAN CORABOEUF
1930 rare portrait non signé mais réalisé de la main de Jean CORABOEUF, format : 33 x 24 cm, huile sur panneau, coins écornés, 1930 environ,
Riferimento per il libraio : 22743
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[JEAN CORABOEUF PEINTRE]
PORTRAIT DE DEUX FEMMES PAR JEAN CORABOEUF
1930 rare portrait non signé mais réalisé de la main de Jean CORABOEUF, format : 38 x 46 cm, huile sur panneau, coins écornés, 1930 environ,
Riferimento per il libraio : 24894
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[JEAN CORABOEUF PEINTRE]
PORTRAIT D'UN GROUPE DE JEUNES PORTANT LEUR CAMARADE EN TRIOMPHE PAR JEAN CORABOEUF
1940 rare PEINTURE non signée mais réalisé de la main de Jean CORABOEUF, format : 55 x 46 cm, huile sur panneau, 1940 environ,
Riferimento per il libraio : 25138
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