‎Scénariste‎

‎Robert Altman director; Gillian Freeman screenwriter; Peter Miles novel; Sandy Dennis Michael Burns starring‎

‎That Cold Day in the Park Original color photograph from the 1969 film‎

‎Los Angeles: Commonwealth United Entertainment 1969. Vintage color studio still photograph from the 1969 film. Based on the novel by Peter Miles. <br/><br/>The feature film that brought Robert Altman to the attention of the film world giving him the break he needed to make "MASH" in the year that followed. A gothic psychological thriller that explores a spinster's depth of loneliness and sexual longing. She happens upon a young mute man in the park who she invites to live in her house. The film was not a box office success and has received a relatively negative reception mostly due to its unclarified theme. <br/><br/>Shot on location in Vancouver Canada. <br/><br/>10 x 8 inches. Near Fine condition. <br/><br/> <br/><br/>Olive 540. Commonwealth United Entertainment unknown books‎

Riferimento per il libraio : 139768

‎Robert Altman director; Marsha Norman screenwriter; Carol Burnett Amy Madigan Michael Wright starring‎

‎The Laundromat Original photograph from the 1985 television film‎

‎Paris: Gamma 1985. Vintage borderless reference photograph of director Robert Altman and actor Carol Burnett on the set of the 1985 television film which originally aired on HBO on April 1. With a printed mimeo snipe on the verso along with the stamps of Gamma Film.<br/><br/>Two women meet at a laundromat and reveal secrets about their lives. The third and final film collaboration between Altman and Burnett following "A Wedding" 1978 and "HealtH" 1980. <br/><br/>Shot on location in Paris.<br/><br/>10.25 x 7 inches. Fine. Gamma unknown books‎

Riferimento per il libraio : 149641

‎Robert Anderson (screenwriter)‎

‎Brandon Original treatment script for an unproduced film‎

‎N.p.: N.p. 1985. Treatment script for an unproduced Western film. <br /> <br /> An ex-convict returns from Central America to Texas determined to confront his former business partner a power-hungry cattleman.<br /> <br /> Set in Texas near the Mexican border. <br /> <br /> White titled self wrappers with title page integral with the front wrapper as issued dated 1985 with credits for screenwriter Robert Henderson. 16 leaves with last page of text numbered 15. Xerographic duplication rectos only. Pages Very Good plus overall partially bound with one staple. N.p. unknown‎

Riferimento per il libraio : 147081

‎Robert Anthony Foster (screenwriter)‎

‎Whisper Dead Original screenplay for an unproduced film‎

‎N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> A woman is exiled from her family due to a tragic misunderstanding with her sister returning years later after her sister's death. She becomes the foster guardian of her orphaned niece a young girl with a cruel streak. <br /> <br /> Transparent front wrapper white rear wrapper. Title page present undated with credit for screenwriter Robert Anthony Foster. 69 leaves with last page of text numbered 66. Xerographic duplication rectos only. Pages about Fine wrapper Very Good plus bound internally with three silver brads. N.p. unknown‎

Riferimento per il libraio : 158055

‎Robert Arnott, Simon Muntner (screenwriter)‎

‎New Love American Style: Three on a Coconut Original screenplay for an unproduced television episode‎

‎N.p.: N.p. 1986. First Draft script for an unproduced episode of the 1985-1986 television series. <br /> <br /> An updated version of the 1969-1974 television show "Love American Style" focused on love and relationships and following in the vignette style of the original. In this installment a group of coworkers goes on a tropical vacation where two develop feelings for each other and one tries to get over a recent breakup. <br /> <br /> Green titled wrappers noted as FIRST DRAFT on the front wrapper production No. 1-146 dated 02-06-86 with credits for screenwriters Robert Arnott and Simon Muntner. Title page integral with front wrapper. 39 leaves with last page of text numbered 38. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown‎

Riferimento per il libraio : 163245

‎Robert Arnott (screenwriter)‎

‎New Love American Style: Love and the Return Original screenplay for the unproduced television episode‎

‎N.p.: N.p. 1986. First Draft script for an unproduced episode of the 1985-1986 television series. <br /> <br /> An updated version of the 1969-1974 television show "Love American Style" focused on love and relationships and following in the vignette style of the original. In this installment a man helps his new friend at the construction site make a move on the diner owner he's had a longtime crush on. <br /> <br /> Salmon titled wrappers noted as FIRST DRAFT on the front wrapper dated 02/05/86 with credits for screenwriter Robert Arnott. Title page integral with front wrapper. 24 leaves with last page of text numbered 22. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown‎

Riferimento per il libraio : 162600

‎Robert Avard Miller (screenwriter)‎

‎Lazarus Original screenplay for an unproduced film‎

‎Burbank CA: Martin Ransohoff Productions 1980. Draft script for an unproduced film. <br /> <br /> Western featuring Lazarus a fugitive cowboy who cant keep out of trouble. <br /> <br /> Red titled wrappers. Title page present with credits for screenwriter Robert Avard Miller composer George Leonard and producer A. Ronald Lubin. 111 leaves with last page of text numbered 109. Xerographically reproduced. Pages Fine wrapper Near Fine bound internally with three gold brads. Martin Ransohoff Productions unknown‎

Riferimento per il libraio : 143986

‎Robert B. Sinclair (director); Ernest Vajda, Mary C. McCall Jr. (screenwriter); Hans Szekely, Zoltan Egyed (playwright); Luise R‎

‎Dramatic School Original photograph from the 1938 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Vintage reference photograph from the 1938 film. With mimeo snipe on the verso. <br /> <br /> A young woman attending the Paris School of Drama is often late to class because she also has to work a factory job to support herself. She lies to her classmates about her life and that she has a a wonderful famous boyfriend. <br /> <br /> Set in Paris. <br /> <br /> 8 x 10 inches. Very Good plus with a crease at the bottom left of the photograph. Metro-Goldwyn-Mayer [MGM] unknown‎

Riferimento per il libraio : 159686

‎Robert B. Parker (screenwriter, novel)‎

‎Thin Air Original screenplay for an unproduced film‎

‎Hollywood: Brandman Productions 1995. Draft script for an unproduced film. <br /> <br /> Based on the 1995 novel by Robert B. Parker the 22nd book in Parker's Spenser series. In this entry Spenser searches for a sergeant's wife who has gone missing.<br /> <br /> Set in Boston.<br /> <br /> Gray untitled wrappers. Title page present undated with credit for novelist and screenwriter Robert B. Parker. 133 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Brandman Productions unknown‎

Riferimento per il libraio : 160016

‎Robert Benton (director, screenwriter); Avery Corman (novel); Meryl Streep, Dustin Hoffman, JoBeth Williams (starring)‎

‎Kramer Versus Vs. Kramer Original screenplay for the 1979 film‎

‎N.p.: N.p. 1978. Revised Fourth Draft script for the 1979 film. Copy belonging to noted New York Times theatre critic and cultural writer Mel Gussow with his name in manuscript ink on the title page along with a notation indicating copy No. 47. <br /> <br /> Based on Avery Corman's 1977 novel about a divorced couple fighting a custody battle for their son. Nominated for nine Academy Awards winning five including Best Picture Best Screenplay Best Actor and Best Actress. <br /> <br /> Shot on location in New York. <br /> <br /> Goldenrod self wrappers lacking rear wrapper. Title page present noted as Revised Fourth Draft on the front wrapper dated September 5 1978 with credits for director Robert Benton and novelist Avery Corman. 136 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown‎

Riferimento per il libraio : 157015

‎Robert Benton (director, screenwriter); Ed Harris, Sally Field, Amy Madigan, John Malkovich, Danny Glover, Lindsay Crouse (starr‎

‎Places in the Heart The Texas Picture Original screenplay for the 1984 film‎

‎N.p.: N.p. 1983. Third Draft script for the 1984 film seen here under the working title "The Texas Picture." Single annotation in manuscript ink on the title page noting copy No. 39.<br /> <br /> During the Great Depression a recently widowed mother fights to defend her family farm from repossession. Nominated for seven Academy Awards winning two including Best Actress for Sally Field and Best Screenplay.<br /> <br /> Set in Waxahachie Texas and shot on location in Waxahachie and Five Points Texas. <br /> <br /> Red titled Studio Duplicating Service wrappers. Title page present dated August 12 1983 noted as Third Draft with credit for screenwriter Robert Benton. 139 leaves with last page of text numbered 138. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold screw brads. N.p. unknown‎

Riferimento per il libraio : 162428

‎Robert Blees creator; Eugenie Ross Leming screenwriter starring; Brad Buckner screenwriters; Shelley Fabares Stephen McHattie‎

‎Highcliffe Manor Three original scripts for two episodes of the 1979 television series‎

‎Los Angeles: T.A.T Communications Company 1978. Three original scripts for two episodes from the short-lived gothic horror sitcom which aired on NBC in 1979. First Draft and a Second Draft scripts for the pilot episode "The Blacke Death" which aired on April 12 1979 and a First Draft script for the third episode "The Evil from Within" here under its working title "Death Walks" which aired on April 26 1979. Annotations in holograph ink on several pages of both First Draft scripts.<br/><br/>A widow inherits her husband's castle which is also a "think tank" filled with crazy scientists and eccentric characters determined to get rid of her. Featuring voice-over narration by Peter Lawford.<br/><br/>"The Blacke Death" First Draft:<br/>Green titled self-wrappers integral with title page noted as First Draft on the front wrapper dated July 28 1977 with credits for screenwriters Brad Buckner and Eugenie Ross-Leming. 31 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br/><br/>"The Blacke Death" Second Draft:<br/>Pink titled self-wrappers integral with title page noted as Second Draft on the front wrapper dated August 3 1978 with credits for screenwriters Eugenie Ross-Leming and Brad Buckner. 50 leaves with last page of text numbered 49. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br/><br/>"Death Walks" First Draft:<br/>Green titled self-wrappers integral with title page noted as First Draft on the front wrapper dated August 4 1977 with credits for screenwriters Eugenie Ross-Leming. 33 leaves with last page of text numbered 31. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. T.A.T Communications Company unknown books‎

Riferimento per il libraio : 152232

‎Robert Bloch (screenwriter); Jack Herzberg (director); John Doucette, Macdonald Carey, Andy Clyde, Gloria Jean (starring)‎

‎Lock Up: Abandoned Mine Original screenplay for the 1961 television episode‎

‎Hollywood: United Artists / Ziv 1960. Draft script for Season 2 Episode 20 of the 1959-1961 television series. The episode originally aired on February 4 1961 in syndication. <br /> <br /> "Lock Up" was a short-lived legal drama series focusing on the cases of renowned Philadelphia corporate attorney Herbert L. Maris. In this installment Maris heads west to investigate a mining scam in Nevada. <br /> <br /> Screenwriter Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. <br /> <br /> Orange titled wrappers dated 20 October 1960 on the front wrapper with credit for Bloch. Title integral with the front wrapper. 45 leaves with last page of text numbered 44. Mimeograph duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. United Artists / Ziv unknown‎

Riferimento per il libraio : 163885

‎Robert Bloch (screenwriter); Eddie Davis (director); James Best, John Doucette, Macdonald Carey, Jack Ging, George E. Stone (sta‎

‎Lock Up: The Beau and Arrow Case Original screenplay for the 1960 television episode‎

‎Hollywood: United Artists / Ziv 1960. Draft script for Season 2 Episode 5 of the 1959-1961 television series. The episode originally aired on October 22 1960 in syndication. <br /> <br /> "Lock Up" was a short-lived legal drama series focusing on the cases of renowned Philadelphia corporate attorney Herbert L. Maris. In this installment the owner of an archery range is charged with killing his psychologist after the latter is found murdered with an arrow sticking out of his chest. <br /> <br /> Screenwriter Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. <br /> <br /> Orange titled wrappers dated 29 July 1960 on the front wrapper with credit for Bloch. Title integral with the front wrapper. 40 leaves with last page of text numbered 38. Mimeograph duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. United Artists / Ziv unknown‎

Riferimento per il libraio : 163883

‎Robert Bloch (screenwriter); Roger Kay (director); Glynis Johns, Dan O'Herlihy, Richard Davalos (starring)‎

‎The Cabinet of Caligari Collection of nine original photographs from the 1962 film‎

‎Los Angeles: Twentieth Century-Fox 1962. Collection of nine vintage studio still photographs two borderless from the 1962 film. <br /> <br /> Jane Lindstom's Glynis Johns car breaks down and she seeks assistance at the home of a man named Caligari Dan O'Herlihy where she soon finds herself prisoner and none of the other residents seem willing to help. Not a remake of the classic 1920 Robert Wiene film "The Cabinet of Dr. Caligari" despite the similarity of the title though it does contain a similar plot twist. <br /> <br /> 7 - 8 x 10 inches 2 - 9.25 x 7 . Near Fine some faint creasing in margins and light edgewear. Twentieth Century-Fox unknown‎

Riferimento per il libraio : 147773

‎Robert Bloch (screenwriter); Gena Rowlands, Stefanie Powers, Donnelly Rhodes, Leo G. Carroll (starring); E. Darrell Hallenbeck (‎

‎The Girl from U.N.C.L.E.: The Fountain of Youth Affair Original screenplay for the 1967 television episode‎

‎Culver City CA: Metro-Goldwyn-Mayer MGM / Arena Productions 1966. Draft script for Season 1 Episode 20 of the 1966-1967 television series which originally aired on February 7 1967 on NBC. <br /> <br /> A follow-up to the successful "The Man From U.N.C.L.E." 1964-1968 series "The Girl from U.N.C.L.E." followed the international adventures of American secret agent April Dancer. In this installment Dancer and her British partner Mark Slate investigate a blackmail arrangement linked to an aging baroness. <br /> <br /> Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. <br /> <br /> Goldenrod titled Metro-Goldwyn-Mayer front wrapper lacking rear wrapper noted as production No. 8605 and copy No. 124 on the front wrapper dated December 12 1966 with credits for screenwriters Robert Bloch and Richard DeRoy. Title page integral with the front wrapper. 65 leaves with last page of text numbered 63. Mimeograph duplication rectos only. Pages Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] / Arena Productions unknown‎

Riferimento per il libraio : 163888

‎Robert Bloch screenwriter; Peter Duffell director; Christopher Lee Peter Cushing Nyree Dawn Porter Denholm Elliott starring‎

‎The House that Dripped Blood Original screenplay for the 1971 film signed by Robert Bloch‎

‎London: Amicus Productions 1970. Draft script for the 1971 film. SIGNED by screenwriter Robert Bloch on the title page in 1982. Brief annotations throughout in holograph ink and pencil. <br/><br/>An anthology horror film featuring four different stories including vampires witchcraft wax ladies and eerie stranglers. In one story a writer is haunted by the psychopathic central character of his latest novel; in another two friends are haunted by a wax figure that eerily resembles a woman they once knew; in the third story a widower is neglectful and abusive to his daughter; and in the final story an actor starring in a vampire film buys a cloak from a mysterious shopkeeper and finds that the cloak gives him vampiric powers. Ingrid Pitt has a supporting role as do Joss Ackland Jonathan Lynn and Joanna Lumley. <br/><br/>Bloch wrote for several Amicus Productions film including "The Skull" 1965 "The Psychopath" 1966 "The Deadly Bees" 1966 and "Asylum" 1972. <br/><br/>Shot on location in England. <br/><br/>Blue titled wrappers. Title page present undated with a credit for screenwriter Bloch. 128 leaves with last page of text numbered 127. Mimeograph duplication. Pages and wrapper Near Fine bound internally with a silver prong brad. <br/><br/>Muir 1970s. Amicus Productions unknown books‎

Riferimento per il libraio : 137241

‎Robert Bob Willoughby photographer; Bernard Girard director screenwriter; Andrew Lytle novel; Robert Culp Samantha Eggar starr‎

‎A Name for Evil Original double weight photograph from the 1973 film‎

‎Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a holograph notation in his hand on the verso. Full provenance available. <br/><br/>Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. <br/><br/>Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.25 x 9 inches. Fine. <br/><br/>Thrower Nightmare USA. Penthouse unknown books‎

Riferimento per il libraio : 139507

‎Robert Bob Willoughby photographer; Bruce Malmuth director; David Shaber screenwriter; Sylvester Stallone Billy Dee Williams L‎

‎Nighthawks Original double weight photograph from the 1981 film‎

‎Universal City CA: Universal Pictures 1981. Vintage oversize double weight borderless still photograph from the 1981 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.25 x 9.25 inches. Near Fine. Universal Pictures unknown books‎

Riferimento per il libraio : 139508

‎Robert Bob Willoughby photographer; David Lean director; Robert Bolt screenwriter; Robert Mitchum John Mills Christopher Jones‎

‎Ryan's Daughter Original double weight photograph for the set of the 1970 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage oversize double weight borderless still photograph from the 1970 film showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>9.25 x 13.25 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books‎

Riferimento per il libraio : 139510

‎Robert Bob Willoughby photographer; Edward Dmytryk director; Millard Kaufman screenwriter; Elizabeth Taylor Montgomery Clift st‎

‎Raintree County Original photograph from the 1956 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage film still photograph from the 1956 film nominated for four Academy Awards and based on the 1948 novel by Ross Lockridge Jr. Paper snipe affixed to the verso. <br/><br/>A graduating poetry teacher played with aplomb by Clift falls in love with a Southern woman Taylor but the woman's past and the Civil War begin to cause problems. <br/><br/>8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books‎

Riferimento per il libraio : 141247

‎Robert Bob Willoughby photographer; J. Lee Thompson director; John D. MacDonald novel; James R. Webb screenwriter; Sy Bartlett p‎

‎Cape Fear Original double weight photograph on the set of the 1961 film‎

‎N.p.: N.p. 1961. Vintage oversize double weight candid photograph of Gregory Peck and producer Sy Bartlett conferring on the set of "Cape Fear" in 1961 during the final scene in which Peck's character Sam Bowden fights in swamp water with Max Cady Robert Mitchum. Shot struck and mounted by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in holograph ink: "Greg on set listens to producer Sy Bartlett." With Willoughby's ASMP rubber stamp with his Pacific Palisades address and a separate stamp with the address of the Lee Gross Agency in New York. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 9 inches. Near Fine. <br/><br/>Hardy The BFI Companion to Crime. Silver Classic Noir. Selby US. Spicer US. N.p. unknown books‎

Riferimento per il libraio : 133200

‎Robert Bob Willoughby photographer; Mike Nichols director; Joseph Heller novel; Buck Henry screenwriter; Alan Arkin Art Garfunk‎

‎Alan Arkin Art Garfunkel and Martin Sheen on the set of "Catch-22" 1969‎

‎N.p.: N.p. 1969. Vintage oversize double weight candid photograph of Alan Arkin Art Garfunkel and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in holograph pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel Alan Arkin Martin Sheen." Also with Willoughby's ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 10 inches. Near Fine. <br/><br/>National Film Registry. N.p. unknown books‎

Riferimento per il libraio : 133199

‎Robert Bob Willoughby photographer; Otto Preminger director; Arthur Laurents screenwriter; Francoise Saga novel; Deborah Kerr D‎

‎Bonjour Tristesse Original photograph from the set of the 1957 film‎

‎Culver City CA: Columbia Pictures 1957. Vintage oversize double weight photograph of Jean Seberg Otto Preminger David Niven and the stand-ins for Seberg and Niven on the set of "Bonjour Tristesse" in the late summer of of 1957 in Cote d'Azur France. Shot struck and mounted by the film's still photographer Bob Willoughby. Willoughby's annotations regarding same present on the verso along with Willoughby's stamps and a stamp for the Sygma Agency in Paris. Full provenance available. <br/><br/>In a subtle homage to early cinema Preminger took the uncommon approach of interspersing black-and-white sequences in what was primarily a color film and pitted the seasoned stalwart David Niven against young and unconventional Jean Seberg the latter fresh from her internationally acclaimed performance in Godard's "Breathless."<br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>11 x 13.75 inches. Near Fine. Columbia Pictures unknown books‎

Riferimento per il libraio : 133206

‎Robert Boris (screenwriter)‎

‎The Dangerfield Safari Original screenplay for an unproduced film‎

‎N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> A jaded safari guide is coerced into hunting a wily killer elephant gradually realizing he feels more at home among the wild animals in the bush than the changing realities of life in Africa.<br /> <br /> Set in Africa.<br /> <br /> Mustard titled wrappers with credits for screenwriter Robert Boris. Title page present with credit for screenwriter Robert Boris. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown‎

Riferimento per il libraio : 146883