‎Engravings‎

‎Roubaud, Benjamin (dit Benjamin) (Roquevaire, 01–06–1811 - Alger, 14–01–1847), dessinateur-lithographe‎

‎Panthéon Charivarique - Eugène Sue. - [Lithographie]. Sur la mer littéraire orageuse parfois, En habile marin navigue Eugène Sue Sans l'arrêter jamais la critique déçue...-Portrait-charge- lithographie originale‎

‎1842 LE CHARIVARI Aubert et Cie, imprimeur-lithographe- Marie-Joseph dit Eugène Sue (1804-1857) (Titre factice), PANTHEON CHARIVARIQUE, nº97. (Titre de l'ensemble)- Vers 1841 — 1843- Lithographie-Description:-1 feuillet ; illustration page 3.-- texte imprime au dos,bon etat,marges courtes,rogné en haut,petit manque papier à l'angle du bas,dans l'etat. Hauteur: 36cmx Largeur: 27.3cm - Au recto, sur la lithographie, en bas à gauche, imprimer à l'encre noire : "Chez Bauger & Cie R. du Croissant 16.", au centre : "Chez Aubert & Cie Pl. de la Bourse." et à droite, imprimé à l'encre noire : "Imp. d'Aubert & Cie." ("ie" de "Cie" en exposant sur un point). impressionInscription concernant le titre - Au recto de la lithographie, en haut, imprimé à l'encre noire à gauche : "(Romanciers)" ; au centre : "PANTHEON CHARIVARIQUE." Impression - Au recto de la lithographie, en bas à droite, sur l'image, imprimé à l'encre noire : "Benjamin". (souligné). ImpressionInscription concernant le titre - Au recto de la lithographie, en bas au centre, sous l'image, imprimé à l'encre noire : "Sur la mer littéraire orageuse parfois, / En habile marin navigue Eugène Sue / Sans l'arreter jamais la critique déçue / Voir sa plume filer un succès tous les mois."‎

‎Remise de 20% pour toutes commandes supérieures à 200 €‎

Bookseller reference : 25526

‎ROUIR E.‎

‎L ESTAMPE. VALEUR DE PLACEMENT. CONSEILS AUX AMATEURS ET COLLECTIONNEURS.‎

‎GUY LE PRAT.. 1984. In-8 Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur acceptable. 223 pages. Quelques illustrationsen noir et blanc hors texte.‎

‎Rouir E.‎

‎L'estampe, valeur de placement‎

‎Guy Le Prat. 1984. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 223 pages.. . . . Classification Dewey : 769-Estampes‎

‎Classification Dewey : 769-Estampes‎

Bookseller reference : R240165817

‎ROUIR E.‎

‎L'ESTAMPE, VALEUR DE PLACEMENT, CONSEILS AUX AMATEURS ET COLLECTIONNEURS‎

‎Guy Le Prat. 1984. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 223 pages.. . . . Classification Dewey : 769-Estampes‎

‎Collection 'Valeurs-refuge'. Nouvelle édition revue et augmentée. Classification Dewey : 769-Estampes‎

Bookseller reference : RO40228260

‎ROUIR Eugène‎

‎L'estampe, valeur de placement.‎

‎GUY LE PRAT. 1973. In-12. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 221 pages. Quelques illustrations en noir et blanc hors-texte. Reliépleine toile blanche avec illustration en couleurs sur le 1er plat. Tampons de bibliothèque.. . . . Classification Dewey : 769-Estampes‎

‎"Conseils aux amateurs et collectionneurs. Collection "" Valeur-refuge"". Classification Dewey : 769-Estampes"‎

Bookseller reference : RO80004640

‎ROUX Marcel‎

‎Collection de VINCK‎

‎Inventaire analytique. Tome IV : Napoléon et son temps. Envoi de l'auteur. Broché Très bon Paris Le Garrec 1929 1 très fort volume in-8°‎

Bookseller reference : 13091

‎ROUX-CHAMPION.‎

‎La Brabançonne. Hymnes alliés.‎

‎P., Le Nouvel Essor, 32x47 cm.‎

‎Gravure sur bois coloriée au pochoir et tirée à mille exemplaires imprimés sur vergé.‎

Bookseller reference : 13448

‎ROWLANDSON Thomas‎

‎The Double Disaster, or New Cure for Love‎

‎This sketch, which is characterised by the artist's usual spirit when dealing with kindred subjects, represents the situation of a rustic swain, whose philanderings have landed him in the midst of the perplexities of a double dilemma. It is seemingly 'washing day,' and the gallant intruder has effected his admission to court the graces of a pretty maiden, who is thrown into consternation at the risk to which her suitor, by an awkward contretemps, is suddenly exposed. The pair have evidently been disturbed at the moment the lady was engaged in drawing a mug of ale for the refreshment of her admirer ; in the confusion, the tap of the beer barrel is still left running, and all the maid's solicitude is centred in the position of her swain, who has incautiously taken refuge in the copper. A very disagreeable-looking old beldame is kindling a blazing fire in the stove, while a buxom wench is working away at the pump, which is pouring gallons of water into the unlucky Lothario's place of concealment. The youth is hesitating midway between the ordeals of fire or water, and he is struggling to effect his escape from both, at the risk of exposure and its consequences. " Encadrée Bon Londres Thomas Tegg 1807 44 x 34 cm‎

‎édition originale‎

Bookseller reference : 14775

‎ROY‎

‎Cardinal de Fleury‎

‎Épreuve sur beau papier filigrané. en feuille Très bon Paris 14,5 x 10,5 cm‎

Bookseller reference : 15158

‎Roy Claude‎

‎Estampages HAN‎

‎Club Francais Du Livre Edition originale numérotée 3924 sur 4000 (reservé aux membres de l'associés du Club Français du Livre) illustrée de nombreuses reproduction en noir d'estampages chinois de la dynastie Han. Textes d'auteurs chinois datant, pour la plupart, d'avant Jésus-C. Bel exemplaire.‎

‎BON ETAT Mise à jour du Samedi 27 Juin 2026. Paiement PayPal immédiat, Mondial Relay pour : France, Allemagne, Autriche, Belgique, Espagne, Italie, Portugal, Luxembourg, Pays-Bas, Pologne (Communiquer votre point ou locker si connu). Une participation supplémentaire peut être demandée pour les colis lourds hors France où les envois compris entre 5 et 25 kg sont dégressifs : 2 à 4 kilogrammes - 7.99 / 5 à 10 kg - 15.99 / 15 -25 kg - 25.99. Certaines de nos collections ( Vian, Céline, Camus (...) peuvent être expédiées en Franco de port. Pour linternational hors Europe (Suisse, Canada, Japon, Etats-Unis, les frais dexpéditions peuvent varier selon le poids (mise à jour : 1 juin 2026).‎

Bookseller reference : 9499

‎Ru van Rossem (Engravings)‎

‎Song of Songs SIGNED LIMITED EDITION‎

‎London: The Collectors Book Club 1950. Limited edition. Hardcover. Good- to fine condition. 1/100. Folio. Unpaginated with six tissue-guarded copper engravings. Original green Morroco with five inch black cloth strip laid to covers gilt decorated grape motif across front cover and raised bands with gilt ruling on spine. Gilt top edge. Purple ribbon marker. Title page printed in red-brown. Signed by the artist on dedication page.<br /> <br /> Printed with the permission of the University Presses of Oxford and Cambridge. Contains six beautiful copperplate engravings by the decorated Dutch sculptor Ru van Rossem well known for his sculptures pen drawings lithographs wood and copper engravings as well as set and costume designs. Printed on English handmade paper by John Roberts Press engravings on Japanese vellum. <br /> <br /> A pupil of Jam van Tongeren and Arend Hendriks Ru van Rossem 1924-2007 taught at the Great Yarmouth College of Art while he lived in England. For almost twenty years he was a lecturer at the Tilburg Academy and among other awards was appointed Knight of the Order of the Netherlands Lion in 2003.<br /> <br /> Spine and left Moroccan panel on front cover faded with very light wear at along edges slightly more pronounced at head and tail of spine. Some offsetting of leather edges to endpapers. Binding in good- interior in very good to fine condition. The Collectors Book Club hardcover‎

Bookseller reference : 55275

‎Ruchat, Abraham:‎

‎Les délices de la Suisse, une de principales républiques de l'Europe. Ou l'on peut voir tout ce qu'il y a de plus rémarquable dans son pays & dans celui de ses alliez, qui composent avec elle le louable corps helvetique. Comme la description des villes, bourgs, châteaux, les antiquitez du pays & les raretez de la nature, la qualité de l'air & terroir, le naturel, les moeurs, & la religion des habitans, leurs gouvernemens différens, leur alliances ces mutuelles, & leur intérêts communs...‎

‎4 Bände. Leiden, Pierre van der Aa, 1714. Kl.-8°. (18) Bl., 220 (recte 224) S.; (2) Bl. S. 221–228, 233–434; (2) Bl. S. 435–676; (2) Bl., S. 677–1027. Mit gest. Titelblatt (doppelblattseitig), 1 gest. Frontispiz (doppelblattseitig), 68 (davon 50 gef.) und 5 (von 6) gef. Kupferkarten. Lederbände der Zeit mit reicher Rückenvergoldung.‎

‎Lonchamp 812. – Haller I, 718. – Barth 17210. – Feller/Bonjour 529. – e-hls (für den Autor). – Erste Ausgabe. – Abraham Ruchat (1680–1750) veröffentlichte das vorliegende Werk unter dem Pseudonym Gottlieb Kypseler von Münster. In der Vorrede beschreibt er sein Anliegen, die West- und Deutschschweizer einander näherzubringen. Ruchat, geboren in Vevey, gilt als der erste bekannte Geschichtsschreiber der Waadt. Er studierte in Lausanne, Bern, Berlin und Leiden Theologie und war ab 1721 als Professor für Redekunst in Lausanne tätig. – Es fehlt die Gesamtkarte der Schweiz, ansonsten ein sehr gutes Exemplar. – Das Papier vereinzelt stockfleckig. Die Vorsätze leimschattig. Die schönen Einbände minim berieben.‎

Bookseller reference : 7878CB

‎RUEG Madeleine‎

‎Au bois. Tailleur, de Madeleine Vionnet. (La Gazette du Bon ton, n°6. Année 1924-1925 - Planche 48 )‎

‎- Lucien Vogel éditeur, Paris 1924, 19,5x25cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'illus‎

‎Rukeyser, Muriel and Rudolph C von Ripper (engravings)‎

‎The Soul and Body of John Brown: a poem by Muriel Rukeyser and an old song on etchings by Rudolf C. von Ripper‎

‎1940. New York: Lee A. Ault & R. C. von Ripper 1940. <br /> <br /> Huge folio 50 pp. text and illustration engraved throughout on folded leaves separated with tissue guards in stiffened wrappers with an additional suite of 22 plates lacking some together in the original cloth portfolio and card slipcase. Together with seven sheets of proof plates and a folder of five related press clippings bearing the printed label of Monica McCall Inc. Wrappers lightly toned portfolio worn and splitting slipcase considerably worn and stained and lacking spine panel plates themselves are very good throughout with only a hint of age-toning to the outer margins.<br /> <br /> § Copy V signed by Von Ripper and Muriel Rukeyser one of three Rives paper with a suite of etchings on Velin de Normandie from a total edition of 67 copies. This copy belonged to Muriel Rukeyser who has extracted some of the suite of prints they now number 22 and added seven proof sheets some showing and annotating alternate inking options as well as a small collection of related press clippings gathered for her by Monica McCall her literary representative and sometime lover.<br /> <br /> An important collaboration between Rukeyser and the Austrian-born surrealist etcher Rudolph von Ripper 1905-1960 on the eve of America's entry into the Second World War. Rukeyser's poem looks to the legacy of John Brown the militant abolitionist of the 1850s and celebrates the possibility of spiritual renewal through resistance to injustice. It first appeared in the June 1940 edition of Poetry Magazine. Here the poem is fully engraved and illustrated with original etchings by von Ripper and interleaved with the etched verses of the old Civil War marching song. By the time Von Ripper was engaged on this project he was only 35 but had already fought for the French Foreign Legion been imprisoned and tortured by the Gestapo and been wounded while fighting on the Republican side in the Spanish Civil War. His direct physical experience of the rise of fascism is evident in his visceral Goya-like etchings. The series was exhibited in the Bignou Gallery in New York in 1941. A contemporary review described it is "an unusal undertaking brilliantly executed the drawings forming not so much illustrations or decorations as actual parts of the poem. Realism symbolism powerful design and dramatic presentment mark these plates which form a distinguished piece of bookmaking. unknown‎

Bookseller reference : 126299

‎RUMPHIUS (Georgius Everhardus), ou RUMPF (Georg Everhard) (1627-1702).‎

‎Thesaurus imaginum piscium testaceorum ; Cochlearum ; Conchylia , Conchae univalviae & bivalviae ; Minaralia.‎

‎Lugduni Batavorum (Leide, Leyde), Apud Petrum Van der Aa, Bibliopolam, 1711 In-folio (41 x 27 cm), (1) ff., 15 pp., (8) pp., veau marbré, dos à six nerfs orné, pièce de titre de maroquin rouge, triple filet à froid entourant les plats, double filet doré sur les coupes, tranches rouges (reliure d'époque). Illustré d'un frontispice, un portrait de l'auteur, 1 vignette de titre, 4 vignettes dans le texte, et 60 planches gravées. Première édition en latin du "Cabinet des raretés de l'île d'Amboine" (Amboinsche Rariteitkamer), publié en hollandais en 1705 ; l'auteur, atteint de cécité, est ici représenté dans son cabinet. Précieux exemplaire provenant de la famille de Charles de MONTESQUIEU, de la bibliothèque du Château de la Brède, avec l'ex-libris des Secondat, barons de la Brède et de Montesquieu, "Virtutem Fortuna Secondat, Ex Bibliotheca Bredanense", et les initiales C. M. à l'encre. Bel exemplaire. // Folio (41 x 27 cm), (1) ff., 15 pp., (8) pp., marbled calf, spine tooled raised on six bands, red morocco title label, triple blind fillet borders on covers, double gilt fillet on turns-in, red edges (contemporary binding). Illustrated with a frontispiece, a portrait of the author, 1 vignette on title, 4 vignettes in the text, and 60 engraved plates. First edition in latin of the "Ambonese Curiosity Cabinet" (Amboinsche Rariteitkamer), first published in german in 1705 ; the author, blind, is here depicted in his office. Precious copy from Charles de MONTESQUIEU family, from the "Château de la Brède" library, with the book-plate of the Secondat, barons de la Brède et de Montesquieu "Virtutem Fortuna Secondat , Ex Bibliotheca Bredanense", and initials C. M. hand-written. Fine copy (Nissen ZBI 3520)‎

Bookseller reference : 002657

‎Runge, H‎

‎Die Schweiz in Original-Ansichten ihrer interessantensten Gegenden, historisch merkwürdigsten Städte, Badeorte, Kirchen, Burgen und sonstigen ausgezeichneten Baudenkmäler alter und neuer Zeit. Nach der Natur aufgenommen und in Stahl gestochen von den ausgezeichnetesten Künstlern unserer Zeit.‎

‎Darmstadt, Gustav Georg Lange, 1870. 8°. 320, (2) S. Mit Titelvignette und 62 Stahlstichtafeln. Blind- und goldgeprägter roter Orig.-Lederband mit dreiseitigem Goldschnitt. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7509CB|7509CB_2 1 Band (von 3). [2 Warenabbildungen]‎

‎Erster Band der zweiten Ausgabe. ? Das Papier durchgehend etwas stockfleckig. Der Einband berieben und bestossen.‎

Bookseller reference : 7509CB

‎Runge, H(einrich):‎

‎Das Berner Oberland. Mit 20 Ansichten in Stahlstich nach Zeichnungen von Ludwig Rohbock u.A.‎

‎Darmstadt, Gustav Georg Lange, (1868). 4°. 85 S., 20 Tafeln. Roter Maroquinband mit Goldprägung.‎

‎Separat-Abdruck aus des Verfassers "Die Schweiz in Original-Ansichten". - Mit Ansichten von Thun, Interlaken, dem Giessbach, Reichenbachfall, Oeschinensee etc. - Etwas stockfleckig. Rüchen und Vorsätze erneuert.‎

Bookseller reference : 2416CB

‎Runge, H.:‎

‎Die Schweiz in Original-Ansichten ihrer interessantensten Gegenden, historisch merkwürdigsten Städte, Badeorte, Kirchen, Burgen und sonstigen ausgezeichneten Baudenkmäler alter und neuer Zeit. Nach der Natur aufgenommen und in Stahl gestochen von den ausgezeichnetsten Künstlern unserer Zeit.‎

‎3 Bände. Darmstadt, G.G. Lange, 1861–1866. 8°. 2 Bl., 319 S.; 2 Bl., 300 S.; 2 Bl., 408 S. Mit 3 gestochenen Titeln mit Vignetten und 195 Stahlstiche von L. Rohbock mit Ansichten aus der Schweiz. Blaue, goldgeprägte Orig.-Leinenbände.‎

‎Das Papier durchgehend stockfleckig.‎

Bookseller reference : 7238AB

‎Ruppen, Peter Joseph:‎

‎Die Chronik des Thales Saas für seine Thalbewohner.‎

‎O. O., (gedruckt bei Klaus Menigs, Visp), 1945. 8°. 157 S. Orig.-Leinenbd.‎

‎Leicht gebräunt.‎

Bookseller reference : 1691DB

‎RUSSELL (Ronald)‎

‎Guide to British Topographical Prints.‎

‎First Edition, 4to, 224pp., 51 illustrs., orig. cloth, d.w. Covering a wide range of subjects and methods, annotated lists of painters and engravers, detailed bibliographies and explanations of methods of printmaking.‎

‎RUYSDAEL J.‎

‎Le petit pont‎

‎Notre épreuve est une héliogravure Amand-Durand, d’après l’épreuve de la collection Galichon. Tous ces tirages sont réalisés sur un superbe papier et sont de grande qualité. Encadrée Très bon 1 volume in-8°‎

Bookseller reference : 13932

‎Ryff, Andreas‎

‎Der Rappenkrieg. Anfang, Mittel und End.‎

‎Basel, R. Müller, 1833. 8°. IV, 151 S. Mit 1 gest. Frontispiz. Orig.-Broschur + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (Rücken restauriert).‎

‎Durchgehend stockfleckig.‎

Bookseller reference : 2779BB

‎Ryuzaburo Umehara et al.‎

‎The Art of the Japanese Print. Volume 1: Early Religious Prints‎

‎This is a very good hardcover copy in a very good heavy clear mylar wrapper and a very good hardshell slipcase. Completely clean inside and out. This is Volume 1: Early Religious Prints, only of the 8 volume series, 'The Art of the Japanese Print'. Text in Japanese with 2 pages of notes in English at the end. This volume reproduces nearly all existing examples of prints from the Nara to Momoyama Periods (8th through 17th centuries). 304 illustrations including 32 tipped-in color plates. 14" high X 11" wide, 207 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.‎

‎Rössing, Karl [Woodcuts] / [Bürger, Gottfried August]‎

‎Münchhausen [Münch-hausen / Des Freiherrn von Münchhausen wunderbare Reisen und Abenteuer. Gottfried August Bürger]. Mit 27 Holzschnitten von Karl Rössing.‎

‎Contains 27 b&w woodcuts by an eminent Austrian graphic artist and illustrator Karl Rössing (1897-1987). 170x150mm. 185 pages. Hardcover. Cover corners and spine bumped and peeling. Adhesive tape on spine edges. In good reading condition.‎

‎Rübel, E(duard):‎

‎Untersuchungen über das photochemische Klima des Berninahospizes.‎

‎Zürich, Fäsi & Beer, 1908. Gr.-8°. S. 207-280. Mit Textfig. Orig.-Brosch. (ungeöffnet). Enthalten in: "Vierteljahresschrift Naturf. Gesellschaft Zürich", Bd. 53/1-3.‎

‎Weiter enthalten u.a.: Heim, Albert. Geologische Nachlese, Nr. 19: Nochmals über Tunnelbau und Gebirgsdruck und über die Gesteinsumformung bei der Gebirgsbildung. S. 34-73‎

Bookseller reference : 196DB