‎Engravings‎

‎Bible ; [Illustrated with 500+ Wood Engravings]‎

‎Allgemeine wohlfeile Bilder-Bibel für die Katholiken; oder die ganze heilige Schrift des alten und neuen Testaments nach der Vulgata With over 500 WOOD ENGRAVINGS‎

‎Leipzig: Baumgärtner's Buchhandlung. 1842. Hardcover. Very Good-. 8vo; 2 vols pages; Contemporary diced calf leather over glazed paper covered boards. Two heavy volumes for which extra shipping charges may apply. Somewhat scuffed and worn but the bindings are sound with the thick covers well attached. Old ownership signatures partially covered by bookplates of St. Vincent's Abbey Westmoreland Pennsylvania. The Old Testament 978 pages occupies the first volume. The other volume contains the New Testament 360 pp. -- followed by supplements and corrections to the Testaments "Kurze Erläuterung der katholischen Bilder-Bibel - Supplement zum alten Testamente 124 pp. & -- Supplement zum neuen Testamente 32 p. only -- of 56 both these parts with the imprint matching: Leipzig Baumgärtner's Buchhandlung 1842. Text in German set in double columns of Fraktur type. With over 500 wood-engraved text illustrations. A significant illustrated Bible for Catholics which used the technical advances of the industrial revolution to make the large work available at a popular price -- "wohlfeile". . Baumgärtner's Buchhandlung hardcover‎

Bookseller reference : 38576

‎[ENGRAVINGS -- DE MARE, Tiburce]. SCARRON, Paul‎

‎Le Roman comique . . . peint par J.ean-B.aptiste Pater et J.acques Dumont le Romain. . . .‎

‎Paris: P. Roquette Librairie 55 Passage Choiseul 55 1883. 4to. 9.25 x 12.5 in. 4 vii 1 34 pp unpaginated. Engraved frontisp. w/ tissue guard including 16 engravings. Original printed softcovers preserved in contemporary three-quarter morocco over marbled boards binding by Enry - Jose Pierson t.e.g. minor scuffing edgewear light wear to corners still VG copy w/ interior in NF condition. First edition thus of this beautiful series of engravings wonderfully executing Scarron’s picaresque novel relating the occasionally ribald adventures of a company of strolling players. Tiburce de Mare was a noted French portrait painter and engraver and son of Johannes de Mare who frequently contributed to the Gazette des Beaux Arts. P. Roquette Librairie, 55, Passage Choiseul, 55, paperback‎

Bookseller reference : 56228

‎Warr, John‎

‎FRAMED CIVIL WAR PRINT HANGING OUT TILL THE SMOKE CLEARS‎

‎1991. Non-Book. Very Good with no dust jacket; Framed Civil War Print Hanging Out Till The Smoke Clears. Signed by John Warr. Print is 5" high and 8 1/2" across Frame is 13" across and 9" high. Very good condition. ; Prints . unknown‎

Bookseller reference : 90900

‎La Fontaine, J De; Engravings by Charles-Dominique-Joseph Eisen‎

‎Tales and Novels in Verse of J. De La Fontaine In Two Volumes; with eighty-five Engravings by Eisen printed from the original plates TWO VOLUME SET‎

‎<p>Paris: J. Lemonnyer Publisher 1884 Two-Volume Set in publisher's gilt-stamped navy cloth no markings NOT ex-lib t.e.g. binding tight rough cut pages bright & unfoxed all of the wonderful Eisen illustrations present & tissue-guarded offsetting to endpapers light shelf/edge wear with only lightly bumped corners & softening to spine ends else a clean tight exemplary set of a beautiful edition; Text in English; 2 royal 8vos: xvi 252 xii 334pp illus. Extra shipping charge REQUIRED for shipment of this heavy set additional charge MAY BE SUBSTANTIAL for shipment outside the United States. First Edition. Hard Cover. Very Good.</p> Paris: J. Lemonnyer, Publisher hardcover‎

Bookseller reference : 34050

‎Duyckinck, Evert A; Steel Engravings By Alonzo Chappel And Thomas Nast‎

‎National History Of The War For The Union: Civil Military And Naval: Founded On Official And Other Authentic Documents Three Volumes‎

‎New York: Johnson Fry And Co. 1861 1862 1863 1864 1865 1865. 1st Edition . Hardcover. Very Good. 620 660 642 Pp. Three Volumes. Various Copyright Dates From 1861 To 1865 On Plates And Copyright Pages But Text Goes Through End Of War So Actual Publication Date Presumably 1865. Three Massive Volumes The Deluxe Issue In Full Brown Embossed And Gilt Morocco Five Bands Spines Stamped In Gilt Covers Stamped In Dark Brown Beveled Edges All Edges Of Page Block Gilt. Wear Fraying At Corners Gilt Bright. Volume I And Volume Ii Have Front Boards With New Cords. No Marks Or Stains Or Other Damage Text Block Square And Unworn. General Refurbishing By A Binder Made This An Exceptional Set. <br/> <br/> Johnson, Fry And Co. (1861, 1862, 1863, 1864, 1865) hardcover‎

Bookseller reference : 036424

‎[Michael McCurdy and Robert Hauser, editors] [Wood engravings by: Fred Becker, Jack Coughlin, John DePol, Fritz Eichenberg, Raym‎

‎Face to Face: Twelve American Wood Engravers Twelve Contemporary Artists Interpret Themselves in a Limited Edition of Original Wood Engravings‎

‎Great Barrington MA: Penmaen Busyhaus Publications 1985. Limited Edition "Out of Series" Print Set not numbered not in linen slipcase/box. Prints. Near Fine. Folio 39 cm Two suites of loose prints the suites are issued in two states. 13 prints printed on white paper 12 of which are signed; 13 prints printed on cream-colored paper 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper the only difference being the paper. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Does not contain the introduction by Leonard Baskin or the descriptive letterpress text. With signed self-portraits by the following artists: <br /> <br /> -Fred Becker 1913-2004. Born in Oakland California and active in St. Louis Missouri and New England. <br /> <br /> -Jack Coughlin b. 1932. Born in Greenwich Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings etchings and lithographs of literary figures and musicians. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -John DePol 1913-2004. A New York printmaker and wood engraver. His press was Endgrain Press. <br /> <br /> -Fritz Eichenberg 1901-1990. A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. Westmont Ridley-Tree Museum of Art <br /> <br /> -Raymond Gloeckler 1928-2022. Born in Portage Wisconsin. While still a student he taught art via a government program in rural schools. Later he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures and bold expressive satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art <br /> <br /> -James Grashow b. 1942. An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations through which the viewer traverses to the delicate and contained world of his houseplants where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website <br /> <br /> -Judith Jaidinger b. 1941. One of the two female artists represented here. Born in Chicago Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute and is linked to her equally long frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time printing industry technology had moved on supplanting woodblock engravings with line drawings and photography. 'A dying art' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago hub of an enormous catalog business there were still a few commercial wood-engraving establishments turning out the precise detailed images more typical of the previous century. One of them Sander Wood Engraving on Dearborn Street was where Professor Troy a committed modernist sent his students to buy the best material: rare English-grown boxwood blocks. "'He warned us' Jaidinger recalls 'If you go to Sander and buy your wood from them don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom <br /> <br /> -Stefan Martin 1936-1994. Born in Elgin Illinois and a graduate of the Art Institute of Chicago. He was also active in Roosevelt New Jersey. His work is held in private museums and collections throughout the world including the Metropolitan Museum and the Smithsonian Institution. <br /> <br /> -Michael McCurdy 1942-2016. American author illustrator and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts at Concord Academy and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press 1968-1985. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Barry Moser b. 1940. The owner and operator of The Pennyroyal Press and the illustrator of over 250 books including Moby Dick The Divine Comedy and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes <br /> <br /> -Gillian Tyler b. 1935. Born in Baltimore Maryland. She is an illustrator that works primarily in children's books. <br /> <br /> -Herbert Ogdon Waters 1903-1996. Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia the Art Institute of Chicago and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham and at the Holderness School in Plymouth New Hampshire. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Lynd Ward 1905-1985. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. <br /> <br /> Originally issued in an edition of 250 boxed sets. Penmaen Busyhaus Publications unknown‎

Bookseller reference : 59810

‎WHITFIELD, Christopher: O'CONNOR, John (Engravings by).‎

‎TOGETHER AND ALONE. Two Short Novels.‎

‎The Golden Cockerel Press London 1945. . 8vo 109pp black and white illustrations top edge gilt. A good hardback copy in marbled cloth with cream cloth spine. Covers rubbed corners lightly bumped. Edges foxed. . Number 225 in a limited edition of 500 copies. . The Golden Cockerel Press, London, 1945. hardcover‎

Bookseller reference : 111926

‎Texts by ROBERT WALSH; Engravings by THOMAS ALLOM‎

‎Fisher's illustrations of Constantinople and its environs. Constantinople and the scenery of the Seven Churches of Asia Minor. Illustrated. In a series of drawings from nature by Thomas Allom. With an historical account of Constantinople and descriptions of the plates by the rev. Robert Walsh LL. D.‎

‎Istanbul: Denizler Kitabevi 2013. Soft cover. New. Folio - over 12 - 15" tall. In original decorative cloth bdg. Folio. 41 x 31 cm. In English. Color ills. 218 1 p. A very heavy volume. Fisher's illustrations of Constantinople and its environs. Constantinople and the scenery of the Seven Churches of Asia Minor. Illustrated. In a series of drawings from nature by Thomas Allom. With an historical account of Constantinople and descriptions of the plates by the rev. Robert Walsh LL. D. ISTANBUL - Constantinople Ottoman culture Engraving Illustrations History of art Travel Voyage Memoirs Archeology Byzantium Western travellers. <br/> <br/> Denizler Kitabevi paperback‎

Bookseller reference : 019874 ISBN : 994426444x 9789944264440

‎Flinders' Matthew Edited by Geoffrey Rawson Engravings by John Buckland Wright‎

‎Matthew Flinders' Narrative of His Voyage in the Schooner Francis: 1798 Preceded and Followed by Notes on Flinders Bass The Wreck of the Sidney Cove &C. by Geoffrey Rawson.‎

‎London: Golden Cockerel Press 1946. Folio. 41 X 19 cm. Original green cloth. Gilt title on spine. Gilt ship silhouette on front board. Top edge gilt. Fore edge and bottom edge untrimmed. Bookplate on front pastedown. Arnold's mould-made paper. Frontispiece. Full page map and 8 engravings Chronological table. Copy 750/750. Musty smelling. A fine clean copy The first 100 copies were bound in full green Morocco. This copy has the designation of the last copy in the series. The book is dedicated to John King David and below it is the following: inscription "To Captain Douglas Bull with my good wish from John K. Davis who the above not withstanding is just a very "Ordinary Seaman" Melborne Nov 3rd 1947". A very modest and humble inscription from one of the great Antarctic Navigators and Explorers.</p><p></p><p>Great being the last copy and with the wonderful inscription. Great association copy. 1946 Golden Cockerel Press hardcover‎

Bookseller reference : 145130

‎Joan of Arc Prints Archive‎

‎Joan of Arc Original Prints Archive Illustrating Her Military Leadership Cross-Dressing Trial and Imprisonment 18th-19th Century Engravings‎

‎1700. Cross-DressingWomen Military Joan of Arc engraving archive depicting the French military leader and martyr Jeanne d'Arc in iconic images of battle persecution and faith ca. 1770-1850s. The prints focus on Joan's leadership during the Hundred Years' War and on the gender-bending aspects of her identity and dress that contributed to her 1431 trial for heresy. Particular attention is given to her appearance in armor while directing troops or appearing before political authorities. These visual depictions emphasize Joan's adoption of male military clothing an attribute which has lead modern scholars of LGBTQ history to celebrate the saint as a queer and proto-transgender figure.<br /> <br /> Archive of eight engravings and proof impressions executed primarily in copperplate and steel engraving processes during the eighteenth and nineteenth centuries. The images depict several key episodes associated with Joan of Arc's historical narrative including portraits showing her wearing armor and holding a sword scenes of military command in which she appears mounted or directing troops and representations of her recognition by Charles VII and entry into the city of Orléans. A prison scene portrays Joan during captivity prior to her execution in 1431 emphasizing the moment when her continued cross-dressing became a major point of contention during her heresy trial. Several engravings were produced for historical publications and illustrated histories circulating in the eighteenth and nineteenth centuries including editions associated with François Guizot's History of France reflecting the renewed interest in Joan of Arc as a figure of national history. Archives includes:<br /> <br /> 1 Engraved for J. Sydney's History of England. The Maid of Orleans Receiving the Sword of St. Catherine. England c.1770-1820. A fine copper engraving framed within an elaborate Rococo border showing Joan receiving the sacred sword of St. Catherine an episode derived from medieval hagiography rather than strict historical documentation. Joan is mounted on horseback surrounded by armed men and clergy with a fortified tower rising behind her. The ornamental border and English publication context reveal the 18th-century Protestant fascination with Joan as a paradoxical figure: a warrior-prophetess both admired and viewed with suspicion.<br /> <br /> 2 Anonymous Artist. Va va fille de Dieu; délivre la France! Vision Scene. France c.1820-1850. A preparatory hand panciled engraving proof depicting Joan of Arc's divine revelation framed within penciled border guidelines. An angel descends from the clouds carrying a banner while pointing downward toward Joan who kneels in astonishment as cherubs hover above. The inscription "VA VA / FILLE DE DIEU / DELIVRE LA FRANCE!" anchors the scene as an allegory of Joan's heavenly mandate.<br /> <br /> 3 Henry Richter after. Joan of Arc Recognizes the King. London: The London Printing and Publishing Co. mid-19th century. A steel engraving portraying Joan's revelation of Charles VII at Chinon the pivotal moment when she identifies him despite his attempt at disguise. The richly detailed crowd scene and Gothic architectural setting emphasize both spectacle and legitimacy visualizing Joan as divinely guided rather than politically manipulated. <br /> <br /> 4 G. Greatbach engraver; after a painting by J. Opie R.A. Joan of Arc Declaring Her Mission. London: The London Printing and Publishing Co. Ltd. mid-19th century. Joan is shown making a dramatic gesture as she proclaims her mission before astounded soldiers and clergy. The engraving captures the tension between gender expectations and prophetic authority: Joan's outstretched arm determined expression and illuminated figure contrast with the skeptical figures behind her. <br /> <br /> 5 E. Scriven engraver. Joan D'Arc. London: H. Moore Sons & Co. mid-19th century.An engraving presenting a romanticized half-length portrait of Joan of Arc in armor holding a sword upright while gazing serenely into the distance. Behind her appear faint bystanders rendering her both an individual and an emblem of national deliverance. <br /> <br /> 6 Entry of Joan of Arc into Orléans. From Guizot's History of France. Paris/London c.1840s. A sweeping steel engraving of Joan riding triumphantly into Orléans accompanied by monks soldiers and citizens. The composition foregrounds her as a mounted military leader sword raised while crowds kneel and look upward in awe. Johannot's design visualizes Joan as a unifying national leader.<br /> <br /> 7 G. Stodart engraver; after H. E. Selous. Joan of Arc and Charles. London: Virtue & Co. mid-19th century.A dramatic steel engraving showing Joan standing beside Charles VII directing his attention toward the field of battle. The caption references their military collaboration. The interplay of armor banners and a stormy sky underscores Joan'smilitary might. <br /> <br /> 8 T. Brown engraver; after E. Corbould. Joan of Arc in Prison. London: The London Printing and Publishing Co. mid-19th century. A somber interior scene depicting Joan in captivity clasping her hands as guards and clergy surround her. Corbould emphasizes her steadfastness and the emotional gravity of her final days. Produced for an illustrated royal history King Henry the Sixth the image cast Joan as a martyr of conscience.<br /> <br /> In recent decades scholars in LGBTQ history and gender studies have increasingly examined Joan of Arc as a proto-queer icon who challenged traditional ideas of gender identity and expression. Medieval trial records document that Joan consistently wore male military clothing during her campaigns and continued to wear such clothing during imprisonment a choice that became a central accusation in the charges brought against her in 1431. Some historians and queer theorists have interpreted Joan's refusal to abandon male dress even under threat of execution as evidence of a personal gender identity that did not conform to contemporary expectations for women. Joan of Arc has been cited as an example in Medieval history of an individual navigating queer identity long before the modern understanding of terms like trans non-binary or genderfluid. <br /> <br /> Light toning and mild foxing to some edgewear and staining present to some margins. Prints are clear and paper crisp. Overall very good condition. A compelling and diverse archive of eight Joan of Arc engravings and artistic proofs representing two centuries of European historical illustration and devotional imagery. The collection captures Joan's transformation from medieval visionary to modern nationalist and feminist icon. unknown‎

Bookseller reference : 22913

‎Saddle Prints‎

‎Horse Saddle Prints Published in 1763‎

‎1763. Horse Saddle Prints Published in 1763 Original engraving from: Diderot:Recueil de Planches sur les Sciences les Arts liberaux et les Arts mechaniques Paris France Published: 1763 Sheetsize: 39 x 26 cm. unknown‎

Bookseller reference : 14442

‎Sunny Days Prints‎

‎Garden Weekly Diary 2019: With Weekly Scheduling and Monthly Gardening Planning From January 2019 - December 2019 With Wild Flowers Cottage Garden Cover‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1790264928.G ISBN : 1790264928 9781790264926

‎RAMPANT LIONS PRESS CARTER, Sebastian (designs and prints).‎

‎Baker's Dozen.‎

‎The Gruffyground Press Sidcot. 1991. First edition. Narrow octavo. pp 8. Sewn wrappers. Publisher's catalogue describing thirteen illustrated poetry books these being by Thomas Hardy Edward Thomas Thom Gunn Elizabeth Jennings Robert Graves James Reeves Peter Scupham et al.450 copies printed. On the title-page is the engraving of a polecat used for the publisher Anthony Baker's bookplate printed from the original block. Signed by Anthony Baker at the colophon most copies were not signed.Loosely inserted is a Typed Letter Signed by Anthony Baker and dated February 19th 1973: about 600 chatty words to the poet Ted Walker mostly discussing the possibility of publishing an illustrated verse bestiary.Fine. The Gruffyground Press, Sidcot. unknown‎

Bookseller reference : RAMPANTL000801

‎Paul McCarron Fine Prints and Drawings by old and Modern Masters‎

‎Paul McCarron Fine Prints and Drawings by old and Modern Masters; Catalogue 9‎

‎New York: Paul McCarron ca.1980s. 8vo. Soft Cover ca. 40 pp. B&W Plates. Very Good Creased AbrasionsProvenance: From the Collection of Frederick Gale Ruffner Jr.The Founder of Gale Research Detroit New York: Paul McCarron, [ca.1980s] paperback‎

Bookseller reference : 75-6768

‎Paul McCarron Fine Prints and Drawings by old and Modern Masters‎

‎Paul McCarron Fine Prints and Drawings by old and Modern Masters; Catalogue 11‎

‎New York: Paul McCarron ca.1980s. 8vo. Soft Cover ca. 40 pp. B&W Plates. Very GoodProvenance: From the Collection of Frederick Gale Ruffner Jr.The Founder of Gale Research Detroit New York: Paul McCarron, [ca.1980s] paperback‎

Bookseller reference : 75-6771

‎Utamaro, Kitagawa (After); Adachi Institute of Woodcut Prints (Woodblock Cutting and Impression).‎

‎A Yearning Woman" Pensive Contemplative Love from the Series "Choice of Poems on Love" 1792 4th Year Kansei Period.‎

‎Tokyo: The East Publications Inc. ca. 1980. Woodcut. 18 x 12 cm sheet. Beautiful Reproduction Mid 20th century Cutting and Printing. It has a Fine Impression with Subtle Mica Kirazuri Finish to Background. The Original Utamaro Masterpiece is Oban size; this cut is about half scale to the Original. It was commissioned by East Publications Inc. as a limited gift edition for its customers making it akin to a present day Surimono. Echizen Kizuki Hosho Washi Paper. Quality is Very good with a minor dent above and left of the Artists Name.Provenance: From the Collection of Frederick Gale Ruffner Jr.The Founder of Gale Research Detroit [Tokyo]: The East Publications Inc., [ca. 1980] unknown‎

Bookseller reference : 75-7129

‎M Lee Stone Fine Prints‎

‎Leon Gilmour Wood Engravings‎

‎San Jose California: M Lee Stone Fine Prints 1985. Fol. Stapled prints 22 sheets. B&W Plates some taped together. Very Good.From the collection of the late Frederick G Ruffner Jr founder of Gale Research Detroit. San Jose, California: M Lee Stone Fine Prints, [1985] unknown‎

Bookseller reference : 69-6685

‎Elizabeth Dorger Prints‎

‎Elizabeth Dorger Prints: By Appointment Please‎

‎Cincinnati Ohio: Elizabeth Dorger Prints 1980. Oblong 8vo. 4 pp. Card folded in 2. Color Plates. Very Good.From the collection of the late Frederick G Ruffner Jr founder of Gale Research Detroit. Cincinnati, Ohio: Elizabeth Dorger Prints, [1980] unknown‎

Bookseller reference : 69-6789

‎P�RET, Benjamin CROMBIE, John (translates and prints).‎

‎More Do's than Don'ts.‎

‎Kickshaws Paris. 2003. First edition. Original title: ''Imp�ratif''. Small square octavo. Loose folded sheets printed in various typefaces against decorative backgrounds in a characteristically playful Kickshaws manner. Wrappers. One of 120 numbered copies.Fine. Kickshaws, Paris. unknown‎

Bookseller reference : P�RETBEN002140

‎FREDERICKS, Claude (prints).‎

‎Four items.‎

‎Pawlet Vermont. Various dates. First editions. Printed by Claude Fredericks for presentation to his friends at Christmas.A A Plan for the ''Sonnets'' of a Proposed Shakespeare. 1960. Wrappers. Sonnets xxxiii to xlvi are printed. Fine in printed tissue dustwrapper.B A Page from Bacon's ''Essays''. 1956. Wrappers. Number 20 of 180 copies. Spine faded. Near fine.C Psalms cl & cxxxiii. 1958. Wrappers. Single leaf in loose wrappers. Covers lightly tanned at edges. Near fine.D Meister Eckhart's Sermon on Beata Pauperes Spiritu. 1960. Wrappers. 220 copies printed. Taken from R.B. Blakney's translation. Very near fine. Pawlet, Vermont. unknown‎

Bookseller reference : FREDERIC013688

‎John Wolf Prints (Kensington, CA).‎

‎Archaeological Prints.‎

‎Kensington CA.: John Wolf Prints 1991. 8vo. 12 pp. Soft Cover. Stapled Wraps. Black and white plates throughout. Tipped in is a 12-page typed listing of works offered and the prices. Very Good. Kensington, CA.: John Wolf Prints, 1991. paperback‎

Bookseller reference : 71-2085

‎Freeman M O'Donoghue; Henry Mendelssohn Hake; British Museum (Londres). Department of Prints and Drawings‎

‎Catalogue of Engraved British Portraits: Preserved in the Department of Prints and Drawings in the British Museum. Volume 5 Groups.‎

‎London: Trustees of the British Museum 1922. 4to. 185 pp. Hard Covers. Very Good. Blue cloth covered boards. Some edge wear. Slight warping of spine. Pages fine.From the Collection of the Art Historian Peter Selz. London: Trustees of the British Museum, 1922. hardcover‎

Bookseller reference : 18-5937

‎Defoe, Daniel; Thomas Stothard (engravings).‎

‎The Life And Adventures of Robinson Crusoe. Embellished with Engravings from Designs by Thomas Stothard. Volume I.‎

‎London: T.Cadell and W. Davies Strand; and W. Blackwood Edinburgh 1820. 8vo. Loose Pages ca. 200 pp. Fair with plates and pages removed from binding foxing marginal tears minor losses along edges. Mostly appears to be the list of engravings and the engravings from Volume One only. London: T.Cadell and W. Davies, Strand; and W. Blackwood, Edinburgh, 1820. unknown‎

Bookseller reference : 63-9073

‎Matisse, Henri; F Woimant (estampes) and J Guichard—Meili (livres illustres); Maison Pullierane‎

‎Catalogue Pully 1970. Gravures Et Lithographies de 1900 a 1929.‎

‎Pully Switzerland: Maison Pulliérane 1970. Photocopy. 4to. Folder Binding ca. 50 pp. Good B&W Plates. Selz's personal reference copy.From the collection of UC Berkeley art historian Peter Selz 1919 - 2019. Pully, Switzerland: Maison Pulliérane, 1970. unknown‎

Bookseller reference : 63-9381

‎Musee D'Art D'Histoire, Cabinet Des Estampes‎

‎Graveurs Autrichiens Contemporains.‎

‎Geneva Switzerland: Musee D’Art D’Histoire 1971. . 16mo. 134 pp. Very Good. Soft Cover. Illustrated paper wraps. Black & white plates throughout. Text in French. From Collection of the San Francisco Museum of Modern Art. Geneva, Switzerland: Musee D’Art D’Histoire, 1971. paperback‎

Bookseller reference : 17-2371