‎Estampes‎

‎DONNE, JOHN & SMITH, A J (Ed) & MOTION, ANDREW (Into) & LYDBURY, JANE (Engravings)‎

‎John Donne: The Complete English Poems‎

‎The Folio Society 2006. IN SLIPCASE imperial octavo illus cloth boards gilt lettering to red leather spine top page edges stained red xxxviii 438pp illus Near FINE in slipcase Near FINE sl chafing/soiling The Folio Society 2006 hardcover‎

书商的参考编号 : 347998

‎Donne, John; Selected, Annotated, And Introduced By Frank Kermode; Designed By John Dreyfus. Illustrated With 33 Wood Engravings‎

‎The Poems Of John Donne‎

‎Cambridge Uk: The Limited Editions Club / University Printing House Cambridge 1968. First Edition Thus . Hardcover. Fine/Slipcase. Xxiv 198 Pp. Quarter Burgundy Morocco And Ochre Linen Boards With The Front Board Embossed With An Oval Portrait Of Donne; Copy #339 Of 1500 Copies Signed By The Artist On The Colophon Page. In The Publisher's Fine Slipcase. <br/> <br/> The Limited Editions Club / University Printing House, Cambridge hardcover‎

书商的参考编号 : 056683

‎Donson, Theodore B.‎

‎The Malleable Medium‎

‎Theodore B. Donson Ltd 1999. Paperback. Near Fine. Tall 8vo. Unpaged. Perfect-bound in illustrated wrappers. Full-color and black and white illustrations throughout. Near Fine internally clean and bright minor shelf wear to wrappers. <br/><br/> Theodore B. Donson Ltd paperback‎

书商的参考编号 : 003238

‎Dore, G. Gustave‎

‎The Bible in Pictures - 125 Famous Bible Illustrations‎

‎20x15 cm. 127 pages. Gilt hardcover. Cover and spine slightly wrinkled. Cover and spine corners and edges rubbed. Pages 1-4 detached. Sticker on rear inner cover. Stamp on first page. Else in good condition.‎

‎Dorny, Bertrand‎

‎Gravure originale signée de Bertrand Dorny : carte de voeux pour 1992‎

‎1992 aucune reliure Carte de voeux de Bertrand et Anne Dorny pour 1992. Dépliant sur papier d'Arches portant au premier plat une gravure originale gaufrée en quatre couleurs de Bertrand Dorny signée à la mine de plomb. Feuille : 10,5 x 21,5 cm, sujet : 9 x 17,5 cm.‎

‎Bel état. Parfait‎

书商的参考编号 : 3321

‎Dorothy C. Miller‎

‎12 Americans‎

‎New York NY: The Museum of Modern Art 1970. In VG condition only issue is tanning to edge of cover and very light shelf wear to spine/edges. 95 pp. illustrated with photographs of the artists and reproductions of art work in black and white and color. Artists represented include: Larry Rivers Grace Hartigan Seymout Lipton Sam Francis Franz Kline Jose de Rivera Philip Guston Ernest Briggs James Brooks Fritz Glarner Raoul Hague Ibram Lassaw. Includes statements and a brief bio for each artist. First Edition. Softcover. Very Good /No Jacket. The Museum of Modern Art Paperback‎

书商的参考编号 : 000818

‎Dorothy Wood‎

‎Simple Paper Style‎

‎New York NY: Watson-Guptill 1999. Book in new condition jacket is fine. 112 pgs. Square 4to. With 20 design solutions for problem areas within the home such as storage lighting and window dressing. Profusely illustrated. First Edition. Hardcover. Fine/Fine. Watson-Guptill Hardcover‎

书商的参考编号 : 001822 ???????? : 0823048063 9780823048069

‎DOUAS ; DUTHÉ‎

‎Marie Louis Archiduchesse d'Autriche impératrice des français, née le 12 décembre 1791‎

‎Paris : Noël Frères, s. d. (premier quart du XIXe siècle). PORTRAIT GRAVÉ ET MIS EN COULEURS DE L'IMPÉRATRICE MARIE-LOUISE‎

‎Oeuvre : 300 x 240 mm ; cuvette : 215 x 263 mm, cadre bois, verre ancien. Portrait en buste ovale de l'impératrice Marie-Louise couronnée et portant en collier un camée au profil de Napoléon, exécuté par Douas et terminé par Duthé. Mise en couleurs ancienne (de l'époque ? non-décadrée). Un exemplaire conservé au British Museum ; celui-ci semble n'être pas mis en couleurs. Très pâles rousseurs en marges.‎

书商的参考编号 : 1381

‎Douglas Cooper‎

‎The Cubist Epoch‎

‎London England: Phaidon 1970. In VG condition prior owner ink on ffep no other marks or writing shelf wear to covers in usual spots. 318 pp. 329 plates bibliography exhibition checklist and index. Published in association with the Los Angeles County Museum of Art and the Museum of Modern Art. Sections include: True Cubism; The Cubist Movement in Paris; The Influence of Cubism Outside France; Late Cubism; Cubist Sculpture: and Conclusions. Softcover. Very Good/No Jacket. Phaidon paperback‎

书商的参考编号 : 003701 ???????? : 0875870414 9780875870410

‎Douglas Fraser‎

‎Primitive Art‎

‎Garden City NY: Doubleday 1962. A volume in The Arts of Man Series. Cloth hardcover in VG condition minor wear no marks/writing nice. Jacket w/obvious chips mended tears to edges price clipped clean Good. Red cloth black lettering & cover art 320pp 183 plates 59 in color suggested readings index profusely illustrated with b/w and color photos no edition indicated by publisher. First Edition. Hardcover. Very Good /Good . Doubleday Hardcover‎

书商的参考编号 : 004180

‎DOUSDEBES (Albert) (traducteur français) - DICKINS (Frederick-V.) (traducteur anglais).‎

‎Tchou-Chin-Goura, ou Une vengeance japonaise.Roman japonais traduit en anglais avec notes et appendice par Frederick-V. Dickins.Nombreuses gravures sur bois exécutées au Japon par des artistes japonais et tirées sur papier japonais.‎

‎1886 P., Paul Ollendorff, éditeur, 1886, 1 vol. in-8° (235 x 158 mm) broché sous couverture crème rempliée, imprimée en noir et rouge, de (2) ff. (faux-titre et titre) - II pp. (Note du traducteur français) - (1) f. (préface de l'auteur) - 219 pp. - (2) ff. (tables des matières et des illustrations).Petites taches en haut du dos, rousseurs en première et dernière pages, due au papier de la sous-couverture, très bel exemplaire par ailleurs.‎

‎Rare édition originale française sur papier courant, après 50 Japon, de ce roman japonais, publié en plein mouvement japoniste et illustré de véritables estampes japonaises.1 frontispice (calligraphie japonaise), une préface en japonais, 4 planches de specimens de textes originaux en alphabet Hirakana in-fine et 29 planches illustrées hors texte tirées en noir et bleu, gravures sur bois exécutées au Japon par des artistes japonais et tirées sur papier Japon fin.Envoi autographe signé du traducteur français : "A ma chère Gabrielle, Paris, 28 novembre 1885, Alb. Dousdebès".Un très beau livre.‎

书商的参考编号 : 13587

‎DOVA, Gianni (Roma 1925 - Milano 1991),‎

‎Senza titolo‎

‎Acquaforte acquatinta originale a colori Firma e numerazione a matita. Esemplare 7/150. cm 29x19,5 (Foglio 50x45). . . Ottimo (Fine). . Tiratura 150. .‎

‎DOVA, Gianni (Roma 1925 - Milano 1991),‎

‎Senza titolo‎

‎Acquaforte acquatinta originale a colori Firma e numerazione a matita. Timbro a secco dello stampatore. Carta Graphia. Esemplare 4/5 p.d.a.. Cm 44x34,5 (Foglio 70x50). pp.. . Ottimo (Fine). . . .‎

‎DOZY Charles M., BRENNER, VAN GOGH C.M., GALIPPE‎

‎Estampes anciennes - collection mr. Ch.M. Dozy (Catalogue, Vente a Amsterdam 3-4 novembre 1909, De Vries) [relié avec 2 autres catalogues de vente]‎

‎Amsterdam, 1909 [iv] 133pp.+ 16pp.illustrations hors-texte, 27cm., reliure cart., bel état, [relié avec: 1) Estampes anciennes collections O.Brenner et C.M.Van Gogh première partie; estampes, portraits et eaux-fortes des écoles hollandaise, flamande, française et anglaise, Vente a Amsterdam 21-24 juin 1910, De Vries, [iv] 236pp.+ 12 pp.illustrations hors-texte, avec qqs.annotations en crayon dans le marge du texte & 2) Dessins anciens et modernes gravures et eaux-fortes appartenant à Madame Vve Galippe, première partie, vente à Amsterdam les 27, 28 et 29 mars 1923, De Vries, 86pp.+ 48pp.illustrations hors-texte], S54148‎

书商的参考编号 : S54148

‎DR. TÛBA ÇAVDAR.‎

‎Lonca'dan Oda'ya nadir eserler katalogu, 1882-1982: ITO Yayinlari.‎

‎New English Original bdg. HC. Roy. 8vo. (24 x 17 cm). [3], 149 p. A bibliographical study of rare manuscripts and prints in the library of Istanbul Chamber of Commerce (ITO). Lonca'dan Oda'ya nadir eserler katalogu, 1882-1982: ITO Yayinlari.‎

‎Drach, Paul-Louis-Bernard; A. R. Fremin (Maps by); Antonio Lanzani, Johann Jacob Falkeisen, Angelini (Engravings by)‎

‎Sacra Bibbia di Vence : prima edizione italiana - opera dedicata a S. M. I. R. A. Francesco 1. Atlante contenente le carte geografiche ed iconografiche relative al testo ed alle dissertazioni‎

‎Milano: Fortunato Stella e Figli 1833. First Italian edition. Hardcover. f to vg. Oblong folio 12 6/8 x 18 1/2". 1 leaf Title 38 leaves Plates 1 leaf List of content. Original half morocco over burgundy paper covered boards. Gold lettering and tooling on spine. Rare first Italian edition of Paul-Louis-Bernard Drach's atlas volume of his "Sainte Bible de Vence" a series which was originally published in 27 volumes in Paris from 1827 to 1833. The striking 38 engraved plates featured in this atlas are composed of 13 maps by A. R. Fremin and 25 engravings signed by Falkeisen Angelini and Lanzani. The engraved plates have been laid down on beautiful hand-made paper and describe the following: 1. Map of the place of Eden Mesopotamy and Persian Gulf; 2. Noah's Arch construction; 3. Noah's Arch; 4. Map of the land divided among Noah's sons; 5. The Babel Tower; 6. Map of the Land of Canaan; 7. Map of Jews' Pilgrimage; 8. The Jerusalem Sahnedrin; 9. The Temple of Jerusalem plans and sections; 10. The Temple of Jerusalem square plan; 11. Map of ancient Jerusalem; 12. The Temple of Salomon; 13. The Temple's foundations; 14. The East Gate; 15. The Buildings of the Temple; 16. Musical Instruments of the Jews; 17. Hebrew Alphabet; 18. Jew's Vestments and worship's objects; 19. Two Menorah; 20. High Priest's vestments and Golden Menorah; 21. Moses' Tabernacle; 22. The Loaves of Proposition; 23. Plan and section of the Tabernacle; 24. The encampment of the Israelites; 25. Map of the Holy Land South; 26. Map of the Holy Land North; 27. Map of Syria; 28.Map of Israel under Salomon; 29. Plan of the House of the Forest of Lebanon; 30. The House of the Forest of Lebanon; 31. The Bronze Sea; 32. The Washings; 33. The Altars of the Holocausts; 34. Map of the Persian Empire; 35. Map of the Land of Canaan according to Ezechiel; 36. Map of Herod's Reign; 37. Zachary's Vision; 38. Map of the travels of Saint Peter and Saint Paul. The plates measure appr. 12 1/2 x 18 1/4" image size appr. : 9 1/2 x 14 6/8". Binding rubbed on covers and along edges. Head and tail of spine chipped. Previous owner's Ex-libris Calvin Bullock on inside of front cover. Minor and sporadic foxing along paper margin not affecting plates. Title and captions in Italian. Binding in overall fair interior in very good plates in near fine to fine condition. About the author: "David Paul Drach aka Paul-Louis-Bernard Drach after his conversion 1791-1865 was a Catholic convert from Judaism and librarian of the College of Propaganda in Rome. Drach received his early education from his father who was a rabbi. After spending some time in various Talmudic schools he became a teacher at Rappoltsweiler though only sixteen years of age. The love of the secular sciences brought him to Paris where he was welcomed by his coreligionists and became tutor in a wealthy Jewish family. His reputation as a teacher brought him Christian pupils; and this may have had some influence on his subsequent conversion; in fact he had always manifested some leaning toward Christianity. Drach had already begun the study of Greek and Latin so as to become acquainted with the Christian doctrines in their original sources. Struck by the accusation of some of the Fathers that the Jews had corrupted the Hebrew text he began a comparative study of the Hebrew and the Septuagint which study he continued in spite of the remonstrances of the president of the Central Consistory. Drach was received into the Catholic faith in 1823 together with his two daughters and his son Paul who afterward became a priest and a distinguished Biblical scholar. In 1827 Drach accepted the position of librarian of the Propaganda in Rome which position he held until the year of his death." From the Jewish Encyclopedia. Fortunato Stella e Figli hardcover‎

书商的参考编号 : 18856

‎Drake, Sarah Ann; Barclay, G.‎

‎Golden Cleome -- Hand-Colored Engraving from Sydenham Edwards' Botanical Register 1841‎

‎London: James Ridgway 1841. Fine. Drake Miss. Hand-colored botanical engraving of the Golden Cleome Cleome lutea. 25 x 16 cm. With accompanying text describing the plant. This engraving is dated Dec. 1841 and signed: Miss Drake del.; G. Barclay sc. In Fine Condition. A very attractive hand-colored botanical engraving from the mid-19th century. James Ridgway unknown‎

书商的参考编号 : 000305

‎Draughtsman: Captain Basil Hall‎

‎ORIGINAL 1818 MAP TRACK OF H.M. SLOOP ONYX IN SEARCH OF AITKIN'S ROCK UNDER THE COMMAN OF CAPT. A.T.E. VIDAL‎

‎London: John Murray. Very Good. 1818. Map. This original 1818 map is toned with 2 clipped corners in the margins and a couple short tears in the margins but overall in very good condition. 4 fold lines as issued. 20" x 10.5" . John Murray unknown‎

书商的参考编号 : 18667

‎Drawn by C. Stanfield, engraved by C. Heath‎

‎Original-Stich: Near Bonn‎

‎o.J. Papp-Mappe Sehr gut‎

‎Pittoreske Landschaftsansicht bei Bonn, Maße 19,5 x 12 Cm, in einer dafür vorgesehenen Mappe mit Fenster (Passepartout), circa 1840, sauber, intakt und sehr gut erhalten. --- Decorative original etching (around 1840) of countryside scenery near Bonn, clean, intact and in very good overall condition. --- Gravure originale (vers 1840) des environs de Bonn en Rhenanie, excellent etat. --- Mappe 30 x 24 cm. 0,3 kg. +++ Stichwörter/Keywords/ mots-clés: Original Ansichten Ansicht Stiche Stahlstiche Rheinland Rhein NRW Landschaft Rheinlandschaft Rheinromantik Grafik Germany Engraving Engravings Rhine River Bonnensia Bonner Scenery Landscape‎

书商的参考编号 : 019494

‎Dresden - BODENEHR, Gabriel‎

‎Die Residenz Ihro Königlichen Ma. in Pohlen Friderici Augusti, als Churfürst zu Sachsen. Alt - Dresden und Neu - Dresden. Mit beidseitiger gestochener Legende und Erklärung. Stadtplan von Dresden, Altstadt und Neustadt, mit Befestigungsanlagen, aus Bodenehrs Force d'Europe.‎

‎(Augsburg). (Um 1715). Kupferstichblatt. Format ca. 18 x 28 cm‎

书商的参考编号 : 138894

‎DREYER, P‎

‎Kupferstichkabinett Berlin. Italienische Zeichnungen.‎

‎Stuttgart, Belser, (1979). Gr.-4to. 279, (1) S. m. 140 meist ganzseitigen, farbigen Abbildungen. OLwdbd m. OUmschl.‎

‎Über die Geschichte der Sammlung und ihre erlesensten Stücke an italienischen Handzeichnungen.‎

书商的参考编号 : 1244690

‎DRIAN Etienne‎

‎Costumes parisiens. Grand manteau de chinchila (pl.25, Journal des Dames et des Modes, 1912 n°14)‎

‎- s.n., Paris 1912, 14x22,5cm, une feuille. - Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. L'une des premières revues de mode françaises, parue quelques temps avant la fameuse Gazette du bon ton et réunissant les grands artistes français de la mouvance Art déco. Le Journal des dames et des modes est une revue trimensuelle de mode française illustrée créée en 1797. Sa publication est stoppée en 1839 avant d'être reprise en juin 1912 sous l'impulsion de Tommaso Antongini, le secrétaire, ami et biographe de Gabriele d'Annunzio. Elle disparaîtra en août 1914 à l'aube de la Première Guerre mondiale. La revue était tirée à 1279 exemplaires ce qui en fait, pour l'époque, une publication relativement confidentielle. Les 186 planches, d'une grande finesse, sont gravées sur papier fort puis coloriées au pochoir. Elles représentent, la majorité du temps, des femmes, mais aussi des hommes et des enfants. Les modèles ne sont pas, à la différence de ceux de la Gazette du bon ton dont la publication verra le jour quelques mois plus tard, ceux des couturiers de renom mais sont le fruit de l'imagination des illustrateurs eux-mêmes. Les pochoirs sont, la plupart du temps, exécutés par George Barbier, mais d'autres artistes collaborent à la revue : Léon Bakst, B. Berty, Bernard Boutet de Monvel, Roger Broders, Jan van Brock, Umberto Brunelleschi, H. Robert Dammy, Étienne Drian, Abel Faivre, Marie-Madeleine Franc-Nohain, Xavier Gosé, Paul Iribe, Kriegck, Victor Lhuer, Pierre Legrain, Charles Martin, Fernand Siméon, Ismael Smith, Armand Vallée et Gerda Wegener. Nombre de ces illustrateurs seront également associés à La Gazette du bon ton. Leurs travaux, emblématiques du mouvement Art déco, soulignent l'influence de l'orientalisme et des costumes des ballets russes tout en les inscrivant dans les activités quotidiennes des Français aisés de l'époque. Dès la préface du premier numéro de 1912, Anatole France déclare : « Au bout de soixante-quinze ans, il renaît. Il renaît par les soins de quelques esprits ingénieux et artistes. Il renaît pour les curieux (s'il en est encore) que ne contentent pas les journaux de modes tirés à plusieurs milliers et illustrés par la photographie. Et si les éditeurs nous rendent très exactement, dans son format, avec son papier, son impression, ses procédés de gravure et de coloris, le vieux classique des modes d'autrefois, c'est qu'ils entendent le continuer agréablement et devenir les classiques charmants de la mode d'aujourd'hui et de demain. » [ENGLISH DESCRIPTION ON DEMAND]‎

‎DRIAN Etienne‎

‎La Marseillaise (La Gazette du Bon ton, n°8-9. Été 1915 )‎

‎- Lucien Vogel éditeur, Paris 1915, 19x24,3cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à gauche dans la planche. Gravure originale réalisée pour l'illustration de‎

‎DROBNA, Z‎

‎Die gotische Zeichnung in Böhmen.‎

‎Prag, Artia, (1956). 4to. 62 S., 1 Bl., 188 Abb. auf Taf., 6 S., 1 Bl. OLwd.‎

书商的参考编号 : 1227682

‎DU CHOUL, Guillaume / MALLEGANGE, M.S‎

‎VERHANDELING VAN DEN GODTSDIENST, LEGERSCHIKKING, KRYGSTUCHT, EN BADSTOVEN DER OUDE ROMEINEN. Door den E. Wilhem du Choul, Raedscheer des Koninks, en Baillu over de Gebertgen van Dauphiné‎

‎Amsterdam Joannes en Gillis Janssonius Van Waesberge 1684 petit in 4 (22x17,5) 1 volume reliure demi basane teintée à coins, dos muet à 5 nerfs (reliure de la fin du XVIIIème siècle), faux-titre gravé illustré à pleine page, page de titre imprimée en rouge et en noir, [2] 339 pages et table non chiffrée (blad-wyser: 17 feuillets), page de titre imprimée en rouge et en noir, 3 feuillets non chiffrés, avec un tableau dépliant (plan du camp romain), et 147 pages (Van de legerschikking en kriygs-tucht der oude romeinen) et table non chiffrée. Ouvrage illusté de très nombreuses figures gravées sur cuivre dans le texte, la plupart reproduisant des médailles romaines antiques. Guillaume du Choul, Lyon vers 1496 - 1560, '' Antiquaire '' lyonnais, et collectionneur de médailles, spécialiste de la Rome antique. Rare. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )‎

‎Très bon Couverture rigide‎

书商的参考编号 : 13668