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SALCEDO Maggie
La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)
- Lucien Vogel éditeur, Paris Septembre 1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour
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SALMON, André. - DERAIN, André (gravures de).
Le Calumet. Editions définitive augmentée de poèmes nouveaux et ornée de gravures sur bois par André Derain.
Paris, Editions de la Nouvelle Revue Française, Librairie Gallimard 1920, 165x125mm, 109pages, broché. Couverture rempliée. Sur papier vélin blanc des papeteries Navarre, numéroté n° 418 / 750. Dos et haut du bord de la première couverture légèrement insolé. Intérieur propre. Non rogné. Bel exemplaire.
Bookseller reference : 121057
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Salomon, Jacques, Alain, and Ker-Xavier Roussel
Introduction a l'oeuvre grave de K. X. Roussel par Alain, accompagnee de vingt-huit dessins en fac-simile et suivie d'un essai de catalogue par Jacques Salomon (catalogue raisonnÈ of the prints of Ker-Xavier Roussel)
Two volumes, complete. The best catalogue raisonnÈ of the prints of Ker-Xavier Roussel. 119 items described and illustrated. With the folder of 28 reproductions. Edition limited to 500 numbered copies. Folio. Original wraps. As new, in the original board slipcase.
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Salvador DALI
AFFICHE PUBLICITAIRE - SALVADOR DALI POUR LA SOURCE PERRIER
Paris, Havas Conseil, 1969, 41,5x60cm, Affiche publicitaire insérée dans le Figaro et France soir en 1969. Pliure centrale du fait de son insertion dans les journaux. Petits défauts en marge, sinon bon état général de cette fragile illustration sur papier dorée. Affiche contrecollée sur papier fort.
Bookseller reference : 80308
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Sammlung Neujahrsblätter der
Zürcherischen Hülfsgesellschaft. Erstes Neujahrsblatt – XXV. Neujahrsblatt.
Zürich, 1801–1825. 4°. Mit Kupfertafeln und Portaits. Späterer Pappband.
Bookseller reference : 5600CB
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Samuel Marochitanus (Samuel aus Marokko)
Rabbi Samuelis Tractatus, Indicans Errorem Judaeorum Circa Observantiam Legis Mosaicae & venturum Messiam, quem expectant. Opus Aureum Omnibus Christi-fidelibus, & sac: Scripturae Professoribus apprime necessarium. Ab ... Alphonso Bonohomine, Hispano ... Circa Annum 1339. ex Arabico in latinum translatum, tempote Pontificatus Benedicti ... papae XI. Venetijs impressum, Inde à Judaeis, nè typis vulgaretur, undique celatum, tandem adinventum; Et cum Officij Sanctae Inquisitionis Consensu Maceratae olim reimpressum ; Nunc demum De Reverendissimi Archi-Episcopalis Consistorij Pragensis Facultate Recusum & prostans.
Vetero-Pragae (Prag), Apud Joannem Wenceslaum Helm (Johann Wenzel Helm), ohne Jahr (um 1719). 3 nnr. Blätter, 84 Seiten, 2nnr. Blätter. Schlichter Lederband der Zeit auf 3 Bünden mit handschriftlichem Rückenschild. Oberes Kapital ca. 8 mm beschädigt. Name mit Kugelschreiber auf Vorsatz.
Bookseller reference : 702899
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Sanchez, Pierre and Xavier Seydoux
Les estampes de l'Art, 1875-1907. Catalogue raisonne.
The catalogue raisonne of all the original prints that appeared in the l'Art, one of the great Parisian art periodicals. Hundreds of items thoroughly described, with cross-references catalogues raisonnes of individual artists. Fully indexed. ONE OF 300 COPIES PRINTED. 4to. Original wraps. FINE AND BRIGHT.
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SANIER
Recueil complet de chiffres a deux et trois lettres composé et dessiné par Sanier Père et gravè par son Fils. Nouvelle edition
In-8°; front. inciso su rame, pp. (4) con l’avertissement, e 34 tavole numerate incise su rame da Sanier figlio (di cui una ripiegata contenente una serie di simboli) con tutti gli esempi di lettere singole e monogrmmi a due o tre lettere, utilizzati nelle botteghe di vari artigiani, dai gioiellieri ai calligrafi; in fine anche il testamento di Luigi XVI inciso entro un tondo in caratteri minuscoli. legatura in piena pergamena con tassello e titolo in oro al dorso.Cifrario specimen alfabeti monogrammi model book calligraphic monograms writing ecriture alphabet calligraphy incisioni engravings
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Santippa. 936.
"????"
12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Rêverie, Gaspillage, Exagération, Simplicité, Gourmandise, Abondance, Violence, Fantaisie, Faiblesse, Curiosité, Obligeance, Surprise.
Bookseller reference : ART5149M
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Santippa. 936.
"????"
2 /12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Violence, Obligeance
Bookseller reference : ART5185M
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Santippa. 936.
"????"
9/12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Rêverie, Gaspillage, Simplicité, Gourmandise, Abondance, Violence, Curiosité, Obligeance, Surprise.
Bookseller reference : ART5186M
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Sarah Charlesworth, Joseph Kosuth
Face / Surface (signé des deux artistes)
1976 Paris, Galerie Durand-dessert, janvier 1976, 46 x 61,3 cm, portfolio de 9 affiches dans une enveloppe de papier cristal imprimée.Tirage unique de 100 exemplaires tous numérotés et signés par les deux artistes.
Bookseller reference : 105337
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Sarazin Jean-Jacques
Petit Precis de Gravure d'Art.
Marseille, Editions Autres Temps, 1992. In-8 (13 x 22), 95 pp., 7 ff., broché. Illustrations en N&B.
Bookseller reference : ART5124M
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SARBER, MARY A [PHOTOGRAPHIC PRINTS BY CHARLES H BINION]
PHOTOGRAPHS FROM THE BORDER. THE OTIS A. AULTMAN COLLECTION
El Paso: Ei Paso Public Library Association 1977. 1977. TEXAS MEXICO. First edition. 4to. Limited edition of 3000 copies and the plates destroyed. Designed by Carl Hertzog. 11 3/4' x 12 3/4" maroon cloth titles stamped in gilt on front cover and spine front and rear endpapers decorated with the repeated words "Otis A. Aultman Commercial Photographer" xiii 1 100 1 pp. introduction illustrated from photographs portraits acknowledgments. 100 striking full-page photographs taken in and around El Paso Texas Columbus New Mexico and northern Mexico during the time of the Mexican Revolution. Non-authorial inked gift inscription on the half title page else a fine copy without dust jacket as issued. Ei Paso Public Library Association, 1977. hardcover
Bookseller reference : 54000
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SARONI, Sergio (Torino, 1934 - Torino, 1991),
La rana sulla scatola
Acquaforte acquatinta originale a 4 colori Tiratura 100 esemplari. Firma e numerazione a matita dell'Artista. Timbro a secco dello stampatore Il Torcoliere, Roma. cm 36x36 (Foglio 59x45). . . Ottimo (Fine). . Tiratura 100. .
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Sarpi, Fra-Paolo (Text by); Pierre-Francois Le Courayer (Translated into French, with Notes by); George Vertue (Engravings by)
Histoire du Concile de Trente. 2-vol. set Complete
Amsterdam: J. Wetstein; G. Smith 1736. First French-language edition. Hardcover. g to vg. Quarto 10 1/4 x 8". 14 lxxv 1 696pp; 4 848pp. Modern half brown calf over light green cloth with gold lettering and tooling to spines retaining the original gilt-lettered leather titles. All paper edges red. Marbled endpapers. Engraved frontispiece portrait of the author and engraved portrait of Caroline of Brandenburg-Ansbach Queen of Great Britain as the wife of King George II by George Vertue. Title vignettes. Title pages in red and black lettering. <br /> <br /> This work was originally published in London in 1619 by Paolo Sarpi 1552-1623 an Italian historian prelate scientist canon lawyer and statesman active on behalf of the Venetian Republic during the period of its successful defiance of the papal interdict 1605-1607 and its war 1615-1617 with Austria over the Uskok pirates. The author published it under the name of Pietro Soave Polano an anagram of Paolo Sarpi Veneto plus o. <br /> <br /> The book's emphasis was on the role of the Papal Curia and its slant on the Curia hostile. Sarpi's work attained such fame that the Vatican opened its archives to Cardinal Pietro Sforza Pallavicino whom it commissioned to write a three volume rebuttal entitled the "Istoria del Concilio di Trento scritta dal P. Sforza Pallavicino della Comp. di Giesù ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano" "The History of the Council of Trent written by P. Sforza Pallavicino of the Company of Jesus in which a false history upon the same argument put forth under the name of Petro Soave Polano is refuted by means of authoritative testimony" 1656-1657.<br /> <br /> Sporadic foxing and offsetting throughout. Bindings in overall very good interior in good to very good condition. J. Wetstein; G. Smith hardcover
Bookseller reference : 42844
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Sartain, John
B. Carr Professor Music; Painted by J. C. Darley Engraved by J. Sartain
Philadelphia: John Sartrain 1835. Very Good -. 1 mezzotint engraving of Benjamin Carr 1768-1831 American composer singer music teacher and music publisher. Sheet is 30 x 24 cm.; image is 14 x 11 cm. John Sartain 1808-1897 pioneered mezzotint engraving in the United States. He engraved this portrait of Benjamin Carr from a painting by John Clarendon Darley 1808-1863. Undated but probably produced in the 1830s. Number in pencil in lower right-hand corner: 7/882. In Very Good- Condition: light soiling and foxing; a crisp mezzotint image. John Sartrain unknown
Bookseller reference : 006330
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Sartain, John
The Death of the Revd John Wesley A.M.
Philadelphia: William Smith 1860. Good. Sheet is 48 x 57 cm. Image is 33 x 38 cm. Hand-colored lithograph produced by Magee's Lithograph Press 48 S. 3rd St. Philadelphia. No date of publication. John L. Magee artist lithographer and engraver was located at 48 or 49 S. 3rd St. Philadelphia only in 1860. Engraved by A. Biggerman after an engraving by John Sartain. Print of deathbed scene of the Reverend John Wesley. Others shown in the image as identified by Sartain: Sarah Wesley a medical assistant the Rev. J. Bradford the Rev. P. Dickinson Mrs. Charles Wesley the Rev. T. Rankin Mrs. E.A. Rogers Miss Ritchie the Rev. J. Rogers the Rev. J. Creighton Master Rogers R.C. Brackenbury the Rev. T. Broadbent the Rev. A. Mather the Rev. J. Broadbent J. Horton the Rev. G. Whitfield Dr. Whitehead and the Rev. J. Edmonson. Scarce one copy on WorldCat. In Good Condition: some mat burn; closed tear of 2.5 cm. fromt upper edge; closed years of less than 2 cm. from lower edge; lower corner creased; image is clean and bright. William Smith unknown
Bookseller reference : 006727
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Sauer, Gordon C.
John Gould Bird Print Reproductions. Signed Copy
This is a very good softcover copy with almost no wear. Completely clean inside and just lightly soiled outside. Spine not creased. Signed and inscribed by the author in 1978. Illustrated throughout in black & white. Tall 8vo, 9" high X 6" wide, 76 pages. This book will be securely packed and shipped with tracking.
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SAURA Antonio; LAMBERT Jean-Clarence:
La cámara ardiente o los amores célebres.
Barcelone, Editorial Gustavo Gili, 1977. Grand in-8 oblong, en feuilles sous couverture rempliée, couverture en fourrure blanche, sous emboîtage en Plexiglas.
Bookseller reference : 20185
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Saussure, Horace-Bénedict de
Reisen durch die Alpen, nebst einem Versuche über die Naturgeschichte der Gegenden von Genf. Aus dem Französischen übersetzt und mit Anmerkungen bereichert.
Leipzig, Johann Friedrich Junius, 1781-1788. 8°. XXVI, (2), 298 S.; X, (2), 327 S.; VIII, 310 S.; (4), 433 S. Mit 2 gef. Karten, 14 (davon 13 gef.) Kupfertafeln. Pappbände der Zeit mit Kleisterpapierbezug und handschr. Rückenschildern. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 29805AB|29805AB_2|29805AB_3 4 Bände. [3 Warenabbildungen]
Bookseller reference : 29805AB
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Saussure, Horace-Bénedict de:
Reisen durch die Alpen, nebst einem Versuche über die Naturgeschichte der Gegenden von Genf. Aus dem Französischen übersetzt und mit Anmerkungen bereichert.
4 Bände. Leipzig, Johann Friedrich Junius, 1781–1788. 8°. XXVI, (2), 298 S.; X, (2), 327 S.; VIII, 310 S.; (4), 433 S. Mit 2 gef. Karten, 14 (davon 13 gef.) Kupfertafeln. Pappbände der Zeit mit Kleisterpapierbezug und handschr. Rückenschildern.
Bookseller reference : 29805AB
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Sautter, Walter (1911?1991)
Berglandschaft bei Ftan.
1960. Aquarell auf festem Papier. Bildausschnitte: 31 x 39 cm. Blattgrösse: 33.5 x 43 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Bookseller reference : 1699AG
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Sautter, Walter (1911?1991)
Ftan mit Blick ins Tal.
1962. Aquarell auf festem Papier. Bildausschnitte: 32,5 x 40 cm. Blattgrösse: 35 x 43 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Bookseller reference : 1705AG
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Sautter, Walter (1911–1991);
Berglandschaft bei Ftan.
1960. Aquarell auf festem Papier. Bildausschnitte: 31 x 39 cm. Blattgrösse: 33.5 x 43 cm.
Bookseller reference : 1699AG
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Sautter, Walter (1911–1991);
Ftan mit Blick ins Tal.
1962. Aquarell auf festem Papier. Bildausschnitte: 32,5 x 40 cm. Blattgrösse: 35 x 43 cm.
Bookseller reference : 1705AG
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SAUVAGE Sylvain
Cinquante eaux-fortes pour illustrer les Mémoires de Jacques Casanova de Seingalt Vénitien.
Beau portefeuille contenant 50 eaux-fortes originales de Sylvain Sauvage. Exemplaire tiré sur papier de Hollande, signé au colophon par l'artiste. On joint une lettre autographe signée de l'artiste sur son beau papier à en-tête. en feuille. Papier filigrané. Très bon Paris Cotinaud s.d. (1920) 1 volume in-folio.
Bookseller reference : 9742
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SAVIGNY, Friedrich Carl von
Das Recht des Besitzes. Eine civilistische Abhandlung. 3., vermehrte und verbesserte Ausgabe.
Gießen, Heyer, 1818. 1 Bl., XXXX, 602 S. Halbleder d. Zeit (beschabt, Ecken u. Kanten bestoßen). [2 Warenabbildungen]
Bookseller reference : 168473
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Savin, Maurice - Mac Orlan, Pierre (préf.)
[Les Maîtres de l'estampe française contemporaine :] Maurice Savin, dix estampes originales présentées par Pierre Mac Orlan
Paris Rombaldi 1949 in-folio en feuilles Paris, Rombaldi, 1949. Coll. "Les Maîtres de l'estampe française contemporaine" (n° 8). 38,5 x 28,5 cm, in-folio, 2 ff. bl. - 7 ff. n. ch. portant 2 eaux-fortes dans le texte - 10 estampes (2 lithographies au crayon, 3 lithographies au lavis, 2 lithographie en couleurs, 3 eaux-fortes) toutes numérotées et signées par l'artiste à la mine de plomb et montées sous passe-partout - 3 ff. n. ch. - 3 ff. blancs, en feuilles sous couverture blanche rempliée et imprimée et portefeuille de l'éditeur.
Bookseller reference : 4348
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Savyon, Jean
Annales de la Cité de Genève attribuées à Iean Savyon, Syndic. Hrsg. von Edouard Fick.
Genève, Jules-Guillaume Fick, 1858. 8°. VI, 143 S. Mit gest. Buchschmuck, darunter eine kleine Ansicht und das Genfer Wappen. Pappband d. Zt. mit blindgepr. reich verziertem Genfer Wappen auf Deckeln, diese von roter Linie eingefasst. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4837C
Bookseller reference : 4837CB
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Savyon, Jean:
Annales de la Cité de Genève attribuées à Iean Savyon, Syndic. Hrsg. von Edouard Fick.
Genève, Jules-Guillaume Fick, 1858. 8°. VI, 143 S. Mit gest. Buchschmuck, darunter eine kleine Ansicht und das Genfer Wappen. Pappband d. Zt. mit blindgepr. reich verziertem Genfer Wappen auf Deckeln, diese von roter Linie eingefasst.
Bookseller reference : 4837CB
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Sawyer, J.R.
THE "A.B.C." GUIDE TO THE MAKING OF AUTOTYPE PRINTS IN PERMANENT PIGMENTS. (Revised Edition).
pp. xii, 99, 13 [Price List of Tissue and Materials Used in the Production of Permanent Photographs], 19 [Abridgement of the Autotype Company's Fine Art Catalogue], (1) [Press Notices] + Autotype Frontis. Frontis worn with loss at bottom corner margin. Lacks second illustration. Title page soiled. Page xi torn without loss. Old damp staining at top margins. Fly leaves penciled scribbled. Tipped in order and telegraph directions printed in red. Top edge gold gilt. 12mo. 175 mm. Original full cloth binding, lettered and decorated in gold. Extremities rubbed with loss. Binding worn. Revised Edition. Hardbound. Very good. Autotypes were a commercial photographic process for producing excellent prints, in mostly monochrome, using a carbon pigment. W103 RtStack
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Scaligeri, Ios. (Scaliger, Joseph)
C. Ivlii (Julius) Caesaris quae extant Ex emendatione.
Antverpiae (Antwerpen), Hieronimus Verdussen, ohne Jahr (um 1640). 12,8 x 7,5 cm. 456 Seiten, 28 nnr. Blätter (Index) und 3 gef. Karten. Ledereinband der Zeit mit goldgeprägtem Rückenschild und etwas Rückenvergoldung. Oberes und unteres Kapital beschädigt mit Fehlstellen, Vorderes Außengelenk beschädigt mit Fehlstelle. Einige Wurmgänge mit teils geringem Textverlust.
Bookseller reference : 703595
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Scanavino Emilio
ORIGINAL UNTITLED MONOCHROME ETCHING
Milan: Galerie Schwarz 1961. Original monochrome etching plate size 11 x 14.5 cm on 26.5 x 19.5 cm sheet. Mounted in stiff board and acetate mat with a slight skinning at upper spine-edge with printed caption on verso. Fine. One of sixty numbered copies in addition to twenty-five copies numbered in Roman signed and dated in the margin by the artist. Printed in Paris in the Atelier of Georges Leblanc on hand made paper from Papeteries de Rives. Scanavino 1922 - 1986 who after a figurative start to his work rapidly progressed with a personal aesthetic partaking of elements of cubism. He took part in several exhibitions including the Venice Biennale 1950 1954 1958 and 1966. He also was the subject of several solo exhibitions starting in Genoa in 1948 through to his final exhibition in Rome's Quadriennale in 1986. This print was published as an element of Galerie Schwarz's series L'AVANGUARDIA INTERNAZIONALE. Galerie Schwarz unknown books
Bookseller reference : WRCLIT70972
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SCANAVINO, Emilio (Genova, 1922 - Milano, 1986)
Senza titolo
Litografia originale a colori Firma e numerazione a matita. Esemplare 46/100. Cm 48,5x67. . . Molto buono (Very Good). . Tiratura 100 (Edition of 100 copies). .
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SCANAVINO, Emilio (Genova, 1922 - Milano, 1986),
A mezzo della notte
Litografia dal libro ''A mezzo della notte'' (composto da 15 litografie ad uno e due colori dell'Artista e poesie di Gianni Malabarba) Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Fabriano. Esemplare p.d.a.. cm 33x47. . . Ottimo (Fine). . Tiratura 50 + XX + 4 H.C. (A-D). .
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SCANAVINO, Emilio (Genova, 1922 - Milano, 1986),
A mezzo della notte
Litografia dal libro ''A mezzo della notte'' (composto da 15 litografie ad uno e due colori dell'Artista e poesie di Gianni Malabarba) Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Fabriano. Esemplare p.d.a.. cm 33x47. . . Ottimo (Fine). . Tiratura 50 + XX + 4 H.C. (A-D). .
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SCANAVINO, Emilio (Genova, 1922 - Milano, 1986),
A mezzo della notte
Litografia dal libro ''A mezzo della notte'' (composto da 15 litografie ad uno e due colori dell'Artista e poesie di Gianni Malabarba) Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Fabriano. Esemplare p.d.a.. cm 33x47. . . Ottimo (Fine). . Tiratura 50 + XX + 4 H.C. (A-D). .
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SCANAVINO, Emilio (Genova, 1922 - Milano, 1986),
A mezzo della notte
Litografia dal libro ''A mezzo della notte'' (composto da 15 litografie ad uno e due colori dell'Artista e poesie di Gianni Malabarba) Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Fabriano. Esemplare p.d.a.. cm 33x47. . . Ottimo (Fine). . Tiratura 50 + XX + 4 H.C. (A-D). .
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SCANAVINO, Emilio (Genova, 1922 - Milano, 1986),
Senza titolo
Litografia Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare p.d.a.. cm 51x40,5. . . Ottimo (Fine). . . .
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SCANAVINO, Emilio (Genova, 1922 - Milano, 1986),
Senza titolo
Litografia originale in rosso, bianco e nero Firma e numerazione a matita. Stampata da Piergiorgio Spallacci su carta Fabriano. Timbro a secco dell'editore. Esemplare 29/100. cm 35x33 (Foglio cm 70x50). . . Ottimo (Fine). . Tiratura 100. .
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SCANDINAVIA IN OLD MAPS AND PRINTS
0390
Not in perfect condition. unknown
Bookseller reference : Erik van Mingroot and Edu
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Scattering Lights Prints
Black Paper Notebook Black Lined Paper: Hardcover Lined Notebook With Black Paper Sheet Pages 8.5x11 Simple Minimalism Journal For Writing Paper
Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; 130 Diary PagesHardback CoverMatte FinishSized at a large 8.5" x 11"Great for writing note taking sketching doodling journaling and jottingPerfect for school home or officeFor use with gel metallic glitter pastel and florescent hardcover
Bookseller reference : ria9781953987143_inp ISBN : 1953987141 9781953987143
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Scattering Lights Prints
Black Paper Notebook: Hardcover Lined Notebook With Black Pages 8.5x11 Minimalism Journal For Writing
Hardback. New. hardcover
Bookseller reference : B9781953987143 ISBN : 1953987141 9781953987143
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Scattering Lights Prints
Black Paper Notebook Black Lined Paper: Hardcover Lined Notebook With Black Paper Sheet Pages 8.5x11 Simple Minimalism Journal For Writing Paper
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Bookseller reference : 1953987141.G ISBN : 1953987141 9781953987143
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SCHAAR, E
(Hrsg.) Was die Bilder erzählen. Graphik aus sechs Jahrhunderten. (Ausstellungskatalog).
Hamburg, Kunsthalle, 1991. 4to. 253 S. m. Textabb. u. 101 teils farb. Taf. (Einbd gering fleckig).
Bookseller reference : 1225647
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SCHACK, G. (Hrsg.)
Postkarten an Gustav Schiefler. Mit Zeichnungen von Edvard Munch, Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, Erich Heckel, Max Pechstein, Emil Nolde. Texte von Gustav Schiefler.
Hamburg, Christians, 1976. 4to. 209 S. m. 61 teils farb. Taf., 1 Bl. OPp. m. OUmschl.
Bookseller reference : 1227437
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Schaufelberger, Rosa
Aus dem Archiv der Familie von Schulthess Rechberg 1709-1931.
Brugg, Effingerhof A.-G., (1931). Farbigs Titelblatt, 585 S., mit einigen Illustrationen (teilweise in Farbe),, gealteten Tafeln (Stammbäume), 2 Stammbäume in der Beilage am Schluss des Buche. Lederband mit Goldfiletten und Rückbeschriftung + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4895DB
Bookseller reference : 4895DB
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Schaufelberger, Rosa;
Aus dem Archiv der Familie von Schulthess Rechberg 1709-1931.
Brugg, Effingerhof A.-G., (1931). Farbigs Titelblatt, 585 S., mit einigen Illustrationen (teilweise in Farbe),, gealteten Tafeln (Stammbäume), 2 Stammbäume in der Beilage am Schluss des Buche. Lederband mit Goldfiletten und Rückbeschriftung
Bookseller reference : 4895DB
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Schedel, Hartmann
Liber Chronicarum. The Nuremberg Chronicle. 2 Facing Leaves
Nuremberg Germany: Anton Koberger 1493. First edition. Very Good. Woodcuts by the Workshop of Michael Woldgemut & Wilhelm Pleydenwurff. Folio conjoined leaves measuring approximately 455mm by 320mm very minor breaks at fold minor soiling matted but not glazed or framed. <br/><br/>LIBER CHRONICARUM is the most famous travel book of the 15th century and the most exhaustively illustrated book of the incunable era. The complete work contains 1809 woodcuts of which only 29 are double-page town views:: these conjoined leaves is one of those 29 town views specifically "Colonia" i.e. Cologne Germany. The verso of leaf XCI is a half-page view of "Augusta" i.e. Augsburg Germany with descriptive text. Also smaller portraits of historical personages including Cleopatra Alexander the Great Herodias L. Pomponius Leoneus and M. Agrippa. et alios Notes: this is from the Latin edition. The German-language edition DAS BUCH DER CHRONIKEN has different woodblock portraits for Pomponius Leoneus and Agrippa. Also the view of Augsburg is only the left half of the scene which is one of the double-page views. Goff S-307; Hain - Cop 14508x; Klebs 889.1; Oates 1026; Procter 2084; BMC II 437 . Woodcuts by the Workshop of Michael Woldgemut & Wilhelm Pleydenwurff. Anton Koberger unknown
Bookseller reference : 0005337
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