|
|
|
[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N°204 - juillet-aout 1997sommaire: Chan Ky-Yut - reliure : O. Drapeau - estampe : C. Raimbourg - bibliophilie: les autographes - les éditions Gonin -
Un fascicule in-4 de 64 pages - nombreuses photos en couleurs -
Bookseller reference : GF24250
|
|
|
[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N°216 - Novembre 1999 -sommaire: livres d'équitation - Sem - Yves Yacoël - Bibliothèque Gennadus à Athénes - Léon Gruel, la reliure à Nantes - Els Baekelandt - estampes: Olivier Debré - B.-J. Baron - le fac-similé -
Un fascicule in-4 de 88 pages - nombreuses photos en couleurs -
Bookseller reference : GF24246
|
|
|
[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N°219 -juin 2000 -sommaire:La Comtesse de Ségur et ses illustrateurs - Nicolas Cirier - Joel Leick - Jacky Vignon - L'enluminure médiévale - Patrick Aubert - L'estampe: définition - Didier Boursin - La bibliothèque de Versailles -
Un fascicule in-4 de 88 pages - nombreuses photos en couleurs -
Bookseller reference : GF24247
|
|
|
[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N°225 - juillet - aout - septembre 2001sommaire:De sceau en ex-libris - De l'art postal à l'oeuvre de bibliophilie - La bibliothéca Wittockiana - Hervé Di Rosa - Jacques de Bellange - Franck Mouteault -
Un fascicule in-4 de 80 pages - nombreuses photos en couleurs -
Bookseller reference : GF24248
|
|
|
[reliure - bibliophilie - calligraphie - Estampe]
Arts et métiers du livre - N°226 - octobre-novembre 2001 sommaire: Claude Ribal - Les établissements Alivon - La reliure traditionnelle chinoise - Anna Romanello - Matteo Ripa - Iris Chen -
Un fascicule in-4 de 70 pages - nombreuses photos en couleurs -
Bookseller reference : GF24251
|
|
|
[Rentz, Michael Heinrich / Montalegre, Josef von.
Das Christliche Jahr. Schweidnitz, Joh. Christian Müllern, 1735?].
4to. 244 (instead of 248) partly numbered engraved plates. Slightly later full calf with giltstamped red title label to sparsely gilt spine. Very rare edition of "one of the most splendidly illustrated devotional books of the period" (Jantz), containing only the engraved plates and neither the text nor the music. The "Geistreiche Gesänge und Lieder auf alle Sonntags-Evangelien und Episteln so in dem Christlichen Jahre enthalten seyn [...]" were first issued in 1725-26, which saw a reissue under the title "Das Christliche Jahr" in 1735. This title is stamped on the spine label of this copy, suggesting that the present copy is of this latter edition. The plates "represent scenes from biblical history and the lives of the saints [...] exhibit[ing] a high point of Baroque illustration" (Faber du Faur) and are mostly presented within ornamental frames decorated by emblematic vignettes. - Wants title-page. Later handwritten bibliographical note in ink to flyleaf. Hinges a little worn, small flaw at the top margin of the plate showing St. Theresa (not touching image), but otherwise very well preserved. From the library of the Viennese collector Werner Habel, with his ownership stamp to flyleaf. Faber du Faur 1146. Jantz 2379. Bäumker III, 56, 138. Wolffheim 2202. Seebass 301. Nagler XIII, 36 and IX, 418.
|
|
|
[Revere Engravings.] Ames, Nathaniel.
An astronomical diary; or almanack for the year of our Lord Christ 1772 : . Calculated for the meridian of Boston New-England lat. 42 25 north
<p>Three engravings by Paul Revere are certainly the most distinctive feature of this Boston almanac for 1772 namely:</p><p>Miss Emma Leach a dwarf born in Beverley Massachusetts on front cover.</p><p>The Patriotic American Farmer John Dickinson.</p><p>Mrs. Catharine M'Caulay.</p><p>Almanac making in colonial America was a rather unscrupulous affair at times. The notion of copyright was unknown among publishers. Indeed almanac piracy or perhaps liberal borrowing was the accepted industry practice.</p><p>The present almanac offers an excellent example of heavy borrowing. The Boston Ames <em>Almanack </em>for 1772 was published in two versions: one by Ezekiel Russell and the other a pirated version by an unnamed printer/publisher. The text and images of the two are very similar although the cuts of the three subjects differ very slightly between the two almanacs. Paul Revere's daybook for December 1771 identifies <strong>two</strong> purchasers of plates for a 1772 Ames almanac Ezekiel Russell and Edes & Gill. Within a matter of a week it's apparent that Revere produced two sets of plates of the same subjects for competing almanacs.</p><p>In an advertisement for Russell's version of the Ames almanac he "hopes that the publick with their usual impartiality will give him preference in buying of his Ames' genuine almanac before any pirated edition." Revere's contributions were in both the original and this pirated edition of the almanac.</p><p><strong>References: </strong> Evans: 11961; Drake <em>Almanacs of the U.S</em>.: 3205; Brigham <em>Paul Revere's Engravings</em>: pp. 202-203; Hamilton <em>Early American Book Illustrators and Wood Engravers</em>: 56; O'Neal <em>Early American Almanacs</em>: 115 mistakenly citing Russell as publisher.</p><p><strong>Condition:</strong> Disbound; leaves are separated with a later paper reinforcement in the gutter of two leaves. Chipping to lower corners of two leaves. Scattered mostly light staining and a few spots of foxing. Good.</p><p>ICN 7815.</p> [Printed by T. & J. Fleet and Edes & Gill. Price 2s. 8d. per dozen, and six coppers single. ]
Bookseller reference : 3835
|
|
|
[Revue Nouvelles de l'Estampe] - [Odilon Redon]
Nouvelles de l'Estampe. Octobre-novembre 2005. N° 202 : Redon et Flaubert, tentations croisées dans Saint Antoine par Denis Bruza Molino / Mon dictionnaire et mes gravures par André Béguin / Sergio Borga ou la gravure de manifeste / Janine Bailly Herzberg / Pascale Hémery / Shirley Sharoff, l'art des signes urbains.
2005 Paris, Comité national de la Gravure française, 2005. 30 x 21 cm, 76 pp., illustrations en noir et en couleurs, broché.
Bookseller reference : 2390
|
|
|
[REVUE]. [L'AMATEUR D'ESTAMPES].
L'AMATEUR D'ESTAMPES. " Organe de la Chambre syndicale des éditeurs et marchands d'estampes anciennes et modernes ".
Paris (38, rue de Châteaudun, puis - dès la 2e année - 27, rue Grégoire de Tours, puis - à partir de la 4e année - 39 bis, rue de Châteaudun). Rédacteur en chef : Eugène Bouvy. Gérant : Léo Delteil. La première année, le bulletin est mensuel (mais ne paraît pas en juillet et août) et compte donc 10 numéros en 10 livraisons, sous la forme d'in-4° agrafé. Dès la 2e année, le bulletin adopte son rythme de parution définitif : 6 numéros par an, en 6 livraisons, sous la forme de grand in-8° broché. La pagination est suivie d'un numéro au suivant (environ 200 pages par année + de nombreuses et intéressantes pages de publicité pour des galeries, des éditeurs d'estampes, des parutions d'ouvrages spécialisés, des ateliers d'imprimerie artistique, etc.). Le dernier numéro de chaque année comporte une " Table des matières " des articles et planches parus dans les numéros de l'année achevée. Le premier numéro a paru en décembre 1921 ; le dernier, en décembre 1934. Lors de la 13e et dernière année, le titre devient " L'Amateur d'estampes et de livres d'art ".
Bookseller reference : 10830
|
|
|
[RODARI Florian] SILBERTEIN Jil; RITSCHARD Claude; PACHE Jean:
[Pour Florian Rodari].
Sans lieu, sans nom, 1983. Portefeuille de [40] pages, cartable de carton et toile écrue avec coins, cordons de coton blanc.
Bookseller reference : 21838
|
|
|
[ROUBAUD (Benjamin)].
Les Romantiques chassés du temple. Album Théâtral, planche N°2.
1838 P., Chez Bauger, r. du Croissant, 16, Imp. dAubert & Cie, s.d. (1838), 1 planche encadrée (dimensions à vue : 280 x 230 mm), cadre du XIXe s. en placage de loupe (465 x 370 mm).Papier bruni, couleurs restées bien fraîches.
Bookseller reference : 14134
|
|
|
[Schmier, Johannes Franz]
[Jurisprudentia publica universalis ex jure tum naturali tum divino positivo nec non jure gentium nova et scientifica methodo derivata, et juris publici facta]
[Salzburg, Mayr 1722]. (28), 436 Seiten, 38 Seiten Index. Mit einigen Vignetten und Kopfstücken in Holzschnitt. 2° (33,5 x 22,5 cm). Schöner Pergamentband der Zeit mit durchgezogenen Bünden, spanischen Deckelkanten, handschriftlichem Rückentitel und rot gefärbten Schnitten.
Bookseller reference : 1045261
|
|
|
[Scoppa, Giuseppe, Neapolitan painter (fl. mid-19th century) - attrib.].
V[eduta] di Napoli da Mare. Naples, ca. 1860.
Gouache on paper, ca. 32 x 45 cm (sheet dimensions ca. 41.5 x 52 cm). Meticulous panoramic view of the bay, shoreline and city of Naples from Santa Lucia in the west to Mount Vesuvius in the east. The foreground shows fishing boats and other small vessels as well as a paddle steamer flying the French flag and a U.S. navy barque. - Margins tinted in grey wash, showing some light staining and a few tiny holes, caption title lettered in pink. The vividly coloured view is perfectly preserved. - Provenance: near-contemporary ink annotation on verso "Naples / Magasin de Beaux Arts / Place Cappella a Chiaja No. 6 / Sous le Palais Partanna / Tenú par Gaetano Calvi". Sold in 2015 through Holger Christoph, Bonn (sale 38, lot 411) to a German private collector and subsequently through Dobiaschofsky in Berne (2018) and Zisska in Munich (2021). A comparable, likewise unsigned example is held by the Bibliothèque nationale de France (dept. Estampes et photographie: "Napoli da Posilippo", Smith-Lesouëf 7277). For the painter Giuseppe Scoppa and his family cf. R. Rinaldi, Pittori a Napoli nell'Ottocento (2001), p. 247. See also Thieme/Becker XXX, 1936; Comanducci V (1974).
|
|
|
[Sri Lanka].
Album of watercolours. Sri Lanka, December 1895-February 1896.
Large 4to (180 x 255 mm). 24 watercolours on 22 ff. With several additional pencil sketches. Original black half leather with green cloth covers and pen holder. Impressive album of vibrant watercolours documenting the extensive Ceylonese journey of a female British artist, Frances de la Poer. The volume opens with a depiction of a "Madras Conjurer" in Kandy, performing the "great mango trick" with two cobras, wherein the performer gives the illusion of the sudden germination and growth of a mango tree (drawn from life and dated Kandy, 31 Dec. 1895). The second drawing shows a crowd gathered before a Buddhist temple in Kandy. - Setting out from Kandy, the artist explored the countryside, drawing landscapes in Yattawatta, the tea harvest on Coolbawn estate in Navalapitiya, a pandal in Bandarawala, the surroundings of Haldummulla, a verandah in Pelmadulla, two views of Adam's Peak, men riding elephants in Ratnapura, the famous Elephant Rock (Ethagala) of Kurunegala, and four impressions from the beaches of Bentota. The final watercolour in the album is a beautiful impression of a beach sunset, dated 18 February 1896. - Frances de la Poer (ca. 1850-1925) was the youngest daughter of the Irish nobleman John William de la Poer (1816-51). In 1881 she married Thomas William Gaston Monsell, 2nd Baron Emly, son of the liberal politician William Monsell. - Spine professionally restored; generally well preserved. Album bought from Roberson & Co., London, with his ticket to front pastedown.
|
|
|
[Steel Engravings]
Coronation of the King and Queen of the Sandwich Islands Hawaii
Unknown. Loose Leaf. Very Good. Very good. Folio sheet. 6 inch by 9 1/8 inch illustration on a page pulled from the News. No text accompanies it. > Language: English > Size: Folio > Media/Binding: Unbound Unknown unknown
Bookseller reference : CORV-BBP-14980
|
|
|
[Steel Engravings]
Emma Queen Dowager of the Sandwich Islands
Unknown. Loose Leaf. Very Good. Very good.Top half of folio sheet from the News featuring the illustration along with a single column on her visit to England and a bit of political/social background. 2pp. > Language: English > Size: 4to > Media/Binding: Unbound Unknown unknown
Bookseller reference : CORV-BBP-14981
|
|
|
[Steel Engravings]
Funeral of the King of the Sandwich Islands
Unknown. Loose Leaf. Very Good. Very good. 4to sheet. 9 1/4 inch by 6 inch illustration on a page pulled from the April 18 1874 issue of the Illustrated London News. Shows a carriage in procession with sailors and others lining the road in front of a small church. No text accompanies it. > Language: English > Size: 4to > Media/Binding: Unbound Unknown unknown
Bookseller reference : CORV-BBP-15859
|
|
|
[STEINLEN]. Collectif.
L'Estampe et L'Affiche.
Paris, Éditions d'Art, Édouard Pelletan, N° 2, 15 avril 1897. Une revue in-4 (22,5 x 29 cm), broché, couverture imprimée et illustrée, 68 pp. Sur le dos de la couverture Dessin de JOSSO.
Bookseller reference : 31101
|
|
|
[Strasbourg Cathedral].
In admirandam inclytae urbis Argentinae turrim. [Strasbourg, 1566].
52,8 x 37 cm. Woodcut on paper (two conjoined sheets). Rare pirated copy of the famous south-west view of the Strasbourg Cathedral by Daniel Specklin (1536-1589). A "Matthias Huebner" from Schneeberg in Saxony, who is presented as the author of the print in the modified text in the strapwork frame to the right ("Matthias Huebner Schnebergensis faciebat Argent. Cal. Ian M. D. LXVI"), has not been identified. The monumental view of the Cathedral, including the staffage figures and the strapwork cartouche with the date, correspond with the original published by Bernhard Jobin in Strasbourg (as depicted in Hollstein). - Trimmed, insignificant marginal damage, two restored tears on the left. Smoothed, slightly soiled, somewhat toned. Hollstein LXXIII, 67, 1 (with illustration on p. 66). Strauss, German single-leaf woodcut, III, S. 975, I (of II; with fig. II). Cf. Passavant III, p. 350f. Drugulin I, 290f. Bartsch IX, 303, 1.
|
|
|
[Tertiaren].
Terzo Ordine. Wohl Rom, um 1780.
Gestochene Kupferplatte (118:66 mm). Kupferplatte mit zwei Andachtsbildchen: das Minoritenwappen (ein bloßer und ein kuttentragender Arm mit Stigmata vor einem Kreuz, von einem Strick umkränzt) sowie der Hl. Franziskus, kniend und die Stigmata empfangend. Unter der letzteren Darstellung findet sich die Legende, die auf den schon 1221 begründeten Dritten Orden der Franziskaner hinweist.
|
|
|
[THIERRY, Augustin]
Histoire de la conquête de l'Angleterre par les Normands (Atlas de planches seul)
Couverture rigide Sans lieu, sans nom d'éditeur, sans date [Paris, Just Tessier, circa 1838]. Un volume d'atlas in-8 (22 x 15 cm), reliure demi-veau de l'époque, dos lisse orné de filets dorés, titre doré, papier marbré sur les plats, quelques frottements au dos. Recueil de 34 gravures sur bois hors-texte montées sur onglet, rousseurs éparses. Sont notamment représentées parme les scènes historiques et les portraits : "Prédication du moine Augustin devant le roi Ethelbert", "Portrait de Guillaume le conquérant", "Richard Coeur-de-Lion au Camp des Croisés" et "Richard II au milieu des paysans insurgés". Gravures d'après les dessins de Lefèvre, Jacques et Dufort, Charpentier, Cabasson, Lécurieux, T. Johannot, dans le style romantique de l'époque. Certaines ont été gravées par Orrin Smith. Bon exemplaire bien complet de sa suite d'illustrations historiques, en assez bon état.
Bookseller reference : 1843
|
|
|
[Thistle Hill Press] Neal, Avon | engravings by Fritz Eichenberg
Pigs & Eagles: An Ecological Parable
North Brookfield MA: Thistle Hill Press 1978. Original Wrappers. Near Fine binding. Quarto. 24; 8 pp. frontis plate illus. Limited edition number 71 of 500 copies signed by Neal and Eichenberg at the colophon. As issued sewn into printed wrappers with full page wood engraving by Eichenberg serving as a frontispiece. Another similarly printed and sewn booklet with title page and colophon serves as a folder for a loose wood engraving of the frontispiece—this signed and numbered by Eichenberg on the bottom margin; all houses in publisher's slipcase with printed paper labels. Only light rubbing to the slipcase but the contents are nearly fine. A striking engraving portions of which have been employed to decorate the covers of each booklet as well as each colophon. This is an interesting allegory of the costs of excess. Thistle Hill Press unknown
Bookseller reference : 8969
|
|
|
[Trentsensky, Joseph].
Carawane nach Mecca. Vienna, Matthias Trentsensky (printed by E. Sieger), [ca. 1855].
Oblong folio (ca 370 x 240 mm). With 11 (of 24) numbered leaves containing 52 hand-coloured lithographic pen-drawings of people, animals, equipment & gear and goods, from a caravan travelling to Mecca, each drawing including a base for cutting out, mounting on card stock or wood, and arranging them upright in three-dimensional scenes. Lacking 12-24 (of 24). Loose leaves. The first eleven leaves of a very rare lithographic print series issued in parts. Most copies were probably cut up by children and destroyed in play. The human figures to be cut out include Turkish, Arabic, African and Middle Eastern men and women in Islamic costume, including both masters and servants, some of the men with a variety of firearms, spears, daggers, and various gear and goods. There are also camels, horses and donkeys, often with their gear for riding or for carrying loads. The series must have provided many children and adults with their first notion of Muslim society and culture and is rich in authentic details. "Kleine Welt des Bilderbogens" dates the series to ca. 1855, just after Sir Richard Burton's famous visit to Mecca disguised as an Afghan in 1853 (he was one of the few Europeans who had ever visited Mecca and lived to tell of it). The complete series of 24 leaves comprised four groups of leaves, each leaf with the title, relevant subtitle and imprint (without date) at the foot: 1-6: Die Ueberbringung des heiligen Teppich; 7-13: Die Reise durch die Wüste (not present here: 14-16: Das Lager in der Wüste; 17-24: Die Gefahren der Wüste). The artist is not named. The drawings are printed on unwatermarked wove paper. The paper is fairly thin and the drawn bases have no folding tabs, as the publisher intended the cut-outs to be pasted onto card stock with a folding tab at the foot of the base or wood so that they could stand without support. - Occasional pencil marks. Some edge flaws and duststains, waterstains and browning. Includes two uncoloured sheets (numbered 10 and 23) on somewhat later, stronger paper. Kleine Welt des Bilderbogens: der Wiener Verlag Trentsensky (1977), 111. Katharina Siefert, ed., Paläste, Panzer, Pop-up-Bücher: Papierwelten in 3D (2009), with a chapter, "Die Carawane nach Mecca", pp. 31-38. Not in KVK; WorldCat.
|
|
|
[Turniere].
Pergamentblatt mit vier turnierenden Rittern. O. O. u. D., [um 1880].
467:393 mm. Unter Passepartout. Sehr hübsch ausgeführte aquarellierte Federzeichnung des Historismus, in der Art ihrer Darstellung den Turnierbüchern der maximilianischen Zeit nachempfunden; links oben vier Wappen, darunter möglicherweise die der Familien Montfort, Stauf von Ehrenfels, Gemmingen oder Schellenberg; rechts unten monogrammiert "H.W.M.". - Einige kleine Einrisse im rechten weißen Rand, stellenweise leicht fleckig und angestaubt, im ganzen jedoch sehr ordentliches Blatt in kräftigen Farben.
|
|
|
[Ulbricht, Walter]. - Eltzner, Adolf.
Panorama von Leipzig in Niesens' Haus aufgenommen. Leipzig & Paris, Louis Rocca & Tessari et Comp., 1846.
1200 x 400 mm. Gerahmt hinter Glas. Schöne Ansicht von Leipzig, gestochen von Friedrich Salathé (1793-1858) nach der Zeichnung von Adolf Eltzner. Aus dem Besitz des gebürtigen Leipzigers Walter Ulbricht (1893-1973), rückseitig in Bleistift bezeichnet: "Geschenk an den Vorsitzenden des Staatsrates, Gen. Walter Ulbricht, anlässlich des 75. Geburtstages. 30.6.1966 [!] überreicht von Prof. Dr. Dieckmann". Händleretikett Erwin Paetzel, Berlin, Linienstraße 155.
|
|
|
[Vernet, Carle, French painter (1758-1836)].
Arabian cavalier. France, ca. 1810-1820.
325 x 280 mm. Ink and wash on drawing cardboard. Framed and glazed. This beautiful study, most likely for a lithograph, can be attributed to Carle Vernet, the youngest son of the painter Claude-Joseph Vernet. The monumental central motif of an Arabian cavalier on a dark Arabian stallion is elaborately executed, whereas the backdrop of a tent and a battle scene remain sketchy. - A passionate horseman himself, Carle Vernet is most famous for his cavalry scenes and other equestrian motifs. - Trimmed on the upper margin. Abrasions throughout, mostly affecting the background.
|
|
|
[VERTUE (George)]
Prints. King Charles I. and the Heads of the Noble Earls, Lords, and others, who suffered for their Loyalty in the Rebellion and Civil-Wars of England. With their Characters engraved under each Print, extracted from Lord Clarendon. Taken from Original Pictures of the greatest Masters, many of them Sir Anthony Vandyke's, and all the Heads accurately engraved by Mr Geo. Vertue...
First edition, large folio, [2], 2pp., without the list of subscribers, engraved frontispiece and 10 engraved plates with a total of 26 portraits of royalists, letter-press title and preface, some minor spotting and light browning but overall the plates are very clean and bright, expertly rebound in cont. style calf calf, marbled boards, red morocco spine label, an attractive copy. Rare: ESTC locates only three copy in the UK (all at Oxford) and four copies in North America. A reason for the scarcity of the complete volume may be found in a note on the title page, which advises that: "As these Prints are an agreeable Ornament for Rooms, they may be had of the Proprietors in neat black Frames and Glasses". Vertue's parents had served in the court of the exiled James II, and the publication of this volume in praise of loyal servants to the Stuart crown in the year of Culloden may well suggest Jacobite sympathies. This may be signalled by couplet from Pope quoted in the frontispiece: "Rich Industry Sat Smiling on the Plain | And Peace, and Plenty, told a Stuart's reign."
|
|
|
[Vienna - St. Stephen's Cathedral].
Templum Cathedral et Parochiale St. Stephani. No place, probably 1760.
Ca. 477 x 326 mm (neat line). Etching on paper. Only known specimen of an anonymous copy after Georg Daniel Heumann’s monumental 1735 copper print engraving based on a design by Salomon Kleiner, with additional portraits of Empress Maria Theresa and the later Emperor Joseph II and his wife. This faithful, though qualitatively inferior copy was probably made on the occasion of the wedding of Archduke Joseph of Austria and Princess Isabella of Parma on 6 October 1760 in Vienna. The couple is shown in a double portrait presented by a crowned eagle flying on the right side of the tower. They are opposed by a similarly presented profile portrait of Maria Theresa on the left side. Superimposed, the two medallion-bearing eagles would form the double-headed Habsburg eagle. - Joseph's first and happiest marriage lasted only three years, as Isabella died of smallpox on 27 November 1763 at the age of 21, leaving behind a devastated widower. 1763 is thus the latest possible date for the creation of this beautiful etching. - Good impression with some minor stains and a larger brown stain to the upper left margin.
|
|
|
[Viennese engravings].
Souvenirs de Vienne. [Vienna], 1830.
Oblong folio (400 x 320 mm). 93 pp. A privately compiled album comprising 138 engravings, either full-page or as four smaller engravings to one leaf, mostly hand-coloured. Includes one watercolour, signed "Fedor Comte Karaczay, Wien 1822". All mounted on brown paper with black borders, mostly with manuscript captions in French and watermarks to tissue guards. Contemporary red morocco, finely decorated with gilt borders; gilt title to upper cover, metal clasp fastening with key. Green silk guards. A charming album comprising numerous views of Vienna's grand buildings, palaces, and parks as well as landscapes of the surrounding areas. Notable sites of the Austrian capital are depicted in all their splendour, including Klosterneuburg monastery, the Kohlmarkt, St Stephen's Cathedral, and the Circus Gymnasticus in the Prater park. - Landscape views of Leopoldsberg, the route to Mariazell, and the nearby spa town of Baden are presented in all their idyllic majesty, as are lively social scenes of the Habsburg Empire's carnivals and café culture. The ensemble also includes 13 plates of professions and three military figures, one of which is a watercolour by Fedor Graf Karaczay (1787-1859), an Austrian colonel and dilettante artist, later in Persian services. The occupations include lantern lighter, laundry woman and hawkers selling brushes, apples and honey, straw hats, ribbons, carpets and laurel leaves. - Some minor staining. Tissue guards and covers somewhat worn, but otherwise a fine work.
|
|
|
[VILLON Jacques]:
Jacques Villon oeuvre gravé. Exposition chez Louis Carré, Paris, 1954.
Paris, Louis Carré, 1954. In-8 broché de 62-[4] pages, couverture illustrée rempliée, tiré à 1000 ex. sur vélin d’Arches à la forme.
Bookseller reference : 4533
|
|
|
[Weber, Carl Maria von]., Komponist (1786-1826).
Portrait. O. O. u. D.
Kupferstich. 300 x 205 mm. Brustbild Webers von Albert Henry Payne (1812-1902), umrahmt von Szenen aus seinem "Freischütz".
|
|
|
[Weigl, Joseph].
Portrait. O. O. u. D.
Kupferstich. 125 x 85 mm. Brustbild im Oval.
|
|
|
[Weigl, Joseph].
Portrait. Wien, Höfelich, 1846.
Lithographie. 355 x 276 mm. Lithographisches Portrait des österreichischen Komponisten und Dirigenten Joseph Weigl (1766-1846).
|
|
|
[Wien - Penzing]. - Jaresch, Johann.
Der erste Brunn der Herzgl. Albertinischen Wasserleitung. Wien, Maria Geissler, [1812].
Handkolorierter Kupferstich (100 x 120 mm), Blattmaß 125 x 193 mm. Unter Passepartout. Hübsche Ansicht der Brunnenstube, die im Zuge des Baus der Albertinischen Wasserleitung 1804 in der Nähe der Otto-Wagner-Villa in Wien-Hütteldorf errichtet wurde. Tafel Nr. 49 aus dem 1812 von Maria Geissler publizierten Ansichtenwerk "Collection de vues des principaux palais, eglises, bâtimens publies, campagnes & jardins tant de Vienne [...]". Mit Legende in deutscher und französischer Sprache sowie der seltenen Verlagsadresse "Graben No. 1200". - Die Albertinische Wasserleitung war das erste Wasserleitungsprojekt in der Geschichte der Wiener Wasserversorgung mit weiträumig angelegtem Rohrnetz. Sie wurde 1804 fertiggestellt und bis 1890 betrieben. Cf. Nebehay/Wagner 193.
|
|
|
[Yellow Barn Press] Symons, Julian | engravings by John DePol
Oscar Wilde: A Problem of Biography
Council Bluffs IA: Yellow Barn Press 1988. Hard Cover. Near Fine binding. Octavo. 6 27 3 pp. frontis illus. Limited edition number 176 of 200 copies. Backed in red cloth with pastepaper over boards. A fresh copy with very faint rubbed spots to the fore-edge of the front board; clean throughout. A beautiful production with a frontispiece and three in-text engravings by DePol. Yellow Barn Press unknown
Bookseller reference : 6177
|
|
|
[Zinzendorf, Nikolaus Ludwig Graf von]
Die an den Synodum der Brüder, in Zeyst vom 11. May bis den 21. Junii 1746. gehaltene Reden, Nebst noch einigen andern zu gleicher Zeit in Holland geschehenen Vorträgen.
Ohne Ort [Büdingen?], Brüder-Gemeinen ohne Jahr [1747]. Titel, (14), 454, (2) Seiten. 8° (17,5 x 10,5 cm). Gesprenkelter brauner Lederband der Zeit mit dekorativer, kassettenförmiger Rokoko-Vergoldung und zwei farbigen, goldgeprägten Titelschildern auf dem Rücken, Stehkantenvergoldung, Vorsätzen aus Kamm-Marmorpapier und blau gefärbtem Schnitt.
Bookseller reference : 1046539
|
|
|
[Zinzendorf, Nikolaus Ludwig Graf von] (Verf.) und Gottfried Clemens (Hrsg.)
Des Ordinarii Fratrum auf dem Synodo der Brüder zu Zeyst vom 11 Maj bis 21 Jun. 1746. geäusserte Haupt-Ideen und bey jedes Tages verlesenen Schrift-Texte gethane Erinnerungen, Von Ihm selbst revidirt und ausgefertiget. Herausgegeben von Gottfried Clemens, des Seminarii Theol. Decano und Schloß-Prediger zu Barby.
London und Barby, Seminarium Theologicum 1759. Titel in schwarz/rotem Druck, (10), 318, (24) Seiten. Mit einigen Kopfstücken, Vignetten und Initialen in Holzschnitt. 8° (18 x 11 cm). Brauner Lederband der Zeit auf fünf Bünden mit kleinen goldgeprägten Rosetten und Fileten auf dem Rücken, blindgeprägtem Filetenrahmen auf den Decken und rot gefärbtem Schnitt.
Bookseller reference : 1047214
|
|
|
[Zinzendorf, Nikolaus Ludwig Graf von] und Friedrich von Watteville (Hrsg.)
Einige Reden des Ordinarii Fratrum die Er vornehmlich Anno 1756. zur zeit seiner retraite in Bethel, an die gesamte Bertholdsdorfische Kirchfahrt gehalten hat.
Barby, Seminarium Theologicum 1758. Titel, (8), 141, (13) Seiten. Mit einigen Kopfstücken und Textvignetten in Holzschnitt. 8° (18x 11 cm). Brauner Halblederband der Zeit mit Lederecken und Kleisterpapierbezügen.
Bookseller reference : 1046998
|
|
|
[Zurich New Year's Engravings].
[Sammlung der Neujahrs-Kupfer der Gesellschaft der Constabler und Feuerwerker in Zürich]. [Zurich, 1689-1798].
Oblong folio (345 x 283 mm.). 109 engraved plates (some folding). Later mottled calf. Extremely rare, complete series of the New Year's engravings issued by the "Society of Constables and Fireworkers of Zurich". A single comparable set is known in libraries and special collections (Berne University Library). "Durch die von 1689 bis 1798 fortgesetzte Herausgabe von Neujahrsblättern, welche eine belehrende Reihe bildlicher Darstellungen über das Artilleriefach, begleitet von zweckmäßigen Erläuterungen, enthalten, beurkundete die Gesellschaft der Constaffler und Feuerwerker in Zürich eine fruchtbringende Theilnahme an der militärisch-wissenschaftlichen Erziehung der Jugend; seit 1806 setzt dieser Verein auf ähnliche Weise seine anerkennenswerthen Bemühungen fort, obschon die äußern Merkmale einer militärischen Genossenschaft nicht mehr vorhanden sind" (Leemann, Abriss der Militär-Statistik der Schweiz [1839], p. 249). Other Zurich military societies issued similar series for the New Year. The splendid engravings show artillery, drill, maneuvers, fortification, guns, ordnance, and powder-making; engravers include Johann Balthasar Bullinger, Johannes Meyer, Johann Melchior Füssli, David Herrliberger, Johannes Lochman, David Scheuchzer, A. G. Schübler, Johann Heinrich Lips, D. Böyel, and Schellenberg. The 1751 plate ("Einleitung zur Artillerie-Wissenschafft") doubles as a half-title. - Traces of old folds to a few plates, occasionally somewhat stained in the margins or remargined altogether; one (for 1788) trimmed to the plate edge and rebacked. A fine, complete set from the collection of Thomas Fremantle, 3rd Baron Cottesloe (1862-1956), commander of the Territorial Army and president of the Society for Army History Research. Spaulding/Karpinski 198. Lipperheide Qf 1 (only 89 plates: wants 1776-77 and 1780ff.)
|
|
|
[ÉDITION CLANDESTINE] [Caricature] [Monachisme].
Renversement de la morale chrétienne par les désordres du monachisme, enrichi de figures.
circa 1780 (le titre indique première partie mais l’ouvrage est cependant complet ainsi, il n’y a jamais eu de suite) (2bl), frontispice dépliant " L'Abrégé du faux clergé romain » d'après Romeyn de Hooghe titres, (2ff) ; 20 pp (préface), 111 pp, 50 planches hors texte, gravées cuivres d’après Cornelis Dusart. In-4, reliure en plein veau blond, dos plat orné de fleurons, pièce de titre en maroquin rouge « les désordres de monachisme », filets d’encadrements à l’extérieur et à l’intérieur des plats, tranches rougies, ; reliure début XIXe. Ouvrage large de marge, frais de l’intérieur. Mors supérieur restauré.
Bookseller reference : 3163
|
|
|
A collection of prints by Shuzo takiguchi
Sphinx Kitagawa Minji Japanese Book
TBD 1980 Soft Cover Fine
Bookseller reference : KOS064800055
|
|
|
A COLLECTOR.
Catalogue of the Library, Prints, Drawings, Paintings, Antiquities, Miniatures, China, &c.
24pp., stitched as issued, 346 lots. Not in B.M. Catalogue of English Book Sales.
|
|
|
A cura di P. Cassinelli.
Carlo Lasinio. Incisioni.
cm. 17 x 24, xxviii-106 pp. con 79 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi Carlo Lasinio (Treviso 1759 - Pisa 1838) ? una delle figure pi? significative della grafica europea fra Settecento e Ottocento. Firm? una vasta ed eterogenea produzione di stampe con soggetti storici, folcloristici, umoristici, caricaturali, ritrattistici e di riproduzione da opere d?arte, tramandandoci anche aspetti sociali e ricordi della vita fiorentina. La sua passione per le tecniche incisorie lo port? ha sperimentare nuovi mezzi, con eccellenti risultati. Realizz? volumi completamente incisi da lui e collabor? alla collezione de ?I Proverbi? Carlo Lasinio (Treviso 1759 - Pisa 1838) is one of the most significant figures in late 18th and early 19th century European graphics. He produced a vast heterogeneous range of prints on historical, folkloristic and humoristic topics as well as caricatures, portraits and reproductions of works of art thus preserving for us various aspects of Florentine life. He experimented with new engraving techniques obtaining excellent results, completed entire volumes with his own engravings and collaborated on the collection of ?I Proverbi? 315 gr. xxviii-106 p.
|
|
|
A E Housman, Engravings By Agnes Miller Parker
A Shropshire Lad
George C Harrap 1941. 2nd Edition . Hardcover. Very Good/Good. <br/> <br/> George C Harrap, hardcover
Bookseller reference : 500051754
|
|
|
A E Math Prints
Letter And Number Tracing Book For Kids Ages 3-5: Number Tracing Book For Preschoolers - Writing Numbers Workbook Kindergarten - Pen Control Age 3-5 Learn To Write Books For Kids 3-5 Ù
new. unknown
Bookseller reference : 43251099-n ISBN : 9798576647560 9798576647
|
|
|
A E Math Prints
Letter And Number Tracing Book For Kids Ages 3-5: Number Tracing Book For Preschoolers - Writing Numbers Workbook Kindergarten - Pen Control Age 3-5 Learn To Write Books For Kids 3-5 Ù
like new. unknown
Bookseller reference : 43251099 ISBN : 9798576647560 9798576647
|
|
|
A E Math Prints
Letter And Number Tracing Book For Kids Ages 3-5: Number Tracing Book For Preschoolers - Writing Numbers Workbook Kindergarten - Pen Control Age 3-5 Learn To Write Books For Kids 3-5 Ù
Paperback / softback. New. paperback
Bookseller reference : A9798576647569 ISBN : 9798576647560 9798576647
|
|
|
A E Math Prints
Pre k Number Tracing Math Workbook For Preschoolers and Kids Ages 3-5: Number Tracing Book For Preschoolers - Writing Numbers Workbook Kindergarten - Pen Control Age 3-5 Learn To Write Books For Kids 3-5 Ù
Paperback / softback. New. paperback
Bookseller reference : A9798573332802 ISBN : 9798573332801 9798573332
|
|
|
A E Math Prints
Pre k Number Tracing Math Workbook For Preschoolers and Kids Ages 3-5: Number Tracing Book For Preschoolers - Writing Numbers Workbook Kindergarten - Pen Control Age 3-5 Learn To Write Books For Kids 3-5 Ù
Paperback / softback. New. paperback
Bookseller reference : B9798573332802 ISBN : 9798573332801 9798573332
|
|
|
A. Ashman Kelly
The Household Painter
Philadelphia PA: David Mackay Co. 1923. In incredible condition. Pictorial cardboard cover. Contents: Plain Inside/Exterior Painting Varnishing Floors Wood Finishing Tools How to Size walls for calculations Whitewash Stencilling Polishing woods.A wonderful vintage 'recipe' book. . Softcover. Very Good /No Jacket. David Mackay Co. Paperback
Bookseller reference : 001881
|
|
|