‎Scénariste‎

‎Alain Resnais (director); Georges Pierre (photographer); Alain Robbe-Grillet (screenwriter); Delphine Seyrig, Giorgio Albertazzi‎

‎Last Year at Marienbad L'Annee derniere a Marienbad Five original photographs from the 1961 film‎

‎Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos.<br /> <br /> Three photos shown. Please inquire for others.<br /> <br /> An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. <br /> <br /> Nominated for an Academy Award for Best Original Screenplay. <br /> <br /> 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown‎

Referenz des Buchhändlers : 149454

‎Michael Deville (director); Christopher Frank (screenwriter); Jean-Louis Trintignant, Jean-Pierre Cassel, Romy Schneider, Jane B‎

‎Love at the Top Le mouton enragé Original photograph from the 1974 film‎

‎Paris: Viaduc Productions 1974. Vintage oversize borderless reference photograph from the 1974 film showing actress Jane Birkin in a plaid miniskirt but no top freezing in an unheated Paris apartment. With manuscript annotations regarding layout on the verso along with a mimeo snipe a provenance stamp and a stamp dated 4 OCT 1973.<br /> <br /> A dark comedy following a shy bank employee who falls under the sway of a cynical misogynistic novelist.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 8 x 11.75 inches. Very Good plus overall. Viaduc Productions unknown‎

Referenz des Buchhändlers : 149391

‎Denys de La Patelliere (director, screenwriter); Michel Audiard (screenwriter); Marcel Dole (photographer); Rene Lefevre (novel)‎

‎Rue de Paris Rue des Prairies 322 original photographs for the 1959 film‎

‎Paris: Les Films Ariane 1959. Collection of 322 original black-and-white keybook still photographs from the 1959 French-Italian film. Small photos affixed with cello tape on thick stock in a folio "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Each photo is numbered in manuscript ink on the page and in mimeograph on the verso all credited to photographer Dole on the recto. The keybook illustrates a few film sequences most with a stoic Gabin in hat with several composed studio portraits of actress Nat. Included are four larger single photographs of Gabin doing a chair trick in a pub a sequence present in the keybook also credited to Dole on the recto. <br /> <br /> Based on Lefevre's novel "Rue des Prairies" 1955. Gabin plays a POW who returns a widower and in charge of three children. His experiences during the war are relieve through heavy drinking but he has a warm side that proves beneficial. Photographer Dolé was consistent if anything a regular with directors like Denys de La Patelliere Jean Delannoy and Grangier and several Jean Gabin films. <br /> <br /> Keybook photos 3.5 x 4.5 inches four photos 9.25 x 11.75 inches small white borders. Light curling else Near Fine. Notebook Very Good plus. Les Films Ariane unknown‎

Referenz des Buchhändlers : 144663

‎Rene Clair (director, screenwriter); Serge Beauvarlet (photographer); Michele Morgan, Gerarde Philipe, Jean Desailly, Brigitte B‎

‎The Grand Maneuver Les grandes manoeuvres Archive of 867 original keybook photographs for the 1955 film‎

‎Paris: Cinedis 1955. Archive of 867 original keybook still photographs from the 1955 French film pasted on thick stock in three large quarto "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper and a paper title label affixed on the front wrapper. Nearly all photos numbered in manuscript ink inside a small white border on the recto and all numbered in mimeograph on the verso. One notebook full of photos crediting photographer Beauvarlet on the rectos. <br /> <br /> Director Rene's first color film based largely on his childhood experiences. Winner of two important French film awards the Prix Louis-Delluc and the Prix Melies. Screened out-of-competition at the 1974 Cannes Film Festival. Still photographer Beauvarlet remains uncredited for the film perhaps overshadowed by the film's prolific cinematographer Robert Lefebvre. Beauvarlet stuck close to Bardot throughout her career snapping stills in "Her Bridal Night" 1956 "Naughty Girl" 1956 "La Parisienne" 1957 and "The Night Heaven Fell" 1958. His quick-draw style is amply captured here in candid images of the cast and crew a jovial celebrity signing and softer posed studio portraits. <br /> <br /> Armand Philipe is a lieutenant in the French cavalry just before WWI a notorious womanizer and gambler who bets that he can seduce a woman in time for his company to being its summer maneuvers. The woman is Marie-Louise Morgan a divorcee who runs a milliner's shop and who is also being courted by Victor Desailly. A subplot involving Armand's friend Felix Yves Robert and Lucie Bardot a photographer's daughter. <br /> <br /> Photos 3.5 x 4.5 inches. Very Good overall several with bruises from offsetting paste several are loose. Cinedis unknown‎

Referenz des Buchhändlers : 144602

‎Henri Decoin (director, screenwriter); Michel Audiard, Claude Brule, Pierre Roustang, Albert Valentin (screenwriters); Paul Apot‎

‎Too Late to Love Pourquoi viens-tu si tard. 370 original keybook still photographs from the 1959 film‎

‎Paris: Ulysse Production / Cinedis 1959. Collection of 370 original black-and-white keybook still photographs from the 1959 French film consisting of two unique and complimentary pieces one being a studio film still keybook with 97 contact prints of small format transparencies most with 12 images per print amounting to over 1000 images captured nearly all images with series number etched in the original film negative before development and credits at the top for photo laboratory Tele-Photo film studio Ulysse film title and photographer Apoteker housed in an oblong 2-ring paper binder with printed French titles on the front. Laid in is a small piece of graph paper addressed "Cher Christian" presumably filmmaker Christian-Jaque with brief slightly illegible note in French in manuscript ink. The remaining 273 photographs are single photos with similar etched series numbers mounted with cello tape on thick stock in two quarto "Lavis aquarelle" brand spiral bound notebooks with maroon faux leather front wrapper printed French titles affixed on the front wrapper of one. Small "x" annotations in manuscript ink on several pages. <br /> <br /> All three keybooks capture the film and photographer Apoteker's sense of desperation in composed and candid moments. Michele Morgan and Gil Vidal dominate the imagery hamming for the camera and in action scenes with Vidal emerging from a car crash and rarely without a glass in-hand and stunning images of Morgan hula-hooping off-set and in several placid studio portraits. <br /> <br /> Catherine Morgan is an alcoholic lawyer who enlists the help of reporter Walter Vidal to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival 1946. <br /> <br /> Photographer Apoteker's debut film followed by successful crime noirs notably "Classe Tous Risques" 1960 and later worked on "Love and Death" 1975 and the futuristic "cinema du look" film "Le prix du danger" 1983. Fourth film of noted costume designer Autré whose other credits include "Love on a Pillow" 1962 "Contempt" 1963 "Lost Command" 1966 and "The Game is Over" 1966. <br /> <br /> Notebook photos 3.75 x 5 inches most pages with four mounted photos keybook photos to 8.25 x 10.5 inches. Very Good plus overall with light foxing and curling and rubbing to the studio keybook a few photos with small edge tears. Ulysse Production / Cinedis unknown‎

Referenz des Buchhändlers : 144588

‎Michel Boisrond (director); Annette Wademant (screenwriter); William Camus (photographer); Dany Saval, Jean Poiret, Jacqueline M‎

‎How to Succeed in Love Comment reussir en amour 75 original film stills for the 1962 film‎

‎Paris: France Cinema 1962. 75 original black-and-white film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured as is costar Poiret with metal crutches in tow and actress Maillan. Several images show members of the crew during filming rainy scenes cars and large cameras. All with numerical annotations in manuscript pencil on the versos. Housed in an original French Gevaert photo paper box. <br /> <br /> Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br /> <br /> 5 x 7 inches borderless. Very Good plus overall with slight curling and foxing to photos box lightly rubbed. France Cinema unknown‎

Referenz des Buchhändlers : 144275

‎Jean Bastia (director); Roger Pierre (screenwriter); Roselle (photographer); Jean Richard, Roger Pierre, Alexandre Drean, Veroni‎

‎The Gendarme of Champignol Le gendarme de Champignol Archive of photographs and keybook contact prints for the 1959 film‎

‎Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. <br /> <br /> The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages several with small white borders and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. <br /> <br /> Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. <br /> <br /> An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. <br /> <br /> Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. Cinedis unknown‎

Referenz des Buchhändlers : 144110

‎Philippe de Broca (director, screenwriter); Jean-Paul Rappeneau, Daniel Boulanger, Ariane Mnouchkine (screenwriters); Darcy Trig‎

‎That Man from Rio L'homme de Rio 343 original photographs from the set of the 1964 film‎

‎Paris: Les Films Ariane 1964. Collection of 343 vintage black-and-white photographs from the set of the 1964 film "That Man from Rio" here under the original French title "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio Les Films Ariane still photographer Trigo Brazilian magazine "O Cruzeiro " and French film title several with annotations in manuscript ink also on the verso several with Trigo's name in manuscript ink. Over 100 smaller photos bear white borders and credit for photographer Voinquel. Also included is an issue of French magazine "Telérama" Sunday August 18 1963 No. 709 featuring cover and editorial on Belmondo and the film an original Somarco accordion folder dated 1963 and original mailing envelope addressed to Maryse Martres Ariane Films Champs-Élysées from Télé-photo Paris. Martres Martin was a prolific French actress who was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. <br /> <br /> Airman Adrien Dufourquet Belmondo is in Paris on shore leave eager to see his Agnes Dorléac. When he finally sees her only briefly before she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof in the wake of Belmondo's swashbuckling success "Cartouche" 1962 opposite Claudia Cardinale with puzzle solving murder in Brasilia art thieves and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Writing Story and Screenplay: Written Directly for the Screen 1965 and winner of a New York Film Critics Circle Award for Best Foreign Language Film 1964. <br /> <br /> Members of the cast and crew are featured throughout the collection including director de Brocca who earlier worked under directors Claude Chabrol and François Truffaut Belmondo cameramen and an extensive look at the scenery of Brazil and Paris. Boats racing Belmondo dangling from a speeding car and languid down times as cast and crew break for naps in the shade photographer Trigo's often provocative angles capture the director in dimly lit noirish scenarios and a glimpse of the action-packed thrill-ride of shooting a Bond spoof with elements of MacGuyver. Coincidentally photographer Voinquel's direct approach shows stills from a more casual standpoint not without generous documentation of the crew behind the camera. <br /> <br /> Photographs 7 x 9.25 inches and 3.5 x 5 inches some varying slightly overall. Mailing envelope and folder each 10 x 12.5 inches. Photos Very Good Plus overall moderate curling several with bruises or insect wear at the edges several with moderate dampstains. Envelope and folder Good with short tears and similar dampstains. Magazine Very Good wavy brief toning. Les Films Ariane unknown‎

Referenz des Buchhändlers : 143227

‎Michel Boisrond (director, screenwriter); Annette Wademant, Jean Aurel, Jacques Emmanuel (screenwriters); Serge Beauvarlet, Vinc‎

‎La Parisienne Une Parisienne Collection of 130 original photographs and 3 negatives from the 1957 film‎

‎Paris: Cinedis 1957. Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces one being a set housed in the original paper box with "Crumiere / Paris" paper label and annotations on the box top in manuscript ink noting French film title and "B. Bardot" the other being nearly 100 smaller photographs elegantly presented mounted on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper and an affixed paper title label featuring the film's poster art of Bardot. Several photographs with series number on the verso in manuscript pencil a few with rubber-stamps crediting film title and starring actors and photos in notebook numbered at the edges prior to being printed. <br /> <br /> Bardot is seen in nearly every image highlighting an array of hairstyles and costumes scenes in the pilot's cockpit snacking between takes dancing being curious at galas. Contact sheets glamour portraits of Madeleine Lebeau action sequences of bar fights and on-the-set images are equally prominent. Negatives show costume design illustrations for men in military uniforms. <br /> <br /> Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet Vidal who happens to be a womanizer. Taking control of the situation she has an weekend affair with a prince Boyer and ultimately reunites with her husband after somewhat passive apologies. <br /> <br /> Photographs in large quarto notebook 4 x 5 inches to 8 x 10.5 inches mounted on thick stock. Boxed photographs 4.75 x 7 inches to 9.25 x 11.75 inches with 3 medium-format negatives 3.5 x 4.5 inches. Photographs Near Fine overall light curling a handful with short creases negatives Very Good notebook Very Good plus box Very Good. Cinedis unknown‎

Referenz des Buchhändlers : 143131

‎Jacques Rouffio (director, screenwriter); Joseph Kessel (novel); Jacques Kirsner (screenwriter); Romy Schneider, Michel Piccoli‎

‎La passante du Sans-Souci Original photograph from the set of the 1982 film‎

‎Paris: Elephant 1982. Vintage borderless oversized reference photograph from the 1982 film depicting director Jacques Rouffio going over the script with actress Romy Schneider on the set. Scheider's final film before her untimely death. Based on the 1936 novel by Joseph Kessel. <br /> <br /> 12 x 7.75 inches. Fine. Elephant unknown‎

Referenz des Buchhändlers : 139662

‎Claude Sautet (director, screenwriter); Michel Ginfray (photographer); Paul Guimard (novel, screenwriter); Sandro Continenza, Je‎

‎The Things of Life Les choses de la vie Original photograph from the 1970 film‎

‎Paris: Fida Cinematografica / Lira Films 1970. Vintage borderless reference photograph of Romy Schneider and Michel Piccoli on the set of the 1970 French-Italian film. With the stamp of photographer Michel Ginfray on the verso. <br /> <br /> Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. <br /> <br /> 12 x 7.75 inches. Near Fine. Fida Cinematografica / Lira Films unknown‎

Referenz des Buchhändlers : 139655

‎Denys de la Patelliere (director, screenwriter); Michel Audiard (screenwriter); M. Dole (photographer); Jean Gabin, Annie Ducaux‎

‎The Possessors Les grandes familles Collection of 288 original photographs from the 1958 film‎

‎Paris: Filmsonor 1958. Collection of 288 vintage black-and-white still photographs for the 1958 French film. Housed in two quarto "Lavis aquarelle" brand spiral bound notebooks with maroon faux leather front wrapper and printed French titles affixed on the front wrappers each photo with series number etched in the original film negative before development mimeograph series number on the verso and credited to photographer M. Dole on the recto. Small "x" annotations on several pages. Each photo number noted on the page in manuscript ink. <br /> <br /> Based on Maurice Druon's 1948 novel the film stars Jean Gabin as the head of a wealthy French family ruling his fortune and estate with an iron fist and leaving little room for his heirs to prove worthy of the wealth. Photographer Dole was consistent if anything a regular with directors de La Patelliere Jean Delannoy and Gilles Grangier and several Jean Gabin films. <br /> <br /> Photographs 3.25 x 4.5 inches mounted four to a page with cello tape on 9.25 x 12.75 inch leaves. Photos Near Fine overall notebooks Very Good plus. Filmsonor unknown‎

Referenz des Buchhändlers : 140515

‎Jean-Luc Godard (director, screenwriter); Catherine Vimenet (article); Raoul Coutard (cinematographer); Marina Vlady, Roger Mont‎

‎Two or Three Things I Know About Her. Four original photographs from the set of the 1967 film‎

‎Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. <br /> <br /> One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard’s increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. <br /> <br /> Godard has stated that his overall desire with the film was “to include everything: sports politics even groceries†to make “an attempt at description of a phenomenon known. as a complex.â€<br /> <br /> 5 x 7 inches. Fine condition. <br /> <br /> Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown‎

Referenz des Buchhändlers : 138581

‎Francois Truffaut (director, screenwriter); Marcel Moussy (screenwriter); Jean-Pierre Leaud (starring)‎

‎The 400 Blows Original French poster for the 1959 film‎

‎Paris: Les Films du Carrosse 1959. Original French Grande poster for the 1959 film. Poster design by Boris Grinsson. <br /> <br /> Truffaut's auspicious debut winner of Best Director at Cannes nominated for the Palme d'Or and also nominated for a Best Original Screenplay Oscar the following year. <br /> <br /> 47 x 62 inches. Linen backed and rolled. Bright and Fine. <br /> <br /> Capitaine 207. Warren Vol. 1 p. 159. Les Films du Carrosse unknown‎

Referenz des Buchhändlers : 139477

‎Francois Truffaut (director, screenwriter); Adele Hugo (memoir); Jean Gruault, Suzanne Schiffman, Frances V. Guille (screenwrite‎

‎The Story of Adele H L'histoire d'Adele H. Four photographs from the 1975 film‎

‎Paris: Les Films du Carrosse / Les Productions Artistes Associes 1975. Collection of 4 vintage black-and-white press photographs from the set of the 1975 film. Three of the four photographs show Truffaut and his crew working on the set both in front of the camera and behind it and the fourth is a lovely shot of Truffaut in uniform next to Isabelle Adjani. Stamp of French press agency Les Artiests Associes on the verso of each print. <br /> <br /> Based on the diaries of the youngest daughter of author Victor Hugo about a woman whose romantic obsession with an indifferent military captain eventually leads to her despair and madness. Isabelle Adjani was nominated for an Academy award making her at age 20 the youngest Best Actress nominee of all time in 1975. <br /> <br /> Story set in Halifax Nova Scotia shot on location in Barbados Senegal and the Channel Islands. <br /> <br /> 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown‎

Referenz des Buchhändlers : 135604

‎Luis Bunuel (director); Jean-Claude Carriere (screenwriter); Raymond Voinquel (photographer); Catherine Deneuve, Michel Piccoli,‎

‎Belle de jour Original photograph of Catherine Deneuve and Luis Buñuel from the set of the 1967 film‎

‎Paris: Robert et Raymond Hakim / Sud-Films Distribution 1967. Vintage black-and-white borderless still photograph of Catherine Deneuve and director Luis Buñuel on the set of the 1967 film. With the French producer's stamp on the verso "Robert et Raymond Hakim" and a printed list of credits in French. <br /> <br /> Buñuel's first color film about a young housewife who begins working in a brothel while her husband is at work with tragic consequences for him and a jealous client involved in organized crime. Winner of the Golden Lion at the 1967 Venice Film Festival. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Robert et Raymond Hakim / Sud-Films Distribution unknown‎

Referenz des Buchhändlers : 135078

‎Louis Malle (director); Louise de Vilmorin (screenwriter); Dominique Vivant (novel); Jeanne Moreau, Alain Curry, Jean-Marc Bory‎

‎The Lovers Collection of 12 photographs from the1958 film‎

‎Paris: Nouvelles Editions de Films NEF 1958. Collection of twelve vintage black-and-white still photographs from the 1958 French film. <br /> <br /> The great French director's second film about a wealthy woman who has become bored with both her emotionally distant husband and her lover and abruptly leaves them both to take up with a younger man she just met. After it was released in the US the film became the subject of a landmark First Amendment case before the Supreme Court where Justice Potter Stewart in declaring the film not obscene issued the immortal phrase "I know it when I see it" in regards to what constitutes pornographic material. <br /> <br /> A story set and shot on location in France including Paris Dijon Burgundy and the Cote-d'Or. <br /> <br /> 8 x 10 inches. Near Fine or better with light toning to a few of the photographs. <br /> <br /> Criterion Collection 58. Nouvelles Editions de Films [NEF] unknown‎

Referenz des Buchhändlers : 132901

‎Chris Robinson (director, screenwriter, starring); Anthony Scott, Ted Cassidy, Robert Leslie, Phyllis Robinson (starring)‎

‎Black Rage Catch the Black Sunshine Original poster for the 1972 Blaxploitation film‎

‎N.p.: Camelot Entertainment 1972. Vintage one sheet poster for the 1972 Blaxploitation film.<br /> <br /> Two enslaved African-American brothers—one albino one non-albino—discover a treasure map on their enslaver's plantation and decide to run away to hunt for the treasure. Director and actor Chris Robinson is best remembered today for his roles in soap operas in the later half of the twentieth century including "The Bold and the Beautiful" and "General Hospital." <br /> <br /> Shot on location in Hobe Sound Florida. <br /> <br /> 27 x 41 inches folded as issued. Very Good plus lightly toned along the creases. Camelot Entertainment unknown‎

Referenz des Buchhändlers : 164079

‎Corey Allen (director); Irv Pearlberg (screenwriter); Raymond Burr, Don Galloway, Barbara Anderson, Don Mitchell (starring)‎

‎Ironside: Too Many Victims Original screenplay for the 1970 television episode‎

‎Universal City: Universal Studios 1970. Draft script for "Too Many Victims" the ninth episode of the fourth season of the crime drama television series "Ironside" which originally aired on November 12 1970 on NBC.<br /> <br /> A long-running series featuring the eponymous Robert T. Ironside a wheelchair user and investigative consultant for the San Francisco police department. In "Too Many Victims" the daughter of a cop crashes her car while driving high leading her father to use less-than-legal methods to run in a local drug dealer whom he suspects may be supplying teenagers with weed.<br /> <br /> Set and shot on location in San Francisco. <br /> <br /> White titled self-wrappers dated March 3 1970 with credits for screenwriter Irv Pearlberg. Title page integral with front wrapper as issued. 66 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Very Good plus bound with two silver brads. Universal Studios unknown‎

Referenz des Buchhändlers : 147189

‎Stephen Becker (novel); Barry Spikings (screenwriter)‎

‎The Chinese Bandit Original screenplay for an unproduced film‎

‎Los Angeles: Embassy Pictures 1983. Draft script for an unproduced film. <br /> <br /> Based on the 1975 novel by Stephen Becker about a former Marine turned alcoholic drifter forced to fend his way out of Peking after nearly killing an American brigadier in a bar fight. <br /> <br /> Generic white Embassy Pictures wrappers. Title page present dated 4th April 1983 with credits for Becker and screenwriter Barry Spikings. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. Embassy Pictures unknown‎

Referenz des Buchhändlers : 166582

‎Sean Penn (director, screenwriter); Viggo Mortensen, David Morse, Patricia Arquette, Dennis Hopper, Charles Bronson (starring);‎

‎The Indian Runner Original screenplay for the 1991 film‎

‎N.p.: Clyde is Hungry Productions 1990. Shooting script for the 1991 film. Noted as Shooting Script and copy No. 20 in manuscript ink on the title page. Incomplete script ending on page 117.<br /> <br /> Sean Penn's directorial debut based on the 1982 Bruce Springsteen song "Highway Patrolman" about two brothers on opposite sides of the law. The final film performance of Sandy Dennis who died six months after the film's release. <br /> <br /> Set in 1960s Nebraska shot on location in Plattsmouth and Omaha Nebraska.<br /> <br /> Self wrappers. Title page present dated June 25 1990 noted as shooting script with credit for Penn. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads with first and last leaves partially detached from the binding. Clyde is Hungry Productions unknown‎

Referenz des Buchhändlers : 166471

‎Wim Wenders (director, screenwriter); Sam Shepard (starring, screenwriter); Jessica Lange, Tim Roth, Sarah Polley, Gabriel Mann,‎

‎Don't Come Knocking Two original photographs from the 2005 film‎

‎N.p.: Reverse Angle Productions 2005. Two vintage color studio still photographs from the 2005 film one showing actors Sarah Polley and Gabriel Mann the other showing Mann and Fairuza Balk. <br /> <br /> An aging Western actor flees from his latest film set deciding to travel into his past starting with a trip home to visit his long-estranged mother in Elko Nevada. Nominated for the Palme d'Or.<br /> <br /> Shot on location in Moab Salt Lake City and Arches National Park Utah and in Butte Wendover and Elko Nevada. <br /> <br /> 10 x 8 inches. Fine. Reverse Angle Productions unknown‎

Referenz des Buchhändlers : 162341

‎Leslie Stevens (creator); William Wiard (director); Norman Hudis (screenwriter); Hugh O'Brian, Tony Franciosa, Doug McClure, Bur‎

‎Search: The Clayton Lewis Document Original screenplay for the 1973 episode of the 1972-1973 NBC television series‎

‎Burbank CA: Warner Brothers Television 1972. Rainbow Revision Final Draft script for the season 1 episode 17 episode of the 1972-1973 NBC television series which aired on February 14 1973.<br /> <br /> Created by Leslie Stevens who created "The Outer Limits" for ABC in 1963 "Search" was a science fiction series about a high-tech international private investigations company World Securities Corporation who employ "probes" elite field operatives who use secretive camera and telemetry devices against political or organized crime elements. Each episode focuses on an investigation by one of three probes Hugh O'Brian Doug McClure or Anthony Franciosa and features Burgess Meredith as "director" of the investigations.<br /> <br /> The series was preceded by a two hour pilot episode "Probe" which aired on NBC on February 21 1972 and the series ran for 23 episodes ending on August 29 1973.<br /> <br /> Tony Franciosa is called in by the wife of a Presidential aide who is being blackmailed by someone wanting information on a disarmament conference with Rhonda Flemming guest starring.<br /> <br /> Red titled wrappers noted as FINAL on the front wrapper. Title page present dated December 18 1972 noted as FINAL DRAFT with credits for screenwriter Norman Hudis. 69 leaves with last page of text numbered 69. Mimeograph duplication rectos only with blue pink green yellow tan and goldenrod revision pages throughout dated variously between 12/20/72 and 12/29/72. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers Television unknown‎

Referenz des Buchhändlers : 166289

‎Donald Hamilton (character); Sam Rolfe (creator); Lawrence Dobkin (director); Michael Fisher (screenwriter); Anthony Franciosa,‎

‎Matt Helm: Double Jeopardy Original screenplay for the ninth episode of the 1975-1976 television series‎

‎N.p.: N.p. 1975. Rainbow Revision Final Draft script for the ninth episode of the 1975-1976 ABC television series which aired on November 22 1975. Copy belonging to actor Nick Dimitri who played "Candy" with an ink annotation of his name and character name on the front wrapper.<br /> <br /> "Matt Helm" premiered as a two hour self-titled ABC television film on May 7 1975 and the series ran for one season with thirteen episodes from September 20 1975 through January 3 1976.<br /> <br /> Loosely based on the character created by Donald Hamilton in his 1960 novel "Death of a Citizen." Anthony Franciosa stars as the titular character a former secret agent who opens a private detective business.<br /> <br /> In this episode Helm clears a businessman of murder charges before discovering evidence that may point to the man's guilt.<br /> <br /> Shot on location in Los Angeles. <br /> <br /> Blue titled wrappers noted as FINAL DRAFT on the front wrapper dated October 2 1975. Title page present dated October 2 1975 noted as FINAL DRAFT with credits for screenwriter Michael Fisher and story by Stanley Roberts. 79 leaves with last page of text numbered "67-68." Mixed duplication method mimeograph and xerographic duplication but all vintage rectos only with yellow blue pink green and salmon revision pages throughout dated variously between 10/6/75 and 10/13/75. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown‎

Referenz des Buchhändlers : 166464

‎Henri-Georges Clouzot (director, screenwriter); Georges Arnaud (novel); Jerome Geronimi (screenwriter); Yves Montand, Charles Va‎

‎The Wages of Fear Original photograph from the 1953 film‎

‎Rome: Compagnia Cinematografica Champion 1953. Vintage studio still photograph from the 1953 film. <br /> <br /> Based on the 1950 novel by Georges Arnaud. Henri-Georges Clouzot's breakthrough masterpiece a tense and literally volatile thriller. Four luckless Europeans are hired by an American oil company to drive two trucks of nitroglycerine through the South American wilderness to extinguish a fire in the oil fields. Winner of the Palme d'Or.<br /> <br /> Shot on location in Gard and Bouches-du-Rhone France. <br /> <br /> 10 x 8 inches. Very Good plus. <br /> <br /> Criterion Collection 36. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Selby France. Compagnia Cinematografica Champion unknown‎

Referenz des Buchhändlers : 161494