‎Engravings‎

‎[MOLIÈRE].‎

‎SUITES POUR ILLUSTRER LES OEUVRES DE MOLIÈRE.‎

‎Paris, Le Vasseur, [fin XIXe]. Deux suites de gravures au format in-12 (9 X 14 cm environ) sur planches grand in-4 (25 X 33 cm environ) en feuilles sous enveloppes papier et chemise toile maroquinée éditeur à lacets rouges. La planche "Les Femmes sçavantes" en noir et le portrait de Molière en sanguine sont brunis.‎

‎RARE SUITE DE 35 PLANCHES gravées sur vergé d'Arches à la forme, en DEUX ÉTATS, l'un en noir et l'autre en sanguine, d'après celle réalisée pour la belle édition publiée par Bret en 1773 : 2 PORTRAITS de Molière et Louis XIV peints par Miguard et Rigault, gravés par Cathelin et Savart ainsi que 33 FIGURES de MOREAU LE JEUNE gravées par Simonet, Duclos, De Ghendt, Née, De Launay, Masquelier, etc., toutes sous-titrées. (Pas dans Mahérault, Lacroix ni Vicaire). Chaque suite est bien complète de ses 35 gravures, l'ensemble formant donc un ensemble de 70 PLANCHES. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST.‎

Bookseller reference : 005530

‎[Mumiendruck]. - Seyppel, Carl Maria‎

‎Christoph Columbus Logbuch, als Geheimschrift von mir selbst, für meinen Sohn Diego, vom 3ten August 1492 an, geführt und mit Schildereien und Karten versehen worden. Aufgefischt von C. M. Seyppel. (Schachteltitel: Geheimes Tagebuch von Christoph Columbus. Von ihm selbst geschrieben und mit Zeichnungen versehen auf der ersten Entdeckungsreise 1492 nach Westindien).‎

‎Düsseldorf, Verlag von Felix Bagel, o. J. (1884). 4°. Durchg. illustriert. 2 Bll., 39 S., 2 Bll., OKunst-Pgmt. m. Rückennähten, angehängtem Siegel u. diversen Applikationen (Sand, Algen u. kl. Muschelbruchstücke), in OKart.-Schachtel m. illustr. Deckelschild.‎

‎Erstausgabe des von der Einbandgestaltung her aufwendigsten Mumiendruckes. - Die meist fehlende Orig.-Schachtel fleckig u. lädiert, der inliegende Mumiendruck aber wohlerhalten und nur mit den gewollten künstlichen Altersspuren.‎

Bookseller reference : 57406

‎[Naples].‎

‎Grocer selling vegetables in Naples. Naples, 1818.‎

‎Original watercoloured pen-and-ink drawing, trimmed to ink borders, signed and dated by Raimo. 253 x 192 mm. Matted (432 x 362 mm). Early watercoloured drawing of a grocer selling his produce in the port of Naples, at the beginning of the main pier leading up to the old lighthouse (lanterna del molo), with Vesuvius in the distance giving off a faint cloud of smoke. On the right a housewife is seen haggling with the merchant over cucumbers, while on the left a mother is handing her daughter a bunch of Welsh onions. Signed "Raimo inv. et fece 1818". - Some brownstaining, but still a very charming view.‎

‎[Napoleon].‎

‎[Series of 3 coloured jigsaw puzzles]: La veille d'Austerlitz. La Nuit de Lodi. Clémence de l'empéreur. Paris, Ulysse, [ca. 1815].‎

‎Each puzzle measures 195 x 245 mm. Each puzzle with an engraved plate mounted on thin wood, coloured by a contemporary hand and cut to form a jigsaw puzzle, with engraved caption and short description below the image. Stored in the original cardboard box with an etched and engraved sample plate for a fourth puzzle (with caption "Équité de l'empereur") on the top, coloured by a contemporary hand, and an embossed gilt-paper border. Each puzzle with the original pink paper wrap-around slip preserved. A fine and colourful set of jigsaw puzzles depicting scenes from the life of Napoleon Bonaparte. Two of the puzzles and the sample plate have the address "Ulysse Paris" engraved in the image. Each puzzle has 20 pieces: the first depicts Napoleon calmly sleeping in a chair after having given orders to his generals on the eve of the battle of Austerlitz (1 Dec. 1805); the second shows Napoleon addressing an exhausted soldier - a scene from the battle of Lodi on 10 May 1796, fought between Napoleon's forces and the Austrian rear guard commanded by Johann Beaulieu. The third puzzle shows Napoleon as merciful emperor, receiving the thankful wife and children of a Prussian lord accused of conspiracy, whom he pardoned. The puzzle matching the scene depicted on the top of the box is not included. A few pieces cracked at thin spots; box slightly defective with traces of handling and browned. A good set.‎

‎[Napoléon] - Prevost, A.‎

‎Trauerzug anläßlich der Beisetzung im Invalidendom. [Paris, 1840].‎

‎Lithographie von drei Steinen, signiert "A. Prevost". Drei Blätter (je 690:154 mm), unmontiert. Über 2 Meter langes, durchlaufendes Panorama mit der Darstellung des Begräbniszugs Napoleon Bonapartes, dessen sterbliche Überreste erst am 15. Dezember 1840 nach ihrer Überführung von St. Helena auf Betreiben des Bürgerkönigs Louis-Philippe im Invalidendom ihre letzte Ruhestätte fanden. Ausgehend vom 1806 auf Napoleons eigenen Befehl errichteten, jedoch erst 1836 fertiggestellten Arc de Triomphe ist hier der gesamte Trauerzug über die Champs-Elysées bis zum Invalidendom dargestellt. - Sehr selten.‎

‎[Naval Prints] Lubbock, Basil.‎

‎Adventures by Sea from Art of Old Time. Preface by John Masefield.‎

‎<p>London:: The Studio Limited 1925. Limited Edition. A Very Good copy with lightly mottled boards and fading to the spine. This is one of 1750 copies issued. Contains 115 plates many in color including ship portraits and scenes portraying sea battles</p> The Studio, Limited, hardcover‎

Bookseller reference : 28143

‎[Oriental scenes].‎

‎Oil on wood. One plate signed (probably "K. Urbanek"). No place, ca 1860/80.‎

‎Each 211 x 168 mm. In identical gilt wooden frames. A pair of atmospheric oriental genre scenes by an unidentified, but obviously professionally trained artist, masterfully capturing the light and mood: a mosque's courtyard with visitors and beggars, and a small bazaar with merchants, pedestrians, and a belly dancer within the picturesque environment of humble dwellings.‎

‎[OTTOMAN EMPIRE - COSTUME PRINTS] DALVIMART, OCTAVIEN.‎

‎A Hamal or Common Porter.‎

‎London.: W. Miller. 1802. Hand-coloured engraving 34.7 x 25.8 cms sheet including plate-mark edge toning but in very good condition. Attractive large image prepared as plate 17 for Dalvimart's work "The Costume of Turkey". <br>"Dalvimart's is one of the basic works on Turkish costume which has provided the prototypes for numerous other illustrative material. It is known that Dalvimart travelled in Turkey and Greece in 1797-8" Atabey. . W. Miller. unknown‎

Bookseller reference : 219551

‎[Paris - Engravings]‎

‎Monuments de Paris. 40 engraved plates.‎

‎Paris. Hardcover. ;. ca. mid-19th century 1860. 40 plates. Oblong folio. Red cloth morocco spine. Martens Salathe Himely & others. Sold as a collection of plates. <br /> <br/><br/> hardcover‎

Bookseller reference : D19916

‎[Pasteur, Louis]. - Pirou, Eugène, early French filmmaker and photographer (1841-1909).‎

‎Woodburytype print on paper. N. p., c.1880.‎

‎235:174 mm (size of plate), mounted on cardboard (330:250 mm).‎

‎[photo album; silver prints; cyanotype]‎

‎Artist's or Architect's Photo Album‎

‎c. 1900. Hardcover. Very Good. Mottled cloth; oblong 170 x 140 mm; contains 50 photographs mounted direct to the recto and verso of black leaves. Most are silver prints plus a platinum a large image of breaking waves and a cyanotype; average size about 4 x 2.75 inches with some a bit smaller or larger. Backstrip torn; a few leaves detached. Taken by or related to an artist who appears to have specialized in architectural ornamentation. Includes snapshots depicting figures and buildings from different vantage points views of the studio including a close-up of drawings pinned to the wall a besmocked artist in front of an easel scenes of family a besmocked artist in front of an easel. And kittens! Plus a cyanotype of a classroom. <br/><br/> hardcover‎

Bookseller reference : D9232

‎[Pius IX.].‎

‎Pio IX. P. M. Wohl Rom, 1860.‎

‎Gestochene Kupferplatte (103:133 mm). Unsigniertes Portraitkupfer des Papstes Pius IX. (Giovanni Maria Mastai-Ferretti; 1792-1878), datiert 1860, im Jahr, da die päpstlichen Truppen in der Schlacht von Castelfidardo von den piemontesischen Truppen geschlagen wurden.‎

‎[Poster - Hans Neumann].‎

‎Advertisement for "Residenzmodenhaus Zwieback am Fleischmarkt". Vienna, c. 1925.‎

‎Colour print, measuring 125:93 cm. Folded. Large-format advertising poster by the Viennese studio Hans Neumann for the renowned fashion dealer Zwieback on the Fleischmarkt in central Vienna. Hans Neumann (1888-1960) studied at the Viennese Academy of Arts and then was mainly active in Berlin until WWI. After the war, he established one of Austria's largest advertising studios with numerous employees (cf. Bernhard Denscher, Österreichische Plakatkunst 1898-1938, Vienna 1992, p. 200). In 1938, emigrated to London and later to Australia, where he founded a very successful Atelier for Graphic Design in Melbourne.‎

‎[Prints; Australia]‎

‎Australia Portrayed. Perceptions of Australia in 19th c. Foreign Periodicals‎

‎A valuable reference collection of images and articles that shaped perceptions of Australia to the wider world in the 19th century. This is a collection of over 800 woodcut illustrations and articles from the 19th century from the Illustrated London News The Graphic and The Illustrated Times & other less successful periodicals. The images of the ILN and Graphic are a comprehensive and systematic collection of Australian related images and articles from 1842 ILN and 1870 Graphic through the end of 1899. This collection was started in London in the late 1970s. It was our intention to create a comprehensive reference of every woodcut image of Australian interest in the two major British periodicals from their start date to 1900. We were living in North London not too far from Omniphil Limited a company based in Chesham Bucks. They were the preeminent dealers in woodcut images from British periodicals in the 1970s and 80s. We visited their premises repeatedly and sat and turned the pages of every single volume of their reference set noting the images related to Australia and purchasing a copy of those images. Another component of the collection is an assemblage of Australian images from lesser-known periodicals such as the Illustrated Times the Pictorial Times The Illustrated News of the World Gleason's Pictorial Drawing Room Companion Harper's Weekly Canadian Illustrated News and a few singletons from the Illustrated Family Paper l'Opinion Publique and the Australasian Sketcher. <br /> <br /> An important component of this collection is the associated Excel listing of the prints & text. These are indexed by year month & day image title print size associated text and folder number. <br /> <br /> The total collection is housed in nine A3 folders with fixed sleeves. Early years have 2 sheets per sleeve; later years are sometimes grouped together to fit into the available room in the album. The folders are approx. 12 ½" x 17" x 1". They were manufactured in England by Rexel Nyrex with the following label in the back inside cover "Rexel / Nyrex / PFV / A3 / 24 Made in Gt. Britain." The company still manufactures plastic products. We have not been able to ascertain if these are archival but the prints have been in the folders for at least 43 years and there has been no degradation. <br /> <br /> The only exception to the completeness of the collection is ship prints which were quite expensive at the time we assembled the collection. <br /> <br /> The collection is organized in three parts: <br /> Part I - The Illustrated London News 1842-1899; Part II - The Graphic 1870-1899; Part III - The Illustrated Times the Pictorial Times and other British & North American periodicals 1845-1883.<br /> <br /> Combined these original woodblock prints and articles are a valuable reference collection that shaped perceptions of Australia to the wider world in the 19th century a collection which would now be all but impossible to assemble. <br /> <br /> Part I<br /> Australian images from The Illustrated London News British periodical from its start in 1842 thru 1899. A comprehensive collection of Australian related images & articles from this groundbreaking periodical - the world's first illustrated weekly news magazine; the first periodical to employ special war correspondents and illustrators; the first to publish color supplements. The Australian material begins in the first publication on May 14 1842 and runs through the last article in the century in June 1899 and has approximately 467 images and 29 substantial articles. <br /> <br /> Australia is mentioned in the text of the first issue with an article "Sheep Farming in Australia" on p.15 about 4 column inches from the Inverness Courier. On the verso is an amusing illustration of a publicity stunt of the publishers. The founder Herbert Ingram paid hundreds of men to carry large sign boards in the streets reading "The Illustrated London News 30 Engravings Price 6D." The highly exaggerated drawing shows the sign bearers stretching as far as the eye can see on London footpaths. The caption reads "The 'Illustrated London News' Published Every Saturday. Thirty Engravings. Price Sixpence. The above engraving represents the public announcement of this paper on Friday last. Two hundred men paraded the streets of London to proclaim the advent of this important publication." Below the rule is printed "London: Printed by R. Palmer at the Office of Palmer & Clayton 10 Crane-court; and published by J. Clayton at 320 Strand. - Saturday May 14 1842." The first image of an Australian subject is in the December 23 1843 issue "New Government House Sydney" with text. The revenue stamp appears at the bottom left of the page. The discovery of gold in Australia is announced in a long article on the cover on Sept. 6 1851 entitled "Another El Dorado" in an article 15 column inches long. The last image is from June 1899 the Australian cricketeers in London- "The Australian Cricket Team / The Team up-river: leaving Boulter's Lock / The Test match at Lords Between England and Australia: Trumper and Hill at the Wickets". <br /> <br /> The ILN collection is housed in six A3 folders with fixed sleeves. Early years have 2 sheets per sleeve; later years are sometimes grouped together to fit into the available room in the album.<br /> <br /> Folder 1 - 1842-1852; 68 images & 12 articles<br /> Folder 2 - 1852-1854; 70 images & 13 articles<br /> Folder 3 - 1855-1861; 50 images & 1 article<br /> Folder 4 - 1862-1864; 55 images & 1 article<br /> Folder 5 - 1865-1884; 90 images & 2 articles<br /> Folder 6 - 1886-1899; 135 images<br /> <br /> Although Gale subscription service has a digitized resource titled the "Illustrated London News Historical Archive 1842-2003" this collection is invaluable as it is composed of the actual period woodblock prints and articles accessible in six A 3 folders. <br /> <br /> Part II<br /> Australian images from The Graphic British periodical from its start in 1869 thru 1899. Australian related images from The Graphic the British weekly illustrated newspaper first published on 4 Dec 1869 which was set up as a rival to the Illustrated London News. <br /> <br /> The Australian images begin in March 1870 and runs through 1899 approximately 242 images. There are 13 double page images 2 full weekly issues for the Sydney & Melbourne Exhibitions with the continuing supplements; 1 color Christmas issue; 74 full page and 39 half page illustrations. Highlights include images of bush and settlers' lives Tichborne case cricket Victorian gold the Kelly gang black trackers wool shipping ostriches a shearing dispute. <br /> <br /> The first Australian related image in The Graphic was published on the cover of the March 12th 1870 edition "Picnic in Australia To the Officers of the Flying Squadron." The last image for the 19th century is dated July 1899. The Graphic is housed in two folders are A3 approx. 12 ½" x 17" x 1". <br /> <br /> Part III<br /> Australian images from The Illustrated Times the Pictorial Times and other British periodicals as well as North American periodicals including Gleason's Pictorial Drawing Room Companion Harper's Weekly and others. London; New York; Boston; Canada: Various publishers 1845-1883. A collection of some of the scarcer woodcut images of Australian related images from various shorter-lived illustrated periodicals published in England and North America. These include The Pictorial Times The Illustrated Times The Illustrated News of the World Gleason's Pictorial Drawing Room Companion Harper's Weekly Canadian Illustrated News and a few singletons from the Illustrated Family Paper l'Opinion Publique and the Australasian Sketcher. These are scarcer publications than the market-dominating Illustrated London News & The Graphic. The collection starts in March 1870 and runs through 1899 approximately 107 images. <br /> <br /> Of particular interest is a series in the Illustrated Times entitled "England Versus Australia" illustrated by Florence Claxton. Claxton was an English artist who spent part of her adolescence in Sydney NSW in the 1850s. Throughout 1863 and early 1864 Miss Claxton drew imagined comparisons between the two environments not uniformly biased towards either country. In the first "Daughters Here" has a group of gentlewomen sitting in a lovely drawing room making lace playing piano or gazing in the mirror. "Sons There" shows the men doing the laundry mending and cooking. "Governesses Here" shows a gaggle of governesses seemingly subject to the whims of a butler; "Want of Governesses There" shows a home with the mother distraught the children causing absolute pandemonium & the father sitting and reading the paper. In another "Needlewomen Here" the seamstresses work themselves to exhaustion in a dark room with one light; "A Modiste There" shows a prosperous woman with many customers. <br /> <br /> We did not have access to a reference set for these smaller publications so these images are an assemblage not a comprehensive and consistent collection. <br /> <br /> The Pictorial Times. 1843-1848 Opened by Henry Vizetelly his brother and Andrew Spottiswoode. Eventually it was purchased by Ingram owner of the ILN and merged with The Lady's Newspaper. Unfortunately this newspaper did not date their issues but sometimes dates are to be found in text.<br /> <br /> The Illustrated Times. 1855-1862. A rival to the ILN edited by Henry Vizetelly who had left the ILN to open it. Vizetelly campaigned in the 1850s for the repeal of the Stamp Act. Its eventual repeal was a great boon allowing the new paper to be published at the low price of two pence.<br /> <br /> The Illustrated News of the World 1858-1864. This was published by John Tallis famed for his atlases with maps adorned with views. According to OCLC: 7091980 It started in Feb. 1858 and ceased in Aug. 1864<br /> .<br /> Gleason's Pictorial Drawing-Room Companion was a 19th-century illustrated periodical published in Boston Massachusetts. The magazine was founded by Frederick Gleason in 1851. According to OCLC: 10261386 it ran from 1851 - 1854. The publication name was changed to Ballou's Pictorial Drawing-Room Companion in 1855 after managing editor Maturin Murray Ballou bought out the interest of Gleason. Unfortunately this newspaper did not date their issues but sometimes dates are to be found in text.<br /> <br /> Harper's Weekly A Journal of Civilization was an American political magazine based in New York City. Published by Harper & Brothers from 1857 until 1916 it featured foreign and domestic news fiction essays on many subjects and humor alongside illustrations. It carried extensive coverage of the American Civil War including many illustrations of events from the war. During its most influential period it was the forum of the political cartoonist Thomas Nast. <br /> <br /> This collection is housed in one A3 folder approx. 12 ½ x 17" x 1" with fixed sleeves. The prints & text are indexed by newspaper and thence by year month & day image title print size & associated text including some artists and folder number. <br /> <br /> A collection of primary source documents revealing the perceptions and attitudes towards Australia in the 19th century. hardcover‎

Bookseller reference : 28182

‎[Prints]‎

‎Constantinople 6 views‎

‎1886. Print. Otherwise very good condition. Multiple views in Constantinople in chromolithographs entitled Bridge of Galata Cemetery Street in Pera Sultan's Palaces Turkish Scissors Grinder Howling Dervish. Color chromolithographs. 6 plates 8 x 10.5" some marks in margins. unknown‎

Bookseller reference : 27836

‎[Prints]‎

‎Glass Blowing engravings‎

‎Germany 1740. Good overall. 3 German copper plate engravings of glass blowing with German text. B&w approx. 6 x 4" toned mat burn where previously framed. unknown‎

Bookseller reference : 28414

‎[Prints]‎

‎Prospectus for ‘The Birds of Australia and the Adjacent Islands’‎

‎Lansdowne Editions. Victoria Australia. Loose Leaf. Good. 19.5 in x 14.25 in. Advertisement and order form for a reprint of the 1837-38 original volumes. A page of text gives background and specifications and another reprints a full page color plate inPitta Vigorsii in rendered by Gould. Produced with a horizontal crease through the center. Minor soil and creases o/w good. > Language: English > Size: Folio > Media/Binding: Unbound Lansdowne Editions., Victoria, Australia unknown‎

Bookseller reference : CORV-BBP-15968

‎[PRINTS]‎

‎Vollschiff / Full-rigged Ship JACOBA CORNELIA CLASINA - colour print‎

‎Chronik der Seefahrt / Verlag Egon Heinemann. Hamburg. c. 1990. . Colour print of the 1857 original oil painting by C. J. Morel held by the Netherlands Historical Maritime Museum at Amsterdam. On the verso: details of the Jacoba Cornelia Clasina in German and English. Faint foxing. Fine. Oblong format: 32 x 41. Chronik der Seefahrt / Verlag Egon Heinemann. Hamburg. c. 1990. unknown‎

Bookseller reference : 62617

‎[PRINTS]‎

‎Windjammer: GORCH FOCK colour print‎

‎Mobil Oil Corporation. New York. c. 1970. . Print on art paper of a colour photograph supplied by the German Information Center in New York. Near fine. Format: 51 x 35.5. Mobil Oil Corporation. New York. c. 1970. unknown‎

Bookseller reference : 62566

‎[PRINTS]. Eastman, US Army Capt. S.(eth)‎

‎INDIAN BURIAL‎

‎Philadelphia: Lippincott Grambo & Co. 1850s. Original. Flat. VERY GOOD. . Black and white steel engraving by C.K. Burt. Full sheet 9 x 12 inches extracted from larger volume. Printed image 6 x 7 1/2 inches Pl. 16. Faint foxing. Extracted from larger volume. <br/><br/>Shows ten Native Americans lifting a covered body onto a burial platform. Probably extracted from Mary Eastman' s book The American Aboriginal Portfolio 1853. Captain Seth Eastman was a career army officer and talented artist widely appreciated today for his ethnographic detail. He set out to preserve a visual record of Indian life which was undergoing rapid change. See Howes H-17; Sabin 21682 Lippincott, Grambo & Co. unknown‎

Bookseller reference : 11840

‎[PRINTS]. Hochdanz, ArtAvE. t. A. v. E.‎

‎JAGDSCENEN aus TEXAS "Hunting Scenes from Texas"‎

‎Stuttgart : Artistischen Anstalt von Emil Hochdanz 1865. Original. Flat. NEAR FINE. . Lithograph 16. 5 1/2 x 8 inches extracted from unknown larger volume hand-colored image 4 3/4 x 7 1/4 inches. Smudge in margin. <br/><br/>Exciting view shows charge of a buffalo from the tall grass stumbling the would be hunter into retreat. Artistischen Anstalt von Emil Hochdanz unknown‎

Bookseller reference : 11842

‎[Prodigal Son].‎

‎Four etchings intended as supraportes. Bassano del Grappa, Remondini, ca. 1750.‎

‎Ca. 676 x 480 mm to 755 x 523 mm. Coloured etchings on paper. Partly heightened in gold and silver. Two of the prints mounted on canvas. Rare supraporte prints from the famous publishing house Remondini, depicting four episodes from the biblical Parable of the Prodigal Son. In the sequence of the biblical narrative, the etchings with legends in Spanish and Latin show the Prodigal Son collecting his share of the inheritance from his father, the Prodigal Son leaving the parental home, the Prodigal Son being reduced to serve as a swineherd after he squandered his fortune, and the reconciliation with his father following his desperate return home. The beautiful coloured etchings are wholly Rococo in style, from the large ornamental frames to the opulent clothing of the protagonists and decor within the scenes. Embracing the timeless character of a parable, the 18th century viewers were supposed to identify with the protagonists and have their taste in Rococo ornaments met. - The house of Remondini was founded in Bassano del Grappa by the merchant Giovanni Antonio Remondini (1634-1711) and was successfully expanded by his son Giuseppe Remondini (1672-1742). Apart from prints and books, Remondini produced decorated papers for various uses and wallpapers. In the 18th and early 19th centuries, Remondini was among the largest print publishers of Italy. The supraportes with the Prodigal Son are a beautiful example of the large portfolio of the company and its international market. - With occasional stains and some foxing. The return scene shows old restorations due to water damage, leaving some areas brittle, especially in the lower margin, and causing minimal losses to the print. The departure scene shows two small defects.‎

‎[Ranftl, Johann Matthias, painter (1805-1854), ascribed].‎

‎Portrait of Ludwig (1784-1864), Archduke of Austria. N. p., [n. b. 1831].‎

‎Head-and-shoulders portrait, turned to the left. Watercolor on paper. 124:96 mm. A fine watercolor study, signed on the reverse by an unkown hand.‎

‎[Red Howler Press] Zundenfel, Dieter | engravings by David Moyer‎

‎Father's Fathers. Six Poems with Six Wood Engravings‎

‎Lebanon PA: Red Howler Press 1989. Soft Cover. Near Fine binding. Octavo. 20 pp. plates. Limited edition numbered 22 of 50 copies signed by Zundenfel and Moyer on the colophon. As issued in Japanese stab-sewn stiff papers wrapper with blind-stamped title on the front cover; 6 striking prints were engraved on end grain maple blocks and printed on Kitakata Japanese paper. Each engraving is additionally signed by Moyer and numbered 22/75. A bright copy without wear. Uncommon and delightful. Red Howler Press unknown‎

Bookseller reference : 7372

‎[Relief prints in album]‎

‎Relief stamp album Album with 20 pages with each 15 relief stamps.‎

‎Album 33 x 28 cm with 20 pages of relief stamps. The first 7 pages are filled with monograms stamps thereafter some names and French logo's in relief print. The last pges with address stamps in relief mainly Dutch and many in The Hague Den Haag.Unique collection.Unieke collectie van relief stempels frans en nederlands prachtige monogrammen. 20 pagina's gevuld met relief drukwerk. unknown‎

Bookseller reference : ZZ90526